There is a series of nine coats of arms in the ballroom of the castle:
There are so many Fleurs de lis that everyone, except the joker, calls it the «fleurdelisée» room. Nobody knows the reason why the joker says there is none, do you?
Think before you move the cursor or click on the following link and see the solution.
Categories: Riddle, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.
Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.
Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or.
Escudo de azur, dos robles arrancados al natural, hojados de sinople, frutados de oro, en jefe, tres estrellas de cinco puntas de oro; entado en punta de plata, un corazón de gules sembrado de flores de lis de oro.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a leather finishing.
Coat of arms of Dr. Tariq Abbasi MBE FRSA designed by Vittorio Gifra and emblazoned by me.
Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Abbasi, Tariq.
186th Pope of the Church, only 40 days in 1276. «Hadrianus V», born Ottobuono de Fieschi, was born in Genoa.
Bendy of six Azure and Argent.
Escudo bandado de seis piezas de azur y plata.
Papal coat of arms interpreted by me with: a shield with a rounded arch top; the field in plain tincture of Argent; the bands illuminated in Azure and outlined in Sable; and the whole in an elevated line style.
The blazon in French is «Bandé d'azur et d'argent de six pièces».
The banding is defined in [Avilés, J.; 1725a; page 40] and [Avilés, J.; 1780a; page 45] as the shields and also, the chiefs, fesses, pales, and figures, such as animals, etc., that are «covered and filled with bands in equal number, with as many of metal as of color».
Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Adrian V.
Adrian Ailes, «The Origins of the Royal Arms of England: Their Development to 1199», foreword by Rodney Dennys, includes 27 black and white illustrations, Graduate Centre for Medieval Studies, Reading University, 126 pages, ISBN 07-049077-6-3, Reading, Berkshire, 1982.
An article reviewing this book is: Brigitte Bedos Rezak, Archives nationales de Paris and Metropolitan Museum of Art, «The Origins of the Royal Arms of England, their Development to 1199 by Adrian Ailes», Speculum, volume 60, number 2, pages 373-376, Medieval Academy of America, Cambridge, Massachusetts, April of 1985.
Bibliographical reference of century XX.
The author is Ailes, Adrian.
Bibliographical reference mentioned in the following article:
External link:
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, three anchors Or, 2 and 1.
Escudo cortado: 1o de sable, tres estrellas de plata de ocho puntas, 1 y 2; 2o de azur, tres anclas de oro, 2 y 1.
Coat of arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Sable, Argent, Azure, Or, Three, Party per fess, Mullet, Disordered, Anchor and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Alborán, Sea of.
Blazon of the Aldam lineage of England.
Azure, a ray of the sun bendwise, issuant from the dexter chief Or.
Escudo de azur, un rayo de sol puesto en banda, naciente de la diestra del jefe de oro.
Illuminated with lights and shadows and with a freehand finish.
Described in [Burke, B.; 1989; page 9, column 1, entry 11].
Blazon keywords: Without divisions, Azure, One, Ray of the sun, Bendwise, Nascent, Dexter, Chief and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Azure, a cross flory voided Argent; a bordure Gules charged with sixteen saltires couped Or.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a texturized finishing.
Alfonso Sánchez de Perella, first mayor of Burgos emblazoned by me. He appears as the [Cofradía de Santiago; Century XIV; 4th knight, 1st of the page 21 V], from this 14th century Book of the Brotherhood of Knights of Santiago de la Fuente. This was a brotherhood founded by the Burgos citizens at the time of King Alfonso XI of Castilla, 1311-1350. In the book, there are 14 saltires instead of 16, as it appears that one is missing on the sinister side of the base, and there are 4 in the chief instead of 5.
Blazon keywords: Azure, Argent, Gules, Or, One, Sixteen, Cross, Flory, Voided, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sánchez de Perella, Alfonso.
Born on November 11, 1155, in Soria and died on October 6, 1214, in Gutierre-Muñoz, Avila.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable.
Existing arms interpreted by me as follows: the shield’s shape is pointed and rounded; the field has been enameled Gules; the castle is outlined, illuminated, and shaded; the whole composition features a heavily hammered metal finish.
This ancient coat of arms of Castile can be consulted, among other sources, in [Argote de Molina, G.; 1588; chapter XLII].
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows and Masoned.
Style keywords: Ogee, Illuminated, Shaded, Outlined in sable and Hard metal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Alfonso VIII of Castile.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Coat of arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the King Alfonso X of Castile, 1221–1284, 1st son of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. The order of the quarters is first the castle of his grandmother, Queen Berenguela of Castile, and second the lion of his grandfather, King Alfonso IX of León; however, the other day I discovered that on the map by [Martineau du Plessis, D.; 1700; volume II, illustration 30, page 126], in the shield framed between parallels 37 and 36 and meridians 21 and 22, the lion occupies the 1st quarter and the castle the 2nd quarter; that is, their order appears reversed.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Alfonso X of Castile.
Of the twelve lineages of Noblemen, it is the first, and they bear as arms, on a golden field, three pales Azure.
Or, three Pallets Azure.
Escudo de oro, tres palos de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the pales outlined in Sable and illuminated in Azure enamel; and finished in highly-hammered metal.
Based on the first coat of arms of the «ricoshombres» of Navarre in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Los Almorauides» it can also be consulted in [Vega, P. J. de; 1702; folio 1 of the manuscript].
Blazon keywords: Without divisions, Or, Three, Pale and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Almorrabides of Navarre.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules. Timbrado de una corona real abierta.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules. Crest: An open royal crown Or.
I emblazoned the coat of arms of the King with an external shape ending in an ogee arch, the field, castles, lions, and crown are outlined; and all have a crystal clear finishing.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.
Style keywords: Ogee, Plain tincture, Outlined in sable and Marmoreal.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Alphonse X of Castile.
Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules.
Escudo de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
Coat of arms of the lineage Alpoim. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Alpoim are in the 2nd quarter.
Blazon keywords: Azure, Argent, Or, Gules, One, Crescent, Reversed, In the dexter chief, Fleur de lis and Bordure.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Alpoim, lineage.
Party per pale: 1 Or, a Georgian dancer proper; 2 Gules, a church Or, ports and windows Azure.
Escudo partido: 1o de oro, un bailarín georgiano al natural; 2o de gules, una iglesia de oro, aclarada de azur.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Coat of arms of Graziano Alu designed by Angelo Musa and emblazoned by me. The blazon in Italian is «Arma: Partito: 1o d'oro, un ballerino georgiano al naturale; 2o di rosso, una chiesa d'oro, finestrata e portata d'azzurro».
Blazon keywords: Or, Gules, Azure, One, Party per fess, Male figure, Proper, Church and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alu, Graziano.
Blazon of the Amancier lineage of Genevois, Haute-Savoie, France.
Gules, three bars per pale Or and Azure.
Illuminated and a freehand finishing.
Its French blazon «de gueules, à trois fasces parties d'or et d'azur» can be found at [Rietstap, J. B.; 1861; page 40].
Any fess party per pale of metal and color or color and metal will always have a metal on metal or color on color conflict whether the field of the coat of arms is color or metal. There isn't conflict if the field of the coat of arms is also party per pale with metal under the color of the fess and with color under the metal of the fess or if the field is fur.
Blazon keywords: Without divisions, Gules, Three, Fess, Party per pale, Or and Azure.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Paly of four Ermine and Or, overall two fleurs de lis in fess Azure; enté en point Azure, an estoile Or. Motto: «Miseris Succurrere Disco».
Escudo palado de cuatro piezas de armiños y oro, brochante sobre el todo dos flores de lis en faja de azur; entado en punta de azur, una estrella ondada de oro. Lema: «Miseris Succurrere Disco».
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a corset outer contour and with a watercolor finish.
Coat of arms of Amber Martinez, California, designed by her, improved by Kevin D Couling and Bob Juchter van Bergen Quast and emblazoned by me. In general, when the dividing lines are diagonal, whether straight or curved, the traditional French terminology is preferred in English. When the dividing lines extend from chief to base and are straight, «Chaussé» ~ «Calzado» designates a partition in the form of a «V», whereas «Chapé» ~ «Cortinado» designates a partition in the form of a caret «^». When these same partitions are drawn with curved lines, the French adjective «ployé», meaning curvilinear, is added, giving «Chaussé ployé» ~ «Calzado curvilíneo», in the form of a «V», and «Chapé ployé» ~ «Cortinado curvilíneo», in the form of a caret «^», following the terminology proposed by [Sanz Lacorte, J.; 2007]. A second family of partitions originates at the centre of the shield. When their dividing lines are straight, the English terms «Party per chevron reversed» ~ «Mantelado en jefe» are used for a partition in the form of a «V» extending from the chief to the centre, whereas «Party per chevron» ~ «Mantelado en punta» designates a partition in the form of a caret «^» extending from the centre to the base, this latter being by far the most common of the partitions described here. When these central partitions are instead drawn with curved lines, the French terminology is again adopted: «Enté en chef» ~ «Entado en jefe» for a curvilinear partition in the form of a «V» extending from the centre towards the chief; «Enté en point» ~ «Entado en punta» for a curvilinear partition in the form of a caret «^» extending from the centre towards the base; «Enté en chef enhanced» ~ «Entado en jefe alzado» when the upper enté begins above the centre, approximately in the upper third of the shield, still forming a «V»; and «Enté en point abased» ~ «Entado en punta caído» when the lower enté begins below the centre, still forming a caret «^». As an additional distinction, «Chapé throughout» ~ «Capa» forms a straight caret «^», touching the chief and descending approximately to the middle of the flanks, whereas «Chapé ployé throughout» ~ «Capa curvilínea» has the same general arrangement and also forms a caret «^», but with curved lines. According to [Cadenas y Vicent, V. de; 2002; page 85], «entés» originate from the centre of the shield; when «Enté en chef» ~ «Entado en jefe» begins in the upper third of the shield it is described as «Enté en chef enhanced» ~ «Entado en jefe alzado», whereas when «Enté en point» ~ «Entado en punta» begins in the lower third it is described as «Enté en point abased» ~ «Entado en punta caído». Nevertheless, heraldic practice does not always follow this theoretical distinction. For example, the pomegranate representing the Kingdom of Granada in the arms of Spain is almost universally blazoned as «Enté en point» ~ «Entado en punta», although it is neither described as «Enté en point abased» ~ «Entado en punta caído» nor usually depicted as issuing from the exact centre of the shield, but rather from a noticeably lower position.
Blazon keywords: Or, Azure, Four, Two, One, Paly, Ermine, Overall, Fleur de lis, In fess, Enté en point, Estoile and Motto.
Style keywords: Outlined in sable, Illuminated, Corset and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Martinez, Amber.
Quarterly: 1 Or, a lion rampant, facing sinister Sable, armed and langued Gules; 2 and 3 Gules, an anchor proper; 4 Or, a lion rampant Sable, armed and langued Gules; overall, a pile issuant from base Azure charged with a mount proper issuant from water issuant from base Argent, in chief, a mullet of six points Or.
Coat of arms of Amitay Edward von Stiebel outlined by me.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Six, Quarterly, Lion, Rampant, Facing sinister, Armed, Langued, Anchor, Proper, Overall, Pile issuant from base, Charged, Mount, Issuant, Water, Issuant from base, In chief and Mullet.
Style keywords: Outlined and Bull's hide.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Stiebel, Amitay Edward von.
Azure, two barbels addorsed Argent. Behind the shield an eight-pointed cross patty Gules.
Blazon keywords: Azure, Two, Barbel, Addorsed, Argent, Behind the shield, One, Eight-pointed cross, Cross couped and Gules.
Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Montbard, André de.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a texturized finishing.
G0066, Chief Herald of Arms of Malta's grant of Andrea Pompili's arms, whose coat of arms has been emblazoned by me. The hand-drawn tree shown in this photograph was originally created for the coat of arms of Andrea Pompili, commissioned by Dr Charles A. Gauci, Chief Herald of Arms of Malta. Some time later, an art collector asked me for a dedicated hand drawing. I chose this tree because its canopy has a distinctive heraldic shape, setting it apart from the other drawings in his collection, as it was specifically designed to fit beneath the two chevronels. This is also the reason for the handwritten note «under a chevron» beside the drawing. Before sending it, I inscribed the sheet with a dedication, which explains the handwritten text visible alongside the artwork.
Blazon keywords: Azure, Argent, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated and Proper.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Andrea.
Party per pale: 1 per fess indented perlong Or and Azure overall on a fess Azure a mullet Or, and on a chief cousu Or an eagle displayed, a crown Or above [for Tamburelli]; 2 Azure, a lion rampant Or supporting a lance palewise Argent, in chief three mullets Or [for Lanzara]. Crest: a crown of an Italian Count.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a texturized finish.
Coat of arms of Count Andrea Tamburelli Lanzara di Pietragavina, registered under number R0018 by the Chief Herald of Arms of Malta and emblazoned by me.
Blazon keywords: Or, Azure, Sable, Argent, One, Three, Party per pale, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Lion, Rampant, Grasping, Spear, Point upwards, Crest and Crown of Count.
Style keywords: Outlined in sable, Illuminated, Ogee and Cousu.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Tamburelli Lanzara di Pietragavina, Andrea.
Party per fess: 1 Azure, a Athenian owl Argent, contourné, in chief; 2 Argent, an oak Azure, eradicated, in base; overall a saltire counterchanged.
Escudo cortado: 1o de azur, una lechuza al estilo ateniense, contornada de plata, en jefe; 2o de plata, un roble de azur, arrancado, en punta; brochante sobre el todo un sotuer del uno al otro.
Coat of arms interpreted with: its semicircular (round) base; the fields enameled in plain Azure and Argent; the saltire of traditional dimension, that is, 1/3 of the width of the shield; the figures outlined of the field and illuminated in Argent and Azure; and the ensemble with a raised-stroke finish.
A summary of the Blog Idtg de Kimon Andreou can be consulted within my section of recommended links. That summary is accompanied by another interpretation of Kimon's coat of arms, with the following differentiating characteristics:
Blazon keywords: Party per fess, Azure, Argent, Saltire, Overall, Counterchanged, Barn owl, Regardant, Tree, Oak and Erased.
Style keywords: Freehand, Illuminated and Outlined in the field tincture.
Classification: Interpreted, Personal, Coat of arms and Heraldry and heralds.
Bearer: Andreou, Kimon.
Or, an eagle displayed Azure.
Arms painted by me, in plain tinctures, contoured in Sable, with a rounded trapezoidal external shape and with a texturized finishing.
The coat of arms of Andrés Cruz Carballo designed by his father-in-law Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Or, Azure, One, Eagle and Displayed.
Style keywords: Outlined in sable, Plain tincture and Rounded trapezoid.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Cruz Carballo, Andrés.
Anonymous, «Armerías de España», 124 double pages, title in the page 9, provenance Duke of Osuna and Infantado, 1800.
The book has no index and its content, written by hand, is as follows:
Bibliographical reference of century XVIII.
Classification: Manuscript, Armorial roll, In black and white and Castilian language.
The author is anonymous.
Bibliographical reference mentioned in the following article:
External links:
Internal resources: Osuna1800.ArmeriaEspaña.Manuscrito.pdf.
Quarterly: 1 Argent, a dolphin haurient Azure; 2 Azure, a sunflower Or; 3 Azure, on a closed book Or a diamond Azure; 4 Argent, a lark Azure. Motto: «Luctor et Emergo».
Escudo cuartelado: 1o de plata, un delfín hauriante de azur; 2o de azur, un girasol de oro; 3o de azur, un libro cerrado de oro cargado de un diamante de azur; 4o de plata, una alondra de azur. Lema: «Luctor et Emergo».
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.
Blazon keywords: Argent, Azure, Or, One, Quarterly, Dolphin, Haurient, Sunflower, Closed book, Book, Charged, Diamond, Lark and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Ruiz Porras, Antonio.
1525-1581.
Lozengy Or and Azure, on a pale Gules, three estoiles Or.
Escudo losanjado oro y azur, en un palo de gules, tres estrella ondadas de oro.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; the pale illuminated in Gules and outlined in Sable; the estoiles illuminated in Or and outlined in Sable; and the whole with a raised-stroke effect.
Blazon keywords: Lozengy, Or, Azure, Pale, Gules, Charged and Estoile.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Antrobus, Thomas.
Azure, a lion rampant Argent, in chief a mullet of four points Or; a bordure Gules charged with eight saltires couped Or.
Escudo de azur, un león rampante de plata, surmontado de un lucero de oro; una bordura de gules cargada de ocho sotueres de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
These are the ancient arms of the lineage Araneta emblazoned by me. They are from the Basque Country and there is a branch in the Philippines. This star is known as mullet of four points.
Blazon keywords: Azure, Argent, Or, Gules, One, Eight, Lion, Rampant, Mullet of four points, Bordure, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Araneta, lineage.
Argent, two wolves passant, in pale Sable, langued Gules; a bordure Azure charged with eight mullets Or.
Escudo de plata, dos lobos pasantes, en palo de sable, lampasados de gules; una bordura de azur cargada de ocho estrellas de oro.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Ancient arms of the lineage Argudo of Guipuzcoa emblazoned by me. The lineage Ochoa of Vergara has a blazon equivalent to this one. Alternative blazon: «Argent, two wolves passant, in pale Sable, langued Gules; on a bordure Azure, eight mullets Or».
Blazon keywords: Argent, Sable, Gules, Azure, Or, One, Eight, Wolf, Passant, In pale, Bordure and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argudo of Guipuzcoa, lineage.
Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it.
Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.
Coat of arms of the lineage Argüello of Extremadura emblazoned by me. Its blazon may be found in the books [Atienza y Navajas, J. de; 1959; page 171] and [Cadenas y Vicent, V. de; 1987; page 167], where it is described as Vert with its acorns and roots Or. In this rendition, I have interpreted the holm oak as proper, but also fructed and eradicated Or.
Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Tree, Proper, Fructed, Eradicated, Goat and Supporting.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Argüello of Extremadura, lineage.
Ermine papelonny, a lion rampant guardant Gules, armed and langued Azure.
Escudo de armiños papelonado, un leopardo leonado de gules, armado y lampasado de azur.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems watercolor.
Credits: Felipe Trujillo Jiménez is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Without divisions, Ermine, Papelonny, One, Lion rampant guardant, Gules, Armed, Langued and Azure.
Style keywords: Semi-circular, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Arjona Berrocal, Rubén.
Quarterly: 1 Gules, a chevron Argent, between three fleurs de lis Or [for Frazão]; 2 Or, five mullets in saltire Gules [for Coutinho]; 3 Argent, four escutcheons in cross Azure, each charged with nine plates, those in flank with points to center, overall a carbuncle and orle of knotted cords Purpure debruised by the center escutcheons [for Eças]; 4 Sable, on a mount issuant from the base Vert, a tower Argent, port, windows and masoned sable, between two wolves Or supporting it [for Cámara]; enté en point Or, three bars wavy Gules [for Drummond]. Suspended from the shield the cross of Member of The Royal Order of the Golden Fire Dog.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.
Blazon keywords: Or, Gules, Argent, Azure, Purpure, Sable, Vert, One, Two, Three, Four, Five, Nine, Quarterly, Chevron, Between, Fleur de lis, Mullet, In saltire, Escutcheon, In cross, Charged, Plate, In each flank, Center, Overall, Carbuncle, Orle, Knotted, Cord, Debruised, Mount, Issuant, Base, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Bar, Wavy, Suspended from the shield and Decoration.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Frazão Coutinho Dias, Hugo.
Azure, issuant from base a frog's head and from flanks its forelegs in chevron Or, in chief a mullet of seven points Argent.
Coat of arms of Arturo Taborda, Venezuela, emblazoned by me. Four-step schema showing how I planned the construction of this coat of arms, based on two in pale, centered circles, each with a diameter equal to half the width of the shield, the first circle is used to inscribe the mullet of seven points, and the second to inscribe the frog’s head, in addition, I extended the axes of two rays of the mullet, specifically the two that form the angle of a chevron, and used those two axes as guides for placing the frog’s forelegs.
Blazon keywords: Azure, Or, Argent, One, Seven, Issuant from base, Frog, Head, Flank, Foreleg, In chevron, In chief and Mullet.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Ogee.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Taborda, Arturo.
Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess. Supporter A Tree Vert, eradicated. Motto «Amat victoria curam».
Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja. Por sostén un árbol de sinople, arrancado. Lema «Amat victoria curam» de oro, sobre una filacteria de azur.
The original design of this coat of arms, along with many others heraldic devices, is registered in [Salmerón Cabañas, A.; 2015a; page 11].
Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Crest and mantling, Vert, Tree, Erased, Supporter (thing), Supporter, Motto and Scroll.
Style keywords: Watercolor, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.
Classification: Coat of arms, Created and Personal.
Bearer: Quesada Valles, Bartolomé.
A sea-griffin erect Sanguine, membered, beaked, nimbed, dorsal and tail fins Or, langued Azure, grasping in its talons a mullet of eight points Or.
Heraldic device painted by me, highlighted with lights and shadows, contoured in Sable, and with a iridescent finishing.
Heraldic badge of Rick Kasparek emblazoned by me.
Blazon keywords: Sanguine, Or, Azure, One, Eight, Sea-griffin, Erect, Membered, Beaked, Nimbed, Dorsal fin, Tail fin, Langued, Grasping, Talon and Mullet.
Style keywords: Outlined in sable, Illuminated and Iridescent.
Classification: Personal, Interpreted, Boa and Badge.
Bearer: Kasparek, Rick.
Gules, a cross vair.
Escudo de gules, una cruz de veros.
Coat of arms interpreted with: a semicircular (round) base; the field in flat tincture of Gules; the vair illuminated and outlined in Sable; and the whole with a roughened finish.
The commune of Bailleul is located in the district of Dunkirk, in the Nord department, in the Nord–Pas-de-Calais region of France.
The coat of arms of Bailleul, called «Belle» in Flemish, is similar to that of the heraldist Gonzalo Argote de Molina, differing in that the commune’s arms bear vair, while the heraldist’s arms bear rounded vair in the ancient style.
Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Civic, Coat of arms and Kingdom of France.
Bearer: Bailleul, commune of.
Azure, a wolf's head caboshed Argent, in chief three monstrances in fess proper. Motto: «Fiat Voluntas Tua».
Escudo de azur, una cabeza de frente de lobo de plata, acompañada en jefe de tres custodias en faja al natural. Lema: «Fiat Voluntas Tua».
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a rounded trapezoidal external shape and with a watercolor finish.
Coat of arms of Barbaro Jonathan Lopez Linares, Cuba, designed by him and emblazoned by me. These are canting arms, as the main charge of the coat of arms is a wolf ~ lupus ~ Lope ~ Lopez. In heraldry, beasts are usually depicted in an aggressive attitude, for example, with gaping jaws, protruding tongue, and visible fangs; in this case, it was the armiger’s wish that his wolf should not display such an aggressive expression; in my interpretation, I deliberately avoided those features of ferocity and instead sought to give the wolf a dignified and imposing look, one that inspires respect rather than open aggressiveness.
Blazon keywords: Azure, Argent, One, Three, Wolf, Head, Caboshed, In chief, Monstrance, Proper and Motto.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Watercolor.
Classification: Personal, Interpreted, Canting, Boa and Coat of arms.
Bearer: Lopez Linares, Barbaro Jonathan.
Argent, a bend Azure charged with a jaguar rampant Argent, spotted Azure. Motto: «Barrio Bajo» Sable with initial letters Gules over a scroll Argent.
Escudo de plata, una banda de azur cargada de un jaguar rampante de plata, manchado de azur. Divisa: «Barrio Bajo» de sable, con iniciales de gules, sobre una filacteria de plata.
Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a chasuble external shape and with a watercolor finish.
The coat of arms of the Barrio Bajo of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. In this case, the tinctures Azure and Argent have been adjusted to match the official colour palette of Mon'Tarena.
Blazon keywords: Argent, Azure, Sable, Gules, One, Bend, Charged, Jaguar, Rampant, Spotted, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Barrio Bajo of Mon'Tarena.
Party per pale Azure and Argent, a hummingbird volant bendwise counterchanged.
Escudo partido de azur y plata, un colibrí volante puesto en banda del uno al otro.
Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, with a chasuble outer contour and with a watercolor finishing.
The coat of arms of the Barrio del Artista of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me.
Blazon keywords: Argent, Azure, One, Party per pale, Hummingbird, Volant, Bendwise and Counterchanged.
Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Barrio del Artista of Mon'Tarena.
Or semé of millrinds Azure, a chief dancetty of two full points upwards Purpure pierced twice of the field billetwise throughout.
Arms emblazoned by me, in flat tinctures, outlined in Sable, with a pointed external shape and with a texturized finishing.
The coat of arms of Baz Manning, John Basil Edward, emblazoned by me. When it is «voided»~«hueco» the hole matches the shape of the piece or figure, and when it is «pierced»~«perforado» the hole has a different shape, usually circular, but in this case, it is rectangular, like a billet. In both cases, the field, in this case, semé, is visible through the hole, so it would not be necessary to specify this unless the hole is of another tincture, in which case it must be specified. When it is also «throughout»~«moviente» that means that the hole touches the borders, generally all, in this case only the upper and lower border.
Blazon keywords: Or, Azure, Purpure, One, Two, Three, Semé, Millrind, Chief, Dancetty, Pierced, Billet and Throughout (chief base).
Style keywords: Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Manning, Baz.
Gyronny Azure and Argent, a Sun in splendour between three Ancient coronets Or.
Illuminated and metal finishing.
Blazon keywords: Gyronny, Azure, Argent, Sun in splendour, Between, Three, Ancient coronet, Crown and Or.
Style keywords: Metal beaten, Outlined in sable and Illuminated.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Bedgood, Alvin J..
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules; a bordure compony of sixteen sections: eight Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable, eight Or, an eagle displayed Sable.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules; una bordura componada de dieciseis compones: ocho de gules, un castillo de oro, aclarado de azur, mazonado de sable, ocho de oro, un águila de sable.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of the Infanta Berenguela of Castile, 1228–1279, 5th daughter of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. There are discrepancies regarding the year of her death, with sources suggesting either 1279 or 1288. She bore her father's arms with a bordure compony featuring the arms of Castile and those of her mother, from Swabia. [Menéndez Pidal de Navascués, F.; 1982; page 104 and illustration between pages 112 and 113] writes «We know of a seal of this infanta that displays in the field the royal quarterly, surrounded like a bordure by 4 castles and 4 eagles, alternating», and in the illustration he depicts the bordure with 8 castles and 8 eagles, which is the version I have interpreted. I am particularly fond of compony arms, and this one is, to me, among the most beautiful and quintessentially Castilian.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Sixteen, Eight, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Bordure, Compony and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Berenguela of Castile, Infanta.
Queen of Castile during the year 1217 and queen consort of León from 1197 to 1204.
Gules, a castle triple towered Or, port and windows Azure, masoned Sable. Crest: An open royal crown Or.
Escudo de gules, un castillo de oro, aclarado de azur, mazonado de sable. Timbrado de una corona real abierta.
Arms of the Queen, as interpreted by me as follows: the shield's shape is finished with a rounded arch; both the field, the castle, and the crown have been illuminated; the castle and the crown are outlined; and the whole composition features a hammered metal finish.
Blazon keywords: Without divisions, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Crest, Open royal crown and Crown.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile.
Bearer: Berenguela of Castile.
From 1992 to 1998
Azure, a bendlet Argent between six fleurs de lis Or.
Illuminated with lights and shadows and with a metallic and iridescent finish.
Coat of arms of Stephen Tvrtko I (circa 1338-1391) of the House of Kotromanic and 1st King of Bosnia and it was also the coat of arms of Bosnia and Herzegovina from 1992 to 1998.
The bendlet is a diminutive of the bend. It is a diminished bend, narrower, and typically reduced to 1/2 (as in this case) or to 1/3 of the width of a normal bend. This piece is called «cotiza» in Castilian, «cotice» in French, and «cotissa» in Italian. Remember that the width of the bend is usually 1/3 of the width of the coat of arms, therefore the width of the bendlet is between 1/3 * 1/2 = 1/6 and 1/3 * 1/3 = 1/9 of the width of the coat of arm.
Stephen Tvrtko I of Bosnia, from the House of Kotromanic, was a vassal of Louis I of Hungary. Louis I or Louis of Anjou, known as «the Great», from the Royal House of Anjou-Sicily, of the Capetian Dynasty, hence his coat of arms's 2nd quarter is seeded with fleur de lis, a feature also present in his father Charles I's arms, known as Charles Robert or Caroberto of Anjou. The Kotromanic family had in their coat of arms fleur de lis Or on a Azure field as a symbol of subordination to the Hungarian royal family.
Blazon keywords: Azure, One, Bendlet, Argent, Six, Fleur de lis and Or.
Style keywords: Metal beaten, Iridescent, Outlined in sable, Illuminated and Pointed.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Bosnia and Herzegovina.
Azure, a bend between six covered cups Or.
Escudo de azur, una banda acompañada de seis copas todo de oro.
Illuminated with lights and shadows and with a freehand finish.
Around 1155, Beatrix de Villers married Richard le Boteler Pincerna, who became the 4th Baron of Warrington. The heir of Beatrix and Richard took the surname «le Boteler» and ruled the Warrington region, bearing arms Azure, a bend between six covered cups Or.
In Castilian, a «copa» has a lid and is referred to as a «covered cup» in English. When it doesn't have a lid, it's called a «cup» in English and a «cáliz» or «copón» in Castilian, the latter being a less preferred term for me. In English, the term «chalice» is also used, especially if it's adorned with gemstones, although that's more of an artistic license.
Naipes Heraclio Fournier is a renowned Spanish playing card manufacturer based in Villareal de Álava. The countless hours I have spent holding its cards in my hands are incalculable, whether playing with friends, opponents, or performing magic tricks. Its influence on my heraldic artwork is significant. For instance, in this covered cup.
The following image shows my covered cup and my two interpretations of his arms: 1) the most commonly viewed, and 2) my alternative layout.
Blazon keywords: Without divisions, Azure, One, Bend, Between, Six, Covered cup and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Kingdom of England.
Bearer: Boteler of Warrington.
Azure, three annulets interlaced Or.
Illuminated, with a watercolor finishing and with a pointed shape.
You can found it at [Avilés, J.; 1725a; page 76 and illustration 177]], and at [Avilés, J.; 1780a; page 85 and illustration 177]].
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Pointed.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Azure, three annulets interlaced Or.
Escudo de azur, tres anilletes entrelazados de oro.
Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.
Blazon keywords: Without divisions, Azure, Three, Annulet, Interlaced and Or.
Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.
Classification: Interpreted, Lineage, Kingdom of France and Coat of arms.
Azure, a fess chequey Gules and Argent.
Escudo de azur, una faja ajedrezada de gules y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the lineage Boyd of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Azure, Gules, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Boyd of Scotland, lineage.
«Roger de Lauria»,' 2nd Paratrooper Battalion, part of the «Almogávares» VI Parachute Brigade of the Spanish Army.
Argent, three bendlets sinister Azure.
Escudo de plata, tres barras de azur.
For this interpretation, I have used: an exterior shape ending in a semicircular arch; my usual angle of 50.2o = arctan(6/5), as tangent = opposite side / adjacent side; a division similar to that used by the Spanish Army for this coat of arms, which relies on dividing the height of the shield into 4 segments; and for the whole, a finish of lightly hammered metal
Blazon keywords: Without divisions, Argent, Azure and Bend sinister.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Military and Army and Navy.
Bearer: BPAC II.
Party per chevron Sable and Argent, in the dexter of the chief a sun in splendour Or, pointed from the sinister by a dexter hand couped at the wrist, bendwise proper, in base three Brach hounds' heads couped Azure, 1 and 2.
Escudo de sable, mantelado en punta de plata, en la diestra del jefe un sol de oro, apuntado desde la siniestra por una mano diestra puesta en banda de carnación, en la punta tres cabezas de perro braco de azur, 1 y 2.
Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a watercolor finishing.
The coat of arms of John Brady from Ireland, designed and emblazoned by me. To write his blazon here I use my usual style.
Blazon keywords: Sable, Or, Argent, Azure, One, Three, Party per chevron, Dexter, Chief, Sun in splendour, Sinister, Hand, Couped, Wrist, Bendwise, Proper, In base, Brach hound, Dog, Head and Disordered.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Brady, John.
Barry wavy Argent and Azure; on a chief wavy Murrey, three sea-lions sejant-erect in fess Or.
G0144, Chief Herald of Arms of Malta's grant of the coat of arms of Brian Andrew Beck, USA. The photograph shows my hand-drawn study of the sea-lion sejant-erect. The visible drawing corresponds to the final version, while a first earlier version can be seen beneath it through the translucent paper. This reflects my usual working method: I draw directly in ink, without a preliminary pencil sketch, using long continuous strokes and lifting the pen as little as possible. I work on successive sheets of tracing paper, one laid over another, refining the drawing from one version to the next until I reach a result that satisfies me. The first attempt is rarely successful; the stronger drawings usually emerge in the second or third version, sometimes the fourth, and occasionally after more iterations.
Blazon keywords: Argent, Azure, Murrey, Or, Three, Barry, Wavy, Chief, Sea-lion, Sejant-erect and In fess.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Beck, Brian Andrew.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.
Escudo cuartelado: 1o y 4o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3o de azur, un arpa de oro cordada de plata.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
These are arms of the British Monarchy emblazoned by me.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: British Monarchy.
Azure, a cow's head caboshed proper; on a chief Argent, a scroll palewise proper.
Escudo de azur, un rencuentro de vaca al natural; en un jefe de plata, un pergamino puesto en palo al natural.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.
G0143, Chief Herald of Arms of Malta's grant of the coat of arms of Daniel John Bugeja, Malta. This coat of arms has been emblazoned by me.
Blazon keywords: Azure, Argent, One, Cow, Head, Caboshed, Proper, Chief, Scroll and Palewise.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bugeja, Daniel John.
Party per fess, the base per pale: 1 Or, a hurt; 2 Gules and 3 Argent, over both a cross of Malta counterchanged.
Escudo cortado y medio partido: 1o de oro, un roel de azur; 2o de gules y 3o de plata, brochante sobre ambos, una cruz de Malta del uno al otro.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.
Coat of arms of the municipality of Candasnos, Huesca, designed by Valeriano Labara Ballestar, approved by the Government of Aragon. Bibliographic reference [Labara Ballestar, V. C.; 2019; pages 341-368]. It has been an honor for me to emblazon this version of this coat of arms for Valeriano Labara.
The hurt represents what is known as the Good Raft, a symbol of the town and its people, it is a circular cistern of 40 meters in diameter of Roman origin, and the Maltese cross is a symbol of its connection since 1188 to the Royal Monastery of Sijena of Hospitaller nuns of the Order Malta.
Blazon keywords: Or, Azure, Gules, Argent, One, Party per fess, the base per pale, Hurt, Eight-pointed cross, Cross couped and Counterchanged.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Candasnos, municipality of.
Credits:
Categories: Photographic, Coat of arms, Interpreted, Personal, Semi-circular, Illuminated, Outlined in sable, Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Lineage, Conjoined in fess, Decoration, Suspended and Base (lower 1/3).
Root: Vidriales García y Bustamante, Carlos.
Party per saltire: 1 Or, two quill pens in fess Azure; 2 and 3 Gules, a paintbrush point upwards Or; 4 Or, a mullet of six points voided, interlaced Azure. Crest: Upon a wreath Or and Gules, a griffin segreant Or, langued, supporting with both paws the Messianic Seal of Jerusalem Azure. Motto above the crest: «In YHWH Fidemus».
Arms designed by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finish.
Blazon keywords: Or, Gules, Azure, One, Two, Quarterly per saltire, Quill, In fess, Paintbrush, Point upwards, Mullet, Voided, Interlaced, Crest, Upon (wreath), Wreath, Griffin, Segreant, Langued, Supporting, Paw, Messianic Seal of Jerusalem, Motto and Above the crest.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Nelson, Carrie.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.
This coat of arms can be seen in [Bergshammars; 1440; page 2], in [Lutzelbourg, N. de; 1530; page 35] and in [Tewkesbury; 17th century; folio 25v].
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued and Crowned.
Style keywords: Semi-circular and Plain tincture.
Classification: Interpreted, Civic, Coat of arms, Kingdom of Castile and Leon and Canting.
Bearer: Castile and León.
A Castle Or, triple towered, embattled, port and windows Azure, and masoned Sable.
Un castillo de oro, aclarado de azur, mazonado de sable.
Some of the characteristics of the Castilian castle are specified in the coat of arms in English, for example, «triple towered, embattled», but they are omitted in the Spanish blason, because the Spanish blason considered that the Castilian castle can not be otherwise. These local characteristics, that decades ago were not necessary to specify, could begin to have to be in this global and interconnected heraldic world. [Valero de Bernabé, L.; 2009a] describe the different characteristics between the Castilian, the French, and the English castles among others.
Blazon keywords: Castle, Or, Port and windows, Azure, Masoned and Sable.
Style keywords: Freehand.
Classification: Schema.
Some of the main characteristics of the heraldry of Castile are:
The following image shows 4 examples of coats of arms, each of which has some of these characteristics, including one Castilian castle.
In the United Kingdom, there are several heraldic traditions, one of them being English heraldry.
In the Kingdom of Spain, there are several heraldic traditions, for example, the Castilian tradition.
In my humble opinion, we should compare at the same level, English heraldry with, for example, Castilian heraldry, but not with all Spanish heraldry. We shouldn't do it for the same reason we don't mix Scottish heraldic tradition with English, as they are so different.
In the case of Castilian heraldry, the 8 main differences with English heraldry are:
Categories: Criterion, Semi-circular, Bordure, Letter, Lion, Wolf, Castle, Triple-towered, Port and windows, Masoned, Or, Azure, Sable, Diminished bordure, Quarterly, Supporter (human form), Supporter, Supporter (animal) and Supporter (thing).
Alternative coat of arms for the heraldry and its categories.
Quarterly in saltire: 1 Purpure, a crown Or; 2 Vert, a sword point upwards Or; 3 Azure, a crozier Or; 4 Sable, a bezant; an inescutcheon Or charged with a heart Gules; a bordure Argent.
Imaginary coat of arms created by me with the following characteristics: its shape is semicircular; its field is enameled with flat tinctures of Purpure, Vert, Azure, Sable, Or, and Argent; all of its figures are illuminated and enameled in Or, except for the heart, which is Gules; and the whole composition has a metallic finish.
These arms are one of the alternatives created during the process of developing a coat of arms for the categories of heraldry.
Blazon keywords: Quarterly per saltire, Purpure, Vert, Azure, Sable, Or, Argent, Gules, Crown, Sword, Point upwards, Crozier, Bezant and plate, Inescutcheon and Diminished bordure.
Style keywords: Illuminated, Outlined in sable and Watercolor.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Categories of heraldry.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. Motto: «Región Militar Centro» over a scroll Or.
Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, also called 1st Military Region, where I serve. I interpreted and emblazoned now this coat of arms with a semi-circular ended shape.
Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant, Crowned, Motto (identification) and Scroll.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.
Bearer: Central Military Region.
Known in England and France as Charles of Spain ~ Charles d'Espagne.
Quarterly: 1 Azure semé of fleurs de lis Or; 2 and 3 Gules, a castle triple towered Or, the port and windows Azure, masoned Sable; 4 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.
Coat of arms of Charles de la Cerda (1326-1354), this coat of arms also could be blazoned as «Quarterly: 1, Francia; 2 and 3, Castile; 4, Leon.».
Blazon keywords: Quarterly, Azure, Semé, Fleur de lis, Or, Gules, Castle, Port and windows, Masoned, Sable, Argent, Lion, Purpure, Rampant, Armed, Langued, Crown and Crowned.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Army and Navy and Kingdom of France.
Bearer: Cerda, Carlos de la.
City of Ceuta, Spain, Africa
Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1.
Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three and In base.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic, Interpreted and Kingdom of Spain.
Bearer: Ceuta.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a texturized finish.
Dr. Chad M. Krouse in his outstanding blog has graciously spotlighted my contributions to the heraldic arts. He beautifully captures the essence of my work and the methodology behind it. I invite you to read the full article at walsinghamwanderings.blogspot.com/2023/09/heraldic-artist-spotlight-dr-antonio.html and also in his blog walsinghamwanderings.blogspot.com you can see my heraldic artwork at the header of walsinghamwanderings.blogspot.com/2023/09/the-man-and-his-arms-origin-story.html. The image shown is a collage composed of elements from his website.
Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped, Crest, Head, Erased, Grasping, Beak, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Krouse, Chad Michael.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.
It has been interpreted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finishing.
Coat of arms of His Majesty King Charles III emblazoned by me, displayed over the known «King Charles III Tartan», registration 14030 at the Scottish Register of Tartans. It was created by the Scottish Tartans Authority for His Majesty on the occasion of his coronation, drawing from the sett of the Balmoral Tartan circa 1850, and features a central triple-stripe motif (one broad and two narrow) found in previous royal tartans worn by the King. Its palette, including green, blue and a soft red, has been matched to eighteenth-century natural-dye examples from the Scottish Tartans Authority collection.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Charles III of the United Kingdom.
Banner Azure, three fleurs de lis Or.
Pendón de azur, tres flores de lis de oro.
Banner interpreted as follows: rectangular in shape with a 5x6 proportion; the field enamelled in flat Azure; the three fleurs-de-lis illuminated in Or and outlined in Sable; and the whole piece finished with an aged parchment effect.
Starting in 1376, the field sown with fleurs-de-lis was replaced by only three fleurs-de-lis. This change took place during the reign of Charles V of France (1338–1380, King of France from 1364 to 1380).
Edward III Plantagenet (1312–1377, King of England from 1327 to 1377) had incorporated the semé of fleurs-de-lis into his arms as a sign of his claim to the French throne, and Henry IV of England (1367–1413, King of England from 1399 to 1413) again changed the semé into three fleurs-de-lis in his own arms.
These three fleurs-de-lis remained in the royal arms of England until George II (1683–1760, King from 1727 to 1760).
They remained in the royal arms of the French kings until their prohibition during the so-called «Hundred Days», that is, from March 20, 1815, the date of Napoleon’s return to Paris from his exile in Elba, until June 28, 1815, the date of the Second Restoration of Louis XVIII as King of France, when they were reinstated. Finally, after the Revolution of 1830, Louis Philippe I of Orléans decreed their abolition by Order of February 10, 1831.
This banner is a recreation of the one appearing in the armorial [Edward IV of England; 1461; row 23, column 2], although in that armorial the banner seems to be associated with Louis IX of France, perhaps because of the prestige of the saintly King of France, whose arms bore a semé of fleurs-de-lis rather than three.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Rectangular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of France and House of Valois.
Bearer: Charles V of France.
Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules. The shield is surrounded by the Golden Fleece.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.
Arms of Charles, Holy Roman Emperor, emblazoned by me. In English heraldry, the term supporters is used in a general sense, whether the supporters are animals, inanimate objects, plants or human figures. There is no strict terminological distinction based on the nature of the supporting figures. In Castilian heraldic tradition, by contrast, a more precise terminology is employed. The term «soportes» is used when the supporters are animals, «sostenes» when they are objects (such as columns or weapons) or plants (such trees), and «tenantes» when the figures supporting the coat of arms are human in form. In addition, inanimate supporters are relatively common in Castilian heraldry, whereas they are much rarer in English heraldry. There is also a difference in blazoning practice in the case of columns. In English, the shaft of the column is treated as the primary element, and the tinctures of the base and capital are then specified. In Spanish, the approach is the reverse: the column is described as a whole, stating its main tincture first, and then specifying that it is shafted in another metal. For example in this case: «Supporters: two columns Argent, capital and base Or» ~ «Sostenes: dos columnas de oro, fustadas de plata».
Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Two, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed, Scroll, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Charles V, Holy Roman Emperor.
King of France from 1429 to 1461.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a mother-of-pearl effect.
This coat of arms is based on the one appearing in the armorial [Ingeram, H.; 1459; page 34, 1st shield], under the inscription «küng von franckrich» (franckrich ~ Frankreich ~ France).
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Charles VII of France.
Azure, a sword erect Or, between three garbs Or, 2 and 1.
Escudo de azur, una espada alzada de oro, acompañada de tres gavillas de trigo de oro, 2 y 1.
Coat of arms interpreted with: a rounded base; the field illuminated in Azure; the motto and charges illuminated in Or and outlined in Sable; and the whole with a leather texture.
In England, Wales and Ireland, the term «heraldic visitations» ~ «visitas heráldicas» referred to the inspection tours carried out by the officers of the kings of arms, or even by the kings of arms themselves, with the aim of recording and sanctioning the family trees and coats of arms of the nobility, the counties and the bourgeoisie who bore them.
These journeys took place mainly between the year 1530 and the year 1688. The results of these inspections were recorded in books that could be considered a roll or heraldic census of the upper classes. For this reason, and since then, these records have been a valuable source of information for historians, genealogists and heraldists.
The County of Cheshire received the following «heraldic visitations»:
Blazon keywords: Without divisions, Azure, Or, Sword, Point upwards, Between, Wheat, Garb and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Civic and Cheshire County.
Bearer: Cheshire, County of.
Party per fess: 1 Azure, an acorn leaved and slipped Or, between two ravens addorsed and regardant Argent; 2 Vert, a stag's massacre Or. Supporters: Upon two bunches of grapes Purpure, leaved Vert, and slipped Or, one on each side, two cats rampant Argent in the dexter and Sable in the sinister.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a watercolor finishing.
Blazon keywords: Azure, Or, Argent, Vert, Purpure, Sable, One, Two, Party per fess, Acorn, Leaved, Slipped, Between, Raven, Addorsed, Regardant, Stag's massacre, Supporter (thing), Supporter, Supporter (animal), Bunch, Grape, Cat, Rampant, Dexter and Sinister.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Edwards, Christopher.
Azure, a cinquefoil Argent, seeded Gules.
Escudo de azur, un quinquefolio de plata, botonado de gules.
Coat of arms emblazoned by me with plain color Azure and metal Or and with a shape ended with an ogee arch.
Blazon keywords: Without divisions, Azure, One, Cinquefoil, Argent, Seeded and Gules.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Interpreted, Lineage, Kingdom of France, Civic and Coat of arms.
Bearer: Haguenau.
246th Pope of the Church, from 1730 to 1740. «Clemens XII», named Lorenzo Corsini, born in Florence and rests in St. John Lateran.
Bendy of six Gules and Argent; over all a fess Azure.
Escudo bandado de seis piezas de gules y plata; brochante sobre el todo una faja de azur.
Papal coat of arms interpreted with: a rounded mouth; the field in flat tincture of Argent; the fess and the bands outlined in Sable and illuminated in Gules and Azure; and the whole with a textured finish.
All are ordinaries, including the three bands and the fess, and since the blazon specifies that the fess is overall on the bands, therefore, it is not the Gules bands that are overall on the Azure fess, and they should be painted underneath.
Blazon keywords: Without divisions, Bendy, Six, Gules, Argent, Surmounted, Overall (deprecated), One, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Religious and Papal States.
Bearer: Clement XII.
Grandson of Blanche of Castile, 6th son of Saint Louis IX, founder of the House of Bourbon, husband of Beatrice of Burgundy, Lady of Bourbon.
Azure semé of fleurs de lis Or, a bend Gules.
Escudo de Azur sembrado de flores de lis de oro, banda gules.
Coat of arms that I have interpreted with:: a semicircular (round) base; the field enamelled in flat Azure; the fleurs-de-lys illuminated in Or; the bend illuminated in Gules; the whole is outlined in Sable; and the freehand drawing.
Blazon keywords: Without divisions, Azure, Or, Semé, Fleur de lis, Bend and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Bourbon.
Bearer: Clermont, Robert of.
Gules, two castles triple-towered Or, port and windows Azure, masoned Sable, in chief, seven mullets Argent, 4 and 3. Crest: A closed royal crown.
Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a iridescent finishing.
Coat of arms of the Comunidad de Madrid emblazoned by me. Law 2/1983 of 23 December on the flag, the coat of arms, and the anthem of the Community of Madrid, published in the Official State Gazette, number 33 of 8 February 1984, defines this coat of arms in its Article 2 as follows: «...it consists of a single quarter Gules, charged Or with two castles in pair, embattled, donjoned, masoned Sable and ajouré Azure, surmounted in chief by seven mullets Argent, arranged four and three. For a timbre, a closed Royal Crown, which is a circle Or set with precious stones, composed of eight acanthus-leaf fleurons, of which five are visible, interspersed with pearls, from whose leaves rise diadems topped with pearls, converging in a globe Azure, with the demi-meridian and equator Or, surmounted by a cross Or. The crown is lined Gules».
The castles came from Castile and the 7 mullet from the bordure of the city of Madrid, they are the stars of the Plough, the 7 brightest stars of the Ursa Major. This coat of arms was adopted by the Comunidad de Madrid the 23th of December 23 of 1983.
Blazon keywords: Gules, Or, Azure, Argent, Two, Seven, Castle, Triple-towered, Port and windows, Masoned, In chief, Mullet, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Madrid, Comunidad de.
Quarterly: 1 Azure, a cross Or; 2 Vert, a saltire Or; 3 Vert, a bend sinister Or; 4 Azure, a fess Or. Motto: «Arithmeticus».
Escudo cuartelado: 1o de azur, una cruz de oro; 2o de sinople, un sotuer de oro; 3o de sinople, una barra de oro; 4o de azur, una faja de oro. Divisa: «Arithmeticus».
I have made this imaginary coat of arms for the Arithmetic with the following characteristics: a semicircular external shape; its enamelled field with flat color Azure and Vert inks; all the pieces are metal Or, the motto is metal Argent with Sable letters; pieces and motto are illuminated and outlined in Sable; and the whole with a very lightly beaten metal finish.
For the division operation, instead of using the piece bend sinister, 2 bezants Or in pale could have been used. However, since the bezant is a diminished piece, I preferred to use 4 pieces, one for each quarter.
Blazon keywords: Quarterly, Azure, Vert, Or, Cross, Saltire, Bend sinister, Fess and Motto (identification).
Style keywords: Illuminated, Outlined in sable and Soft metal.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Arithmetic.
Or, six fleurs de lis, three, two, one, five Gules and one in the middle of the chief Azure.
Escudo de oro, seis flores de lis ordenadas, tres, dos y una, cinco de gules y una de azur en el centro del jefe.
Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, Six, Fleur de lis, Ordered, Three, two and one, Five, Gules, One, Azure and In the middle of the chief.
Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Elias.
Or, a double rose Gules and Argent, barbed Vert, and seeded Or within six fleurs de lis in orle, five Gules and one in chief Azure.
Escudo de oro, una rosa doble de gules y plata, barbada de sinople y botonada de oro, rodeada de seis flores de lis en orla, cinco de gules y una de azur en jefe.
Credits:
Blazon keywords: Or, Double rose, Gules, Argent, Barbed, Vert, Seeded, Six, Fleur de lis, Orle, Five, One, Azure and In chief.
Style keywords: Semi-circular, Iridescent, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Noelia.
Or, six fleurs de lis in orle, five Gules and one in chief Azure.
Escudo de oro, seis flores de lis en orla, cinco de gules y una de azur en jefe.
Credits: Rolando Yñigo-Genio is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Or, Six, Fleur de lis, Orle, Five, Gules, One, Azure and In chief.
Style keywords: Semi-circular, Soft metal, Outlined in sable and Illuminated.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Yñigo-Genio, Rolando.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Motto environing the columns and behind the shield: «Plus Ultra» Or over a scroll Gules.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.
Arms of the Kingdom of Spain emblazoned by me. On the arrangement of the crowns: a) Royal Decree 1511/1977, of 21 January, enacted during the so-called Transition and approving the Regulations on Flags and Standards, Guidons, Insignia and Distinctive Signs, states: «Rule No. 2. Coat of Arms of Spain… Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one…». b) The subsequent Law 33/1981, of 5 October, regulating the current coat of arms of Spain, likewise states: «…Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one». c) The term «superado» in the heraldic dictionaries in which it appears refers, as a synonym, to «surmontado». d) The definitions of «surmontado» include: «a charge which, at its upper part, has another above it but without touching it», «also said of superado», and «a figure that bears another above it, but without touching it». In light of a), b), c) and d), the two crowns should therefore be painted not touching the columns. However, in the illustrative drawing contained in Royal Decree 1511/1977 the crowns do touch the columns, contradicting its own wording, although in heraldry, when in doubt, the written blazon always prevails; and in most official representations the crowns do indeed touch the columns. Nevertheless, this personal interpretation of both the coat of arms of Spain and of the proper way to write its blazon, where the lateral crowns do not touch the columns, and then I decide that, following the same criterion, the central crown should not touch the shield either, so the result differs from the official version. The expression «waves Azure or blue and Argent», which appears both in the 1977 official definition and in the 1981 one, presents a double peculiarity: it combines the heraldic term «Azure» with the everyday term «blue», and it is also offered as an optional blazon, giving two alternatives, that the waves be only Azure, as I have painted them, or Azure and Argent; optional blazons are extremely rare and, in my view, perhaps not very advisable.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Two, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Imperial crown, Dexter, Sinister, Motto, Environed, Behind the shield and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Civic, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Spain, Kingdom of.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.
The Commoners' Certification of Arms for Bradlee Tatym LaRue Botkin with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Botkin, Bradlee Tatym LaRue.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules.
The Commoners' Certification of Arms for Britania Anastoshia Korÿn McCoy with her arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered and Langued.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: McCoy, Britania Anastoshia Korÿn.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent.
The Commoners' Certification of Arms for Corey Scott Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Lasco, Corey Scott.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a crescent Gules.
The Commoners' Certification of Arms for Evander Graham Wylder McCoy with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: McCoy, Evander Graham Wylder.
Azure, a saltire Argent between in chief an escallop Or, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure Or. Crest: A ribbon Azure doubled Argent.
The Commoners' Certification of Arms for Konstånz Chantal Leóné Potts with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Escallop, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Potts, Konstånz Chantal Leóné.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or; overall a rose Gules, leaved and seeded Or. Crest: A ribbon Azure doubled Argent.
The Commoners' Certification of Arms for Tiana Rose Lee Robidoux Potts with her arms designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Overall, Rose, Leaved, Seeded, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated and Invected octagon.
Classification: Personal, Interpreted, Boa, Certification and Heraldic document.
Bearer: Potts, Tiana Rose Lee.
Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.
Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, emblazoned by me, where I was stationed during my military service. In the image: 1988, the original mold (1) with which the first 6 coats of arms were made; one of them is now in my office (2); the design of the badge for the 1st meeting of veterans (3), all of which were designed and made by my lieutenant colonel and friend Miguel Angel Nuñez Amador; and finally, the coat of arms of Crepsi emblazoned by me (4).
Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Military, Interpreted, Compare, Boa and Coat of arms.
Bearer: Crepsi.
Barry of six, Argent and Azure, a pile throughout, counterchanged. Crest: Upon a helm with a wreath Argent and Azure, upon a trimount Gules, an eagle wings addorsed and inverted Azure, the head and tail Argent, nimbed and grasping a closed book Or. Mantling: Azure doubled Argent.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finishing.
These are the arms of Herbert Leo Buffenbarger, designed by his son John Alan Francis Buffenbarger, and emblazoned by me.
Blazon keywords: Argent, Azure, Gules, Or, One, Six, Three, Barry, Counterchanged, Pile, Throughout (chief base), Chaussé, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Upon, Trimount, Eagle, Wing, Addorsed, Head, Tail, Nimbed, Grasping, Closed book, Book and Mantling.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Buffenbarger, Herbert Leo.
Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable. Crest: Upon a helm lined Gules, with a wreath Or and Azure, five ostrich feathers, alternately three Azure and two Or. Mantling: Azure doubled Or.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.
Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Two, Three, Four, Five, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head, Caboshed, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Wreath, Ostrich feathers, Alternately and Mantling.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Gutiérrez Benítez, Jose Manuel.
Party per fess wavy: 1 Azure, a dolphin naiant; 2 Argent, three escallops Azure. Crest: Upon a helm lined Azure with a wreath Argent and Azure, an owl Tenné, armed, beaked, membered, the eyes, and wearing a necklace with a pendant heart Or, grasping with its dexter foot a bluebonnet proper. Mantling Azure doubled Argent.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
Blazon keywords: Azure, Argent, One, Three, Or, Party per fess, Wavy, Dolphin, Naiant, Escallop, Crest, Upon (wreath), Helm, Lined, Wreath, Owl, Tenné, Armed, Beaked, Membered, The eyes, Collar, Heart, Grasping, Dexter, Talon, Bluebonnet, Flower, Proper, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Santiago-Vazquez, Lory.
Or, two lions passant, guardant in pale Azure, armed Sable, langued Gules; in a base dovetailed Azure, two oak branches, leaved, fructed in pile Or. Crest: Upon a helm with a wreath Or and Azure, a terrestrial globe Azure, the continents Or, visible Europe. Mantling: Azure doubled Or.
Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
Blazon keywords: Or, Azure, Gules, Two, One, Leopard, In pale, Langued, Armed, Base, Dovetailed, Oak, Tree, Branch, Leaved, Fructed, In pile, Crest, Upon (wreath), Helm, Wreath, Terrestrial globe and Mantling.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Promet, family.
Party per fess indented perlong Or and Azure overall on a fess Azure a mullet Or; on a chief cousu Or an eagle displayed, a crown Or above. Crest: Upon a helm, with visor bars Or, lined Gules, with a wreath Or and Azure, a crown of Baron. Mantling: Azure doubled Or.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.
The ancient arms of the family Tamburelli, Lords of Pietra Gravina, as used by Don Eugenio Ugo Augusto Tamburelli, emblazoned by me. Pietragavina es una localidad del municipio de Varzi, en la provincia de Pavía, región de Lombardía.
Blazon keywords: Or, Azure, Sable, One, Party per fess, Indented, Overall (line of division), Fess, Charged, Mullet, Chief, Eagle, Displayed, Crown, Above, Crest, Upon (wreath), Helm, Barred, Lined, Wreath and Crown of Baron.
Style keywords: Outlined in sable, Illuminated, Ogee, Freehand and Cousu.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Tamburelli, family.
Vert, two scythes in saltire Argent; on a chief Argent, three cornflowers Azure, seeded Argent. Crest: Upon a helm, with a wreath Argent and Vert, a horse kicking Argent in front of a rose Gules, barbed Vert. Mantling: Vert doubled Argent.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finish.
Blazon keywords: Vert, Argent, Azure, Gules, One, Three, Scythe, In saltire, Chief, Cornflower, Flower, Seeded, Crest, Upon (wreath), Helm, Wreath, Rose, Barbed, Debruised, Horse, Kicking and Mantling.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Altnau, Yuri Alexander.
Party per chevron Gules and Argent, two acorns slipped Or and in base a fleur de lis Azure. Crest: On a wreath Argent and Gules, a demi-lion Or, armed and langued Azure, holding in its paws a swallow-tailed pennon Azure, charged with a cross patty Argent. Motto above the crest: «Un cran plus loin».
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a double pointed outer contour and with a leather finish.
The arms of Brady Brim-DeForest emblazoned by me following his directions.
Blazon keywords: Gules, Or, Argent, Azure, Two, One, Party per chevron, Acorn, Slipped, Base, Fleur de lis, Crest, Wreath, Demi, Lion, Armed, Langued, Grasping, Paw, Charged, Cross, Patty and Motto.
Style keywords: Outlined in sable, Illuminated, Double pointed and Leather.
Classification: Personal, Interpreted, Boa, Coat of arms, Pennon and Flag.
Bearer: Brim-DeForest, Brady.
Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper. Crest: Upon a wreath Argent and Azure a demi-unicorn Azure, horned, crined and semé of mullets Or. Motto: «Live your Magic».
Credits: SkyL.designer and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout, Proper, Wreath, Crest, Demi, Horned, Crined, Mullet, Or and Motto.
Style keywords: Outlined in sable, Pointed, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms and English language.
Bearer: Sparkles, Marie Unicorn.
Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or. Crest: A ribbon Azure doubled Argent.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an invected octagon external shape and with a leather finish.
Blazon keywords: Gules, Argent, Or, Azure, Six, One, Fleur de lis, In chief, Between, In fess, In base, Bordure, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Kimberley Ann.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or ; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent. Crest: A ribbon Azure doubled Argent.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon outer contour and with a leather finish.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Ribbon and Doubled.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Robidoux, Makayla Danée.
Tierced per fess: 1 Sable, seven mullets Argent arranged as the Plough of Ursa Major; 2 Azure; 3 Sanguine, a demi-sun issuant from base Or. Crest: Upon a wreath Or and Sanguine, a raven proper.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
Blazon keywords: Sable, Azure, Sanguine, Argent, Or, Seven, One, Tierced per fess, Mullet, Plough of Ursa Major, Demi, Sun, Issuant from base, Crest, Upon (wreath), Wreath, Raven and Proper.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Nastri, Marcio Vieira.
Azure, a carbuncle of twelve rays Argent; on a chief Or, a hop cone Vert between two apples Gules, slipped and leaved Vert. Crest: Upon a helm, with a wreath Argent and Azure, an eagle displayed Or, langued Gules, holding in his dexter talon an hourglass bendwise proper. Mantling: Azure doubled Argent.
Blazon keywords: Azure, Carbuncle, Twelve, Argent, Chief, Or, Hop cone, Flower, Vert, Between, Two, Apple, Gules, Slipped, Leaved, Crest and mantling, Helm, Mantling, Wreath, Crest, Eagle, Langued, Grasping, Hourglass, Bendwise and Proper.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Created and Coat of arms.
Bearer: Sales, Robert Edward.
Quarterly Or and Argent, overall a cross Gules, cantoned by: in 1 and 4, a lion rampant Gules, armed and langued Azure; in 2 and 3, a black grouse perched proper. Crest: Upon a helm affronty, with visor bars Or, lined Azure, with a wreath Argent and Gules, two wings in vol Azure debruised by the cross of the Orde van Sint Jacob. Mantling: Gules doubled Argent. Motto: «Custos Memoriæ · Custos Fidei».
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee triple-pointed outer contour and with a watercolor finish.
Blazon keywords: Or, Argent, Gules, Azure, One, Quarterly, Overall (line of division), Cross, Cantoned, Lion, Rampant, Armed, Langued, Black grouse, Perched, Proper, Crest, Upon (wreath), Helm, Affronty, Barred, Lined, Wreath, Two wings in vol, Debruised, Decoration, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bruijn, Albert de.
Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent. Motto: «Das Blut erinnert, was die Krone vergisst» Sable, over a scroll Argent doubled Azure.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.
Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling, Doubled, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: von Haimb, Isadora.
Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Crest: Upon a helm, with a wreath Or, Vert, and Azure a falcon rising Or, langued Gules. Mantling: dexter Azure doubled Or, sinister Vert doubled Or. Motto: «Nolite Conformari Huic Saeculo» Sable, with initial letters Gules, over a scroll Argent.
Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Per pale Vert and Azure represents the fields of Galicia facing the sea, with its «horreo» ~ granary and the oak leaves as symbols of Galician nature and of the values of strength and nobility of the bearer. The escallop symbolises the Holy Catholic Faith and traditional and conservative values. The sword represents Justice and the bearer’s studies in Law, as well as strength and worth. The bearer’s motto, «Nolite conformari huic saeculo» ~ «Be not conformed to this world», taken from the Epistle of the Apostle Saint Paul to the Romans, chapter 12, verse 2, expresses his personal view of life. The falcon that surmounts the helm as a crest represents sharpness and vigilance.
Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Falcon, Rising, Langued, Mantling, Dexter, Doubled, Sinister, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Design rationale, Boa and Coat of arms.
Bearer: Angueira Duro, Jesus.
Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a helm with a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper. Mantling: Azure doubled Or. Motto: «Liberty Thru Industry».
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed, Proper, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romero, Reynaldo.
Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent. Crest: Upon a helm with a wreath Or, Azure and Gules, five ostrich feathers Argent, Azure, and Gules. Mantling: On the dexter Gules doubled Argent and on the sinister Azure doubled Argent. Motto: «Esfuerzo y Perseverancia» Sable, with initial letters Gules, over a scroll Argent.
Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a rough finishing.
Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship, Full sail, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Ostrich feathers, Mantling, Dexter, Doubled, Sinister and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Dukat, family of Milos.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable; 2 Argent. Crest: A closed royal crown Or.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.
The coat of arms of Castilla-La Mancha was adopted in 1983, it is a recent design. This coat of arms is equal to the flag of Castilla-La Mancha officially approved in 1980 and designed by Ramón José Maldonado y Cocat. The 1st quarter represents Castilla and the 2nd quarter the great plane of La Mancha.
Blazon keywords: Gules, Argent, Or, Azure, Sable, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Crest, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Castilla-La Mancha.
Party per fess: 1 Or, a tower Gules between in chief a crescent and a mullet of eight points Azure; 2 Azure, three demi-horses courant in bend sinister nascent from the ends of three bars wavy issuant from sinister Argent. Crest: A crown of the Soberana y Muy Noble Orden de la Granada.
Arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a rounded outer contour and with a leather finishing.
Coat of arms of Francisco-José Bermejo Fernández-Briceño designed by Ignacio Koblischek and emblazoned by me.
Blazon keywords: Or, Azure, Gules, Argent, One, Three, Party per fess, Tower, Between, In chief, Crescent, Mullet, Demi, Horse, Courant, In bend sinister, Nascent, Bar, Wavy, Issuant, Sinister and Crown.
Style keywords: Outlined in sable, Illuminated, Rounded and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bermejo Fernandez-Briceño, Francisco Jose.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]; and the whole debruised by a label of three points Azure. Crest: A Crown of Prince. The shield is surrounded by the Golden Fleece.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.
This is my interpretation of the coat of arms of Her Royal Highness Doña Leonor Princess of Asturias (as heiress to the Crown of Castile), Princess of Girona (as heiress to the Crown of Aragon), and Princess of Viana (as heiress to the Kingdom of Navarre), with the Collar of the Distinguished Order of the Golden Fleece. Her coat of arms is that of her father, the King, charged with a label Azure and surmounted by the crown of a princess with four pearl diadems, three visible.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Cadency, Label of three points, Crown of Prince, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Leonor Princess of Asturias.
Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
This is my interpretation of the coat of arms of His Majesty King Felipe VI of Spain. In the execution of this coat of arms it was necessary to choose between different design alternatives, such as retaining the oval shape of the central inescutcheon as opposed to a Spanish form, which I prefer to describe as having a semicircular base, both shapes being compatible with the official blazon; from a strictly heraldic point of view, the most correct solution would be for the outer shape of the central inescutcheon to match that of the shield itself, meaning that in this case the inescutcheon should also end in a semicircular base, but the oval inescutcheon is so widely used in ministries, official buildings, and even within the Royal Household itself, that I decided to keep it oval; likewise, there is no fixed rule regarding the number of claws of the lion, as it is often depicted with three claws and at other times with four, the former perhaps being the more primitive convention and the latter the more naturalistic one, and I prefer to depict it with four, since with only three claws the lion appears to me to be less fierce.
Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown and Crown.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Kingdom of Spain, Interpreted, Boa and Coat of arms.
Bearer: Felipe VI of Spain.
Azure, a terraze in base Or, overall a gazelle springing Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family bendwise.
De azur terrazado de oro, brochante sobre el todo una gacela brincante de plata, acollarada de una cadena extendida hacia la siniestra de oro unida a la cruz de la familia Cruz puesta en banda.
Coat of arms of Rosalía Cruz Carballo designed by Juan Lanzagorta Vallín and refined and emblazoned by me. In heraldry, a gazelle springing represents a broader and more dynamic leap than a gazelle salient, since in the springing attitude none of the hooves touch the ground, whereas in the salient attitude the hind legs, usually held close together, remain grounded while propelling the body upward. The English heraldic term «springing» is commonly used to describe a quadruped depicted in mid-leap, with all four legs clear of the ground, since there is no fully established Castilian translation for this heraldic attitude, I translate it as «brincante». The broad and energetic leap of the gazelle reflects Rosalía’s sporting spirit, vitality, and fondness for running and overcoming obstacles. The gazelle bears around its neck the cross designed by Jon Lanzagorta for his co-father-in-law, Mr. Cruz, her father. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or.
Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Springing, Collared, Chain, Sinister, Conjoined, Cross couped and Bendwise.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Cruz Carballo, Rosalia.
Azure, a plough share points downward Argent between, upon a base enarched Vert, two bell towers Argent, port and window Sable.
Escudo de azur, una reja de arado bajada de plata acompañada de dos campanarios de plata, aclarados de sable, terrazados de sinople.
Coat of arms emblazoned by me with a shape endend with an ogee arch, illuminated, and with a freehand finishing.
Csernely is a village in Borsod-Abaúj-Zemplén county in Hungary.
The official description, not the blazon, is: «...in the blue field of a shield standing on its snout two silver-coloured church towers with onion-shaped cupolas and crosses on their peaks are rising on a green hill. Between them a silver ploughshare is floating with its point upside down...».
The official description use the word «hagymakupolás» in Hungarian. The official text is «Csernely címere: Csücsköstalpú pajzs kék mezejében zöld halmon két ezüst színu, hagymakupolás templomtorony emelkedik, ...», but the cupolas painted by them do not seem the classic «onion-shaped cupolas».
Notice the mount color Vert over a field color Azure, not uncommon in this heraldic tradition.
Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.
Style keywords: Ogee, Outlined in sable, Freehand and Illuminated.
Classification: Civic, Interpreted and Coat of arms.
Bearer: Csernely.
Azure, two quills in saltire Argent, in chief an ancient coronet Or. Motto: «Да Живее Знаећето!».
Escudo de azur, dos plumas en sotuer de plata surmontadas por una corona antigua de oro. Lema: «Да Живее Знаећето!».
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
The coat of arms of Dario Postolovski, Macedonia, emblazoned by me. His Macedonian motto translates into English as «Long Live Knowledge!».
Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet, Crown and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Postolovski, Dario.
Azure, fretty raguly Or. Motto: «Melior nullo nullus melior».
Escudo de azur, un fretado ecotado de oro. Lema: «Melior nullo nullus melior».
Coat of arms interpreted with: a semicircular (round) base; the field in plain Azure, watercoloured and shaded by the fretty; the said fretty and its cut branches illuminated in beaten gold metal and outlined in Sable; and the whole mounted on a warm golden chinoiserie.
As can be read at davidwooten.com, the arms of David R. Wooten are certified by protocol 3/1995, folios 149-151, of the Cronista de Armas Vicente Cadenas y Vicent, of Madrid and, therefore, by the Ministry of Justice of the Kingdom of Spain.
The complete blazon, crest included, written by Vicente Cadenas y Vicent for his coat of arms is: «Escudo de azur, una celosía ecotada de oro. Timbrado de un yelmo con bordura, grilletas y clavos de oro, forrado de gules, sumado de un burelete y lambrequines de azur y oro, sumado de una cabeza de sátiro, sanguino, barbado al natural, orejado con alas de murciélago de azur y sumado de una corona de hojas de olivo de sinople» and his motto is «Melior nullo nullus melior».
In this article his coat of arms is mounted on a chinoiserie bearing registration number 099 within my catalogue of chinoiseries.
Blazon keywords: Without divisions, Azure, Fretty, Raguly and Or.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated, Shaded, Watercolor, Metal beaten and Chinapieria.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Wooten, David Robert.
Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper.
Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.
Coat of arms of Del Fabbro Universidad, Tlaxcala, Mexico, designed and emblazoned by me.
Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed and Proper.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Socioeconomic, Created, Boa and Coat of arms.
Bearer: Del Fabbro Universidad.
Azure, a palm tree eradicated, between in sinister a lion rampant supporting it Or, in dexter three millwheels, 2 and 1, and in chief a crescent Argent. Motto: «Deo gratias».
Escudo de azur, una palmera arrancada, acompañada a la siniestra de un león rampante empinado a ella ambos de oro, a la diestra de tres ruedas de molino, 2 y 1, y en jefe un creciente todo de plata. Lema: «Deo gratias».
Blazon keywords: Azure, One, Palm tree, Tree, Erased, Between, Sinister, Lion, Rampant, Supporting, Or, Dexter, Three, Millwheel, Ordered, In chief, Crescent, Argent and Motto.
Style keywords: Ogee, Outlined in sable, Illuminated and Parchment.
Classification: Personal, Interpreted, Coat of arms and Latin language.
Bearer: Spanò, Diego Pantaleone.
Dimidiation~dimidiated vs impalement~impaled.
Blazon keywords: Dimidiated, Party per pale, Azure, One, Lozenge, Argent and Fleur de lis.
Style keywords: Outlined in sable.
Classification: Schema and Coat of arms.
My heraldic Discord wall is The Discord Roll of Arms # Antonio.
Categories: Technology, Social networks, Party per pale, Vert, One, Compass rose, Argent, Between, In chief, Ancient coronet, Crown, In base, Sun in splendour, Or, Sable, Overall (line of division), Spear, Shafted, Helm, Mantling, Doubled, Wreath, Lynx, Couchant, Proper, Langued, Azure, Motto and Giclée.
Party per pale Azur and Argent: a chevron between in chief a dressage horse salient, and in base three waves of the sea all counterchanged. Crest: Upon a helm with a wreath Argent and Azure, a chevron per pale Azure and Argent a dressage horse salient per pale Argent and Azure. Mantling: On the dexter Azure doubled Argent and on the sinister Argent doubled Azure. Motto: «Prosequitur deinceps».
Escudo partido de azur y plata: un cabrio surmontado de un caballo de doma saltante y en punta tres ondas del mar, todo del uno al otro. Timbrado de un yelmo adornado con lambrequines, el diestro de azur y plata, el siniestro de plata y azur y burelete de plata y azur; cimado de un cabrio partido de azur y plata, sumado de un caballo saltante y partido de plata y azur. Lema: «Prosequitur deinceps».
Coat of arms created with the following characteristics: a pointed base; the field in plain Azure and Argent enamel; the ordinary and the 2 charges are illuminated in plain Azure and Argent and outlined in Sable; the tinctures of the dexter and sinister mantling are organised differently to contrast with the colour of the field they accompany; the wreath and the mantling are stamped with chinoiserie; in the crest the tinctures of the chevron and the horse are contrasted for greater emphasis; none of the representations of this coat of arms employ, either for its base or its ornament, traditionally feminine forms; and the whole has received a lightly beaten metal finish.
The «chinapiería» stamping, which adorns the mantling and the wreath of this helmed coat of arms, is registered as a trade mark in [Salmerón Cabañas, A.; 2009] and as intellectual property in [Salmerón Cabañas, A.; 2008].
Blazon keywords: Party per pale, Azure, Argent, One, Horse, Chevron, Sea, Counterchanged, Above, Salient, Throughout, In base, Crest and mantling, Helm, Mantling, Wreath, Crest and Motto.
Style keywords: Illuminated, Outlined in the field tincture, Watercolor and Pointed.
Classification: Coat of arms, Created and Personal.
Bearer: Domaica Maroto, Juana María.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or.
Escudo cuartelado: 1o de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules [de Durán]; 2o de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules [de Alpoim]; 3o de plata, dos cabras en palo de púrpura, acornadas de sable [de Cabral]; 4o de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro [de Melo]; un escusón de azur, cinco flores de lis de oro.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.
Arms of the cadet branches of Fernando Durán Cabral de Melo e Alpoim, certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León, and emblazoned by me.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate and Inescutcheon.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.
Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules.
Escudo de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineage Durán. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Durán are in the 1st quarter.
Blazon keywords: Gules, Or, Azure, Argent, One, Six, Eight, Pale, Upon, Wave, Bordure, Charged, Lion, Head and Erased.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Durán, lineage.
Edmund de Bassingbourne ~ Edmund de Bassingburnn.
Gyronny Or and Azure.
Jironado de oro y azur.
Included in [Vincent, MS; 1285; number 82] also known as [St. George's Roll; 1285; number 82].
Blazon keywords: Gyronny, Eight, Or and Azure.
Style keywords: Pointed, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Edmundo de Bassingbourne.
The one with the Cross on his back ~ Crouchback (1245–1296)
Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.
Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.
He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».
In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.
The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.
The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edmund Plantagenet.
First Prince of Wales from 1301 to 1307, King of England and Lord of Ireland from 1307 to 1327.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth rounded; the field illuminated Gules; the figures illuminated in Or and Azure, outlined in Sable, and the third leopard slightly smaller; and the whole finished with a plastered effect.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Rounded, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward II of England.
Edward IV King of England and Lord of Ireland, «The Armorial of Edward IV», «The Edward IV Roll», armorial in the form of a roll about 6 meters long, created to celebrate the coronation of Edward IV as the first King of England from the House of York and illustrated, probably, by different artists, 1461.
The image illustrating this reference corresponds to the banner, which is number 27 in the 2nd column, the final one of this armorial. This banner is held by a white deer, which was a personal badge of King Richard II of England, and also, two white deer were the supporters of his shield. The reason for the inclusion of this white deer might be to contribute to the legitimization of Edward IV as king.
It is notable that in row 25 of the 2nd column of this armorial there is a banner with the arms of the shield of Castilla y León, probably because Edward IV, like his predecessors, claimed their throne. In this version of the shield of Castilla y León:
This shield of Castilla y León also appears:
Bibliographical reference of century XV.
The author is Edward IV of England.
Here are the articles quoting this reference:
External links:
King of England and Lord of Ireland from 1272 to 1307.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted with the following features: the mouth is semicircular (round); the field enamelled in a flat tint of Gules; the three leopards illuminated in the metal Or and the colour Azure, outlined in Sable, and the leopard closest to the base has a different shape and size; and the whole finished with a fabric-like texture.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Fabric.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Edward I of England.
Or, three bars Azure; the base Gules.
Escudo de oro, tres burelas de azur; la punta de gules.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Egado emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 635].
Blazon keywords: Or, Azure, Gules, Three, Bar and Base (lower 1/3).
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Egado, lineage.
Azure, in chief a lozenge Argent between two antlers in pile issuant from a chalice Or.
Coat of arms of Elijah R. emblazoned by me. The image illustrates my three-step process: proportions and delineation; flat colours; and light and shadow. The lozenge is centred in the upper half of the shield. As shown in the proportions and delineation diagram, its centre lies at the intersection of the diagonal joining the dexter chief corner to the midpoint of the sinister flank and the diagonal joining the midpoint of the dexter flank to the sinister chief corner. The width of the lozenge is 1/3 of b, where b is the width of the shield at its base. This width is obtained by constructing the two points given by: 1) the intersection of the diagonal from the dexter chief corner to the base point of the shield with the diagonal from the midpoint of the dexter flank to the sinister base corner; and 2) the intersection of the diagonal from the sinister chief corner to the base point of the shield with the diagonal from the midpoint of the sinister flank to the dexter base corner. The two vertical lines passing through these points divide the shield into three equal parts; this is the same construction traditionally used to divide a shield tierced in pale.
Blazon keywords: Azure, Argent, Or, One, Two, In chief, Lozenge, Between, Stag's attire, In pile, Issuant and Cup.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: R., Elijah.
Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.
Escudo cuartelado: 1o y 4o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3o de azur, un arpa de oro cordada de plata.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finish.
Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me.
Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Elizabeth II of the United Kingdom.
Gules, three lions passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
These are arms of the Kingdom of England emblazoned by me.
Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: England, Kingdom of.
Checky of nine Or and Azure, the checks Or: 1st, 3rd, 5th, 7th, and 9th, two cotises Azure; 2nd, a sun Or; 4th, 6th, and 8th, two martlets Or, palewise. Supporters: Two leopards rampant guardant, the dexter Or, armed, langued, fanged, and inflamed Azure, and the sinister Azure, armed, langued, fanged, and inflamed Or. Motto: «Unitas est fortitudo»
Escudo equipolado de oro y azur: 1o, 3o, 5o, 7o y 9o, dos cotizas de azur; 2o, un sol de oro; 4o, 6o y 8o, dos marletas de oro, en palo. Soportes: Dos leopardos leonados, el diestro de oro, armado, lampasado, fierezado y encendido de azur y el siniestro de azur, armado, lampasado, fierezado y encendido de oro. Lema: «Unitas est fortitudo»
Shield with its motto and supporters created by me as follows: its mouth is rounded; the fields in flat tinctures metal Or and color Azure; all its elements outlined in Sable and illuminated in Azure and Or; the whole assembly with a slightly hammered metal finish.
About the term 'leopardos leonados' (leopards rampant guardant), [Avilés, J.; 1780a; page 99] writes that «it is said of leopards rampant» and shows an example in [Avilés, J.; 1725a; plate 7, figure 138] a shield Azure, with a leopard rampant Argent, looking towards the viewer's face, that is, 'leonado' (rampant guardant), and in this case 'difamado' (cowardly, without a tail).
In [Avilés, J.; 1780a; page 330] he again emphasizes the term 'leonado' (rampant guardant) when writing that the posture of the leopard «is never rampant, like that of the Lion, but passant; because if ever the Leopards are put rampant, they are blazoned 'Leopardos Leonados' (Leopards Rampant Guardant), for adopting the posture that Lions have in armory», and he also takes the opportunity to introduce the term 'leopardado' (passant guardant), which is complementary to 'leonado' (rampant guardant), telling us «in the same way, Lions are blazoned 'Leones Leopardados' (Lions Passant Guardant), when they are passant, because it is the posture of the Leopards».
Blazon keywords: Chequy of nine squares, Or, Azure, Bendlet, Sun in splendour, Martlet, In pale, Supporter (animal), Supporter, Lion rampant guardant, Dexter, Sinister, Armed, Langued, The fangs, The eyes, Motto and Lion passant.
Style keywords: Rounded, Illuminated, Outlined in sable and Soft metal.
Classification: Created, Personal and Coat of arms.
Bearer: Fernández Marqués, Enrique.
Coat of arms of Eóin S. Morgan, UE, emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. He is the youngest son of Commander Stephen T. Morgan.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Crescent.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Morgan, Eóin S..
Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules. The shield is surrounded by the Imperial Hispanic Order of Charles V.
Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a watercolor finishing.
This is the coat of arms of Ernesto Juan Anaya, from Atlanta, US, designed by him and emblazoned by me.
Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged, Crossbow, Surrounded and Decoration.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Anaya, Ernesto Juan.
Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent
Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Personal and Interpreted.
Bearer: Espinosa, Diego.
Papa número 207 de la Iglesia, de 1431 a 1447. «Eugenius IV», de nombre Gabriele Condulmer, nació en Venecia.
Azure, a bend Argent.
Escudo de azur, una banda de plata.
Escudo papal que he interpretado con: la boca apuntada; el campo de tinta plana de azur; la banda iluminada de azur y delineada de sable; y el conjunto acuarelado.
Blazon keywords: Without divisions, Azure, One, Bend and Argent.
Style keywords: Pointed, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Eugene IV.
Azure, five fleurs de lis Or. War cry above the shield: «:Notra:Dama:Dallpoy:» Or.
Escudo de azur, cinco flores de lis de oro. Grito sobre el escudo: «:Notra:Dama:Dallpoy:» de oro.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, and with a metal beaten finish.
«Armas antigas» ~ ancient arms of family d’Alpoim, originally from France, emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me according to his instructions and based, except for the cry, on descriptions from armorials such as «Nobiliário da Ilha Terceira» by Eduardo de Campos de Castro de Azevedo Soares, «Pedatura Lusitana», on the noble families of Portugal, by Cristóvão Alão de Morais, the chapter «O Solar dos Alpoins» by A. Nogueira Gonçalves, or «Armaria Portuguesa» that describes it in Portuguese «De azul, cinco flores de lis de oiro. T.: ... o grito Nostre Dame de Puy» and also in French «D'azur à cinq fleurs-de-lis d'or. C.: ... le cri, Nostre Dame de Puy, en lettres d'or». In this version, the text of the cry «:Notra:Dama:Dallpoy:» is based on a d’Alpoim's armorial stone and represents a Portuguese evolution of the original French cry «Notre Dame du Puy», which is the name of the Cathedral of Le Puy-en-Velay, France.
Blazon keywords: Azure, Or, Five, Fleur de lis, War cry and Above the shield.
Style keywords: Outlined in sable, Illuminated and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: d’Alpoim, family.
The coat of arms of the family Milian, created by me following their suggestions, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Or, Azure, Argent, Two, Four, Tierced per bend, Vairy, Ship, Full sail, In bend, Bar and Wavy.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Milian, family.
Quarterly: 1 Argent, an oak eradicated Vert, fructed Or; 2 Azure, a tower with a turret Or, port and windows Azure, masoned Sable; 3 Azure, a hound passant Argent, spotted Sable; 4 Argent, a cross Gules. Motto: «Ut Ferrum Fortes» Sable, with initial letters Gules, over a scroll Argent.
Escudo cuartelado: 1o de plata, una encina arrancada de sinople, frutada de oro, mazonado de sable; 2o de azur, una torre donjonada de oro, aclarada de azur; 3o de azur, un perro pasante de plata, moteado de sable; 4o de plata, una cruz de gules. Lema: «Ut Ferrum Fortes» de sable, con letras iniciales de gules, sobre una filacteria de plata.
Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.
Blazon keywords: Argent, Vert, Or, Azure, Sable, Gules, One, Quarterly, Oak, Tree, Eradicated, Fructed, With a turret, Port and windows, Masoned, Dog, Passant, Spotted, Cross and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Simon-Faus, family.
Or, six fleurs de lis Azure, 3, 2, and 1.
Escudo de oro, seis flores de lis de azur, 3, 2 y 1.
Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of Alessandro Farnese, 1545–1592, emblazoned by me. In 1956, the fourth Tercio of the Spanish Legion was created and named Tercio Alessandro Farnese in his honor. The coat of arms of that Tercio features the arms of the Farnese in its central inescutcheon, although with its 6 fleurs de lis arranged in orle.
Blazon keywords: Or, Azure, Six and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Farnese, Alessandro.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules.
A symbolic image representing, through 3 coats of arms, the creation of the coat of arms of the King Ferdinand III the Saint from the arms of Alfonso IX, King of León, and Berenguela, Queen of Castile. The shapes of all three shields are rounded; all their components are illuminated; and the whole composition features a watercolor finish.
Ferdinand III the Saint was the son of Alfonso IX of León and Berenguela of Castile. During his reign, the crowns of Castile and León were united forever. When, in 1230, Ferdinand III succeeded his father, he adopted a quarterly coat of arms, placing his mother's arms, the castle, in the 1st and 4th quarters, and his father's arms, the lion, in the 2nd and 3rd quarters. His goal was likely to achieve balance between the two kingdoms and to give his coat of arms a greater sense of continuity over time compared to impaled arms. The coat of arms of Ferdinand III the Saint was the first quarterly shield in history, and the idea spread into the heraldry of Spain and other kingdoms, such as Aragon-Sicily, Brabant, England, Navarre, and Bohemia.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crest, Open royal crown and Crown.
Style keywords: Semi-circular, Illuminated, Tilted shield and Watercolor.
Classification: Interpreted, Personal, Accolé arms, Family tree, Genealogical, Kingdom of Castile, Kingdom of León and Kingdom of Castile and Leon.
Bearer: Ferdinand III of Castile.
Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Scheme of the arms of Fernando Durán Cabral de Melo e Alpoim y Ayala-Schiaffino. These arms have been certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León. Both the scheme and the arms have been emblazoned by me. This plate shows this coat of arms and, around it, the coats of arms that compose it, arranged radially so as to make their integration into the greater shield clearly visible. These are the arms of the Durán, Alpoim, Cabral, and Melo lineages, together with the central inescutcheon, which is the coat of arms of the House of Noronha.
Blazon keywords: Gules, Or, Azure, Argent, One, Two, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Durán Cabral de Melo e Alpoim, Fernando.
Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or. Motto: «Officium otium cum dignitate».
Escudo cortado: 1o de azur, un libro abierto de oro, hojado de plata, cargado de una estrella de azur; 2o de gules, un árbol arrancado, acompañado de dos manzanas todo de oro; una filiera almenada de oro. Lema: «Officivm et Otivm Cvm Dignitate».
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of Fernando Marán Bié designed by Ignacio Koblischek and emblazoned by me.
Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure, Embattled and Motto.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Fernando Marán Bié.
Registered by The International Register of Arms, 1st of December of 2022, Registration number 0690, Volume 4.
In Spanish heraldry, there are three terms for supporters: «sostenes» for objects or plants, «tenantes» for human figures, and «soportes» for animal forms. The following applies to sostenes, tenantes, and soportes. Unlike other heraldic traditions such as English heraldry, in Spanish heraldry there are no rules for the use of supporters; their use is at the armiger's discretion, without specific restrictions. Supporters are not reserved only for nobility; their use is free for all.
In the words of [Cadenas y Vicent, V. de; 1975; page 173] «there is no rule that determines the use of tenantes, soportes, and sostenes».
Categories: Armorial roll, Party per fess, Azure, One, Book, Open, Or, Leaved, Argent, Charged, Mullet, Gules, Tree, Erased, Between, Two, Apple, Diminished bordure, Embattled, Crest and mantling, Helm, Fimbriated, Wreath, Mantling, Dexter, Sinister, Crest, Pegasus, Rampant, Nascent, Flame, Supporter (animal), Supporter, Lion, Langued, Quill, Claw, Rolled scroll, Seal, Letter, War cry and Motto.
External resource:
Root: The Armorial Register.
Cheshire, visitation of 1613.
Argent, on a bend Azure three garbs Or, bendwise.
Escudo de plata, una banda de azur cargada de tres gavillas de trigo de oro, puestas en banda.
Coat of arms interpreted as follows: with a rounded base; the field and the bend illuminated in Or and Azure; the garbs outlined in Sable and illuminated in Or; and with a leather texture.
A coat of arms recorded in [Armytage, G. J.; Rylands, J. P.; 1909] and in [Goldstraw, M. S. J.; 2013b], blazoned as «Argent, on a bend Azure, three garbs Or».
It is the norm in heraldry that charges upon a bend are arranged bendwise, so since the three garbs are disposed in this way it is possible to omit the expression «bendwise», though it may also be included to avoid any doubt, as I have done in this instance.
Blazon keywords: Without divisions, Or, Azure, Bend, Charged, Wheat, Garb, In bend and Bendwise.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Fitton de Carden, Clutton and Chester.
Transform the blazon «Or» into «Or, five Pommes in saltire» and the blazon «Argent» into «Argent, five Hurts in saltire» moving the pommes and hurts through both metals, without breaking the rule of tinctures.
You can change one charge by another one, but only once.
For example, if you change «Sable, a Bend Argent» by «Sable, a Pale Argent», then the Pommes can arrive to «Or» blazon. However, this is not a solution, because the Hurts cannot walk to «Argent» blazon.
Think before you move the cursor or click on the following link and see the solution.
Categories: Riddle, Ogee, Outlined in sable, Freehand, Or, Argent, Vert, Azure, Gules, Sable, Hurt, torteau, pellet, pomme and golpe, Hurt, Pomme, In saltire, Fess, Saltire, Bend sinister, Cross, Pale and Bend.
For example, if you change «Azure, a Cross Argent» by «Azure, a Pall Argent», then the Pommes can arrive to «Or» blazon and the Hurts can arrive to «Argent» blazon. You can view both paths azure and vert in the following image.
Other solution is to change «Azure, a Cross Argent» by «Azure, a Bordure Argent».
Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Argent, Vert, Azure, Gules, Sable, Hurt, torteau, pellet, pomme and golpe, Hurt, Pomme, In saltire, Fess, Saltire, Bend sinister, Cross, Pale, Bend and Pall.
From the House of Valois-Angoulême and with the motto: Nutrisco et extinguo.
Azure, three fleurs de lis Or.
Escudo de azur, tres flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the three fleurs-de-lis outlined in Sable and illuminated in Or; and finished with a plaster texture.
Blazon keywords: Without divisions, Azure, Or, Three, Fleur de lis and Ordered.
Style keywords: Pointed, Illuminated, Outlined in sable and Gesso.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of Valois.
Bearer: Francis I of France.
Or, an oak tree proper, fructed Or, with a boar supporting it Sable; the whole debruised by a label of four points Azure with the second point Argent.
Escudo de oro, un roble al natural, frutado de oro, con un jabalí empinado de sable; brisado de un lambel de cuatro pendientes de azur, el segundo pendiente de plata.
Coat of arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finish.
Coat of arms of Francisca Aras Quirce designed by Juan Lanzagorta Vallin and emblazoned by me.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Or, One, Oak, Tree, Proper, Fructed, Boar, Supporting, Sable, Cadency, Label, Four, Azure and Argent.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Francisca Aras Quirce.
Gules, a cross Argent charged with four ermine spots in cross Sable, in the dexter of the chief a lion’s head erased Or. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a chapeau Gules turned up ermine, a demi-lion, double queued Or, grasping in its dexter paw a pennon Gules, bearing a canton Azure, charged with a saltire Argent. Mantling: Gules doubled Argent. War cry above the crest: «ΑΛΑΛΑ ΑΛΑΛΑ». Motto: «Mieux vaut s’user que rouiller». Supporters: Two knights in three-quarter armour affronty proper, each holding with his outer hand a spear Argent bearing a banner, the dexter Sable, a panther rampant guardant Argent, incensed Or, collared, pendent therefrom a bell Azure, the sinister a banner barry of six Or and Azure, a canton Ermine, terraced Vert semé of Maltese Rock Centaury (Cheirolophus crassifolius) slipped proper.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
G0116, Chief Herald of Arms of Malta's grant for the arms of Andrew Ronald McMillan Bell of Auchinreoch, United Kingdom. These arms have been emblazoned by me for such grant. The English term «terraced», sometimes used in blazon, is equivalent to the term «compartment». In Castilian blazon we use the term «terrazado», in this case as an element outside the shield, while «terrazado» also exists inside the shield in base.
Blazon keywords: Gules, Argent, Sable, Or, Azure, Vert, One, Four, Six, Cross, Charged, Ermine, In cross, Dexter, Chief, Lion, Head, Erased, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Chapeau, Demi, Double queued, Grasping, Canton, Saltire, War cry, Above the crest, Motto, Supporter (human form), Supporter, Knight, Affronty, Proper, Spear, Panther, Rampant, Guardant, Enflamed, Collar, Suspended, Bell, Barry, Compartment, Semé and Slipped.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa, Coat of arms, Pennon, Flag and Banner of arms.
Bearer: McMillan Bell of Auchinreoch, Andrew Ronald.
Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.
Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finishing.
Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms have been emblazoned by me for this grant.
Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Spiteri Debono, Myriam.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a mullet Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an oval outer contour and with a freehand finish.
R0038, Chief Herald of Arms of Malta's register of Alessandra Pompili's arms, Italy, whose full achievement has been emblazoned by me for such register.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Cadency, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.
Style keywords: Outlined in sable, Illuminated, Oval and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Alessandra.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a label of three-point for difference. Crest: Upon a helm befitting his degree as the heir to a Barony issuant from a crown of Noble above the shield, with a wreath Or and Azure, a demi-lion Azure, issuant from a crown of Baron, langued Gules, wings displayed, armed, crowned with an ancient coronet, and grasping in its claws by its lowest point a mullet of six points Or. Mantling: Azure doubled Or. Motto: «Per audacia ad astra».
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finish.
R0033, Chief Herald of Arms of Malta's register of Antonio Pompili's arms, whose full achievement has been emblazoned by me for such register.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Debruised, Label of three points, Cadency, Crest, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Crown of Baron, Above the shield, Wreath, Demi, Lion, Langued, Winged, Displayed, Armed, Crowned, Ancient coronet, Grasping, Claw, Mantling, Doubled and Cross.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Antonio.
Azure, on four bars wavy Argent a barbel bendwise Or and a three arch bridge Or, masoned Sable, throughout, supporting a elm couped Argent leaved Or, between, in dexter a tower Or, port and windows Azure, mazoned Sable, and in sinister three escutcheon Or, 2 and 1. Motto: «El porqué yo me le sé» Sable, with initial letters Gules, over a scroll Argent. Behind the shield a Eurasian griffon vulture (Gyps fulvus) displayed proper.
Coat of arms devised by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.
Blazon keywords: Argent, Or, Azure, Sable, One, Three, On, Bar, Wavy, Barbel, Bendwise, Bridge, Masoned, Throughout, Upon, Elm, Tree, Couped (tree), Leaved, Tower, Port and windows, Escutcheon, Ordered, Motto, Scroll and Vulture.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Pesquera de Ebro.
Azure, in chief a label Or, and in base a fleur de lis Argent.
Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].
Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Gangoiti, lineage.
Or, a fess wavy Azure between, in chief three torteaus, and a trimount issuant from the base Vert; within a bordure Gules charged with nine mullets of four points Or.
Arms painted by me, in flat tinctures, outlined in Sable, with a pointed external shape and with a texturized finishing.
Coat of arms of Geremías Reyes Zelaya, from Honduras, designed by him and me and emblazoned by me.
Blazon keywords: Or, Azure, Gules, Vert, Sable, One, Three, Nine, Fess, Wavy, Between, In chief, Torteau, Trimount, Issuant from base, Within, Bordure, Charged and Mullet of four points.
Style keywords: Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Reyes Zelaya, Geremias.
Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.
Escudo partido: 1o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
G0093, Chief Herald of Arms of Malta's grant for the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga. This coat of arms has been emblazoned by me.
Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.
Party per pale: 1 Vert, a compass rose Argent between, in chief a coronet Or, in base a Taino sun Or; 2 Sable, a Taino sun Or between, in chief a coronet Or, in base a compass rose Argent; overall a spear Or, headed Argent. Crest: Upon a helm with a wreath Or and Vert, a lynx couchant proper, langued Azure. Mantling: Vert doubled Or. Motto: «Numquam reside».
Giclée artwork of the coat of arms of family of Lucas Cruz (UK, Puerto Rico, Belarus, US Army) designed by him and me and emblazoned by me. The Taino were an indigenous people of the Caribbean, the Taino sun is one of their symbolic representations of the sun, and the lynx came from Gomel~Homyel, Belarus.
Blazon keywords: Vert, Sable, Or, Argent, Azure, One, Party per pale, Compass rose, Between, In chief, Ancient coronet, Crown, In base, Sun, Overall, Spear, Shafted, Crest, Helm, Wreath, Lynx, Couchant, Proper, Langued, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Personal, Created, Boa, Giclée, Sealed arms and Heraldic document.
Bearer: Cruz, family of Lucas.
Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or. Crest: Upon a helm issuant from a crown of Noble above the shield a with a wreath Argent and Gules, a Cirneco dell’Etna hound passant proper, gorged of a collar of meanders motifs Azure and Argent. Mantling: Gules doubled Argent. Motto: «Pete ex Animo Sapientiam».
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finishing.
Blazon keywords: Gules, Argent, Or, Azure, One, Two, Three, Fess, Between, In chief, Eight-pointed cross, Cross couped, Mullet, In base, Bendlet, Upon (wreath), Helm, Issuant, Crown of Noble, Crown, Above the shield, Wreath, Dog, Gorged, Mantling and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Bella, Giovanni de.
And Count of Touraine and Maine, Duke of Normandy, and founder of the Plantagenet dynasty.
Azure, six lions rampant Or, 3, 2 and 1.
Escudo de azur, seis leones rampantes de oro, 3, 2 y 1.
Existing armories interpreted by me as follows: the shield's shape is pointed; the field has been enameled in flat azure; the 6 lions are illuminated; and the entire composition has a watercolor finish.
When blazoning these 6 lions, considering that in heraldry the natural arrangement of elements is from more in chief to fewer in base, it would suffice to specify nothing more than «or and rampant». However, adding their arrangement «3, 2, and 1» can aid the reader, as done by [Avilés, J.; 1725b; page 124] and [Avilés, J.; 1780b; page 142] when blazoning the arms of Alfonso Enrique de Vick, writing «sable, and six bezants or, three, two, and one», meaning 6 ordered elements. In these sequences of number arrangements, I prefer to write Arabic numerals rather than words because, at times, the sequences can be long.
Blazon keywords: Without divisions, Azure, Six, Lion, Or, Rampant and Three, two and one.
Style keywords: Pointed, Illuminated, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Coat of arms and House of Plantagenet.
Bearer: Godfrey V, Count of Anjou.
Azure, a lynx couchant Or.
Escudo de azur, un lince tumbado de oro.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Gomel~Homyel, Belarus, emblazoned by me. This is preparatory artwork for the crest of the coat of arms of the family of Lucas Cruz.
When Gomel was part of the Grand Duchy of Lithuania, its coat of arms did not feature a lynx. After the city became part of the Russian Empire in 1772, Empress Catherine II granted Gomel in 1775 to Field Marshal Pyotr Rumyantsev-Zadunaisky, who transferred the administrative centre to the nearby town of Novaya Belitsa. That town was granted a new coat of arms on 16 August 1781, already featuring a lynx, with the decree explaining its inclusion "because there are many of these animals in the vicinity of this town." In 1852, Prince Ivan Fyodorovich Paskevich restored Gomel as the district's administrative centre, bringing with it the arms of Novaya Belitsa, which were officially adopted as the coat of arms of Gomel on 23 December 1855.
Blazon keywords: Azure, Or, One, Lynx and Couchant.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Civic, Interpreted, Design rationale, Boa and Coat of arms.
Bearer: Gomel.
Gules, a cross vair ancient.
Escudo de gules, una cruz de veros antiguos.
Coat of arms that I have interpreted as follows: the shield has a semicircular (round) base; the field is in flat tincture of Gules; the vair ancient, rounded in the old style, are outlined in Sable and illuminated; and the whole has a raised-stroke drawing.
The coat of arms of the commune of Bailleul is very similar to this coat of arms, with the difference that it is of regular vair instead of ancient, rounded vair, like that borne by Gonzalo Argote de Molina.
Blazon keywords: Without divisions, Gules, Argent, Azure, Cross and Vair ancient.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Personal, Coat of arms and Heraldry and heralds.
Bearer: Argote de Molina, Gonzalo.
I also had a heraldic wall in Google+ the social network created and closed by Google. Google + taught us that we should not put all our efforts into a single social network.
Categories: Technology, Social networks, Tower, Ordered, Or, Port and windows and Azure.
Azure, four concentric annulets Argent.
Escudo de azur, cuatro anilletes concéntricos de plata.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a freehand finishing.
The coat of arms of Ralph de Gorges emblazoned by me.
Blazon keywords: Azure, Argent, Four, Moon, With human face, Environed, Concentric and Annulet.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Gorges, Ralph de.
Party per fess, 1 Gules, a stag rampant, issuant from base proper, in the dexter chief a Maltese cross Argent; 2 Azure, a mullet of seven points Argent.
Escudo cortado: 1o de Gules, un ciervo rampante, moviente de la punta al natural, en la diestra del jefe, una cruz de Malta de plata; 2o de azur, una estrella de siete puntas de plata.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
G0131, augmentation of G0042, Chief Herald of Arms of Malta's grant of the coat of arms of Jay Geoffrey De Graaf, Australia. The augmentation consists of the addition of a Maltese cross Argent in the dexter chief. This coat of arms has been emblazoned by me.
Blazon keywords: Gules, Azure, Argent, One, Party per fess, Stag, Rampant, Issuant from base, Proper, In the dexter chief, Eight-pointed cross, Cross couped and Mullet.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Graaf, Jay Geoffrey De.
Azure, a seagull volant Argent, carrying in its feet a sheaf of tobacco proper, bound Gules.
Arms painted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finishing.
The coat of arms of Gregorio Lanzagorta Llaguno, harbor of San Blas, and cigar maker in Nayarit, Mexico. This coat of arms was designed by Juan Lanzagorta Vallín and painted by me. Proper tinctures can be placed on both color and metal fields. For proper tinctures, the heraldic rule of tincture of colors and metals does not apply. However, contrast remains essential. For instance, an emerald proper on a Vert-green field is heraldically correct, but the green of the emerald will render it nearly invisible against the green field. While it's technically correct, it's best avoided. The following blazon is a heraldic joke regarding this principle «Argent, a polar bear proper», it's heraldically correct, but all white.
Blazon keywords: Azure, Argent, Gules, One, Seagull, Volant, Grasping, Foot (palmiped), Sheaf of tobacco, Proper and Bound.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Gregorio Lanzagorta Llaguno.
184th Pope of the Church, from 1271 to 1276. «Gregorius X», born Teobaldo Visconti, was born in Piacenza and convened the 14th Ecumenical Council, known as the Second Council of Lyon.
Azure, a chief embattled Or.
Escudo de azur, el jefe almenado de oro.
Papal coat of arms interpreted by me with: a pointed and rounded shield shape; the field in plain Azure; the chief embattled, illuminated in metal Or and outlined in Sable; and the whole with a marbled finish.
My first version of the blazon in English was «Azure, a chief Or, embattled», but Michael McCartney suggested that it was more correct as «Azure, a chief embattled Or».
Blazon keywords: Without divisions, Azure, Chief, Or and Embattled.
Style keywords: Ogee, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted, Religious and Papal States.
Bearer: Gregory X.
Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2.
Escudo de plata, un monte de tres peñas de sinople, moviente de la punta, surmontado de las letras «GVA» unidas de Sable; en un jefe de azur, tres estrellas de ocho puntas de oro, 1 y 2.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
R0067, Chief Herald of Malta's register of the coat of arms of Mario Antonio Guallini. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet and Disordered.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Guallini, Mario Antonio.
Azure, a terraze in base Or, overall a gazelle salient Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family.
Coat of arms of Julia Íñiguez Cruz designed by Juan Lanzagorta Vallín and refined and emblazoned by me. This image shows a composition consisting of the hand-drawn salient gazelle, subsequently digitally processed, together with its final representation within the coat of arms, all entirely created by me.
Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Salient, Collared, Chain, Sinister, Conjoined and Cross couped.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Íñiguez Cruz, Julia.
Azure, three plates, 1 and 2.
Escudo de azur, tres bezantes de plata, 1 y 2.
Coat of arms interpreted by me with a modern German / Scandinavian shape, illuminated and with a rough finishing.
Blazon keywords: Azure, Three, Bezant and plate, Argent and Disordered.
Style keywords: Outlined in sable, Rounded trapezoid, Illuminated and Rough.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Harten, von.
Cheshire, 1533-1580.
Azure, on a chevron Or, a martlet Gules, between three garbs Or.
Escudo de azur, un cabrio de oro, cargado de una marleta de gules, acompañado de tres gavillas de trigo de oro, 2 y 1.
Coat of arms interpreted by me as follows: with a rounded base; the field illuminated in Azure; the chevron, with a wide angle in the Cheshire style, is illuminated in Or; the garbs are illuminated in Or and all outlined in Sable; the martlet is also outlined in Sable, but illuminated in Gules; and with a leather texture.
Recorded in [Rylands, J. P.; 1882], [Goldstraw, M. S. J.; 2013a] blazons it as «Azure, on a chevron between three garbs Or, a martlet Gules for difference». The expression «...a martlet Gules for difference» means that the martlet has been added to the arms of a son who is not the eldest, to differentiate his shield from that of his father and his elder brother.
Blazon keywords: Without divisions, Azure, Or, Gules, Chevron, Charged, Wheat, Garb, Ordered, Between and Martlet.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Hatton de Woodhouse.
Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma]. Crest: A crown of Noble. Motto: «Biche délicate».
Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.
G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose full achievement has been emblazoned by me for such grant.
The arms of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and information about her grant.
Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet, In orle, Crest and mantling, Crown of Noble, Crown, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.
Classification: Personal, Interpreted, Coat of arms, Latin language and Slide.
Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.
Argent, an apple tree, the base of its trunk forming a cross crosslet Azure, fructed Gules.
Arms interpreted by me, in flat tinctures, outlined in Sable, with a semi-circular outer contour and with a texturized finishing.
The coat of arms of Heikki Halkosaari, Finland, emblazoned by me.
Blazon keywords: Argent, Azure, Gules, One, Apple tree, Tree, Base, Trunk, Cross, Crosslet, Cross couped and Fructed.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Halkosaari, Heikki.
King of England, Lord of Ireland and Duke of Aquitaine from the year 1216 to the year 1272
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth of the shield is semicircular (round); its field has been enamelled in a flat tint of Gules; its leopards are illuminated in Or and Azure and outlined in Sable; and the whole has a finish of aged parchment.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Old parchment.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Henry III of England.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Argent, a cross flory Purpure.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, una cruz flordelisada de púrpura.
Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Henry of Castile, 1230–1303, 6th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. He bore his father's arms, replacing the lion Purpure of the Kingdom of León with a cross flory Purpure, likely due to his close association with the Order of Calatrava, whose emblem is a cross flory Gules. However, he retained the metal Argent field in the 2nd and 3rd quarters and the lion's purpure color, suggesting this was more of a conceptual change than a quartering by alliance with the Order of Calatrava.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Cross flory and Cross couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Henry of Castile, Infante.
Argent, a cross Azure.
Escudo de plata, una cruz de azur.
Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.
Blazon keywords: Argent, One, Cross and Azure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.
Bearer: Hérail, Gilbert.
David B. Appleton studies, researches, teaches, and writes about heraldry, and through his blog, he shares his heraldic knowledge with us, as well as through publications and presentations.
David B. Appleton is open to questions from his readers and provides advice on heraldic topics in which he specializes.
His blog is Blog.AppletonStudios.com and his website is AppletonStudios.com, from which he offers his services related to the world of heraldry, its dissemination, and knowledge.
Since 2009, David B. Appleton's heraldic blog has been an endless source of knowledge, images, ideas, curiosities, original reflections, and links to heraldic sites selected by him.
David B. Appleton stands out for his continuous analysis of all types of heraldic manifestations, which he finds everywhere, in the world we live in: from those we have inherited from ancient times to the fiercely current, from books to cinema, from fashionable clothing to urban furniture, from east to west and north to south, including those that appear in logos and emblems, those using traditional techniques and those created or disseminated through new technologies, on ships, sports cars, and airplanes, on porcelain, facades, and stained glass, on television, on t-shirts and coins, in auctions and universities, in comics and sports, etc. with a systematic publication rhythm, more than 2 posts per week, nothing heraldic escapes the record and genuine analysis of David B. Appleton on Blog.AppletonStudios.com, which I highly recommend.
Categories: Link, Interpreted, Personal, Coat of arms, Without divisions, Freehand, Soft metal, Illuminated, Outlined in sable, Canting, Heraldry and heralds, Argent, Azure, Gules, Vert, Chevronel, Between, Apple, Slipped and Leaved.
External resources:
Root: Appleton, David B..
Heraldic document for the arms of László Linett Regina. Her coat of arms has been created by her, and emblazoned by me, and this heraldic document has been edited, signed, sealed, and dated by me. The image shows 2 pages of this heraldic document.
Blazon keywords: Azure, Or, Argent, Three, One, Eight, Lightning flash, In pall, Debruised, Unicorn, Head, Couped, The eyes, Bordure and Fleur de lis.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Catalogue, Heraldic document and Frame.
Bearer: László Linnet Regina.
Argent, a heron volant Azure, beaked and membered between three escallops Sable.
Escudo de plata, una garza volante de azur, picada y membrada, acompañada de tres veneras todo de sable.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.
Canting arms of the family of Paul and Kari Herndon, based on the arms of their lineage, and emblazoned by me. In heraldic blazoning, a tincture normally applies to all subsequent elements until another tincture is specified. This may be regarded as a kind of «backward propagation rule», whereby the final mention of a tincture is understood to qualify all the immediately preceding elements to which it can logically apply. This convention avoids unnecessary repetition, producing shorter, more concise blazons without any loss of precision. For example, the blazon «Argent, a heron volant Azure, beaked and membered Sable between three escallops Sable» already means that both the beak and the legs of the heron are Sable. Repeating the tincture «beaked Sable and membered Sable» is therefore unnecessary. In Castilian, however, I often add clarifying quantifiers such as «both» ~ «ambos de» when 2 elements share the same tincture, and «all» ~ «todo de» when there are more than 2 elements, as this generally improves readability without altering the meaning. In this case there are many elements: its beak, 2 legs, and 3 escallops.
Blazon keywords: Argent, Azure, Sable, One, Three, Heron, Volant, Beaked, Membered, Between and Escallop.
Style keywords: Outlined in sable, Illuminated, Pointed and Rough.
Classification: Personal, Canting, Interpreted, Boa and Coat of arms.
Bearer: Herndon, family of Paul and Kari.
Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, within an annulet Or, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre» Sable, in sinister chief, charged with «el Hijo» Sable, in base, charged with «el Espítiru» Sable, and one on the fess point, charged with «Dios» Sable.
Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, dentro de un anillo de oro, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre» de sable, en la siniestra del jefe, cargado con «el Hijo» de sable, en la punta, cargado con «el Espítiru» de sable y uno sobre el corazón, cargado con «Dios» de sable.
Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in watercolor Azure; the rest in heavily beaten metal, outlined of the field and illuminated in Argent, except for the annulet which is illuminated in Or; and its letters all in plain Gules ink.
The circular crown when it is large and in the middle of the shield [Cadenas y Vicent, V. de; 1975] is called an annulet. [Avilés, J.; 1780a; pages 296 and 297] calls it annulet or small annulet depending on its size, if it is large an annulet and if it is small a small annulet. In English and French heraldry it is called «cyclamor» and hence the expression «cyclamor annulet» can also be found.
This annulet is my aesthetic contribution to this imaginary coat of arms as it is normally not represented with this annulet.
In other interpretations the words «non est» go on a bordure or on an orle, the latter being the case blazoned, for example, [Husenbeth, F. C.; 1882; 2nd appendix] in the following way: «Gules, an orle and pall Argent, conjoined and surmounted of four plates, occupying the dexter and sinister chief and the base and fess points respectively; the first inscribed Pater, the second Filius, and the third Spiritus Sanctus, the centre Deus; the connecting portions of the orle between them having the words non est, and those of the pall est».
Blazon keywords: Without divisions, Azure, Cyclamor, Pall, Closed, Argent, Charged, Bezant and plate, Or, Dexter, Sinister, Chief, Base (lower 1/3) and Heart.
Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Watercolor and Hard metal.
Classification: Religious, Interpreted, Imaginary and Coat of arms.
Imaginary bearer: Holy Trinity.
Argent, a tetrahedron Azure, pierced by a sword bendwise, point downwards Or, garnished Azure.
Escudo de plata, un tetraedro de azur, atravesado de una espada puesta en banda, bajada de oro, guarnecida de azur.
Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.
G0102, Chief Herald of Arms of Malta's grant for the coat of arms of Dr. James Patrick Howard II, USA. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Azure, Or, One, Tetrahedron, Geometric solid, Pierced, In bend, Sword, Point downwards and Garnished.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Howard II, Dr. James Patrick.
Quarterly: 1 and 4 Gules, a lion rampant, double queued Argent, armed, langued, and crowned Or; 2 Azure, a letter «G» Or; 3 Azure, a coronet trefoiled Or
Escudo cuartelado: 1o y 4o de gules, un león rampante, de cola horquillada de plata, armado, lampasado y coronado de oro; 2o de azur, una letra «G» de oro; 3o de azur, una corona trebolada de oro
This coat of arms is illuminated with lights and shadows and has a finish like glass.
The Hradec Králové Region is an administrative unit of the Czech Republic. It is located in the historical region of Bohemia. Its capital is Hradec Králové, whose Latin name is «Gradicium», hence its old name «Gradec». The letter «G» seen in both the coat of arms of the Hradec Králové Region and the coat of arms of its capital originates from this historical name. The lion rampant Anrgent, double queued and crowned in the 1st and 4th quarters is the symbol of Bohemia, and it also appears in the 1st and 4th quarters of the coat of arms of the Czech Republic. «Králové» means «of the queen» in Czech and there is a trefoiled crown in the 3rd quarter
Blazon keywords: Quarterly, Gules, One, Lion, Rampant, Tail, Double queued, Argent, Armed, Langued, Crowned, Or, Azure, Letter, Coronet trefoiled, Ancient coronet, Crown and Trefoiled.
Style keywords: Glass, Outlined in sable, Illuminated and Semi-circular.
Classification: Civic and Interpreted.
Bearer: Hradec Králové Region.
Cecil Humphery-Smith, FHS - Fellow of The Heraldry Society, «Why three Leopards?», Coat of Arms, COA, An Heraldic Quarterly Magazine, issue 126, The Heraldry Society, Baldock, Hertfordshire, summer of 1983.
The coat of arms illustrating this bibliographic reference is that of the Kingdom of England, which was also that of the queen of Castile Leonor Plantagenet.
Bibliographical reference of century XX.
The author is Humphery-Smith, Cecil.
The following articles cite this bibliographic reference:
External resource:
Internal resources: HumpherySmithC1983.3Leopards.docx.
Cheshire, 1613, 1663 and Vale-Royal.
Azure, a chevron Or, between three lozenges Or.
Escudo de azur, un cabrio de oro, acompañado de tres losanges de oro, dos y uno.
Coat of arms interpreted with: a rounded base; the field and chevron illuminated in Azure and Or respectively; the lozenges in plain Or enamel and outlined in Sable; and with a leather finish.
In [Goldstraw, M. S. J.; 2013b] it is blazoned as «Azure, a chevron between three lozenges Or» and includes a crest blazoned as «Crest: An eagle with wings expanded Sable, beaked Or», which is not represented here.
Blazon keywords: Without divisions, Azure, Or, Chevron, Between, Lozenge and Ordered.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Hyde de Norbury.
Argent, in base three bars wavy Azure, overall, an oak eradicated Vert, fructed Or, to its dexter a cauldron suspended from a branch, and in front of its trunk a boar passant Sable.
Escudo de plata, en punta tres burelas ondadas de azur, brochante sobre el todo, un roble arrancado de sinople, frutado de oro, a su diestra una caldera pendiente de una rama y atravesado a su tronco un jabalí pasante, ambos de sable.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms emblazoned by me for the book by Professor Francisco Idareta Goldaracena titled «From Yraeta to Idareta: An Approach to the Origins of the Lineage and Its Evolution from Cestona to Navaz between the 14th and 20th Centuries», [Idareta Goldaracena, F.; 2022; cover].
Blazon keywords: Azure, Argent, Vert, Or, Sable, Three, One, In base, Bar, Wavy, Overall, Oak, Tree, Eradicated, Fructed, Dexter, Cauldron, Suspended, Branch, In front (tree), Trunk, Boar and Passant.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Idareta Goldaracena, Francisco.
Partido de dos y cortado de lo mismo: 1o de gules, una paloma de oro; 2o de plata, una paloma de gules; 3o de sinople, una paloma de plata; 4o de oro, una paloma de sinople; 5o de azur, una paloma de oro; 6o de oro, una paloma de azur; 7o de púrpura, una paloma de oro; 8o de plata, una paloma de púrpura; y 9o de sable, una paloma de plata. Lema: «Manete In Me».
Coat of arms of Ignacio Koblischek Zaragoza interpreted with: a semicircular (round) base; the quarters in plain Gules, Azure, Vert, Sable, Purpure, Or and Argent; the doves illuminated in Gules, Azure, Vert, Purpure, Or and Argent and outlined in Sable; the motto illuminated in Or with letters in Sable, but with the capitals in Gules; and the whole with a stained-glass finish.
Ignacio Koblischek Zaragoza, Graduate in Genealogy and Heraldry, is the founder and director of the Registro Internacional de Armas Gentilicias.
He is currently working on a course entitled El Sistema Heráldico which he publishes chapter by chapter.
Categories: Link, Heraldry and heralds, Interpreted, Personal, Coat of arms, Semi-circular, Quarterly, Glass, Illuminated, Outlined in sable, Gules, Azure, Vert, Sable, Purpure, Or, Argent, Dove and Motto.
Root: Koblischek Zaragoza, Ignacio.
[ Azure, a mount issuant from the base, in chief a fleur the lis Argent ] and [ Party per chevron Azure and Or, in chief a fleur de lis Argent, in base four pallets Gules ].
The coat of arms of Ignasi Pujol was designed by him based on the ancient arms of the Pujol lineage, 1st image, and refined and emblazoned by me, 2nd image. The comparison of the blazon of the Pujol lineage with the blazon for Ignasi Pujol is the following.
Blazon keywords: Azure, Argent, Or, Gules, One, Mount, Issuant from base, In chief, Party per chevron, Fleur de lis, In base, Pallet and Pale.
Style keywords: Outlined in sable and Illuminated.
Classification: Lineage, Personal, Compare, Interpreted, Coat of arms and Boa.
Bearer: Pujol, Ignasi.
Azure, three crowns in fess, fesswise Or.
Escudo de azur, tres coronas en faja, puestas en faja de oro.
Crown with the main axis being the vertical and central axis of symmetry and which is usually placed palewise.
Blazon keywords: Without divisions, Azure, Or, Crown, In fess and Fesswise.
Style keywords: Semi-circular, Outlined in sable and Watercolor.
Classification: Criterion.
Bearer: In and wise.
In Castile, a coat of arms quarterly does not necessarily signify inheritance. This schema illustrates two practices: a) Quarterings can represent the mother in the 1st and 4th quarters and the father in the 2nd and 3rd, highlighting the prominence given to the maternal line by placing it in the most visible quarters. b) Quarterings can also include personal symbols and concepts, like canting arms, for example, «Manuel» =«mano» + «ala» = «hand» + «wing», combined with ancestral arms. This flexibility reflects Castilian heraldic traditions, where arms are not strictly marshalled by inheritance. The inclusion of maternal arms in the 1st and 4th quarters highlights how Castilian heraldry often elevates maternal heritage, differing from some other heraldic traditions. The previous commentary emphasizes the creative freedom in Castile, where quartering could incorporate personal symbols or canting arms without the constraints of inheritance or dominium. This flexibility aligns with Castilian culture, allowing heraldry to reflect personal identity, not just dynastic ties. Notably, the arms of Infante Enrique's use of a cross flory demonstrates this creative freedom, showcasing the ability to innovate within heraldry even in royal contexts. While this might seem unconventional compared to other heraldic systems, it is deeply rooted in Castilian tradition. All coats of arms in this schema have been emblazoned by me.
Blazon keywords: Argent, Purpure, Gules, Or, Azure, Sable, One, Quarterly, Lion, Rampant, Armed, Langued, Castle, Triple-towered, Port and windows, Masoned, Bordure, Compony, Eagle, Cross flory, Cross couped, Party per pale, Hand, Arm, Vambraced, Embowed, Winged, Sword, Point upwards and Hilted.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Design rationale, Schema, Boa and Coat of arms.
Bearer: Manuel of Castile, Infante.
180th Pope of the Church, from 1243 to 1254. «Innocentius IV», born Sinibaldo dei Fieschi, was born in Manarola in northwest Italy.
Bendy of six Azure and Argent.
Escudo bandado de seis piezas de azur y plata.
Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; bands illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.
In the bendy pattern, the tinctures are named starting from the one located at the dexter base of the shield and following an ascending sequence towards the sinister chief, although the most orthodox approach is to have only 2 tinctures, being one color and one metal.
It is said that it is not necessary to specify the number of bands when there are precisely 6, as in this case, and that it should be specified when there are, for example, 4 or 8. I have chosen to specify it for greater clarity of the blazon.
About the bendy pattern and the need to specify or not specify the number of its pieces, [Avilés, J.; 1725a; pages 40 and 41] and [Avilés, J.; 1780a; pages 45 and 46] say that it is «composed of four, six, or eight bends; in such a way that there are as many colors as metals, always specifying the number four and eight bands when blazoning, and not the one composed of six, as it is understood thus, without declaring the number of pieces» and without agreeing with it, and by its wording I believe that he is not entirely in agreement either, he adds «the reason that may exist for not specifying the number of six bends (although the authors do not express it) is that as the bend is one-third of the shield; and having six pieces, or six bends, the resulting number is doubled, as if the three parts were divided, which implies that the shield is filled with three bends; and taking the denomination of the figure infers, that the bendy is of six pieces: which does not happen with this equality in those of four and eight, requiring other proportions and consequently it becomes necessary to specify their number», therefore, note that the bendy of 6 does not follow the proportions of the bend, nor do those of 4 or 8, the only differential property of the one of 6 is being a multiple of 3, being 1/3 the width of the bend.
Blazon keywords: Without divisions, Bendy, Six, Azure and Argent.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Innocent IV.
Azure, a harp Or, stringed Argent
Escudo de azur, un arpa de oro, cordada de plata
Illuminated and a leather finishing.
Blazon keywords: Without divisions, Azure, One, Harp, Or, Stringed and Argent.
Style keywords: Leather, Outlined in sable, Illuminated and Ogee.
Classification: Civic, Republic of Ireland, Interpreted and Coat of arms.
Bearer: Ireland.
Israel~ישראל.
Azure, a Menorah between two olive branches Argent; in base the legend
«ישראל» Argent.
Interpreted coat of arms: with a rounded and pointed shape; illuminated with metal argent and color azur; outlined with sable; and a Watercolor finish.
Blazon keywords: Without divisions, Azure, One, Menorah, Argent, Accosted, Two, Branch, Olive tree, Tree and Motto (identification).
Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.
Classification: Coat of arms, Interpreted, Civic and State of Israel.
Bearer: Israel.
Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent.
The coat of arms of Itziar Lanzagorta Ochoa designed by her and her father Juan Lanzagorta Vallín, and outlined by me with an oval shape.
Blazon keywords: Argent, Azure, One, Semé, Mullet, Voided, Interlaced and Conjoined.
Style keywords: Outlined, Outlined in sable and Oval.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Itziar.
Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced.
The coat of arms of Ixai Lanzagorta Ochoa, designed by him, his father, Juan Lanzagorta Vallín, and me, and emblazoned by me in 4 steps: proportions, delineation, plain colors and metal, and lights and shadows. His favorite version is the flat, classic representation of his coat of arms.
Blazon keywords: Argent, Sable, Azure, One, Chevron, Ouroboros, Armed, Langued and Interlaced.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Lanzagorta Ochoa, Ixai.
Azure, a terraze in base Or, overall a gazelle statant Argent accompanied in honour point by the cross of the Cruz family.
De azur terrazado de oro, brochante sobre el todo una gacela parada de plata acompañada en el punto de honor por la cruz de la familia Cruz.
Coat of arms of Juan Pablo Íñiguez Cruz designed by Juan Lanzagorta Vallín and refined and emblazoned by me. Whereas the gazelles in the arms of his mother Rosalía Cruz Carballo and sister Julia Íñiguez Cruz were depicted as female, in this case the intention was to represent a male gazelle. For this reason longer horns have been painted and the male sex has been explicitly depicted. In heraldry, the representation of the male sex is common and almost generalized in certain heraldic beasts, especially in animals of strong or combative character such as lions, wolves, or bulls. In more stylized and elegant animals, such as stags or gazelles, such representation is more variable and depends largely on artistic, symbolic, and compositional criteria. In this particular case, I chose to depict it. The gazelle is accompanied by the cross that Jon Lanzagorta designed for his co-father-in-law, Mr. Cruz, the grandfather of Juan Pablo. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or. Note that the cross is itself a canting symbol, since it is the «cross» ~ «cruz» of the Cruz family. The honour point is a position within the coat of arms located on its central vertical axis, above the center of the shield and below the middle of the chief.
Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Salient, At the honour point and Cross couped.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Íñiguez Cruz, Juan Pablo.
Azure, on three bars wavy Argent, a Norman ship Or, full sail Argent; on a chief Gules, two leopards Or, armed and langued Azure; a bordure Argent charged with eight acorns bendwise Azure. Motto: «Marche dans ta voie avec Dieu».
Escudo de azur, en punta tres burelas ondadas de plata sumadas de un barco normando de oro con vela de plata; en un jefe de gules, dos leopardos de oro, armados y lampasados de azur; una bordura de plata cargada de ocho bellotas puestas en banda de azur. Lema: «Marche dans ta voie avec Dieu».
Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.
Coat of arms of Dr. Jacques William Normand Delfin. He is from Mexico and his family comes from Falaise in Normandy. This coat of arms has been created by him and me, and emblazoned by me.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Normand Delfin, Jacques William.
Canting arms of Jan Bobor, Slovakia, emblazoned under his directions, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Beaver, Erect, Armed, Tailed, Grasping, Dexter, Shoulder, Sword, Hilted, Chief, Embattled and Fleur de lis.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Bobor, Jan.
Gules, a fess chequey Azure and Argent.
Escudo de gules, una faja ajedrezada de azur y plata.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Janovsti of Janovic of Czechia. It is also the coat of arms of the lineage Klenovsky of Klenove of Czech. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Janovsti of Janovic of Czechia, lineage.
Blazon equivalent to: Lindsay of Scotland, lineage.
Escudo cuartelado: 1o y 4o de azur, cinco bezantes de oro en sotuer; 2o y 3o de oro, tres corazones de gules ordenados. Timbrado de un yelmo de plata; lambrequines de azur doblados de oro; y burelete de oro y azur; cimado de un león rampante de oro, lampasado y armado de gules. Pendiente de la punta la insignia del Cuerpo de la Nobleza del Principado de Asturias.
Blazon keywords: Quarterly, Azure, Five, Bezant, Bezant and plate, In saltire, Or, Three, Heart, Gules, Ordered, Crest and mantling, Helm, Argent, Mantling, Wreath, Lion, Rampant, Langued, Armed, Suspended, Base (lower 1/3) and Decoration.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Fernández-Cortés y Fonseca, Javier.
Blazon keywords: Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five and Base (lower 1/3).
Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Coat of arms and Structured and parallel blazons.
Bearer: Bessières, Jean-Baptiste.
Gules, three bees Or; a chief cousu azure, an eagle displayed Or. Crest: A crown of the Soberana y Muy Noble Orden de la Granada. The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.
It has been painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a texturized finishing.
This is the coat of arms of Jean-Eudes Pierra emblazoned by me for the Roll of Arms of the Soberana y Muy Noble Orden de la Granada.
Blazon keywords: Gules, Azure, Or, Three, One, Bee, Ordered, Chief, Eagle, Crest, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated, Ogee and Cousu.
Classification: Personal, Interpreted, Boa, Armorial roll and Castilian language.
Bearer: Pierra, Jean-Eudes.
Azure, a pall couped Argent, its three arms charged with «es» Azure, within a triangle reversed Argent, its three arms charged with «no es» Azure, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre», in sinister chief, charged with «el Hijo», in base, charged with «el Espítiru», and one on the fess point, charged with «Dios» Azure; in chief a label of three points Argent.
Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de azur, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de azur, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre», en la siniestra del jefe, cargado con «el Hijo», en la punta, cargado con «el Espítiru» y uno sobre el corazón, cargado con «Dios» todo de azur; en jefe un lambel de tres pendientes de plata.
Imaginary coat of arms that I have interpreted with: a semicircular (round) base; its field illuminated in Azure; the rest illuminated in Argent and outlined in Sable; its letters in plain Azure ink; and the set with a rough finish.
Drawing a parallel between the coat of arms of Navarre that [[Menéndez Pidal de Navascués, F.; 1974]] transcribes for its original coat of arms as «Gules, a closed and pommetty carbuncle Or with an emerald...» I have characterized the pearl on the coat of arms as closed.
This is the imaginary coat of arms of the Holy Trinity with a label added for difference to the Son, to Jesus Christ.
Blazon keywords: Without divisions, Azure, One, Pall, Couped, Argent, Three, Charged, Letter, Within, Triangle, Reversed, Four, Plate, In the dexter chief, In the sinister chief, In base, In the fess point, Cadency and Label of three points.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.
Classification: Religious, Interpreted, Imaginary and Coat of arms.
Imaginary bearer: Jesus Christ.
This is the coat of arms of Johann Anton Freiherr von Quast that was painted in the Freiherren diploma that was issued in 1790. I have written the text of the blazon for this coat of arms in English and in Castilian in a structured way, to highlight the parallelism between both forms.
Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa, Coat of arms and Flag.
Bearer: Quast, Johann Anton Freiherr von.
Joan de Beauchamp ~ John de Beauchamp.
Vair.
Escudo de veros.
Interpreted coat of arms, the shape of the shield is triangular and curved plain tinctures metal Argent and color Azure, outlined in sable; and a free hand finishing.
Included in [Vincent, MS; 1285; number 64] also known as [St. George's Roll; 1285; number 64].
Blazon keywords: Without divisions, Vair, Argent and Azure.
Style keywords: Triangular curved, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Juan de Beauchamp.
John de Ladbrooke ~ Joan de Lodbroke.
Azure, a chevron Ermine.
Escudo de azur, un cabrio de armiños.
Included in [Vincent, MS; 1285; number 662] also known as [St. George's Roll; 1285; number 662].
Blazon keywords: Without divisions, Azure, One, Chevron and Ermine.
Style keywords: Semi-circular, Illuminated and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Juan de Ladbrooke.
King of England and Lord of Ireland from 1199 to 1216.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Arms of King John interpreted with: a rounded (semicircular) base; the field enamelled with a flat tint of Gules; the leopards illuminated in Or and Azure, outlined in Sable, all three of the same size; and the whole finished with a crystalline effect.
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Rounded, Illuminated, Outlined in sable and Crystalline.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: John I of England.
Argent, three lozenges Sable; on a chief wavy Azure, three snowflakes Argent.
Heraldic device emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.
The coat of arms of Jon Sneddon emblazoned by me over his personal tartan registered in the Scottish Register of Tartans. John Sneddon designed his tartan with the help of Elliot Nesterman.
Blazon keywords: Argent, Sable, Azure, Three, Lozenge, Chief, Charged, Wavy, Snowflake and Ordered.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Sneddon, Jon.
Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or.
Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems leather.
These arms were designed by Felipe Trujillo Jimenez as a derivation of the primitive arms of Pons and Peneque lineages. The Pons lineage has canting arms: «Or, a three arch bridge issuant from base and throughout Sable». The blazon of the ancient arms of Paneque lineage is: «Azure, five fleurs de lis Or, in base two bars Argent».
Credits: Felipe Trujillo Jiménez is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess and Wavy.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Pons Paneque, Jonathan.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un lambel de gules.
Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Easton Michael Jones designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jones, Easton Michael.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a crescent Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un creciente de gules.
Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Rhettlee Cooper Jones designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jones, Rhettlee Cooper.
Azure, a chief wavy and barry wavy of twelve Azure and Argent debruised and interlaced by a fish urinant Argent.
Coat of arms of Juan Bautista Lanzagorta Escutia designed by Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Azure, Argent, One, Twelve, Chief, Wavy, Barry, Debruised, Interlaced, Fish and Urinant.
Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Escutia, Juan Bautista.
[ Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent ] accolé with [ Or, an eagle displayed bendy Azure and Argent ].
Arms depicted by me, in plain tinctures, contoured in Sable, and with a texturized finish.
These are the coats of arms of the marriage Lanzagorta-Escutia, both designed by Juan Lanzagorta Vallín and emblazoned by me. This image shows the arms of Juan Lanzagorta Aras accolé with those of María Dolores Escutia Sánchez.
Blazon keywords: Azure, Or, Argent, Three, One, Party per pale, Bendy, Wavy, Overall, Fish, Naiant, In pale, Eagle and Displayed.
Style keywords: Outlined in sable and Plain tincture.
Classification: Personal, Interpreted, Boa, Coat of arms and Accolé arms.
Bearer: Lanzagorta-Escutia, marriage.
Party per pale bendy wavy Azure and Or and bendy wavy Azure and Argent, overall three fish naiant in pale Argent.
Coat of arms of Juan Lanzagorta Aras designed by Juan Lanzagorta Vallín and outlined by me.
Blazon keywords: Azure, Or, Argent, Three, Party per pale, Bendy, Wavy, Overall, Fish, Naiant and In pale.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Aras, Juan.
Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable.
Coat of arms of Juan Lanzagorta Vallin designed by him and outlined by me.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf and Combatant.
Style keywords: Outlined and Ogee.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lanzagorta Vallín, Juan.
Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent.
Coat of arms of Julio Hector Aspe designed by him and me, and emblazoned by me in 3 steps: outlined, plain color and metal, and lights and shadows.
Blazon keywords: Azure, Argent, Or, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis and In fess.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Ogee Triple-Pointed.
Classification: Personal, Created, Schema, Boa and Coat of arms.
Bearer: Aspe, Julio Hector.
Gyronny Azure and Argent, on a hurt, a triquetra Argent; a bordure Sable. Crest: Upon a wreath Argent and Azure, a mountain bluebird (Sialia currucoides) volant proper.
The arms of Kimberly Louise Severson designed by her and emblazoned by me. The photograph shows two stages in the development of the crest depicting a mountain bluebird (Sialia currucoides) volant proper. The upper part of the image presents the finished digital rendering, including the coat of arms and crest in their final painted form. The translucent tracing paper visible beneath shows two hand-drawn versions of the mountain bluebird used during the design process, the second drawn over the first. As may be observed, some elements of the final mountain bluebird, particularly the rear tail feathers, were completed digitally after the hand-drawn stage.
Blazon keywords: Azure, Argent, Sable, One, Gyronny, Hurt, Celtic Trinity knot, Knot, Bordure, Crest, Upon (wreath), Wreath, Mountain bluebird, Volant and Proper.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.
Bearer: Severson, Kimberly Louise.
Pierre de La Forcade ~ Pierre de Forcade (XV century).
Lozengy Or and Azure, a pale Gules.
Escudo losanjado oro y azur, un palo de gules.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; the pale illuminated in Gules and outlined in Sable; and the whole with a raised-stroke effect.
Blazon keywords: Lozengy, Or, Azure, Pale and Gules.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: La Forcade, Pierre de.
Azure semé of moons with human face Argent, a sword point upwards Gules, the sinister of its blade debruised by a moon with human face Argent both bend sinisterwise.
Escudo de azur sembrado de lunas figuradas de plata, una espada alzada de gules, la siniestra de su hoja resaltada de una luna figurada de plata ambas puestas en barra.
Coat of arms depicted by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
The coat of arms of María Labarrieta N. designed by Juan Lanzagorta Vallín and emblazoned by me.
Blazon keywords: Azure, Argent, Gules, One, Semé, Moon, With human face, Sword, Point upwards, Sinister, Debruised and Bend sinisterwise.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Labarrieta N, María.
Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent.
Escudo de azur, un castillo partido de plata y oro, mazonado de sable, aclarado de azur, acompañado en jefe de dos fajas ondadas de plata, y en en punta de dos fajas ondadas de plata.
Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finishing.
The arms of Kevin Larkin from Ireland and Spain, designed and emblazoned by me. Blazon in French: «D'azur à la tour partie d'argent et d'or, donjonnée de trois tourelles, maçonnée de sable, ouverte et ajourée du champ, accompagnée en chef et en pointe de deux jumelles ondées d'argent».
Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy and In base.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Larkin, Kevin.
D'or à un arbre arraché de sinople, accosté à dextre de la lettre capitale «D» et à senestre de la lettre capitale «L» du même, et une étoile d'azur posée au canton dextre de la pointe.
Or, a tree eradicated Vert between a capital letter «D» and a capital letter «L» Sable, in the dexter of the base a mullet Azure.
Illuminated with lights and shadows and with a leather finish.
Blazon keywords: Without divisions, Or, One, Tree, Erased, Vert, Between, Letter, Sable, Canton, Dexter, Base (lower 1/3), Mullet, Five and Azure.
Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a crescent Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un creciente de gules.
Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.
The coat of arms of Hudson Hayes Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Hudson Hayes.
Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a label Gules.
Escudo cuartelado: 1o y 4o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2o y 3o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un lambel de gules.
Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.
The coat of arms of Ryker Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Crescent and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lasco, Ryker Scott.
Azure: a warren hound parado statant Argent; a base hearty Argent.
Escudo de azur: un podenco parado de plata; la campaña encajada de corazones de plata.
Coat of arms that I have created as follows: the shape of the shield is pointed and rounded; the field in flat tincture Azure; the warren hound and the base hearty are illuminated Argent and delineated Sable; and the whole has a roughened finish.
In [Avilés, J.; 1780a; page 79, fourth paragraph from the beginning] we are told that «no fixed idea can be formed about the origin and representation of these figures» «encajadas» «in Armory, since the» different «authors do not agree in their opinions for a complete understanding», or comprehension, «of them; nor can one derive their proper name, for each author explains it with different words and terms». And he continues on the next page, [Avilés, J.; 1780a; page 80, second paragraph from the beginning], stating that «We shall call them, as has been said, encajadas or emanchadas, which are the common terms by which they will be better understood, and which many use in Blazon for the resemblance that the figure has to the fitting of a wedge» and, indeed, the hearts form such a fitting, the upper ones with the lower ones, appearing difficult to separate.
Blazon keywords: Without divisions, Azure, Argent, Warren hound, Dog, Base, Base (lower 1/3), Dancetty and Heart.
Style keywords: Ogee, Illuminated, Outlined in sable and Rough.
Classification: Created, Socioeconomic and Coat of arms.
Bearer: Latidos Podencos.
Admiral of the Fleet of the Crown of Aragon.
Argent, three bendlets sinister Azure.
Escudo de plata, tres barras de azur.
Coat of arms interpreted by me with: a pointed and rounded shape; its bends sinister with a slope corresponding to the 5x6 proportion, distributed evenly along the entire dexter diagonal of the rectangle in which the coat of arms is inscribed; the field in plain Argent tincture; the bends sinister illuminated in Azure and outlined in Sable; and the whole with a rough finish.
Initially, I had blazoned it in English as «Bendy sinister of seven Argent and Azure», but in a conversation on a forum of The International Heraldry Society, it was pointed out to me that in the case of an odd number of bands or bends, it should not be blazoned as «bendy». Therefore, the English blazon is equivalent to the Spanish blazon «Argent, three bendlets sinister Azure».
Blazon keywords: Without divisions, Argent, Azure and Bend sinister.
Style keywords: Ogee, Illuminated, Outlined in sable and Rough.
Classification: Interpreted, Personal and Army and Navy.
Bearer: Lauria, Roger de.
Azure, five flies in saltire Or.
Escudo de azur, cinco moscas puestas en sotuer de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
This is the coat of arms of the lineage Laydin emblazoned by me, as described in [Cadenas y Vicent, V. de; 1987; page 989], whose blazon is equivalent to that of the Zendreros lineage, also described in [Cadenas y Vicent, V. de; 1987; page 1941].
Blazon keywords: Azure, Or, Five, Fly and In saltire.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Laydin, lineage.
Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.
Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.
Existing armorial bearings interpreted as follows: the shape of the shield is pointed and rounded; the field has been enamelled in flat Gules; the three leopards are outlined in Sable and illuminated in metal Or with details in Azure; and the whole composition has a watercolor finish..
In [Humphery-Smith, C.; 1983; paragraph 2] the coat of arms of Eleanor Plantagenet, Queen Consort of Castile, is described, as part of an analysis on the origin of the three leopards in the coat of arms of England. However, in this description, an error is made by replacing the V with an X in the numeral of her husband and king, thus naming Alfonso VIII of Castile as if he were King Alfonso XIII: «Eleanor who married Alfonso XIII, King of Castile and Leon, has depicted on her tomb in the Huelgas monastery of the Cistercian nuns at Burgos, a thirteenth-century shield depicting three crowned leopards (lions passant guardant) gold on red».
Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.
Style keywords: Ogee, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.
Bearer: Leonor Plantagenet.
Gules, a fess chequey Azure and Argent.
Escudo de gules, una faja ajedrezada de azur y plata.
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a parchment finishing.
Coat of arms of the lineage Lindsay of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Parchment.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lindsay of Scotland, lineage.
Blazon equivalent to: Janovsti of Janovic of Czechia, lineage.
Gules, a fess chequey Azure and Argent, in chief three mullets of five points Argent.
Escudo de gules, una faja ajedrezada de azur y plata, en jefe tres estrellas de cinco puntas de plata.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.
Coat of arms of the lineage Lindsay of the Byres. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Gules, Azure, Argent, One, Three, Nine, Fess, Chequey, In chief and Mullet.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Lindsay of the Byres, lineage.
[ Or, a fess chequey Gules and Argent ] · [ Or, a fess chequey Azure and Argent ] · [ Gules, a fess chequey Azure and Argent ] · [ Gules, a fess chequey Azure and Argent ] · [ Azure, a fess chequey Gules and Argent ].
Diagram featuring the coat of arms of the lineage Mark of Germany with the coats of arms of Stewart of Scotland, Janovští z Janovic, Klenovský z Klenové of Czechia, and Lindsay and Boyd of Scotland.
Blazon keywords: Or, Gules, Argent, Azure, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.
Classification: Personal, Lineage, Interpreted, Schema, Boa and Coat of arms.
Bearer: Mark of Germany, lineage.
Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable. Motto: «Laus · Virtutis · Actio».
Escudo cortado de azur y sable, brochante sobre la partición un castillo de cuatro torres de oro, aclarado de sable. Lema: «Laus · Virtutis · Actio».
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee triple-pointed external shape and with a leather finishing.
Blazon keywords: Azure, Sable, Or, One, Party per fess, Overall, Four-towered, Castle, Port and windows and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Leather.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Rawson, lineage.
Or, three lion’s paws erect and erased Or, 2 and 1, each grasping a Madonna lily Argent.
Coat of arms of the lineage Terraza of Aragon, outlined by me following the instructions of Enrique de Alzaga Aliena.
Blazon keywords: Azure, Or, Argent, Three, One, Lion, Paw, Erect, Erased, Ordered, Grasping, Madonna lily, Flower and Lily.
Style keywords: Outlined, Outlined in sable and Semi-circular.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Terraza of Aragon, lineage.
Argent, five wolves passant Sable; a bordure Azure, charged with eight saltires couped Or.
Escudo de plata, cinco lobos pasantes de sable; una bordura de azur, cargada de ocho aspas de oro.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Coat of arms of María Lobo, Lady of the House of Alvito. This coat of arms has been emblazoned by me. The arms are traditionally associated with the Lobo family of Alvito and are documented in Castilian and Portuguese heraldic and genealogical sources. These arms were equally used by other members of the House of Alvito, such as Ruy Dias Lobo and his descendants. I have emblazoned this coat of arms at the request of Fernando Durán Cabral de Mello d’Alpoim, as he counts the Lobo lineage of Alvito among his ancestors. It is not necessary to say the arrangement of the wolves which is in saltire, that is, 2, 1 and 2, since it is the default arrangement in heraldry for 5 equal charges.
Blazon keywords: Argent, Sable, Azure, Or, Five, Eight, Wolf, Passant, Bordure, Charged, Saltire and Couped.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Lobo, María.
Party per pale: 1 quarterly: 1 Azure, a lion rampant Or, 2 Argent, a falcon rising, grasping in its paws a serpent Sable, 3 Or, a tower Azure, port, windows, and masoned Sable, 4 Gules, a fox passant Or, a chief Gules semé of mullets Argent; 2 Orange, a mullet of six points voided, interlaced Sable. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is her coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Party per pale, Quarterly, Azure, One, Lion, Rampant, Or, Argent, Falcon, Rising, Grasping, Claw, Serpent, Sable, Tower, Port and windows, Masoned, Gules, Fox, Passant, Chief, Semé, Mullet, Five, Base (lower 1/3), Orange, Six, Voided, Interlaced, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Correa, Lorena.
Saint Louis, King of France (1214-1270), son of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted by me as follows: the shield has a semicircular (round) base; the field is enamelled in flat Azure; the fleurs-de-lis are outlined in Sable and illuminated in Or; and finished with a watercolor effect.
Toward the end of his reign, the armorial called [Wijnbergen; 1265] was created, whose first part is devoted to recording his coat of arms [Wijnbergen; 1265; shield no. 1], which was also that of his father Louis VIII, husband of Blanche of Castile, and the coats of arms of those who were his vassals.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Louis IX of France.
171st Pope of the Church, from the year 1181 to the year 1185. «Lucius III», born Ubaldo Allucinoli, was born in Lucca in northwest Italy.
Lozengy Argent and Azure.
Escudo losanjado de plata y azur.
Papal coat of arms interpreted by me with: a semicircular shield shape; a plain Argent field; checky or squares illuminated in Azure and outlined in Sable; and the whole design with a watercolor finish.
Blazon keywords: Without divisions, Lozengy, Argent and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Religious and Papal States.
Bearer: Lucius III.
Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me with a shape known as a vesica piscis, and with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms. My experience is that if shield shapes are named after countries, this creates problems in an international context. For example, if the shield with a rounded base is called a «Spanish shield», sooner or later someone will point out that the same shape is also used in Portugal, Hungary, or Poland, making it not exclusively Spanish. For this reason, I avoid assigning shield shapes names based on countries or kingdoms and instead give them names that describe their formal characteristics, which is not always easy. For example, I call the «semi-circular shield» in English and «escudo de medio punto» in Castilian to the commonly referred as «Spanish», or the «ogee shield» one that ends in an inverted ogee arch, «conopial» in Castilian. Despite this, at some point, breaking my own rule, I used the term «Bantu» to refer to the almond-shaped shield, only to be quickly corrected and informed of its connection to other African kingdoms. My mistake was not using the name I had always given it: «mandorla» in Castilian and «vesica piscis» in English.
Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book and Book.
Style keywords: Outlined in sable, Illuminated, Vesica piscis and Leather.
Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Gittel Bas Reuven, Malka.
Blazon of the Malvin de Montazet lineage of Languedoc, France.
Azure, three mullets Argent, 2 and 1.
Illuminated and a freehand finishing.
Its French blazon «d'azur, à trois étoiles d'argent, 2 et 1» can be found at [Rietstap, J. B.; 1861; page 140].
Blazon keywords: Without divisions, Azure, Three, Mullet, Argent and Ordered.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of France.
Sinister Mantling Azur doubled Or.
This image shows 3 working steps: a) drawing the diapering called Chinapieria, b) plain tinctures color azur and metal or and c) the sinister mantling diapered and already finished.
Blazon keywords: Azure, Or and Mantling.
Style keywords: Chinapieria, Freehand, Outlined in sable, Plain tincture, Illuminated and Diapered.
Classification: Created and Schema.
Bearer: Club Ecuestre Val'Quirico.
Quarterly: 1 and 4 Gules, a fess Azure; 2 and 3 Or, a fess dancetty Argent.
Coat of arms emblazoned by me with a semi-circular ended shape, illuminated, and its finishing is that seems leather.
Blazon keywords: Quarterly, Gules, One, Fess, Azure, Or, Dancetty and Argent.
Style keywords: Colour on colour, Metal on metal, Semi-circular, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Beninger, Manuel.
Quarterly: 1 per pale: 1 Argent, a madrone tree (Arbutus unedo) Vert, fructed Gules; 2 Azure, a tower Argent; 2 Vert, on a wall Or, masoned Sable, by five archers Argent in shooting stance; 3 barry wavy Azure and Argent, three caravels in pale Or, sails and pennons Argent charged with crosses Gules, between two flanches Vert; 4 Azure, a tower Argent, port and windows Azure, masoned Sable, between two lozenges Or, each charged with four pallets Gules, in chief four towers in fess Or, port and windows Gules, masoned Sable. Motto: «Pro Deo et Patria». Supporters: Two knights in full plate armor Argent, lined Gules.
Escudo cuartelado: 1o partido: 1o de plata, un madroño de sinople, frutado de gules, 2o de azur, una torre de plata; 2o de sinople: una muralla de oro, mazonada de sable, sumada de cinco arqueros de plata en disposición de disparar; 3o fajado ondado de azur y plata, tres carabelas en palo de oro, con velas y gallardetes de plata, cargados de cruces de gules, flanqueado curvo de sinople; 4o de azur, una torre de plata, aclarada de azur, mazonada de sable, acompañada de dos losanges de oro, cargados de cuatro palos de gules, en jefe cuatro torres en faja de oro, aclaradas de gules, mazonadas de sable. Lema: «Pro Deo et Patria». Por tenantes dos caballeros con armadura completa de plata, forrada de gules.
Arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a leather finish.
Blazon keywords: Argent, Vert, Azure, Or, Gules, One, Five, Three, Four, Two, Quarterly, Party per pale, Madrone tree, Tree, Fructed, Tower, Masoned, On, Wall, Archer, In shooting stance, Barry, Wavy, Caravel, Ship, In pale, Sail, Charged, Cross, Between, Flanched, Port and windows, Lozenge, Pallet, Motto, Supporter (human form), Supporter, Knight, Full plate armor and Lined.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Created, Boa, Coat of arms, Pennon and Flag.
Bearer: Novo Dabrio, Manuel.
Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages. Motto: «Evangelium Annutiata».
Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas. Lema: «Evangelium Annutiata».
Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.
Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Religious, Created, Boa and Coat of arms.
Bearer: Eschenlauer, Marc.
Azure, a moon with human face environed by nine concentric annulets Argent.
Escudo de azur, una luna figurada circundada de nueve anilletes concéntricos, todo de plata.
Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a rounded trapezoidal external shape and with a freehand finishing.
Blazon keywords: Azure, Argent, One, Nine, Moon, With human face, Environed, Concentric and Annulet.
Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Freehand.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: María Asunción de León González.
Gules, on a fess invected Argent, a lioness Azure, armed, langued and the udders Gules.
Escudo de gules, una faja acanalada de plata, cargada de una leona de azur, armada, lampasada y ubres de gules.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Gules, One, Fess, Invected, Argent, Charged, Lioness, Azure, Armed, Langued and Udder.
Style keywords: Semi-circular, Outlined in sable, Diapered and Plain tincture.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Vallín de Lanzagorta, María Concepción.
Azure, a sun in splendour, irradiated of sixteen ears of wheat Or.
This is the coat of arms of María de los Ángeles Carrillo Padilla. This coat of arms has been designed by her and her father-in-law Juan Lanzagorta Vallín, and outlined by me with an oval shape.
Blazon keywords: Azure, Or, One, Sixteen, Sun in splendour, Irradiated, Ear of wheat and Wheat.
Style keywords: Ratio, Outlined, Outlined in sable and Oval.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Carrillo Padilla, María de los Ángeles.
Or, an eagle displayed bendy Azure and Argent.
Coat of arms of María Dolores Escutia Sánchez designed by Juan Lanzagorta Vallín and emblazoned by me. The image shows in 3 steps how I emblazoned an eagle displayed bendy.
Blazon keywords: Or, Azure, Argent, One, Eagle, Displayed and Bendy.
Style keywords: Outlined, Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Escutia Sánchez, María Dolores.
The heraldic bookplate of Mark Antony Hatsis, emblazoned by me in the book [Juby, B.; 2019; page 61] «The Splendour of the Modern Heraldic Bookplate Artists», compared with the image of his coat of arms on which it is based, also painted by me.
Blazon keywords: Or, Azure, Argent, One, Peacock, Head, Erased, Beaked, Dexter, Increscent, Sinister, Rose, Barbed, Seeded, Crest, Wreath and In his splendour.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Interpreted, Boa, Ex libris, Collage and Photographic.
Bearer: Hatsis, Mark Antony.
Publication of my creation of the arms corresponding to the title Marquess of Casa Portocarrero, Royal House of Georgia, on the blog Twelve Lineages of Soria quoting me as follows: My design and artistic creation of the coat of arms of the Marquess of Casa Portocarrero.
Categories: Link, Or, Azure, Chequey, Gules, Argent, Bordure, Compony, Dragon, Winged, Couchant and Double queued.
Root: Twelve Lineages of Soria.
Juan José Martinena Ruiz, «Book of Armory of the Kingdom of Navarra: Introduction, Study, and Notes», published by the Institución Príncipe de Viana, 350 pages, ISBN 84-235-0557-X, Pamplona, 1982.
Introduction, study, and notes on the armorial [Bosque, J. del; 1540]. On pages 122 and 123, the coats of arms of the «ricoshombres» of Navarra, or «twelve barons of the major houses» as they are also called, surrounding the king's coat of arms in this armorial are compiled and transcribed.
The coat of arms accompanying this bibliographic reference is that of Almorrabides de Navarra following Juan del Bosque.
Bibliographical reference of century XX.
The author is Martinena Ruiz, Juan José.
The following articles cite this bibliographic reference:
External resources:
Ex libris created with the coat of arms. The ex libris is supported by two lions rampant and surrounded, in its upper part, above the lions, by the full name of the holder of the gentilic coat of arms and, in its lower part, below the lions, by the device «ex libris» accompanied by two open books.
In the first side image of this article the result of stamping this ex libris with Azure ink on a parchment bearing the blazon of the coat of arms. The ivory-colored parchment is decorated with a frame formed by a vairy Or and Gules that is also used to decorate the heraldic catalogue and in the second image both the seal and this ex libris of rubber with wooden handles, both stamped on white paper with Azure ink.
The Latin term «ex libris» ~ «exlibris», in Spanish, means «de entre los libros de». Therefore, when a book is marked with the ex libris of a person or an entity, it indicates that it belongs to the set of books in the library of that person or entity, whether private or public.
The Spanish term «exlibris» is defined by [Real Academia Española; 2014] as «A label or engraved stamp that is stamped on the inside of the book cover, in which the name of the owner or that of the library to which the book belongs is stated», in the case illustrated in this article, it corresponds to a «sello» that is stamped with ink.
Blazon keywords: Azure, Motto, Motto (identification), Five, Sword, Vairy, Point upwards, In fess, Supporter (animal), Supporter, Lion and Rampant.
Style keywords: Round, Sealed and Plain tincture.
Classification: Created, Personal and Seal.
Bearer: Martos García, Juan Carlos.
Or, a stag trippant Gules, attired Azure; a bordure Azure charged with eight saltires couped Argent.
Escudo de oro, un ciervo pasante de gules, acornado de azur; una bordura de azur cargada con ocho sotueres de plata.
Coat of arms interpreted and emblazoned by me with with a semi-circular ended shape, illuminated, and with a parchment finishing.
Blazon keywords: Without divisions, Or, One, Stag, Tripant, Gules, Attired, Azure, Bordure, Charged, Eight, Saltire and Argent.
Style keywords: Parchment, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Coat of arms.
Bearer: McCartney, Michael.
Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a label Gules.
Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un lambel de gules.
Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.
The coat of arms of Sebastian Artemis Cole McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Label.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: McCoy, Sebastian Artemis Cole.
My personal Minds wall is minds.com/asalmeron.
Categories: Technology, Social networks, Party per pale, Wavy, Azure, One, Dolphin, Naiant, Argent, Three, Escallop, Or, Stag, Gules, Attired, Bordure, Charged, Eight and Saltire.
The way of affirming by affirming.
Tierced per pale: 1 Vert, a mullet of eight points Or; 2 Gules, a potent Argent, in chief a mullet of eight points, in base a crescent Or; 3 Azure, a crescent Or.
Escudo terciado en palo: 1o de sinople, una estrella de ocho puntas de oro; 2o de gules, una potenza de plata, en jefe una estrella de ocho puntas, en punta un creciente ambos de oro; 3o de azur, un creciente de oro.
Imaginary coat of arms of Logic made in the following way: with the semicircular (round) base shape; the field in plain colour Vert, Gules, and Azure; its 5 figures outlined in Sable and illuminated in metals Or and Argent; and made with a raised-stroke effect.
Blazon keywords: Tierced per pale, Vert, Gules, Azure, Mullet, Crescent, Or, Potent, Argent, In chief, In base and Motto (identification).
Style keywords: Illuminated, Outlined in sable and Freehand.
Classification: Created, Imaginary and Coat of arms.
Imaginary bearer: Logic.
Chequey of fifteen Or and Azure; a bordure compony of sixteen sections, eight gules, a castle triple-towered Or, port and windows Azure, masoned Sable, eight Argent, a lion rampant Purpure, crowned Or, armed and langued Gules.
Escudo ajedrezado de quince piezas de oro y azur; una bordura componada de dieciséis compones, ocho de gules, un castillo de oro, aclarado de azur, mazonado de sable, ocho de plata, un león rampante de púrpura, coronado de oro, armado y lampasado de gules.
Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Coat of arm of the municipality of Moguer, Andalusia, emblazoned by me.
Blazon keywords: Or, Azure, Gules, Argent, One, Fifteen, Sixteen, Eight, Chequey, Bordure, Compony, Section, Charged, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Moguer, municipality of.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 vair ancient.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de veros antiguos.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the municipality of Monroy, Caceres, emblazoned by me with vair ancient. I have painted it using vair ancient, as I wish to illustrate with this coat of arms a reflection on the Virgin of the Sagrario of Plasencia, Caceres, dating from the mid-13th century, and on the forty-four coats of arms made of gilded silver sheet that adorn it, featuring lions, castles, and rounded vair ~ vair ancient, these may be associated with the lords of Monroy, a lineage of considerable importance in the town of Plasencia during the Late Middle Ages, can be seen in The Virgin of the Sagrario of Plasencia and the Monroy vair.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Vair ancient.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Monroy, municipality of.
Of the twelve lineages of Noblemen, the eleventh is the house of Monteagudo; they bear as arms a shield Or, and in the middle a fess Gules, in the manner in which this shield is painted.
Or, a fess Gules.
Escudo de oro, una faja de gules.
Coat of arms interpreted as follows: a semicircular (round) base; the field enamelled in flat Or; the fess outlined in Sable and illuminated in Gules; and the whole finished in highly-hammered metal.
Interpreted from the eleventh coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Monteagudo» this blazon can be consulted in [Vega, P. J. de; 1702; folio 11 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Monteagudo of Navarra.
Or, a griffin segreant Sable, on a chief invected Azure three naval crowns Or, the whole debruised by a label of three points Argent.
Escudo de oro, un grifo rampante de sable; en un jefe acanalado de azur, tres coronas navales de oro, brisado de un lambel de tres pendientes de plata.
Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.
Coat of arms of Michael W. Morgan, UE, emblazoned by me. He is the eldest son of Commander Stephen T. Morgan and his cadency mark is a label.
Blazon keywords: Or, Sable, Gules, Azure, Argent, One, Three, Griffin, Segreant, Chief, Invected, Naval crown, Cadency and Label of three points.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Morgan, Michael W..
Azure, a tower Or, embattled and masoned Sable, overall a lion rampant barry Purpure and Argent.
Escudo de azur, una torre de oro, almenada y mazonada de sable, brochante sobre el todo un león rampante fajado de púrpura y plata.
Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
Coat of arms of Jean Mortes from Brittany, France, emblazoned by me with a shield with a semi-circular base.
Blazon keywords: Azure, Or, Sable, Argent, Purpure, One, Tower, Embattled, Masoned, Overall, Lion, Rampant and Barry.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Mortés, Jean.
Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules. Motto around the shield: «Linaje Lanzagorta Otxoa · Bizkaia · México» Sable over a scroll Argent.
Coat of arms painted by me, in flat tinctures, contoured in Sable, with an oval external shape and with a texturized finishing.
The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and emblazoned by me.
Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed, Udder, Within, Motto (identification) and Scroll.
Style keywords: Outlined in sable, Plain tincture and Oval.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Otxoa Magaña, Teresa.
Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant, Counterchanged (side-by-side), Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Bendel, Nathaniel.
Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Motto: «Primi entis» Sable, with initial letters Gules, over a scroll Argent.
Escudo de azur, un cabrio de oro, acompañado en jefe de una cruz potenzada cantonada de cuatro cruces, y un león rampante, en punta de un nudo celta de la Trinidad, todo de plata. Lema: «Primi entis» de sable, con iniciales de gules, sobre una filacteria de plata.
The Cross of the Episcopal Church, a lion because of the city of Ponce, Puerto Rico, a Holy Spirit symbol, the tinctures of Anaya Argent, Or, and Azure, and her motto for being the first woman ordained as a priest in the Episcopal Anglican Church in Latin America, and one of the first in the United States of America.
Credits: Ernesto Juan Anaya is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.
Blazon keywords: Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Scroll, Charged and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Religious, Interpreted, Coat of arms, Latin language and Design rationale.
Bearer: Lucca de Anaya, Nilda Ernestina.
The King of Navarre, at the time of his new and solemn coronation, is raised and lifted up as King by the hands of twelve barons of the greatest and oldest houses of the said Kingdom, and these are the twelve Noblemen who are named on the other side, with their blazons and coats of arms.
Interpretation and composition of 13 coats of arms that I have created with a parchment-like finish.
A free interpretation, for example, without the central crown over the arms of Navarre, with a different title, written «Navarra» and not «Nabarra», etc., based on the principal plate of [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with texts taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
«Ricohombre», written together, currently means «title that formerly belonged to the highest nobility of Spain», [Real Academia Española; 2001].
Its plural «ricoshombres» is the most commonly used form, but «ricohombres» is also correct and used; and in [Bosque, J. del; 1540] it is written separately, and «honbre» with an «n» before the «b», that is, «ricos honbres».
Blazon keywords: Without divisions, Party per bend, Azure, Gules, Or, Argent, Sable, Vert, Eagle, Chequey, Cross flory, Cross couped, Fess, Chief, Lion, Pale, Poplar leaf, Clay pot and Rampant.
Style keywords: Semi-circular and Old parchment.
Classification: Interpreted and Kingdom of Navarre.
Bearer: Noblemen of Navarre.
Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo cuartelado: 1o y 4o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2o y 3o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.
Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.
Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Noronha, House of.
Heraldic document, 2 pages.
The pages have a heraldic frame with the elements of his coat of arms.
The motto, which is the beginning of the Gospel of Saint John, can be seen in [Cnut Gospels; 1020; folio 111].
Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale, Number, Gules, Argent, Azure, Crest and mantling, Helm, Mantling, Wreath, Crest, On, Charged, Disordered, Cross, Cross of Burgundy, Cross couped, Book, Open, Motto, Scroll and Fimbriated.
Classification: Created, Personal, Catalogue, Heraldic document and Frame.
Bearer: Salmerón Cabañas, Antonio.
Party per pale: 1 Vair; 2 Sable, a barn owl Argent, the eyes Sable, beaked and armed Or.
Escudo partido: 1o de veros; 2o de sable, una lechuza de plata, encendida de sable, picada y armada de oro.
Blazon keywords: Party per pale, Argent, Azure, Vair, Sable, Or, Barn owl, The eyes, Beaked and Armed.
Style keywords: Rounded, Illuminated, Outlined in sable and Parchment.
Classification: Created, Imaginary, Coat of arms and Greco-Roman antiquity.
Imaginary bearer: Odysseus of Ithaca.
Or, a sun in splendour party per pale Azure and Argent, its rays Azure; a bordure Azure.
Arms depicted by me, in plain tinctures, outlined in Sable, with a rhombus outer contour and with a texturized finish.
Coat of arms of the youngest granddaughter of Jon. It has been designed by her and Juan Lanzagorta Vallín, and emblazoned by me using a lozenge shape.
Blazon keywords: Or, Azure, Argent, One, Sun in splendour, Party per pale, Ray of the sun and Bordure.
Style keywords: Outlined in sable, Plain tincture and Rhombus.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jon, youngest granddaughter of.
Argent, a multi-rose, which is a rose charged with ten roses conjoined in orle Rose, barbed Vert, seeded Or; a bordure Azure. Crest: A ribbon Azure doubled Argent.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a rhombus external shape and with a watercolor finishing.
Blazon keywords: Argent, Rose, Vert, Or, Azure, One, Ten, Charged, Conjoined, In orle, Barbed, Seeded, Bordure and Ribbon.
Style keywords: Outlined in sable, Illuminated, Rhombus and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Jon, eldest granddaughter of.
Banner quarterly of sixteen: 1, 6, 11, and 16 Azure, three fleurs de lis Or; 2, 5, 12, and 15 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure; 3, 8, 9, and 14 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 4, 7, 10, and 13 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or; an inescutcheon Azure, three crowns in bend, bendwise Or.
Pendón cuartelado de dieciseis: 1o, 6o, 11o y 16o de azur, tres flores de lis de oro; 2o, 5o, 12o y 15o de gules, tres leopardos en palo de oro, armados y lampasados de azur; 3o, 8o, 9o y 14o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4o, 7o, 10o y 13o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro; un escuson de azur, tres coronas en banda, puestas en banda de oro.
Banner interpreted as follows: with the 5x6 proportions of a shield; the field, including that of the escutcheon, is enamelled with flat tinctures Gules and Azure; the crowns, castles, fleurs-de-lis, and leopards are outlined in Sable; except the lions, which are outlined in their field; and the whole composition is watercoloured.
In the armorial [Edward IV of England; 1461; row 27, 1st column, final banner], these arms appear twice:
Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Crowned, Inescutcheon, Crown, In bend and Bendwise.
Style keywords: Rectangular, Illuminated, Outlined in sable, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.
Bearer: Edward IV of England.
Nigel Pennick, «Pagan Magic of the Northern Tradition: Customs, Rites, and Ceremonies», edited by Simon and Schuster, publicado por Destiny Books, ISBN.13 9781620553909, ISBN.10 1620553902, alternative ISBN.13 9781620553893, 352 pages, New York, 21th of May of 2015
On page 119, Nigel Pennick wrote «According to Aristotelian precepts, each of the metals and tinctures», maybe he should have written heraldic term color, «possesses a spiritual virtue related to a particular planetary sphere. Or signifies and relates to the Sun; Argent, the Moon; Sable, Saturn; Azure, Jupiter; Gules, Mars; Vert, Venus; and Purpure, Mercury».
Bibliographical reference of century XXI.
The author is Pennick, Nigel.
External resource:
Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.
Escudo adiestrado: 1o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.
Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.
Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.
These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem. Following [Petra Sancta, S.; 1634; pages 417–418], in seventeenth-century academic emblematics the staff symbolizes the road understood as an intellectual journey, proper to a traveller who appears humble yet is rich in knowledge, while the gourd, which may seem empty, represents the wisdom preserved within it and from which learning ultimately emerges.
Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Peregrina Corona, Dolores.
Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.
This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.
Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief, In base, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.
Style keywords: Ogee, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.
Bearer: Gummersbach, Peter Ferdinand.
King of France from 1270 to 1285, grandson of Blanche of Castile.
Azure semé of fleurs de lis Or.
Escudo de Azur sembrado de flores de lis de oro.
Coat of arms interpreted with: a pointed base; the field enamelled in flat Azure; the fleurs-de-lis illuminated in Or and outlined in Sable; and finished with a parchment effect.
During his reign, it is believed that the second part of the armorial [Wijnbergen; 1265] was completed, which ends with the coats of arms of several kings, many of them European, beginning this series with the coat of arms of the King of France himself, [Wijnbergen; 1265; shield no. 1,288], which has served as the inspiration for the one recreated here.
Blazon keywords: Without divisions, Azure, Or, Semé and Fleur de lis.
Style keywords: Pointed, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Personal, Coat of arms, Kingdom of France and House of the Capetians.
Bearer: Philip III of France.
Quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 and 3 Or, an eagle displayed Sable.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de oro, un águila de sable.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the Infante Philip of Castile, 1231–1274, 7th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. This coat of arms has been emblazoned by me and can be consulted in [Messía de la Cerda y Pita, L.; 1990; page 146] with the field Or in the 2nd and 3rd quarters. He bears a quarterly shield combining the first quarter of his father’s arms, Castile, with his mother’s arms. Among all his siblings, he is the one who most closely combines the arms of both parents.
Blazon keywords: Gules, Or, Azure, Sable, One, Quarterly, Castle, Triple-towered, Port and windows, Masoned and Eagle.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Philip of Castile, Infante.
My heraldic Pixiv wall is Dr.A.Salmeron @antoniosheraldry and pixiv.me/antoniosheraldry.
Pixiv is a Japanese online community for artists. I post in Pixiv 2 or 3 coats of arms per week. They use a strict form to post with many mandatory input fields. This week, they have added a new mandatory field «AI-generated work: Yes / No», AI ~ Artificial Intelligence. In the image, I have highlighted this new field in red.
My animation of the coat of arms of Juan Lanzagorta reached position 33 in Pixiv’s daily Ugoira animation ranking. I am very happy about this, as it is not easy to achieve.
Categories: Technology, Social networks, Quarterly, Gules, One, Chevron, Argent, Between, Three, Fleur de lis, Or, Five, Mullet, In saltire, Four, Escutcheon, In cross, Azure, Charged, Nine, Bezant and plate, Two, Flank, Fesswise, Center, Overall, Carbuncle, Cord, In orle, Knotted, Purpure, Overall (all), Sable, Mount, Issuant from base, Vert, On, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Fess, Wavy, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown and Motto.
Azure, two chevronels Argent between in chief below a baronial coronet for difference two mullets of six points Or, and in base a Scots pine eradicated proper.
Escudo de azur, dos tenazas de plata, en cada flanco del jefe dos estrellas de seis puntas de oro surmontadas de una corona de barón y en la punta un pino silvestre (Pinus sylvestris) arrancado al natural.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a rhombus outer contour and with a freehand finish.
G0099, Chief Herald of Arms of Malta's grant of Lia Pompili née Segatto's arms, whose coat of arms has been emblazoned by me.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Crown of Baron, Crown, Mullet, In base, Scots pine, Tree, Eradicated and Proper.
Style keywords: Outlined in sable, Illuminated, Rhombus and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Pompili, Lia.
Argent, five escutcheons in cross Azure, each charged with ten plates, 3, 3, 3 and 1; a bordure Gules, charged with fourteen castles triple-towered Or, 5, 2, 2, 2, 2 and 1.
Arms depicted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finishing.
Coat of arms of the Kingdom of Portugal with 14 castles on the bordure and 10 plates in each escutcheon from 1248 to 1385. This coat of arms has been emblazoned by me. From 3 elements onwards, in English, I usually specify the distribution by rows. In this way I write 5, 2, 2, 2, 2 and 1, which together make a total of 14 castles. The same can be observed in the specification of the 10 plates: by rows in English, 3, 3, 3 and 1, and by columns in Castilian, 3, 4 and 3. In Portuguese these escutcheons are known as «quinas».
Blazon keywords: Argent, Azure, Gules, Or, Ten, Fourteen, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle and Triple-towered.
Style keywords: Outlined in sable, Illuminated and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Portugal.
Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; an inescutcheon in pretence Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or.
Escudo de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; un escusón en pretensión de gules con seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.
The coat of arms of the House of Potts of Wentworth designed by Randy David Lee Xavier Potts and emblazoned by me. These are not quartered arms, but arms bearing an inescutcheon in pretence, representing the arms of a heraldic heiress, Kimberley Ann Potts of Stountenburg, and anticipating their transmission.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Inescutcheon, In pretence, In chief and In base.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts of Wentworth, House of.
Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent.
Escudo de azur, un sotuer de plata acompañado en jefe de un cardo de oro, florido de plata, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; una bordura jironada de treinta y seis piezas de azur y plata.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finishing.
The coat of arms of Köryn Alexandria Konstånz Potts designed by Randy David Lee Xavier Potts and emblazoned by me.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure and Gyronny.
Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Potts, Köryn Alexandria Konstånz.
Blazon keywords: Argent, Purpure, Gules, Or, Azure, Party per pale, Castle, Lion, Port and windows, Masoned, Rampant, Armed, Langued, Crowned, Crest and mantling, Crown, Open royal crown, Behind the shield, Cross, Cross of Alcantara and Cross couped.
Style keywords: Semi-circular, Illuminated and Watercolor.
Classification: Interpreted, Civic, Coat of arms and Structured and parallel blazons.
Bearer: Cáceres, Province of.
Arnold Rabbow, «The Origin of the Royal Arms of England - a European Connection», Coat of Arms, COA, An Heraldic Quarterly Magazine, número 186, The Heraldry Society, Baldock, Hertfordshire, verano de 1999.
This bibliographical reference is illustrated wit the coat of arms of the Kingdom of England interpreted by me with the with a semi-circle shape.
Bibliographical reference of century XX.
The author is Rabbow, Arnold.
Here are the articles quoting this reference:
External resource:
Internal resources: RabbowA1999.OriginRoyalArmsEnglandEuropeanConnection.docx.
Barry of ten Argent and Azure, overall a double-headed eagle displayed Sable, nimbed, beaked, and membered Or, grasping in each claw an elephant's tusk proper, and charged on its breast with a double vajra Argent.
Escudo fajado de diez piezas de plata y azur, brochante sobre el todo un águila bicéfala de Sable, nimbada, picada y membrada de oro, teniendo en cada garra un colmillo de elefante al natural y su pecho cargado de una vajra doble.
Coat of arms interpreted and emblazoned by me with different shapes and finishings.
Blazon keywords: Without divisions, Barry, Ten, Argent, Azure, Overall, One, Eagle, Double-headed, Sable, Nimbed, Beaked, Membered, Or, Grasping, Claw, Tusk, Elephant, Proper, Chest, Charged and Double vajra.
Style keywords: Outlined in sable, Illuminated, Freehand, Rough, Rounded, Ogee and Pointed.
Classification: Interpreted and Coat of arms.
Bearer: Rage from Discord.
Party per fess Azure and Sable, overall a four-towered castle Or, port and windows Sable, in chief two pairs of gouttes Or.
Escudo cortado de azur y sable, brochante sobre la partición un castillo de cuatro torres de oro, aclarado de sable, en jefe dos pares de gotas de oro.
Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee triple-pointed outer contour and with a freehand finish.
Coat of arms for Seth Rawson emblazoned by me. This coat of arms is based on the ancient arms of the lineage Rawson, with the addition in chief of two pairs of gouttes Or for difference. Blazon in French by Michel Froger: «Coupé d’azur et de sable, au château d’or brochant sur le tout, maçonné, ouvert, éclairé de sable et accompagné en chef de deux paires de larmes d’or».
Blazon keywords: Azure, Sable, Or, One, Two, Party per fess, Overall, Four-towered, Castle, Port and windows, In chief, Pair and Goutte.
Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Rawson, Seth.
Azure chapé Argent, in dexter an Indian ringneck parrot proper, in sinister a Japanese red chrysanthemum proper, in base an atom Argent.
It has been interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a texturized finish.
The arms of Ria Persad was presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included her coat of arms shown together with the blazon and the design rationale. She is from Trinidad and Tobago (birth), India and Japan (ancestry), and USA (residence). Her coat of arms has been designed by her, by Rudolph Juchter van Bergen Quast of the Netherlands, and by Kevin D. Couling of the United Kingdom, resident in New Zealand, and painted by me, from the Kingdom of Spain.
Blazon keywords: Azure, Argent, One, Chapé, Dexter, Parrot, Proper, Sinister, Chrysanthemum, Base and Atom.
Style keywords: Outlined in sable and Illuminated.
Classification: Personal, Interpreted, Boa, Slide, India and Japan.
Bearer: Persad, Ria.
Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or. Motto: «Prior tempore potior iure»
Escudo de plata, una estrecha patada de gules, cantonada de cuatro estrellas de ocho puntas de azur; en un jefe de sable, un elefante pasante de oro. Lema: «Prior tempore potior iure»
Coat of arms of the RIAG interpreted as follows: with a semicircular (round) base; the field in plain Argent enamel; the chief illuminated in Sable with its elephant illuminated in the same Sable; the narrow cross outlined in Sable and illuminated in Gules; the 4 stars outlined in Sable and illuminated in Azure; the motto illuminated in Argent, outlined and written in Sable; and the whole executed in parchment.
[Avilés, J.; 1780a; página 277] simply calls «estrecha» the narrow cross and defines it as «una Cruz disminuida de la mitad de su anchura regular, y su forma es la de la figura ordinaria», that is, if the cross width is 1/3 of the shield base width, the narrow cross width is 1/6 of the shield base width. He also recounts that the origin of the narrow cross is attributed to Mathieu de Montmoranci who «mudando la Cruz blanca, y quatro Aguiletas, que traían sus predecesores, en la Cruz roxa con diez y seis, se llamó Cruz estrecha por algunos, porque habiendo de dar lugar á las diez y seis Aguiletas, fué preciso estrechar la Cruz; pues de lo contrario no habría bastante capacidad para las otras figuras, y por eso le quedó este nombre». The width I have used in this interpretation of the coat of arms of Registro Internacional de Armas Gentilicias is slightly less than 1/6 of the shield to balance its widening at the ends as it is a narrow patty cross.
Blazon keywords: Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant, Or and Motto.
Style keywords: Semi-circular, Illuminated, Outlined in sable, Outlined in the field tincture and Parchment.
Classification: Socioeconomic.
Bearer: Registro Internacional de Armas Gentilicias.
Azure fretty Or.
Escudo de azur fretado de oro.
Included in [Vincent, MS; 1285; number 94] also known as [St. George's Roll; 1285; number 94].
Blazon keywords: Without divisions, Azure, Fretty and Or.
Style keywords: Semi-circular, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Ricardo de Mandeville.
Lionheart ~ Corazón de León ~ Cœur de Lion.
Escudo de gules, dos leones de oro, afrontados, armados y lampasados de azur.
Coat of arms interpreted as follows: the mouth drawn as a semicircular (round) base; the field enamelled in a flat tint of Gules; the two lions outlined in the colour of the field and illuminated in Or and Azure; and the whole finished with a watercolour effect.
He was born in 1157, being the third of eight children of Henry II of England and Eleanor of Aquitaine, elder brother of Eleanor Plantagenet. He was king of England between 1189 and 1199, although he spent much of his life far from it; in fact, during his ten-year reign, he was on English soil only twice, which together did not amount even to six months. He died in 1199 in Normandy.
In 1198, during the Battle of Gisors, he supposedly used, as watchword or as motto, the expression «Dieu et mon Droit ~ God and my right». This phrase refers to his refusal to bow before Emperor Henry VI, since by his rank Richard acknowledged only God as superior. Later, Henry V of England adopted it as his motto, and since then it has been used by the British monarchy.
According to [Humphery-Smith, C.; 1983], Richard the Lionheart was the first English king who can be proved to have borne arms, although some of his predecessors may also have had them. He bases his statement on the existence of two seals of Richard I: on one, Richard bears a shield with a rampant lion, and on the other there already appear the three lions that are the forerunners of the arms of England. The use of this second seal does not imply that he stopped using the first.
In contrast, there are also British authors who maintain that his shield actually bore two affronted lions; this hypothesis is based on the lion on his first seal facing to sinister. That latter hypothesis is the one interpreted in this shield, remaining a purely artistic interpretation and without my entering into a complex and open discussion about how, when, and why the three leopards, «leones pasantes ~ lions passant» for the English, appeared —a discussion in which there are various alternatives— ranging from the combination of his hereditary arms to the wish to have more lions than his younger brother, who would later be King John I of England, to possible influences from other European realms.
This version of Richard I’s shield is similar to the imaginary shield of Hector of Troy, Gules with two lions Or affronté, which is a term used when «two things are placed facing each other, like two Lions, two Dogs, or other animals that look at one another» [Avilés, J.; 1725a; page 32].
Blazon keywords: Without divisions, Gules, Lion, Or, Combatant, Armed, Langued and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.
Bearer: Richard I of England.
Quarterly: 1 and 4 Vert, a crescent within eight mullets in lozenge Or; 2 and 3 Azure, a chain fesswise throughout between three fleurs de lis, 2 and 1, all the links and fleurs de lis per pale Or and Argent; an inescutcheon Azure, bearing a crown of count, charged with an eagle displayed within a bordure Or. Crest: A crown of Baron. Behind the shield the cross of a Knight of Justice of the Most Venerable Order of the Hospital of Saint John of Jerusalem.
Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.
G0067, Chief Herald of Malta's grant of Robert George Alexander Balchin's arms, whose full achievement has been emblazoned by me for such grant.
Blazon keywords: Quarterly, Vert, One, Crescent, Eight, Mullet, In lozenge, Or, Azure, Chain, Fesswise, Throughout, Between, Three, Fleur de lis, Ordered, Party per pale, Argent, Inescutcheon, Crest and mantling, Crown of Count, Crown, Charged, Eagle, Bordure, Crown of Baron, Behind the shield and Cross.
Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Balchin, Robert George Alexander.
Azure, on a pale Argent, between two lions combatant Or, armed and langued Gules, three chevronels Sable.
Escudo de azur, un palo de plata, cargado de tres tenazas de sable, acostado de dos leones afrontados de oro, armados y lampasados de gules.
Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.
The coat of arms of Catherine de Romanet emblazoned by me. Blazon in French: «D'azur, au pal d'argent chargé de trois chevrons de sable et accosté de deux lions affrontés d'or, armés et lampassés de gueules». Alternative blazon: «Azure, a pale Argent, charged with three chevronels Sable, between two lions combatant Or, armed and langued Gules».
Blazon keywords: Azure, Argent, Sable, Or, Gules, One, Three, Two, Pale, Charged, Chevronel, Between, Lion, Combatant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Pointed and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Romanet, Catherine de.
Party per fess, fimbriated Gules: 1st Azure, two royal drums in fess Argent, stringed Or, each charged with a bar Sable; 2nd Vert, a monkey statant Argent; overall a fess tierced per fess Azure, Gules, and Vert, fimbriated Argent; overall an inescutcheon Gules, fimbriated Argent. Motto above the crest: «Oruganda Rw'Abahinda» in letters Sable over a scroll Argent. Motto: «Abazira Nkyende» in letters Sable upon a scroll Argent.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a vesica piscis external shape and with a leather finishing.
This is the traditional coat of arms of the Royal Abahinda Clan of the Ankore Kingdom (1478), Uganda, renewed by them under the supervision of Crowned Prince Tugume Salim, and emblazoned by me. The motto over the coat of arms, «Oruganda Rw'Abahinda», means "Clan of Abahinda", and the motto below, «Abazira Nkyende», states that their totemic animal is the monkey.
Blazon keywords: Gules, Azure, Argent, Or, Sable, Vert, One, Two, Party per fess, Fimbriated, Drum, In fess, Stringed, Charged, Monkey, Statant, Overall (line of division), Fess, Tierced per fess, Overall, Inescutcheon, Motto (identification), Above the crest, Scroll and Motto.
Style keywords: Outlined in sable, Illuminated, Vesica piscis and Leather.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Abahinda Clan, Royal.
Or, a lion rampant Gules, armed and langued Azure; a double tressure flory counterflory Gules.
Illuminated and a leather finishing.
This coat of arms can be seen in [Bergshammars; 1440; page 4] and in [Lutzelbourg, N. de; 1530; page 26].
Blazon keywords: Or, One, Lion, Gules, Armed, Langued, Azure, Double tressure, Flory and Counterflory.
Style keywords: Freehand, Outlined in sable, Plain tincture and Pointed.
Classification: Civic, Kingdom of Scotland, Interpreted and Coat of arms.
Bearer: Scotland.
Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «Limpia, fixa, y da esplendor» Or over a scroll Azure.
Escudo de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro. Timbrado de una corona real cerrada. Lema: «Limpia, fixa, y da esplendor» de oro sobre una filacteria de azur.
Interpretation made from the Royal Academy emblem: transforming it into a semicircular-based shield, instead of its oval shape; with its motto on a scroll beneath the base, instead of surrounding it; keeping the closed royal crown in its place; with everything illuminated except the field which is in plain color; and the whole outlined in sable and with a parchment-like finish.
In this interpretation, on the Argent field, the Gules fire of the bonfire completely surrounds the Argent crucible, to avoid the metal Argent on the same.
To write the blazon for this coat of arms I use the heraldic term «llameante». Therefore, I do not follow [Avilés, J.; 1780a; page 82 and figure 163] when he writes «...y un Fénix de gules sobre una hoguera encendida de lo mismo.». He uses this example to illustrate the 2 fundamental uses of the term «encendido» which is said when «the Eyes of animals... are of a different color» and «also of a burning Bush and the same for a Torch, when the flame is of a different tincture».
Blazon keywords: Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules, Or, Closed royal crown, Crown, Motto, Scroll and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Parchment.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: Royal Spanish Academy.
Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 22nd edition, Espasa Calpe, Madrid, 2001.
The DRAE's latest edition, the 23rd, is from October 2014, but the current online version corresponds to the 22nd edition with amendments incorporated until 2012.
This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española, with its crucible over a bonfire and its motto around it.
Bibliographical reference of century XXI.
Classification: Dictionary and Castilian language.
Author: Royal Spanish Academy.
The following article cites this bibliographic reference:
External resource:
Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 23rd edition, Espasa Calpe, Madrid, 2014.
This bibliographic reference of the DRAE is illustrated with one of my interpretations of the emblem of the Real Academia Española. Oval emblem with its crucible over a bonfire, surmounted by a closed Royal crown and its motto «Limpia, fija y da esplendor», around the emblem in letters of Or on Azure.
Bibliographical reference of century XXI.
Classification: Dictionary and Castilian language.
The author is Royal Spanish Academy.
Here are the articles quoting this reference:
External link:
Ermine, a lion rampant double queued Or, armed and langued Gules; a chief Gules, three castles triple-towered Or, port and windows Azure, masoned Sable.
Coat of arms emblazoned by me with a heater shape that I call pointed, illuminated, and its finishing is that seems leather.
Blazon keywords: Without divisions, Ermine, One, Lion, Rampant, Tail, Double queued, Or, Armed, Langued, Gules, Chief, Three, Castle, Port and windows, Azure, Masoned and Sable.
Style keywords: Pointed, Outlined in sable, Illuminated and Leather.
Classification: Personal, Interpreted and Coat of arms.
Bearer: González Lara, Rubén.
Party per pale Azure and Gules, overall a lion rampant Argent, winged Or, grasping in his dexter forepaw a sword erect Or. Crest: Upon a helm lined Gules, its bevor charged with a Latin cross patty and pierced with a Latin cross, and with a wreath Argent and Gules, a dexter winged forepaw Or, grasping an escutcheon quarterly: 1 Azure, a god Garuda sejant Argent; 2 Gules, a castle triple-towered Or, masoned Sable; 3 Argent, six pallets Gules; 4 Azure, five plates. Mantling: Gules doubled Argent. Motto: «Audacia,Veritas et Libertas».
Coat of arms of the family of Rui J. Vaz, US, designed by him and emblazoned by me. The image shows the arms with and without the motto, with and without the scroll, and 4 different ways of painting the scroll to see how it harmonizes more with the tilted shield, with the last one being chosen.
Blazon keywords: Azure, Gules, Argent, Or, One, Six, Five, Party per pale, Overall, Lion, Rampant, Winged, Grasping, Dexter, Forepaw, Sword, Erect, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Quarterly, Garuda, Sejant, Castle, Triple-towered, Masoned, Pallet, Plate, Mantling, Doubled, Motto and Scroll.
Style keywords: Tilted shield, Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Vaz, Rui J..
Azure, a cross ermine fimbriated Or, between four fleurs de lis Argent, each enfiled in a crown Or.
Escudo de azur, una cruz de armiños, perfilada de oro, acompañada de cuatro flores de lis de plata, cada una enfilada de una corona de oro.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a freehand finish.
G0128, Chief Herald of Arms of Malta's grant of the coat of arms of Jean-Yves, de Sainte Croix de la Sabliere, UK. This coat of arms has been emblazoned by me.
Blazon keywords: Azure, Or, One, Four, Cross, Ermine, Fimbriated, Between, Fleur de lis, Enfiled and Crown.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sainte Croix de la Sabliere, Jean-Yves de.
Azure, a bend Argent between, in chief a sword point upwards Argent, hilted Or, in base a pair of scales Or. Crest: Upon a helm with a wreath Argent and Azure, an owl Argent, grasping with its dexter talon an escutcheon bendwise quarterly Gules and Argent. Mantling Azure doubled Argent.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a leather finishing.
Blazon keywords: Azure, Argent, Or, Gules, One, Bend, Between, Sinister, Chief, Sword, Point upwards, Hilted, Dexter, Base, Pair of scales, Crest, Upon (wreath), Helm, Wreath, Owl, Grasping, Talon, Escutcheon, Quarterly, Mantling and Doubled.
Style keywords: Outlined in sable, Illuminated, Ogee and Leather.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Buttaro, Salvatore.
Son of Alfonso X of Castile and Violant of Aragon.
Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or. Crest: An open royal crown Or.
Escudo cuartelado: 1o y 4o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o y 3o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro. Timbrado de una corona real abierta.
Arms of the king interpreted by me as follows: the shield of arms has a rounded (semicircular) base; the quarters are in flat tinctures Argent and Gules; the castles, lions and crown are illuminated; the castles and lions are shaded; and the whole has a parchment finish.
Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Crest, Open royal crown and Crown.
Style keywords: Rounded, Illuminated and Parchment.
Classification: Interpreted, Personal, Coat of arms and Kingdom of Castile and Leon.
Bearer: Sancho IV of Castile.
Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Purpure, armed and langued Gules.
Escudo partido: 1o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2o de plata, un león rampante de púrpura, armado y lampasado de gules.
Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.
Coat of arms of the Infante Sancho of Castile, 1233–1261, 8th offspring of the King Ferdinand III of Castile, 1199-1252, and the Queen Beatrice of Swabia, 1205–1235. Unlike his siblings, he does not use a quarterly shield but rather impaled arms of Castile and Leon.
Blazon keywords: Gules, Or, Azure, Sable, Argent, Purpure, One, Party per pale, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed and Langued.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Kingdom of Castile and Leon, Interpreted, Boa and Coat of arms.
Bearer: Sancho of Castile, Infante.
My heraldic channel on Satellite was https://satellite.earth/@as, but sadly, this social network didn't evolve properly.
Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.
Party per fess: 1 Sable, three mullets of eight points Argent, 1 and 2; 2 Azure, a ship in full sail Or.
Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.
Coat of arms of the Sea of the Mediterrean designed and emblazoned by me as imaginary heraldry. This coat of arms is one of my very first heraldic designs.
Blazon keywords: Sable, Argent, Azure, Or, Three, Eight, One, Party per fess, Mullet, Disordered, Ship and Full sail.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Imaginary, Created, Boa and Coat of arms.
Imaginary bearer: Mediterranean, Sea of the.
Argent, a wolf passant Gules, a chief dancetty Azure. Motto: «Barrio de los Quereres» Sable with initial letters Gules over a scroll Argent.
The coat of arms of the Barrio de los Quereres of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me, and emblazoned, dated, signed and sealed by me.
Blazon keywords: Argent, Azure, Gules, Sable, One, Wolf, Passant, Chief, Dancetty, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated and Chasuble.
Classification: Civic, Created, Boa, Sealed arms and Heraldic document.
Bearer: Barrio de los Quereres of Mon'Tarena.
Argent, flanched Gules crusilly of cross-crosslets Argent, overall a bear rampant regardant Sable, armed and langued Azure, charged with a key and a sword in saltire Argent, hilted Or, the key debruised by the sword.
Arms interpreted by me, in flat tinctures, outlined in Sable, with a pointed outer contour and with a texturized finish.
Coat of arms of Sean Shriner, designed by The Armorial Register, and revised and emblazoned by me.
Blazon keywords: Argent, Gules, Sable, Azure, Or, One, Flanched, Semé, Cross-crosslet, Cross couped, Overall, Bear, Rampant, Regardant, Armed, Langued, Charged, Key, Sword, In saltire, Hilted and Debruised.
Style keywords: Outlined in sable, Plain tincture and Pointed.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Shriner, Sean.
Gules, a lion rampant Or, langued and armed Vert; a bordure Azure charged with six escallops Argent.
Escudo de gules, un león rampante de oro, lampasado y armado de sinople; una bordura de azur cargada de seis veneras de plata.
Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a watercolor finishing.
The coat of arms of the Jean-Philippe Sendat emblazoned by me.
Blazon keywords: Gules, Or, Vert, Azure, Argent, One, Six, Lion, Rampant, Langued, Armed, Bordure, Charged and Escallop.
Style keywords: Outlined in sable, Illuminated, Pointed and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Sendat, Jean-Philippe.
Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.
This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and outlined by me. These arms have a representation of Our Lady of Mercy, celebrated on September 24th. To identify Our Lady of Mercy, I chose two primary symbols: 1) The arms of the Order of Mercy on her chest, «per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules», and 2) the broken chains, symbolizing the redemption of captives, remember that the complete name of the order is the Royal, Celestial, and Military Order of Our Lady of Mercy and the Redemption of the Captives.
Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond and In pile reversed.
Style keywords: Outlined and Semi-circular.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Vega Lanzagorta, Sister Esperanza.
Founded in the year 1987, it is the first organisation of its kind in the world
Azure, an inescutcheon Argent, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Or.
Escudo de azur, un escusón de plata, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todas de oro.
The Society of Heraldic Arts is an international organization founded in 1987, committed to the promotion and preservation of heraldic art. The society brings together artists, craftsmen, and enthusiasts who work in various forms of heraldic expression, from painting and sculpture to calligraphy and jewelry. With members worldwide, the SHA encourages the exchange of knowledge and skill development through exhibitions, publications, and events.
Categories: Institution, Interpreted, Socioeconomic, Illuminated, Semi-circular, Coat of arms, Azure, Inescutcheon, Argent, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line, Throughout (all sides) and Or.
Heraldic device interpreted by me, illuminated with lights and shadows, contoured in Sable, and with a watercolor finishing.
This is the heraldic standard of Ajay Gopal Valecha granted by the College of Arms and emblazoned by me. Grant of standard and badge for Ajay Gopal Valecha of the City of Westminster, issued by Garter and Clarenceux Kings of Arms, dated 8th February 2022. Structure: coat of arms; badge; 1st line of the motto; crest; 2nd line of the motto; badge.
Blazon keywords: Or, Argent, Azure, Gules, One, Quarterly, Overall, Peacock, In his splendour, Proper, Upon, Lotus flower, Flower, Motto, Crest, Garuda, Sejant, Crowned and Vested.
Style keywords: Outlined in sable, Illuminated and Watercolor.
Classification: Personal, Interpreted, Boa, Standard, Flag and Badge.
Bearer: Valecha, Ajay Gopal.
Heraldic device designed by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.
This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.
Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.
Style keywords: Outlined in sable, Illuminated and Leather.
Classification: Personal, Created, Boa, Standard and Flag.
Bearer: Liu-Lecomble, Laurent.
It has been emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.
The standard of Randy David Lee Xavier Potts designed by him and emblazoned by me. Structure: Coat of arms; Badge; 1st line of the motto «In Honorem»; Crest; 2nd line of the motto «Victoria»; Badge.
Credits: Randy Potts is the designer of the coat of arms.
Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Crest, Sun, Nascent, Debruised, Dragon, Passant, Motto, Annulet and Flory.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.
Classification: Personal, Interpreted, Boa, Standard, Flag and Badge.
Bearer: Potts, Randy David Lee Xavier.
Argent, a fess Gules between two Lions passant Azure, langued Gules.
I have interpreted this coat of arms with a semi-circular shape; tintures argent, gules, and azure; outlined with sable; and a iridiscent finishing.
Blazon keywords: Argent, One, Fess, Gules, Between, Two, Lion passant, Azure and Langued.
Style keywords: Semi-circular, Iridescent (nacar) and Outlined in sable.
Classification: Interpreted, Personal and Coat of arms.
Bearer: Stauffenberg, Claus von.
Or, a fess chequey Azure and Argent.
Escudo de oro, una faja ajedrezada de azur y plata.
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a rough finishing.
Coat of arms of the lineage Stewart of Scotland. I have emblazoned it with a fess chequy of 3 rows, symmetric and with 9 columns of squares, provided that its height is 1/3 of the width of the coat of arms.
Blazon keywords: Or, Azure, Argent, One, Three, Nine, Fess and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Stewart of Scotland, lineage.
Azure, on waves of the sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or. Motto: «Ubi concordia ibi victoria» Sable over a scroll Or.
Escudo de azur, en punta un mar ondado de plata sumado de un barco con remos de oro, con vela y gallardete de plata; en un jefe de plata, un libro cerrado y brochado de oro, tapas de gules. Lema: «Ubi concordia ibi victoria» de sable sobre una filacteria de oro.
Coat of arms designed by me, highlighted with lights and shadows, with a pointed external shape and with a freehand finishing.
Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book, Clasped, Motto and Scroll.
Style keywords: Illuminated, Pointed and Freehand.
Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.
Bearer: Strategy Department of Consultoria.IO.
Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.
Escudo de oro, una faja ajedrezada de plata, cargada de una cola de armiño, y azur, acompañada en jefe de dos cruces patadas de gules, en base de un cardo al natural; una filiera de azur.
Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
Coat of arms of Reverend John Stuart, XVIII century, emblazoned by me.
Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Stuart, John.
Azure, in base an open book Argent, in chief a sun in splendour Or. Crest: An open royal crown. Motto: «Technica impendi nationi». Motto around the shield: «Universidad de Politécnica de Madrid» fimbriated and inscribed Or.
Escudo de azur, un libro abierto de plata surmontado de un sol de oro. Timbrado de una corona real abierta. Lema: «Technica impendi nationi». Divisa alrededor del escudo: «Universidad de Politécnica de Madrid» perfilada y en letras de oro.
Coat of arms interpreted as follows: a semicircular (round) base; the field in flat Azure; the field and charges are illuminated in the tinctures Azure and the metals Argent and Or, all outlined in Sable; my rendition of this coat of arms differs from others in that the sun’s rays, although outlined in Sable, are Or; in the legibility of the text written on the book; and in separating with a dot the words that form the motto; and the whole finished with a beaten-metal effect.
In [Huidobro Moya, J. M.; 2024; page 231] this version of the coat of arms of the Technical University of Madrid, created by me, is illustrated. Both José Manuel Huidobro Moya and I are «alumni» of this university.
This image shows my interpretation of the coat of arms of the Technical University of Madrid, together with the doctoral signet ring that the University presented to me on the occasion of my PhD in Artificial Intelligence in 1992, a field in which I have worked since 1985.
Blazon keywords: Without divisions, Azure, Argent, Or, Book, Sun in splendour, Crest and mantling, Crown, Open royal crown, Motto and Motto (identification).
Style keywords: Semi-circular, Oval, Illuminated, Outlined in sable and Metal beaten.
Classification: Interpreted, Socioeconomic, Collage and Education.
Bearer: Technical University of Madrid.
My heraldic channel at Telegram is t.me/s/AntoniosHeraldry.
Categories: Technology, Social networks, Argent, Or, Azure, One, Quarterly, Overall, Peacock, In his splendour, Proper, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Garuda, Sejant, Crowned, Vested and Mantling.
Azure, a cross of Burgundy Or; an inescutcheon Or, six fleurs de lis in orle Azure.
Escudo de azur, una cruz de Borgoña de oro; un escusón de oro, seis flores de lis en orla de azur.
Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.
Coat of arms of the Tercio Alessandro Farnese, 4th of the Spanish Legion, emblazoned by me. In honor of Alessandro Farnese, the central inescutcheon bears in orle the 6 fleurs de lis of the Farnese family.
Blazon keywords: Azure, Or, One, Six, Cross of Burgundy, Cross couped, Inescutcheon, Fleur de lis and In orle.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Military, Interpreted, Boa and Coat of arms.
Bearer: Tercio Alessandro Farnese.
Azure, a bend Or.
Blazon keywords: Azure, One, Bend and Or.
Style keywords: Outlined in sable, Illuminated, Semi-circular, Plain tincture and Freehand.
Classification: Religious, Military, Knights Templar, Interpreted, Coat of arms and Schema.
Bearer: Molay, Jacques de.
Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.
Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, Cannon, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.
Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.
Classification: Personal, Interpreted, Coat of arms and Schema.
Bearer: Lanzagorta Escutia, Miguel Francisco.
Azure, two rolled scrolls in saltire Argent, tied with a ribbon fesswise Vert; a bordure trefoiled Or; overall a chief Or charged with an oak branch leaved and fructed proper. Badge: Azure, a Celtic trefoil knot with two acorns pendant from each end; a bordure Or.
The badge and the coat of arms of the Genealogical Society of Ireland, GSI, emblazoned and signed by me, exhibited at the 5th International Congress of Genealogy and Heraldry (5th ICGHV), Vilnius, together with my insignia as Honorary Herald of the Genealogical Society of Ireland (GSI). The 5th ICGHV was held at the historic National Museum – Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas.
Blazon keywords: Azure, Argent, Vert, Or, One, Two, Rolled scroll, In saltire, Tied, Ribbon, Fesswise, Bordure, Trefoiled, Overall, Chief, Charged, Oak, Tree, Branch, Leaved, Fructed, Proper, Celtic trefoil knot and Acorn.
Style keywords: Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Interpreted, Boa and Photographic.
Bearer: Genealogical Society of Ireland.
The Heraldry Society of Scotland ~ «The Heraldry Society of Scotland», was founded in 1977. Its objectives are to promote the study of heraldry and to encourage its correct use both in Scotland and abroad.
The HSS (acronym for The Heraldry Society of Scotland) encourages those who have a coat of arms and those who intend to adopt their own arms to become members of the society and also encourages to join all those interested in Scottish heraldry, therefore the HSS admits and has members from all over the world.
The HSS holds active and regular meetings throughout the year and organizes conferences and visits to places of historical and heraldic interest, both within Scotland and in other countries.
They also maintain and update a website, whose domain is Heraldry-Scotland.co.uk, with interesting and abundant reading material, among which their list of online armorials with blazons in English stands out, among which the following armorials can be highlighted:
I also find very interesting, for example, their pages on the basic principles of heraldic design, written by Doctor Patrick Barden.
Categories: Institution, Interpreted, Socioeconomic, Illuminated, Outlined in sable, Iridescent (nacar), Freehand, Semi-circular, Coat of arms, Without divisions, Azure, Saltire, Argent, Thistle, Couped (tree), In chief, In base, Inescutcheon and Gules.
Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.
Escudo cuartelado de azur y gules; brochante sobre el todo, una cabeza de leopardo coronada de oro, lampasada de gules, dentro de un trechor flordelisado de oro.
Interpretation I have made: as a pointed shield; with its quarters enamelled in plain Azure and Gules; its tressure flory and its leopard face outlined in Sable, shaded and illuminated in Or with the tongue in Gules; and the whole with a beaten metal finish.
In its own publication [The Heraldry Society; 2013; página 6] the blazon is written as «Quarterly Azure and Gules a Lion's Face crowned with an Ancient Crown Or within a Tressure flory on the outer edge of the same» where:
Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.
Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Metal beaten.
Classification: Interpreted, Socioeconomic and Coat of arms.
Bearer: The Heraldry Society.
The Heraldry Society, «Education Pack, A brief explanation of Heraldry for teachers together with explanatory sheets and templates for students», Baldock, Hertfordshire, 2013.
This bibliographical reference is illustrated with the quartered coat of arms of The Heraldry Society.
Bibliographical reference of century XXI.
The author is The Heraldry Society.
Bibliographic reference mentioned in the following articles:
External link:
Internal resources: TheHeraldrySociety2013.EducationPack.pdf.
Azure semé of millrinds Or; on a dexter canton Or, a lion rampant Purpure, armed and langued Gules.
Escudo de azur sembrado de anillas de molino de oro; en un cantón diestro de oro, un león rampante de púrpura, armado y lampasado de gules.
This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone.
Blazon keywords: Azure, Semé, Millrind, Or, One, Canton, Dexter, Lion, Rampant, Purpure, Armed, Langued and Gules.
Style keywords: Pointed, Outlined in sable, Outlined in the field tincture and Plain tincture.
Classification: Socioeconomic, Interpreted and Coat of arms.
Bearer: Lincoln's Inn, The Honourable Society of.
Thomas de Warbrentone ~ Thomas de Warbleton.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted in the following manner: the shape of the base is a semicircular arch; the field has been enameled with plain metal tint Or; the lozenges with their 4 rectangular and equal angles, are outlined in Sable and illuminated in Azure; the lozengy is 6 lozenges wide by 7 lozenges high, which can also be indicated as 7 lozenges in length by 7 lozenges in latitude; and the whole has received a marble finish.
Lozengy is defined by [Avilés, J.; 1780a; page 101] as «it is said of the Shield and pieces covered with lozenges».
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Marmoreal.
Classification: Interpreted and Personal.
Bearer: Warbleton, Thomas de.
Thomas de Warbleton ~ Thomas de Werblintone.
Lozengy Or and Azure.
Escudo losanjado de oro y azur.
Included in [Vincent, MS; 1285; number 245] also known as [St. George's Roll; 1285; number 245].
Blazon keywords: Without divisions, Lozengy, Or and Azure.
Style keywords: Semi-circular, Plain tincture and Outlined in sable.
Classification: Interpreted and Personal.
Bearer: Tomás de Warbleton.
My heraldic channel @antoniosheraldry at TikTok is tiktok.com/@antoniosheraldry.
Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.
Illuminated and a rough finishing.
Blazon keywords: Gules, Cross, Or, Lily, Flower, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base and Two hands clasped.
Style keywords: Rough, Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Trading Pro School.
Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].
Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].
Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.
Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2nd and 3rd quarters.
Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.
Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Trastámara, House of.
Quarterly of four in four: 1 and 11 Azure, chaussé Or; 2 and 12 Azure, contre-embrassé Or; 3 and 9 Or, embrassé Azure; 4 and 10 Or, chaussé Azure; 5 and 15 Azure, embrassé Or; 6 and 16 Azure, chapé Or; 7 and 13 Or, chapé Azure; 8 and 14 Or, contre-embrassé Azure.
Escudo partido de cuatro y cortado de lo mismo: 1o y 11o de azur, calzado de oro; 2o y 12o de azur, contraembrazado de oro; 3o y 9o de oro, embrazado de azur; 4o y 10o de oro, calzado de azur; 5o y 15o de azur, embrazado de oro; 6o y 16o de azur, cortinado de oro; 7o y 13o de oro, cortinado de azur; 8o y 14o de oro, contraembrazado de azur.
Imaginary coat of arms created for artistic reasons in the following way: a rounded base; fields enameled with plain tinctures Or and Azure; the charges that form the embrassé, contre-embrassé, chaussé, and chapé, are illuminated in Or and Azure and outlined in Sable; and with a beaten metal finish.
Blazon keywords: Quarterly, Chapé, Chaussé, Embrassé, Contre-embrassé, Or and Azure.
Style keywords: Rounded, Illuminated, Outlined in sable and Metal beaten.
Classification: Imaginary.
Imaginary bearer: Triangulation.
My heraldic channel @ntoniosalmeron at Twitter is twitter.com/ntoniosalmeron.
Categories: Technology, Social networks, Castle, Or, Port and windows, Azure, Masoned and Sable.
Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.
Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.
Coat of arms interpreted as follows: with a semicircular (round) base; the field and the chief in the flat tinctures Purpure and Azure, with a lightly-hammered metal finish; and the four charges outlined in Sable, shaded, illuminated, and with a very hammered metal finish.
I hold the University Specialist degree in Real Estate Management and Administration, awarded by the Department of Private Law of the University of Burgos. These studies are structured over three academic years and are pursued online in combination with periods of traditional classes in the summers and on-site examinations during the winters. This was my first long-term online training experience.
Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable, Soft metal and Hard metal.
Classification: Interpreted, Socioeconomic and Education.
Bearer: Burgos, University of.
Azure, a Tryzub Or.
Escudo de azur, un tryzub de oro.
Interpreted coat of arms: with a pointed shape; illuminated with metals or and color azure; outlined with sable; and an iridescent finish for the field and metallic of the tryzub.
Blazon keywords: Without divisions, Azure, Trident and Or.
Style keywords: Ogee, Illuminated, Outlined in sable, Iridescent (nacar) and Soft metal.
Classification: Coat of arms, Interpreted, Civic and State of Ukraine.
Bearer: Ukraine.
Azure, in chief three keys in bend, fesswise, to dexter, facing downwards Or, in base an open book Argent, garnished Or, the pages inscribed «Ad usum per artes» Gules. Motto: «Universitas Peñafortis».
Illuminated and a freehand finishing.
Blazon keywords: Azure, Three, Key, Or, In chief, In bend, Fesswise, Book, Open, Motto and Motto (identification).
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Peñafort, Universidad.
Emblem Azure, Saint Michael Argent, vested and nimbed Or, grasping in his dexter hand a spear Or, point downward, and in his sinister hand bearing [ Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert, of Navarre ], upon a dragon Vert, armed, langued, fanged, and the eyes Gules.
Emblema de azur, un San Miguel de plata, vestido y nimbado de oro, teniendo en su diestra una lanza de oro, con la punta hacia abajo y en su siniestra trae [ escudo gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople, de Navarra ], sostenido por un dragón de sinople, armado, lampasado, fierezado y encendido de gules.
Emblem interpreted by me as follows: an oval shape with proportions 5x6, wider than the original; the field illuminated in Azure; its charges outlined in Sable and illuminated in the colours Gules and Vert and the metals Argent and Or; the Archangel Saint Michael vested in Or, unlike others who appear in Argent; his emerald simplified into an area enameled Vert; and the whole emblem has a lightly beaten metal finish.
Due to its special characteristics, the difficulty in complying with the first rule of heraldry concerning metals and colours, and out of prudence, I categorize it as an emblem rather than a shield.
In a relief of the Church of Saint Michael the Archangel in Estella, Saint Michael can be seen fighting a dragon that represents the devil, in a similar but mirrored arrangement to that of this emblem. In that relief, the Archangel Saint Michael bears a pre-heraldic shield with its umbo. According to [Menéndez Pidal de Navascués, F.; 1963], the umbo of the shield is a reinforcing element that is the predecessor of what would later become the pommelly carbuncle of the shield of the Kingdom of Navarre.
Blazon keywords: Without divisions, Azure, Male figure, Angel, Archangel, Argent, Vested, Nimbed, Or, Grasping, Dexter, Spear, Point downwards, Sinister, Gules, One, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Vert, Upon, Dragon, Armed, Langued, The fangs and The eyes.
Style keywords: Oval, Illuminated, Outlined in sable and Soft metal.
Classification: Interpreted, Socioeconomic, Education, Emblem and Kingdom of Navarre.
Bearer: University of Navarra.
This portrait, attributed by the seller to Frans Pourbus the Younger, was described on the market as that of a Venetian lady holding a «Venetian Lace Fan» and was said to come from a private collection in Florence, Italy. More precisely, its sales title was «Portrait of a Lady with a Venetian Lace Fan c.1595, Remarkable condition 1597».
From a heraldic point of view, the work presents, as a significant element, a coat of arms of oval shape painted on the column accompanying the figure. Oval forms are often associated with the shields of married women; if this late-sixteenth-century shield originated, for example, in England, one could be more confident that there is a relationship between the oval shape of the shield and the lady depicted. Originating in Italy, and more specifically in Venice, this oval shape may have been chosen either because the sitter was a woman or simply as a matter of fashion, since in that period and region oval shields can also be found in ecclesiastical contexts and used by men, the oval then being regarded as a form more architectural and artistic than combative.
I became aware of this painting because I was asked by a university whether I could identify the coat of arms on the column. The identification of coats of arms in historical painting is a slow, uncertain task and, in most cases, an unproductive one. It may require hours, days, weeks or even years, and often does not lead to definitive results. For this reason, I generally try to avoid this type of research.
In this particular case, I was unable to identify it. However, coats of arms, once seen, remain in visual memory; that is precisely what they are designed to do. Twenty months later, while casually reviewing a series of heraldic records published by the Italian heraldist, «Vittorio|Gifra», one of them caught my attention at an unconscious level. I continued moving through the series, but an unmistakable sense arose that something relevant had been overlooked, which led me to go back and examine the entry again with care. At that moment, the lady with the Venetian fan and the coat of arms painted on the column of the portrait immediately came to mind.
The consulted entry stated verbatim: «Stemma famiglia #VOGANZI. @voganzi Arma: d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro. A.S.Mi. Reg. 0002: stemmario Marco Cremosano - 1673; [...] et anco di diverse Famiglie d’Italia, Vol. II°, p. n°333, posizione, 3^ fila e 3° stemma da sx a dx. [Cfr.: Archinto: «de #VOGANZA de Venetia» (I 13 V a)]. Vittorio Gifra. Lun01-12-2025».
Indeed, it had been found: the coat of arms on the column belongs to the Voganzi family of Venice, whose arms are, in Italian «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro» ~ in English «Azure, two tibiae proper in saltire, between four fleurs de lis Or» ~ in Castilian «escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro».
I then proceeded to document the finding and inform the interested parties.
In the Archinto, the form «Voganza» appears, referring to a specific individual or to the nominal origin of the lineage, in the singular; for example, «una dama de la casa Voganza». By contrast, in the stemmario by Marco Cremosano the form «Voganzi» is recorded, which corresponds to the plural commonly used to designate the collective body of members of the Voganza family. Taking into account that only about 70 years elapsed between the portrait (1597) and the stemmario (1673), it is plausible that at the time the painting was made the surname could already appear as «Voganzi» or in a very similar form. Although surnames do evolve over time, the interval considered is not one of centuries, but of 7 decades.
My most important doubt in this identification concerns the colour of the field; when I first saw it, I hesitated between sable and azure. It seemed too light to be sable, I thought; it could be azure, but it is not very azure, so in my notes I left it as: «either sable or azure».
When I depict elements in saltire, I usually give precedence to the bend over the bend sinister, so my natural inclination would be to place the tibia bendwise above the tibia in bend sinisterwise. In this case, however, I have placed the tibia bend sinisterwise above, in order to remain consistent with the coat of arms on the column. In any event, this is merely an artistic detail, with no relevance from the standpoint of heraldic description, which is the same in both cases.
Categories: Identification, Interpreted, Watercolor, Outlined in sable, Illuminated, Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.
182nd Pope of the Church, from 1261 to 1264. «Urbanus IV», born Jacques Pantaleon of Court-Palais, was born in Troyes, France.
Quarterly: 1 and 4 Azure, a fleur de lis Or; 2 and 3 Argent, a rose Gules.
Escudo cuartelado: 1o y 4o de azur, una flor de lis de oro; 2o y 3o de plata, una rosa de gules.
Coat of arms of Urban IV with: a pointed and rounded shield shape; the field in plain Azure and Argent enamels; the figures outlined in the field, shaded and illuminated in Or and Gules; and with a watercolor finish.
Blazon keywords: Quarterly, Azure, One, Fleur de lis, Or, Argent, Rose and Gules.
Style keywords: Ogee, Illuminated, Shaded, Outlined in the field tincture and Watercolor.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban IV.
202nd Pope of the Church, from 1378 to 1389. «Urbanus VI», named Bartolomeo Prignano, born in Itri, near Naples, in the Lazio region.
Or, an eagle displayed Azure.
Escudo de oro, un águila de azur.
Papal coat of arms interpreted with: a pointed mouth; the field in flat tincture of metal Or; the eagle illuminated in Azure, shaded and outlined in the color of the field; and the whole with a rough finish.
Blazon keywords: Without divisions, Or, One, Eagle and Azure.
Style keywords: Pointed, Illuminated, Outlined in the field tincture, Shaded and Rough.
Classification: Interpreted, Religious and Papal States.
Bearer: Urban VI.
Or, a port Or, with jambs, enarched lintel, and two open leaves, upon a three-step stairway Azure.
Escudo de oro, una puerta con jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de azur, aclarada de oro.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of the lineages Uschiolo and Ustiolo, emblazoned by me following the blazon published by Vittorio Gifra in Italian: «Arma: d’oro, alla porta di due ante a timpano arcuato d’azzurro, scalinata di tre pezzi del medesimo e aperta del campo».
Blazon keywords: Or, Azure, One, Two, Three, Port, Arched, Enarched, Upon, Step, Stairway and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Uschiolo and Ustiolo, lineages.
Luis Valero de Bernabé y Martín de Eugenio, «Los Castillos en la Heráldica Española», 2009.
I received this article directly from the author, to whom I am grateful for his kind submission. I consider it a preliminary and preparatory work for the article [Valero de Bernabé, L.; 2009b; pages 32-34] published later.
Bibliographical reference of century XXI.
Classification: Castilian language.
Author: Valero de Bernabé y Martín de Eugenio, Luis.
Bibliographic reference mentioned in the following articles:
Internal resources: ValeroBernabeL2009.ElCastilloEnLaHeraldicaEspañola.pdf.
Chequey Or and Azure.
Escudo ajedrezado de oro y azur.
Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.
Coat of arms of the County of Vermandois, France, emblazoned by me.
Blazon keywords: Or, Azure and Chequey.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Vermandois, County of.
Cheshire, 1533-1580.
Or, on a fess Azure, three Garbs Or.
Escudo de oro, una faja de azur, cargada de tres gavillas de trigo de oro.
Coat of arms interpreted with: a rounded base; the field, fess and garbs outlined in Sable and illuminated in Or and Azure; and the shield in leather.
In [Goldstraw, M. S. J.; 2013b] for «Sir Raulfe de Vernon ye old». the following blazon is recorded: «Or, on a fesse Azure three garbs of the field».
Background on the bearer of this coat of arms:
Blazon keywords: Without divisions, Or, Azure, Fess, Charged, Wheat, Garb and In fess.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon the Elder, Sir Raulfe.
Cheshire, 1533-1580.
Or, a fess Azure.
Escudo de oro, una faja de azur.
Coat of arms with a basic interpretation based on: a rounded base; the field and its fess illuminated in Or and Azure and outlined in Sable; and the shield in leather.
In [Goldstraw, M. S. J.; 2013b] for «Vernon, baron of Shubbroc, bulgo Shipbroke» ~ Shipbrook, the following blazon is recorded: «Or, a fesse Azure».
Blazon keywords: Without divisions, Or, Azure and Fess.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon, Baron of Shubbroc.
Blazon equivalent to: Vidaurre de Navarra.
Cheshire, 1533-1580.
Or, a bend Azure.
Escudo de oro, una banda de azur.
Coat of arms interpreted with: a rounded base; the field and the bend illuminated in Or and Azure and outlined in Sable; and the shield with a leather finish.
In [Goldstraw, M. S. J.; 2013b] for «Sir Ralfe Vernon». the following blazon is recorded: «Or, a bend Azure».
Blazon keywords: Without divisions, Or, Azure and Bend.
Style keywords: Rounded, Illuminated, Outlined in sable and Leather.
Classification: Interpreted, Personal and Cheshire County.
Bearer: Vernon, Sir Ralfe.
Of the twelve lineages of Noblemen, the ninth is Vidaurre, who bears as arms a shield Or and, in the middle, a fess Azure, in the same manner as this shield is now painted.
Or, a fess Azure.
Escudo de oro, una faja de azur.
Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the fess illuminated in Azure and outlined in Sable; and the whole finished in highly-hammered metal.
Interpreted from the ninth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].
Under the title «Surname of Vidaurre» this coat of arms can be consulted in [Vega, P. J. de; 1702; folio 9 of the manuscript].
Blazon keywords: Without divisions, Or, Fess and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.
Classification: Interpreted, Personal and Kingdom of Navarre.
Bearer: Vidaurre of Navarre.
Blazon equivalent to: Vernon, barón de Shubbroc.
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Label and Suspended.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, C. M..
Interpreted coat of arms: with a semi-circular shape; illuminated with metals argent and or and colors sable and azure; outlined with sable; and a freehand finish.
Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Cantoned and Martlet.
Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Vidriales, M. P..
Blazon of the Vilardi lineage of Italy.
Argent, on a pile issuant from the base Azure a saltire Or.
Escudo de plata, una pira de azur cargada de un sotuer de oro.
Illuminated and a free hand finishing.
[Cadenas y Vicent, V. de; 2002; page 138] says that the a pile issuant from the base is «a triangle whose base issues from the base of the shield, being a third of its width», but when it is painted in [Cadenas y Vicent, V. de; 2002; page 268, figure 279] along with the pile the width of the base of both isosceles triangles is 2/3 of the width of the shield. I think the width of 2/3 is, in these 2 cases, better than 1/3 width, because with 1/3 there is not enough room for charges, as shown in the figure below.
There are scholars who say that the pile issuant from the base must not touch the upper edge of the shield and others that its tip should be in the center of the chief. In the previous image, the pile issuant from the base of the 1st shield fulfills the first affirmation, and in the 2nd shield, its tip is in the center of the chief.
I have the doubt if it should not be a saltire raguly.
Blazon keywords: Without divisions, Argent, One, Pile issuant from base, Azure, Charged, Saltire and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Italian Republic.
Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised respectively by a crescent Argent and a mullet Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».
It has been interpreted by me, illuminated with lights and shadows, contoured in Sable, with an oval outer contour and with a texturized finishing.
The arms of Vittoria Pompili and Alessandra Pompili were presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included their coats of arms shown together with their blazons unified. They are from Italy. Their arms were registered by Dr Charles A. Gauci, Chief Herald of Arms of Malta (registers R0038 and R0039), and painted by me. The standard displayed below is that of their father, Grant G0066, from which both coats of arms derive through the appropriate marks of cadency.
Blazon keywords: Azure, Argent, Gules, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Cadency, Crescent, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.
Style keywords: Outlined in sable, Illuminated and Oval.
Classification: Personal, Interpreted, Boa and Slide.
Bearer: Pompili, Vittoria.
Blazon of the lineage Voganzi in Venice
Azure, two tibiae proper in saltire, between four fleurs de lis Or
Escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro.
Illuminated and watercolor.
The blazon in Italian is «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro».
Blazon keywords: Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.
Style keywords: Watercolor, Outlined in sable and Illuminated.
Classification: Personal, Lineage, Interpreted and Coat of arms.
Thomas de Warbleton ~ Thomas de Warbrentone.
Lozengy Or and Azure.
Escudo losanjado oro y azur.
Coat of arms interpreted with: the semicircular base shape; the field of plain metal Or; the lozenges illuminated in Azure, outlined in Sable and with their 4 angles at 90o; the lozengy of proportion 5 x 6; and the whole with a raised-stroke effect.
Can be found in [Heralds' Roll, T.; 1280; shield number 647], in [St. George's Roll; 1285; shield number 245] and in [Charles' Roll; 1285; shield number 360].
Blazon keywords: Lozengy, Or and Azure.
Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Warbrentone, Thomas de.
Image from the official website oerc.eu of the Ordo Equestris Reginae Caeli, OERC, showing a signing document whose decorative border is based on the Grand Collar of the Order. This ornamental frame was designed by David Perez Alvarez and me, and emblazoned by me. The eight-pointed cross azure with four fleurs de lis Argent that appears in the website header was also has been painted by me.
Blazon keywords: Order, Azure, Or, Argent, One, Four, Eight-pointed cross, Cross couped, Fleur de lis, Crowned, Monogram, Grand collar and Surrounded.
Style keywords: Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Boa, Certification and Heraldic document.
Bearer: Ordo Equestris Reginae Caeli.
All these blazons are equal two by two, except one blazon without a partner.
Which one is the single blazon?
This is an heraldic riddle based on the arms of Vittorio Gifra, «Paly of six Azure and Or; over all a bend Azure.», painted the very first, row 1 and column 1.
Think before you move the cursor or click on the following link and see the solution.
Categories: Riddle, Semi-circular, Pointed, Triangular curved, Ogee, Rounded, Outlined in sable, Freehand, Paly, Six, Surmounted, Overall (deprecated), Bend, Azure, Vert and Or.
Root: Gifra, Vittorio.
Wijnbergen, unknown authors, «Wijnbergen Armorial», currently located in The Hague and owned by the Royal Dutch Society of Genealogy and Heraldry, Île-de-France, 1265.
This armorial is called «Wijnbergen» because it was named after one of its early owners, and the names of its authors are unknown. I have retained this name in the key to this bibliographic reference for easier identification.
Among known manuscripts, it is the oldest armorial of French heraldry.
It is composed of 15 parts, although some authors divide it into 23, belonging to 2 different temporal stages of creation: a 1st stage from 1265 to 1270 and a 2nd stage, more difficult to date, from 1270 to 1285.
The armorial is written in French and contains a total of 1,312 coats of arms, of which 256 belong to the 1st stage and 1,056 to the 2nd stage.
Those of the 1st stage belong to the vassals of the Île-de-France under the reign of Luis IX de Francia, Saint Louis King of France.
Those of the 2nd stage, probably already under the reign of Felipe III de Francia, contain coats of arms from Normandy, Anjou and Poitou, Lorraine, Germany, Artois, Champagne, Vermandois, Brittany, Beauvais, Burgundy, Brabant, Hainaut (Belgium), Flanders, and finally, the coats of arms of 25 kings, mainly European.
Bibliographical reference of century XIII.
The author is Wijnbergen, Anonymous.
The following articles cite this bibliographic reference:
External resources:
Guillermo Bardolf ~ William Bardolf ~ Willem Bardulf.
Azure, three cinquefoils Or.
Escudo de azur, tres quinquefolios de or.
Included in [Vincent, MS; 1285; number 223] also known as [St. George's Roll; 1285; number 223].
Blazon keywords: Without divisions, Azure, Three, Cinquefoil, Or and Ordered.
Style keywords: Semi-circular, Illuminated, Shaded, Outlined in sable and Freehand.
Classification: Interpreted and Personal.
Bearer: Guillermo Bardolf.
Argent, a cross calvary Gules, in the dexter of the chief a fleur de lis Azure.
Escudo de plata, una cruz de calvario de gules, en la diestra del jefe, una flor de lis de azur.
Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finishing.
G0105, Chief Herald of Arms of Malta's grant for the coat of arms of John Anthony Wright, Ireland. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Gules, Azure, One, Cross calvary, Dexter, Chief and Fleur de lis.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Wright, John Anthony.
Azure, a chevron in base ensigned by a pelican in her piety Argent, vulned Gules, in base a mullet of eight points Argent.
Coat of arms of Yaroslav Pototsky emblazoned by me under his directions in 3 steps: outlined, plain colors and metals, and lights and shados. Notice the nest must touch the chevron.
Blazon keywords: Azure, Argent, Gules, One, Chevron, In base, Pelican in her piety, Pelican, Vulned and Mullet.
Style keywords: Outlined, Outlined in sable, Plain tincture, Illuminated and Pointed.
Classification: Personal, Interpreted, Schema, Boa and Coat of arms.
Bearer: Pototsky, Yaroslav.
Alonso Zamora Vicente, «Historia de la Real Academia Española», Real Academia Española, Espasa Calpe, Madrid, 1999.
This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española. It is an oval emblem in Argent, with its crucible, also in Argent, over a bonfire of Gules and Or and surrounded by its flames, surmounted by a closed Royal crown with 8 arches, 5 of which are visible, and its motto, as originally written «Limpia, fixa, y da esplendor», around it.
Bibliographical reference of century XX.
Classification: Castilian language.
The author is Zamora Vicente, Alonso.
The following article cites this bibliographic reference:
External resource:
Blazon of the Zuzaeta lineage of the Basque Country.
Azure, five mullets Or.
Illuminated and a freehand finishing.
The default arrangement is in saltire, which is why I do not specify it, but if one wished to do so, it could be written as «Azure, five mullets Or in saltire».
Blazon keywords: Without divisions, Azure, Five, Mullet and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted and Lineage.
Atom, Cloud, Crescent, Diamond, Emerald, Estoile, Goutte, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Terrestrial globe, Trimount, Water and Wave.
Acorn, Apple, Apple tree, Ash, Bluebonnet, Bunch, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Easter lily, Eguzki-lore, Elm, Fleur de lis, Flower, Gourd, Grape, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Madrone tree, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Scots pine, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Black grouse, Blackbird, Boar, Brach hound, Bull, Cat, Cow, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Gazelle, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Monkey, Mountain bluebird, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Swan, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Footprint, Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deer' attire, Shoulder, Sprig, Stag's attire, Stag's massacre, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
Ace of spades, Adze, Anchor, Anvil, Arch, Archer, Arm vambraced, Armillary sphere, Arrow, Axe, Baton of Herald, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Caravel, Carbuncle, Castle, Cauldron, Celtic Trinity knot, Celtic trefoil knot, Censer, Chain, Chess rooks, Chi-Rho symbol, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Comedy mask, Compass rose, Conductor's baton, Cord, Covered cup, Crossbow, Crossed staff, Crozier, Crucible, Cuffed, Cup, Cutlass, Cyclamor, Dagger, Displayed scroll, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Full plate armor, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Incense burner, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Maunch, Menorah, Millrind, Millstone, Millwheel, Minaret, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Paintbrush, Pair of pliers, Pair of scales, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rolled scroll, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scepter, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Tragedy mask, Trident, Trumpet, Turret, Two-handed sword, Two-man cross-cut saw, Wagon-wheel, Wall, Water-bouget, Wheel, Winnowing fan and With a turret.
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Sea-lion, Trinity, Triton, Unicorn, Winged hand and Wyvern.
Port and windows, Between, Watercolor, Proper, Pointed, Armed, Azure, Boa, Bordure, Overall, Charged, Castle, Crest, Ogee, Crown, Created, Quarterly, Outlined in sable, Two, In chief, In base, Coat of arms, Mullet, Fess, Fleur de lis, Personal, Gules, Illuminated, Interpreted, Chief, Langued, Motto, Lion, Lineage, Masoned, Semi-circular, Or, Party per pale, Leather, Argent, Without divisions, Rampant, Sable, Vert, Plain tincture, Freehand, Three, One and Eagle.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.