Socioeconomic heraldry

Azure, on waves of the sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or. Supporter behind the shield: A linden eradicated Sable, leaved Vert, fructed Or.

Coat of arms devised by me, illuminated with lights and shadows, with a pointed external shape and with a freehand finishing.

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Blazon keywords: Azure, Argent, Or, Gules, Sable, Vert, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book, Clasped, Supporter (thing), Supporter, Behind the shield, Linden, Tree, Eradicated, Leaved, Fructed, Motto and Scroll.

Style keywords: Illuminated, Pointed and Freehand.

Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.

Bearer: Strategy Department of Consultoria.IO.

Argent, a tower with a turret Gules, port and windows Argent, masoned Sable.

Escudo de plata, una torre donjonada de gules, aclarada de plata, mazonada de sable.

Arms emblazoned by me, highlighted with lights and shadows, with a semi-circular external shape and with a leather finishing.

Coat of arms of the Academia de Letras e Artes da Guiné-Bissau, ALAB, designed by Joseph Crews and emblazoned by me.

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Blazon keywords: Argent, Gules, Sable, One, Tower, Turret, Port and windows and Masoned.

Style keywords: Illuminated, Semi-circular and Leather.

Classification: Socioeconomic, Interpreted, Boa and Coat of arms.

Bearer: Academia de Letras e Artes da Guiné-Bissau.

Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.

Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

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Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Alea Capital.

National Association of Criminology Experts and Experts in Forensic Sciences for the Courts of Justice.

Azure, a Female representing Justice Argent, clothed Or, holding in the dexter hand a Sword Argent, garnished Or, and in the sinister hand Pair of Scales Or. Crest: An open royal crown Or. Motto: «ANPC».

Escudo de gules, una Justicia de plata, vestida de oro, en su diestra una espada de plata, alzada, guarnecida de oro y en su siniestra una balanza de oro. Timbrado de una corona real abierta. Divisa: «ANPC».

Coat of arms that I have organized based on a previous idea from the ANPC, in the following way: the mouth of the shield is rounded and is outlined at double my usual thickness; the whole is enamelled in gules, argent and or, illuminated, outlined in sable and with a watercolor finish; and to separate the letters of the motto a dot «·» is used at mid-height.

[Cadenas y Vicent, V. de; 1975; page 119 and following] dedicates its chapter 7 to «representative heraldry» and, within it, its first section to «professional heraldry», to which this coat of arms belongs according to his classification, and defines it as that which «corresponds to and reflects... all the emblems of the different professions, professional associations, societies where people with the same hobbies or pastimes are grouped». The other 3 categories that, together with «professional heraldry», make up «representative heraldry» are «industrial», «sport» and «tourism».

Personally, I follow my own heraldic classification, which follows to some extent [Cadenas y Vicent, V. de; 1975], in which the coats of arms of associations like the ANPC are classified within what I call socioeconomic heraldry.

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Blazon keywords: Without divisions, Gules, Argent, Or, Female figure, One, Justice, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Crest, Open royal crown, Crown and Motto (identification).

Style keywords: Watercolor, Illuminated, Shaded, Semi-circular and Outlined in the field tincture.

Classification: Coat of arms, Created and Socioeconomic.

Bearer: ANPC.

Purpure, a castle triple-towered Or, port and windows Azure, masoned Sable; on a chief Azure, a cross patty Or, between two escallops Argent.

Escudo de púrpura, un castillo de oro, aclarado de azur, mazonado de sable; un jefe de azur, cargado de una cruz patada de oro acompañada de dos veneras de plata.

Coat of arms interpreted with: a semicircular (round) base; the field and the chief watercolored in the flat tinctures Purpure and Azure; and the charges illuminated, outlined in Sable, with a very hammered metal finish.

Although it is a university of recent creation, in 1994, its best-known campus is the so-called Hospital del Rey, located on the edge of the Way of St. James and originally intended to care for pilgrims and founded, in 1195, by Alfonso VIII of Castile and Eleanor Plantagenet. The effigies of both monarchs decorate the main gate of the Hospital, called the Gate of the Pilgrims, which is, in turn, the symbol of the University of Burgos.

Regarding the escallop (venera), [Valero de Bernabé, L.; Márquez de la Plata, V. M.; 2003; page 197] notes that among the wide variety of shells, it is the scallop or pilgrim’s shell that is most used in heraldry and in blazons it is named «venera», and that it is drawn with its concave side against the field and its convex side visible, with its ribs vertical and its ears (auricles) toward the chief of the shield, and that when the concave side is shown one must specify it in the blazon as «alzada», and when the ears are in a different tincture it is said «orejada», for example, «an escallop Or, its ears Gules».

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Blazon keywords: Purpure, Or, Azure, Sable, Argent, Castle, Chief, Cross, Cross patty, Cross couped and Escallop.

Style keywords: Semi-circular, Illuminated, Outlined in sable, Watercolor and Hard metal.

Classification: Interpreted, Socioeconomic and Education.

Bearer: Burgos, University of.

Heraldic art of the County of Cheshire.

Azure, a sword erect Or, between three garbs Or, 2 and 1. Motto: «Jure et dignitate gladii».

Escudo de azur, una espada alzada de oro, acompañada de tres gavillas de trigo de oro, 2 y 1. Lema: «Jure et dignitate gladii».

Coat of arms interpreted with: a rounded base; the field illuminated in Azure; the charges illuminated in Or and outlined in Sable; and the whole with a watercolour finish.

«The Cheshire Heraldry Trust» is a foundation whose specific aim is the promotion of the study and dissemination of the heraldry of Cheshire county and whose general purpose includes the study of heraldry and its related disciplines. To achieve these objectives it organises conferences, debates, visits and exhibitions, produces publications, cooperates with other bodies sharing common goals and promotes the heraldic art of the County of Cheshire through the internet.

The website Cheshire-Heraldry.org.uk is the public face on the internet of «The Cheshire Heraldry Trust», and among its extensive content, the following 4 sections are of particular interest:

• The Vale Royal de 1656, that follows and illustrates [King, D.; 1656].
• Las visitas de 1533 a 1580, which follows [Rylands, J. P.; 1882] and whose colour content can be consulted in [Goldstraw, M. S. J.; 2013a].
• Las visitas de 1613, which follows [Armytage, G. J.; Rylands, J. P.; 1909] and whose colour content can be consulted in [Goldstraw, M. S. J.; 2013b].
• Las visitas de 1663, which follows and illustrates [Adams, A.; 1941].

Martin S. J. Goldstraw is one of the founders of «The Cheshire Heraldry Trust» and is the author and illustrator of the website Cheshire-Heraldry.org.uk and of a series of heraldry books, for example, [Goldstraw, M. S. J.; 2013a] and [Goldstraw, M. S. J.; 2013b].

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Categories: Institution, Interpreted, Socioeconomic, Rounded, Illuminated, Outlined in sable, Watercolor, Cheshire County, Without divisions, Azure, Or, Sword, Point upwards, Between, Wheat, Garb, Ordered and Motto.

External resource:

• Los libros en Lulu.com.

Root: Cheshire, County of.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of Del Fabbro Universidad, Tlaxcala, Mexico, designed and emblazoned by me.

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Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed and Proper.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblema, un escusón, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.

Its focus on heraldic art, along with its foundation in 1987, makes it a pioneering institution in this field on a global scale.

The Society of Heraldic Arts enjoys significant international recognition among heraldic artists, designers, and craftsmen, and its website is heraldic-arts.com.

Its members cover the full range of activities within heraldry for individuals, personal heraldry, public and private entities, socioeconomic heraldry, as well as municipalities, regions, etc., governance heraldry.

The Society of Heraldic Arts used to publish a quarterly magazine called «The Heraldic Craftsman», which was sent to all its members, but it is no longer in publication. The Society also provides advice on the correct use of heraldry to enhance corporate and personal identity.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Throughout (all sides).

Root: Society of Heraldic Arts.

Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.

Escudo de armiños, tres granadas ranversadas de oro, rajada de gules, talladas y hojadas de sinople, sumadas de una corona abierta, alternando cuatro rosetas de hojas de acanto, visibles tres, y cuatro granadas, visibles dos, todas de oro, forrada de gules.

Coat of arms emblazoned by me with an oval shape, illuminated, and with a leather finishing that seems watercolor.

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Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.

Style keywords: Outlined in sable, Oval, Illuminated and Leather.

Classification: Socioeconomic, Interpreted and Coat of arms.

Bearer: Granada, Soberana y Muy Noble Orden de la.

Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent. Motto: «Hacienda de Triana».

Escudo partido: 1^o de plata, un árbol moviente de la punta de morado; 2^o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata. Divisa: «Hacienda de Triana».

Arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.

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Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief, Arch and Motto.

Style keywords: Illuminated, Chasuble and Watercolor.

Classification: Socioeconomic, Interpreted, Boa and Coat of arms.

Bearer: Triana, Hacienda de.

Quarterly: 1 and 4 Or, four pallets Gules; 2 and 3 Gules, two bezants in pale.

Escudo cuartelado: 1^o y 4^o de oro, cuatro palos de gules; 2^o y 3^o de gules, dos bezantes en palo de oro.

Coat of arms of the IESE Business School, which I have interpreted as follows: the shield has a semicircular (round) base; the field is illuminated in flat tinctures Or and Gules; the pales and the bezants are illuminated in Gules and Or; and the whole coat of arms has a watercolor finish.

I have the honour of holding a Master’s Degree in Business Administration from IESE of the University of Navarra. I always say that, as a whole, the IESE Executive MBA is the best education I have received throughout my life. I keep very good memories and friends from those two years of study.

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Blazon keywords: Quarterly, Gules, Or, Pale, Bezant and plate and In pale.

Style keywords: Semi-circular, Illuminated and Watercolor.

Classification: Interpreted, Socioeconomic, Education and Coat of arms.

Bearer: IESE.

Protectora del podenco español.

I have created the seal of the shelter Latidos Podencos based on its coat of arms.

[Avilés, J.; 1780a; page 79, third paragraph from the beginning] writes that «Encaxadas, or emananchadas», from the French «émanche», and in English sometimes rendered as «emanche» and other times described as «line of», refers to «those partitions of the shield whose pieces fit one into another in the form of thick and elongated triangles, which are usually one-third of the length or width of the shield, depending on the direction in which these figures are placed in a per pale, per fess, per bend, or per bend sinister division, etc. But when it is a chief, they have half the base and the rest pointed; and if it is a fess, it is formed by alternating triangles filling it entirely». This description corresponds to the most general form of the «encajado», although there may be other ways to position it —in this case, in the base— and other types of «encajado» depending on the figures represented, such as those made of fir trees, Latin crosses, or, as in this case, of hearts.

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Blazon keywords: Without divisions, Dog, Base, Dancetty, Heart and Motto (identification).

Classification: Seal, Created and Socioeconomic.

Bearer: Latidos Podencos.

Gules, two axes addorsed Argent, hafted Or, issuant from the base; overall, at the nombril, an escutcheon Or.

Escudo de gules, dos hachas adosadas de plata, fustadas de oro, movientes de la punta; brochante sobre el todo, en el ombligo, un escudete de oro.

Interpretation I have made with the following characteristics: the escutcheon is semicircular, in the classic Castilian style; its field is illuminated with the tincture gules; its 2 axes and escutcheon are outlined in sable and illuminated with the metal Or, and the axe heads in Argent; and the execution is in a raised line style.

Hafted or shated

The term «hafted» in English is specifically used for weapons with handles, such as axes and hammers. This refers to the part of the weapon where the user grips, which is typically made of wood or metal and is essential for wielding the weapon effectively. The haft is integral to the weapon's function, providing the necessary leverage and control during use.

On the other hand, «shafted» is a term used in English for weapons with a shaft, which is a longer, slender part of the weapon, as seen in spears, arrows, and sometimes in lances. The shaft is usually the primary structural component, providing the length and reach, while also serving as the backbone of the weapon.

In both cases, the term indicates that this part of the weapon is of a different tincture from the rest of the figure.

In Castilian, however, both «hafted» and «shafted» translate to «fustadas», which broadly refers to a similar concept where the handle or shaft is of a different color than the head or blade.

Then, I prefer using «hafted» when referring to axes and hammers due to the specificity of the term in English.

This contrasts with the term «guarnezidas» ~ «hilted», which is used for swords, indicating a different color for the guard or hilt, rather than for the shaft or handle.

Addorsed, back to back

For the arrangement of the axes in relation to each other, the one on the dexter facing dexter, the one on the sinister facing sinister, I use the term «addorsed» as it is the most common, but I previously used «back to back», which is said of «two animals, rampant, with their backs against each other, each facing the opposite flank. Two keys are also described as back to back when they are positioned with the bits outward, each to its side; the same applies to sickles, or scythes and generally to all long objects that have two faces, like two axes...» [Avilés, J.; 1780a; page 98], this being the case for the axes in this shield.

«Dalla» is a synonym for «scythe» used in and originating from Aragon and Navarra, [Real Academia Española; 2001].

In the English blazon, «adosadas», «de espaldas», is rendered as «addorsed», from the French «adossé», which is said, for example, when «two animals turned back to back» and some also use «endorsed».

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Blazon keywords: Without divisions, Gules, Axe, Argent, Hafted, Or, Addorsed, Issuant from base, Overall, At the nombril and Escutcheon.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Socioeconomic and Coat of arms.

Bearer: Norsk Heraldisk Forening.

Or, two lions passant, guardant in pale Azure, armed Sable, langued Gules; in a base dovetailed Azure, two oak branches, leaved, fructed in pile Or. Motto: «Quality & Integrity · Est. 1989» Sable, over a scroll Or doubled Azure.

Escudo de oro, dos leopardos en palo de azur, armados de sable, lampasados de gules; en una punta encajada de colas de milano dos ramas de roble, hojadas y frutadas en pila de oro. Lema: «Quality & Integrity · Est. 1989» de sable, sobre una filacteria de oro doblada de azur.

Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.

Coat of arms of Promet Restoration, Seattle, Washington, USA. It is a company founded and owned by the Promet family. This coat of arms has been designed by Dakota Promet and me, and emblazoned by me.

Design rationale

Promet Restoration is company devoted to the preservation and restoration of fine pianos, antique furniture, and historic wooden artefacts, prometrestoration.com. Founded in San Francisco in 1989 by Tynis Promet, and later established in Seattle, the company continues a family tradition that began in 1983 at the National Maritime Museum in Tallinn, Estonia, under the mentorship of Ülo Ots, son of the renowned opera singer Georg Ots. Over the decades, Promet Restoration has restored more than four hundred Steinway pianos and countless heirloom pieces, upholding the mission «To preserve the heirlooms for generations to come». The arms of the company derive from those of the Promet family, simplified and adapted for corporate use. They retain the Estonian heraldic inspiration and the distinctive dovetailed base, a reference to the woodworking joint symbolising precision, craftsmanship, and enduring quality, the very principles upon which the company was founded. The family motto «Per Aspera ad Astra» gives way here to the corporate motto «Quality & Integrity · Est. 1989», expressing the firm’s professional ethos and artistic dedication.

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Blazon keywords: Or, Azure, Gules, Two, Leopard, In pale, Langued, Armed, Base, Dovetailed, Oak, Tree, Branch, Leaved, Fructed, In pile, Motto, Scroll and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Promet, family.

Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or. Motto: «Prior tempore potior iure»

Escudo de plata, una estrecha patada de gules, cantonada de cuatro estrellas de ocho puntas de azur; en un jefe de sable, un elefante pasante de oro. Lema: «Prior tempore potior iure»

Coat of arms of the RIAG interpreted as follows: with a semicircular (round) base; the field in plain Argent enamel; the chief illuminated in Sable with its elephant illuminated in the same Sable; the narrow cross outlined in Sable and illuminated in Gules; the 4 stars outlined in Sable and illuminated in Azure; the motto illuminated in Argent, outlined and written in Sable; and the whole executed in parchment.

[Avilés, J.; 1780a; página 277] simply calls «estrecha» the narrow cross and defines it as «una Cruz disminuida de la mitad de su anchura regular, y su forma es la de la figura ordinaria», that is, if the cross width is 1/3 of the shield base width, the narrow cross width is 1/6 of the shield base width. He also recounts that the origin of the narrow cross is attributed to Mathieu de Montmoranci who «mudando la Cruz blanca, y quatro Aguiletas, que traían sus predecesores, en la Cruz roxa con diez y seis, se llamó Cruz estrecha por algunos, porque habiendo de dar lugar á las diez y seis Aguiletas, fué preciso estrechar la Cruz; pues de lo contrario no habría bastante capacidad para las otras figuras, y por eso le quedó este nombre». The width I have used in this interpretation of the coat of arms of Registro Internacional de Armas Gentilicias is slightly less than 1/6 of the shield to balance its widening at the ends as it is a narrow patty cross.

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Blazon keywords: Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant, Or and Motto.

Style keywords: Semi-circular, Illuminated, Outlined in sable, Outlined in the field tincture and Parchment.

Classification: Socioeconomic.

Bearer: Registro Internacional de Armas Gentilicias.

The Royal Association of Hidalgos of Spain was founded under the name «Asociación de Hidalgos, Infanzones y Noblezas a Fuero de España» by Vicente and Francisco de Cadenas y Vicent, the Marquises of Siete Iglesias and of Zayas, and also by Valentín Dávila Jalón, Marquis of Dávila.

This association brings together nobles of Spanish lineages with the aim of maintaining and promoting the traditional values of the hidalguía and is inspired by the principles of Christian humanism. It fulfills its duty to provide services to Spain, its institutions and its citizens, with loyalty to the Crown and commitment to Spanish culture and history.

Its magazine Hidalgos, also known as «La Gacetilla de Hidalgos de España», or simply «La Gacetilla», as this was its name until the end of 2010, precisely until its issue 524 of October, November and December 2010. This magazine is an excellent source of knowledge and information, and some of its articles are cited throughout Blason.es, for example, those by [Valero de Bernabé, L.; 2009b], [Valero de Bernabé, L.; 2010] and [Valero de Bernabé, L.; 2012b].

In saltire arrangements, I prefer to place the element in bend over the element in bend sinister, since the bend takes precedence over the bend sinister. Therefore, in my interpretation of this coat of arms and unlike other interpretations, the two-handed sword placed in bend is drawn above the one placed in bend sinister.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Outlined in sable, Metal beaten, Emblem, Two-handed sword, Argent, Hilted, Or, In saltire, Crest, Closed royal crown and Crown.

Royal Council of the Orders of Chivalry, of Santiago, Calatrava, Alcantara, and Montesa.

Emblem quarterly per saltire: 1, a cross of Saint James; 2, a cross of Calatrava; 3, a cross of Alcantara; 4, a cross of Montesa.

Emblema cuartelado en sotuer: 1^o, una cruz de Santiago; 2^o, una cruz de Calatrava; 3^o, una cruz de Alcántara; 4^o, una cruz de Montesa.

Interpretation of the emblem of the Royal Council with: its four crosses outlined in Sable, illuminated in Gules, Vert, and Sable; and a heavily hammered metal finish.

There is another version of this emblem of the Royal Council with the crosses of its four orders of Santiago, Calatrava, Alcantara, and Montesa outlined in Or instead of Sable.

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Blazon keywords: Cross, Quarterly per saltire, Cross of Saint James, Cross couped, Cross of Calatrava, Cross of Alcantara and Cross of Montesa.

Style keywords: Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Socioeconomic and Emblem.

Bearer: Royal Council of the Orders of Chivalry.

Emblemb Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or. Crest: A closed royal crown Or, with eight arches, visible five. Motto around the shield: «Limpia, fixa, y da esplendor» Or over a scroll Azure, fimbriated Or.

Emblema de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro. Timbrado de una corona real cerrada. Lema alrededor del escudo: «Limpia, fixa, y da esplendor» de oro sobre una filacteria de azur, perfilada de oro.

Painted by me with a metalwork finish, with an oval shape.

The Royal Spanish Academy was founded in 1713 on the initiative of Juan Manuel Fernández Pacheco, eighth Marquess of Villena and Duke of Escalona, with the aim of «fixing the words and vocabulary of the Castilian language in its greatest propriety, elegance, and purity». A year later, in 1714, its creation was approved by a Royal Decree of Philip V.

To symbolize its purpose, its emblem with a crucible to the fire and its motto «Limpia, fija y da esplendor» [Zamora Vicente, A.; 1999] were chosen by secret ballot. In some old versions of this emblem the motto can be read with the term «fixa» and a comma before the conjunction, that is, «Limpia, fixa, y da esplendor».

This article is illustrated with my personal interpretation of this emblem of the Royal Spanish Academy, crested with a closed royal crown of 8 arches, of which the 5 frontal ones are completely visible.

In this, as in any of my works, I always consult its dictionaries, almost as much, as the most interesting and specific works on the subject of study.

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Blazon keywords: Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules, Or, Closed royal crown, Crown, Motto, Within, Scroll, Azure and Fimbriated.

Style keywords: Oval, Illuminated and Outlined in sable.

Classification: Interpreted, Socioeconomic, Metalwork and Emblem.

Bearer: Royal Spanish Academy.

Within socioeconomic heraldry, I classify the arms of all collectives not included in the previous categories, such as, for example, commercial societies, which may represent companies, their brands, and products, sports clubs and federations, associations, professional colleges, educational institutions, arms granted or assumed collectively, etc.

For example, the coats of arms of universities, both private and public, belong to this category, the former naturally and the latter considering their appropriate autonomy from state powers. In this way, the coat of arms of the IESE, as a business school, is an example of socioeconomic heraldry.

Also included are the coats of arms of associations, like the Norsk Heraldisk Forening, and of companies, such as the arms of Alea Capital.

This category partially coincides with what [Cadenas y Vicent, V. de; 1975; page 119] refers to as «representative heraldry».

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Categories: Criterion and Socioeconomic.

UPM

Azure, in base an open book Argent, in chief a sun in splendour Or.

Escudo de azur, un libro abierto de plata surmontado de un sol de oro.

Coat of arms interpreted with the following features: the base is semicircular (round); the field and charges are illuminated in the tinctures Azure and the metals Argent and Or, all outlined in Sable; unlike other variants the sun’s rays are not black sino de oro y el texto politécnico del libro es legible; y the whole finished with a rough-paper texture.

For my interpretation of this coat of arms, the text I have chosen to write on the pages of the open book is taken from [Cuena Bartolomé, J.; 1968; page 417, section 2, paragraphs 2^o, 3^o y 4^o], which begins with the phrase «Se planteaba», a phrase very characteristic of José Cuena Bartolomé.

He elegido estos paragraphs porque son de José Cuena, 1937-1999, Professor of Computer Science and Artificial Intelligence at the Technical University of Madrid (UPM), who was my teacher and PhD supervisor, because in them are combined hydraulics, the use of the computer, mathematical simulation models, economic cost considerations, data in the form of time series, the underground, the oceanic, irrigation,... and, therefore, they combine various branches of engineering and study topics from many of them, such as civil engineering, computer engineering, agricultural engineering,... Additionally, as this text is almost half a century old, it is technically historical, no longer at risk of obsolescence, a risk that more recent texts would indeed have.

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Blazon keywords: Without divisions, Azure, Argent, Or, Book and Sun in splendour.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Socioeconomic and Education.

Bearer: Technical University of Madrid.

With the aim of aiding in the study and perpetuation of heraldry in the United States and abroad.

Sable, a lion rampant Or, armed and langued Gules, crowned Or, holding in the dexter a baton flory Or.

Escudo de sable, un león rampante de oro, armado y lampasado de gules, coronado de oro, teniendo en su diestra un cetro flordelisado de oro.

I interpret its coat of arms with: a Spanish base in semicircular (round) form; the field illuminated in Sable; the lion, its crown and its baton outlined of the field, shaded and illuminated in Or, except the claws and tongue which are Gules; and the whole with a lightly beaten metal finish.

Flordelisado ~ florenzado ~ flory ~ fleury ~ floretty ~ florenté

The baton ends in a fleur-de-lis, hence it is blazoned as «flory» and according to [Avilés, J.; 1780a; página 93] «flordelisadas, se dice de las Cruces, cuyos brazos se terminan en flores de Lis».

For a time I distinguished between «flordelisadas» and «florenzadas» crosses depending on the artistic style of the termination, but over time I found that the difference was, precisely, more artistic than heraldic, so I decided to use the term flordelisada in a general way.

Some authors consider them different terms and others equivalent. If they are considered equivalent then florenzadas ~ flordelisadas and, therefore, «cetro florenzado» ~ «cetro flordelisado». In English one says «flory» ~ «flordelisado» and it can also be found written as «fleury» ~ «floretty» ~ «florenté», for example, [The Heraldry Society; 2013; página 6] uses the term «flory» to describe the very arms of The Heraldry Society when it blazons them as «Quarterly Azure and Gules a Lion's Face crowned with an Ancient Crown Or within a Tressure flory on the outer edge of the same».

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Blazon keywords: Without divisions, Sable, Lion, Or, Rampant, Armed, Langued, Gules, Crown, Open royal crown, Crowned, Dexter, Grasping, Scepter and Flory.

Style keywords: Illuminated, Outlined in the field tincture, Shaded, Soft metal and Semi-circular.

Classification: Interpreted, Socioeconomic and Coat of arms.

Bearer: The American College of Heraldry.

Azure, two rolled scrolls in saltire Argent, tied with a ribbon fesswise Vert; a bordure trefoiled Or; overall a chief Or charged with an oak branch leaved and fructed proper. Badge: Azure, a Celtic trefoil knot with two acorns pendant from each end; a bordure Or.

The badge and the coat of arms of the Genealogical Society of Ireland, GSI, emblazoned and signed by me, exhibited at the 5^th International Congress of Genealogy and Heraldry (5^th ICGHV), Vilnius, together with my insignia as Honorary Herald of the Genealogical Society of Ireland (GSI). The 5^th ICGHV was held at the historic National Museum – Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas.

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Blazon keywords: Azure, Argent, Vert, Or, One, Two, Rolled scroll, In saltire, Tied, Ribbon, Fesswise, Bordure, Trefoiled, Overall, Chief, Charged, Oak, Tree, Branch, Leaved, Fructed, Proper, Celtic trefoil knot and Acorn.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Socioeconomic, Interpreted, Boa and Photographic.

Bearer: Genealogical Society of Ireland.

Objectives and activities

The Heraldry Society of Scotland ~ «The Heraldry Society of Scotland», was founded in 1977. Its objectives are to promote the study of heraldry and to encourage its correct use both in Scotland and abroad.

The HSS (acronym for The Heraldry Society of Scotland) encourages those who have a coat of arms and those who intend to adopt their own arms to become members of the society and also encourages to join all those interested in Scottish heraldry, therefore the HSS admits and has members from all over the world.

The HSS holds active and regular meetings throughout the year and organizes conferences and visits to places of historical and heraldic interest, both within Scotland and in other countries.

Online content

They also maintain and update a website, whose domain is Heraldry-Scotland.co.uk, with interesting and abundant reading material, among which their list of online armorials with blazons in English stands out, among which the following armorials can be highlighted:

• Sir David Lindsay's Armorial from 1542, with 504 coats of arms and identification letters «DL», from «DL001» to «DL504». Includes imaginary coats of arms, for example, that of «DL011» of Hector of Troy which it imagines as «Sable, two lions combatant Or», which [Avilés, J.; 1725a; page 7] blazons with a Gules field, this difference would allow tracing the sources of each author, which would be interesting as it is, moreover, imaginary.
• Hamilton Armorial, from 1560, with 82 coats of arms they say, although only 79 appear, and identification letters «HM», from «HM001» to «HM079», where for example, «HM001» is the arms of Scotland «Or, a lion rampant Gules armed and langued Azure within a double tressure flory counter-flory Gules» and «HM026» is the insignia of Scotland «Or, a lion rampant within a double tressure flory counter-flory Gules».
• Queen Mary's Roll from 1562, with 204 coats of arms and identification letters «QM». from «QM001» to «QM204».
• Forman's Armorial from 1563, with 258 coats of arms they say, although only 247 appear, and identification letters «FAL», that is, from «FAL001», the arms of Scotland, to «FAL247».
• Slains Armorial from 1565, with 712 coats of arms they say, although only 638 appear, and identification letters «SL», that is, from «SL001» to «SL638».
• Armorial of Sir David Lindsay of the Mount, Secundus from 1599, with 285 coats of arms and identification letters «DLS».
• Seton Armorial from 1599, with 422 coats of arms and identification letters «SN», from «SN001» to «SN422».
• Dunvegan Armorial estimated to be around 1600, with 282 coats of arms they say, although only 52 appear, and identification letters «DV», only 2 digits and without leading zeros, from «DV1» to «DV52».
• Kings and Nobilities Arms, 2^nd volume from 1638, with 111 coats of arms and identification letters «KNB», from «KNB001», the arms of the King of Scotland, to «KNB111».
• Nisbet's A System of Heraldry published in 1722, with 2,608 coats of arms, according to my count, and which I reference as [Nisbet, A.; 1722], 1^st edition and [Nisbet, A.; 1816], for a later one that I have available. On the same page appears the blazon of Alexander Nisbet himself, in entry 1,926 according to my calculations, as «Argent, three boars' heads erased Sable within a bordure invected Gules», that is, «Argent: three boars' heads erased Sable; a bordure invected Gules» where «invected» ~ «acanalado» as opposed to «engrailed» ~ «angrelado».

I also find very interesting, for example, their pages on the basic principles of heraldic design, written by Doctor Patrick Barden.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Outlined in sable, Iridescent (nacar), Freehand, Semi-circular, Coat of arms, Without divisions, Azure, Saltire, Argent, Thistle, Couped (tree), In chief, In base, Inescutcheon and Gules.

The coat of arms of The Heraldry Society emblazoned by me in 4 steps: 1) ratios, 2) delineation, 3) plain tincture, and 4) lights and shadows. Blazon: Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.

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Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.

Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Freehand.

Classification: Interpreted, Socioeconomic, Coat of arms and Schema.

Bearer: The Heraldry Society.

Azure semé of millrinds Or; on a dexter canton Or, a lion rampant Purpure, armed and langued Gules.

Escudo de azur sembrado de anillas de molino de oro; en un cantón diestro de oro, un león rampante de púrpura, armado y lampasado de gules.

This ring is called a millrind, it is made of iron, and usually has 4 arms to better fix the millstone.

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Blazon keywords: Azure, Semé, Millrind, Or, One, Canton, Dexter, Lion, Rampant, Purpure, Armed, Langued and Gules.

Style keywords: Pointed, Outlined in sable, Outlined in the field tincture and Plain tincture.

Classification: Socioeconomic, Interpreted and Coat of arms.

Bearer: Lincoln's Inn, The Honourable Society of.

Vert, an inescutcheon Argent; overall a compass rose Sable and Or. Motto: «De jure».

Escudo de sinople, un escusón de plata; brochante sobre el todo, una rosa de los vientos de sable y oro. Lema: «De jure».

I have interpreted this coat of arms with: a Spanish base, that is, semicircular (round); the field and the inescutcheon in plain green and Argent; the compass rose illuminated in Sable and Or and outlined in Sable; and the whole with a parchment finish.

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Blazon keywords: Without divisions, Vert, Inescutcheon, Argent, Surmounted, Overall (deprecated), Compass rose, Sable, Or and Motto.

Style keywords: Illuminated, Outlined in the field tincture, Parchment and Semi-circular.

Classification: Interpreted, Socioeconomic and Coat of arms.

Bearer: The International Heraldry Society.

Illuminated and a rough finishing.

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Blazon keywords: Gules, Cross, Or, Lily, Flower, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base and Two hands clasped.

Style keywords: Rough, Outlined in sable, Illuminated and Pointed.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Trading Pro School.

Azure, in chief three keys in bend, fesswise, to dexter, facing downwards Or, in base an open book Argent, garnished Or, the pages inscribed «Ad usum per artes» Gules. Motto: «Universitas Peñafortis».

Illuminated and a leather finishing.

The name in Latin of Raymond of Penyafort can found written with «nn» and with «ñ». The «ñ» was chosen because is shorter than double «nn» and sounds stronger.

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Blazon keywords: Azure, Three, Key, Or, In chief, In bend, Fesswise, Book, Open, Motto and Motto (identification).

Style keywords: Leather, Outlined in sable, Illuminated and Pointed.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Peñafort, Universidad.

Emblem Azure, Saint Michael Argent, vested and nimbed Or, grasping in his dexter hand a spear Or, point downward, and in his sinister hand bearing [ Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert, of Navarre ], upon a dragon Vert, armed, langued, fanged, and the eyes Gules. Motto: «Universitas Studiorum Navarrensis».

Emblema de azur, un San Miguel de plata, vestido y nimbado de oro, teniendo en su diestra una lanza de oro, con la punta hacia abajo y en su siniestra trae [ escudo gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople, de Navarra ], sostenido por un dragón de sinople, armado, lampasado, fierezado y encendido de gules. Divisa: «Universitas Studiorum Navarrensis».

Emblem interpreted as follows: oval in shape and more rounded than the original; the field illuminated in Azure; its charges illuminated in Gules, Vert, Argent, and Or, and outlined in Sable; the emerald represented by an enameled area Vert; and the whole emblem has a parchment-like finish.

The archangels Michael, Gabriel, and Raphael are angels; therefore, I classify this emblem both under the category archangel and under angel, while Saint Michael himself is represented in it as a male figure.

Saint Michael the Archangel, in this representation, bears a shield which, at first, I blazon as the current coat of arms of Navarre, chains of gold, the original arms of Navarre being as blazoned in the armorial [Urfé; 15^th century; folio 142]: «Gules, a carbuncle Or pommelly, illuminated Vert in the centre in the manner of an emerald». This description does not suggest the presence of chains, but rather the rays of a carbuncle, nor an actual emerald, since what corresponds to the central umbo from which the rays of the carbuncle emerge is enameled Vert.

Due to my way of painting the arms of Navarre in profile, it stands halfway between a carbuncle and chains, with the outer links round like those of a chain, the central ones long like the rays of a carbuncle, and in the centre I have not drawn an emerald, but an enameled area Vert «in the manner of an emerald».

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Blazon keywords: Without divisions, Azure, Male figure, Angel, Archangel, Argent, Vested, Nimbed, Or, Grasping, Dexter, Spear, Point downwards, Sinister, Upon, Dragon, Vert, Armed, Langued, The fangs, The eyes, Gules and Motto (identification).

Style keywords: Oval, Illuminated, Outlined in sable and Parchment.

Classification: Interpreted, Socioeconomic, Education, Emblem and Kingdom of Navarre.

Bearer: University of Navarra.

Outlined, plain coulours and metals, and finished.

Party per pale: 1 Azure, an angel Argent, crowned, crined and vested Or holding an open book Argent; 2 Or, three horses' heads couped, in pale Sable.

The internal estructure of this coat of arms is based on the following visual relations: the horses look the angel, the angel looks the book, the book looks at you, and if you look the horses then the cycle is closed.

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Blazon keywords: Party per pale, Azure, One, Angel, Argent, Crowned, Crown, Crined, Vested, Or, Charged, Book, Open, Three, Head, Horse, Sable, Couped and In pale.

Style keywords: Freehand, Plain tincture, Illuminated, Rounded, Outlined in the field tincture and Outlined in sable.

Classification: Schema, Created and Socioeconomic.

Bearer: Club Ecuestre Val'Quirico.