Publication of my heraldic artwork on the blog Twelve Lineages of Soria under the following headline: Coat of arms for the residential town of Abundanttia, State of Tlaxcala, Mexico, work by Dr. Antonio Salmerón Cabañas.
Categories: Link, Civic, United Mexican States, Freehand, Or, Gules, Vert, Mural crown, Crown, Beetle, Trimount and Motto (identification).
Root: Twelve Lineages of Soria.
Gules, on a trimount issuant from the base Or, a port Gules, with canopy roof, jambs, enarched lintel, and two open leaves, upon a three-step stairway Oro.
Escudo de gules, un monte de tres peñas moviente de la punta sumado de una puerta con tejadillo, jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de oro, aclarada de gules.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.
Coat of arms of Albrecht Dürer, 1471-1528, emblazoned by me based on the woodcut titled «Coat of Arms of Albrecht Dürer» made by Albrecht Dürer himself in 1523 on a sheet measuring 35.1 × 26.1 cm belonging to The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952, held at the Metropolitan Museum of New York, and on the work titled «Marriage Coat of Arms of the Families Duerer and Holper. Verso of the Albrecht Dürer the Elder portrait», dated 1490; Albrecht Dürer the Elder, 1427–1502, was his father.
The Dürer family coat of arms is an example of canting arms. Their family origin traces back to Ajtós, Hungary, a name which means «door» or «doorman» in Hungarian. Upon settling in Nuremberg, the family Germanized their surname to «Türer», derived from «Tür», meaning «door», and later to Dürer. This is the reason of the main charge of these arms.
Blazon keywords: Gules, One, Two, Three, On, Trimount, Issuant from base, Port, Canopy roof, Arched, Enarched, Upon, Step, Stairway and Port and windows.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.
Bearer: Albrecht Dürer.
Escutcheon Argent, in base a trimount, in chief a pair of open pliers bend sinisterwise proper.
Heraldic device emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.
G0076, Chief Herald of Arms of Malta's grant of Claes Zangenberg's badge, whose heraldic badge has been emblazoned by me.
Blazon keywords: Argent, One, Escutcheon, In base, Trimount, In chief, Open, Pair of pliers, Bend sinisterwise and Proper.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Badge.
Bearer: Zangenberg, Claes.
Gules, on a trimount issuant from the base Argent a bighorn sheep salient Or, horned Argent. Motto: «Barrio Alto» Sable with initial letters Gules over a scroll Argent.
Escudo de gules, un monte de tres peñas moviente de la punta de plata sumado de un borrego cimarrón saltante de oro, acornado de plata. Divisa: «Barrio Alto» de sable, con iniciales de gules, sobre una filacteria de plata.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a chasuble outer contour and with a watercolor finish.
The coat of arms of the Barrio Alto of Mon'Tarena, Queretaro, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me. In this case, the tinctures Gules, Or and Argent have been adjusted to match the official colour palette of Mon'Tarena.
Blazon keywords: Gules, Or, Argent, Sable, One, On, Trimount, Issuant from base, Bighorn sheep, Salient, Horned, Motto and Scroll.
Style keywords: Outlined in sable, Illuminated, Chasuble and Watercolor.
Classification: Civic, Created, Boa and Coat of arms.
Bearer: Barrio Alto of Mon'Tarena.
Or, a roe deer springing Gules, in base a triple mount Vert.
Escudo de oro, un corzo brincante de gules, en punta un monte de tres peñas de sinople.
This is a reflection on tongues protruding in animals in heraldry. I will rely on the representations in [Fox-Davies, A. C.; 1909], which include numerous depictions of animals in a wide range of heraldic attitudes.
In heraldry, tigers [Fox-Davies, A. C.; 1909; figures 322–325], lions, wolves, bears, etc., are commonly shown with their tongues out. These are heraldic beasts and carnivores.
However, the fox [Fox-Davies, A. C.; 1909; figures 343–345] is not shown with its tongue out. It is classified as a heraldic beast and is also carnivorous.
The boar is an omnivore, a heraldic beast, and is depicted with its tongue out [Fox-Davies, A. C.; 1909; figures 353–358].
From this, it’s clear that having the tongue out is not uniformly associated with being a heraldic beast or being carnivorous.
On the other hand, [Fox-Davies, A. C.; 1909; figures 446–449] classifies eagles as birds, not beasts. They are carnivorous and shown with their tongues out.
Dolphins, which are carnivorous fish, are also depicted with tongues protruding [Fox-Davies, A. C.; 1909; figures 479–480].
Some heraldists claim that herbivores are never shown with their tongues out.
But donkeys, mules, and especially horses —all herbivores— can indeed be shown with tongues out. For example, [Fox-Davies, A. C.; 1909; figures 360 and 362] depict horses with tongues out, though figure 361, where the horse is running, does not. In no case are horses classified as heraldic beasts.
[Fox-Davies, A. C.; 1909; figures 368 and 370] show the talbot, the mythical heraldic dog, with its tongue out when rampant or passant, but not when standing or seated. This might suggest that a protruding tongue is related to dynamic postures. However, we saw in the previous paragraph that a running horse isn’t necessarily drawn that way.
The bull [Fox-Davies, A. C.; 1909; figures 375–376] is not depicted with its tongue out. Nevertheless, I do paint bulls with tongues protruding. And although bulls are herbivores, I defend the heraldic bull as one of the most beastly figures in heraldry.
Stags never appear with tongues out in any of their postures [Fox-Davies, A. C.; 1909; figures 379–386], nor do other cervids [Fox-Davies, A. C.; 1909; figures 387–390] as the roe deer of this coat of arms.
Rams, sheep, lambs, and goats also do not [Fox-Davies, A. C.; 1909; figures 395–403].
The badger, like the fox, is carnivorous [Fox-Davies, A. C.; 1909; figure 409], yet also lacks a protruding tongue.
In conclusion, a protruding tongue cannot be consistently associated with heraldic beasts or carnivores. Nor can the absence of a tongue be linked solely to herbivores or to peaceful postures. For instance, lions are always shown with tongues out, even in their calmest attitudes [Fox-Davies, A. C.; 1909; figures 304–309].
Ultimately, it is up to the heraldic artist to decide whether to depict the tongue, depending on what they want to express. Greater aggression, motion, or liveliness may justify a protruding tongue. As a symbol of liveliness and agility, in this case, but perhaps not in others, I paint this roe deer with its tongue hanging out.
Credits:
Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount and Vert.
Style keywords: Outlined in sable, Semi-circular and Plain tincture.
Classification: Personal, Interpreted and Coat of arms.
Bearer: Rehberger, Alena.
Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert. Crest: Upon a helm, befitting the husband’s degree, with a wreath Or and Gules, an arm vambraced proper grasping a cross tau of olive wood in pale proper. Mantling: Gules doubled Or. Motto: «Fac maiora ne ulla facies».
Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.
G0093, Chief Herald of Arms of Malta's grant for the arms of Alessandro Giannelli and Mariana von Atzingen Gorga. These arms have been emblazoned by me for such grant.
Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base, Trimount, Upon (wreath), Helm, Wreath, Arm vambraced, Grasping, Cross tau, In pale, Mantling, Doubled and Motto.
Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.
Argent, upon a base barry wavy of six Argent and Sable, a trimount Sable.
Coat of arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a watercolor finish.
The coat of arms of Gozo, Republic of Malta, emblazoned by me.
Blazon keywords: Argent, Sable, One, Six, Upon, Base, Barry, Wavy and Trimount.
Style keywords: Outlined in sable, Illuminated, Bull's hide and Watercolor.
Classification: Civic, Interpreted, Boa and Coat of arms.
Bearer: Gozo.
Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2.
Escudo de plata, un monte de tres peñas de sinople, moviente de la punta, surmontado de las letras «GVA» unidas de Sable; en un jefe de azur, tres estrellas de ocho puntas de oro, 1 y 2.
Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finish.
R0067, Chief Herald of Malta's register of the coat of arms of Mario Antonio Guallini. This coat of arms has been emblazoned by me.
Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet and Disordered.
Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Guallini, Mario Antonio.
Barry of six, Argent and Azure, a pile throughout, counterchanged. Crest: Upon a trimount Gules, an eagle wings addorsed and inverted Azure, the head and tail Argent, nimbed Or, grasping a closed book also Or. Mantling: Azure doubled Argent. Motto: «Buffenbarger».
The coat of arms of Herbert Leo Buffenbarger, designed by his son John Alan Francis Buffenbarger, carved in wood by James Allott based on my painting of it.
Blazon keywords: Argent, Azure, Gules, Or, One, Six, Three, Barry, Counterchanged, Pile, Throughout (chief base), Chaussé, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Upon, Trimount, Eagle, Wing, Addorsed, Head, Tail, Nimbed, Grasping, Closed book, Book, Mantling and Motto (identification).
Style keywords: Outlined in sable and Illuminated.
Classification: Personal, Interpreted, Boa, Carved wood, Collage and Photographic.
Bearer: Buffenbarger, Herbert Leo.
Gules, on a trimount issuant from the base Vert, a talbot rampant Argent, collared Or, between two mullets in bend sinister Or. Crest: A crown of the Soberana y Muy Noble Orden de la Granada. The shield is surrounded by the collar of the Sovereign and Most Noble Order of the Pomegranate.
It has been emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a texturized finishing.
This is the coat of arms of Moritz Hunzinger emblazoned by me for the Roll of Arms of the Soberana y Muy Noble Orden de la Granada.
Blazon keywords: Gules, Vert, Argent, Or, One, Three, Two, On, Trimount, Talbot, Rampant, Collared, Between, Mullet, In bend sinister, Crest, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Surrounded and Collar.
Style keywords: Outlined in sable, Illuminated and Ogee.
Classification: Personal, Interpreted, Boa, Armorial roll and Castilian language.
Bearer: Hunzinger, Moritz.
Illuminated and a rough finishing.
Blazon keywords: Gules, Cross, Or, Lily, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base, Two hands clasped, Motto and Motto (identification).
Style keywords: Rough, Outlined in sable, Illuminated and Pointed.
Classification: Socioeconomic, Created and Coat of arms.
Bearer: Trading Pro School.
Atom, Crescent, Diamond, Emerald, Estoile, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Terrestrial globe, Trimount, Water and Wave.
Acorn, Apple, Apple tree, Ash, Bluebonnet, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Eguzki-lore, Elm, Fleur de lis, Flower, Gourd, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Blackbird, Boar, Brach hound, Bull, Cow, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deers' attires, Shoulder, Sprig, Stags' attires, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
Ace of spades, Anchor, Anvil, Arch, Arm vambraced, Armillary sphere, Arrow, Axe, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Carbuncle, Castle, Celtic Trinity knot, Chain, Chess rooks, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Compass rose, Conductor's baton, Cord, Covered cup, Crozier, Crucible, Cuffed, Cup, Cyclamor, Dagger, Displayed scroll, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Maunch, Menorah, Millrind, Millstone, Millwheel, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Pair of pliers, Pair of scales, Parchment, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Trident, Trumpet, Turret, Two-handed sword, Wagon-wheel, Water-bouget, Wheel, Winnowing fan and With a turret.
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Sea-lion, Trinity, Triton, Unicorn, Winged hand and Wyvern.
Open, Port and windows, Collared, Between, Horned, Watercolor, Addorsed, Proper, Albrecht Dürer, Two hands clasped, Pointed, Azure, Boa, Wreath, Upon (wreath), Crest, Ogee, Crown, Created, Counterchanged, Outlined in sable, Motto (identification), Two, In chief, In base, Coat of arms, Mullet, Barry, Personal, Gules, Illuminated, Interpreted, Mantling, Motto, Trimount, Issuant from base, Or, Argent, Civic, Sable, Six, Vert, Upon, On, Grasping, Freehand, Three, One and Helm.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.