Leopard

Adrian Ailes, «The Origins of the Royal Arms of England: Their Development to 1199», foreword by Rodney Dennys, includes 27 black and white illustrations, Graduate Centre for Medieval Studies, Reading University, 126 pages, ISBN 07-049077-6-3, Reading, Berkshire, 1982.

An article reviewing this book is: Brigitte Bedos Rezak, Archives nationales de Paris and Metropolitan Museum of Art, «The Origins of the Royal Arms of England, their Development to 1199 by Adrian Ailes», Speculum, volume 60, number 2, pages 373-376, Medieval Academy of America, Cambridge, Massachusetts, April of 1985.

Bibliographical reference of century XX.

The author is Ailes, Adrian.

The following article cites this bibliographic reference:

• Henry II of England

External resource:

• Google Books.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.

Escudo cuartelado: 1^o y 4^o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2^o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3^o de azur, un arpa de oro cordada de plata.

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finish.

These are arms of the British Monarchy emblazoned by me.

Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: British Monarchy.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent. Crest: A crown proper.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me. Saint Edward Crown, the fundamental piece used in the anointing ceremony of British monarchs, was reconstructed in 1661 after the Restoration. This crown is distinguished by its four depressed or downward-curving arches, three visible, which rise from a circular base decorated with four cross patty, three visible, alternating with four fleurs de lis, two visible. Like the Tudor, its arches, adorned with pearls, converge at the center to support an orb, a cross on a world. The crown's base is lined with ermine, and the cap or inner lining is traditionally represented in Purpure. It is the heaviest piece among the Crown Jewels and its use is reserved exclusively for the culminating moment of the coronation. The main visual difference between Saint Edward Crown and the Tudor Crown lies in their arches: Saint Edward Crown features depressed arches or downward curves, and its inner cap is typically represented in Purpure. Conversely, the Tudor Crown features ascending or semi-circular arches, and its inner cap is colored Gules.

Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp, Stringed, Saint Eduard crown, Closed royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Elizabeth II of the United Kingdom.

The one with the Cross on his back ~ Crouchback (1245–1296)

Arms of England; overall, a label Azure of three points, each charged with three fleurs-de-lis Or in pale.

Arms interpreted as follows: the mouth of the shield is semicircular (round); the field enamelled in a flat tint of Gules; the label and figures illuminated in Or and Azure and outlined in Sable; and the whole finished with a watercolour effect.

He was the second son of King Henry III of England, and took part in the Ninth Crusade, hence the epithet «Cross on the back».

In 1253 he was appointed Earl of Chester, holding dominion, among others, over the county of Cheshire, but the following year Pope Innocent IV granted him the crown of Sicily, so he ceded his earldom to his elder brother Edward I of England, however, he never came to occupy the throne of Sicily.

The label is an honourable ordinary and also «a kind of mark of cadency, and the most noble of all those used to differentiate the Arms of the younger sons of a House» [Avilés, J.; 1725a; page 248] and it can likewise be used by the eldest son while his father's arms are still in use, ceasing to bear the label when he inherits his father’s coat. When both the eldest and the second son bear a label, the latter’s label then has more points or is charged with figures to distinguish it.

The label is constructed with «a fillet, which is one-ninth of the width of the chief, with three pendants in the form of carpentry wedges or ill-shaped triangles, joined to it without any line of separation, falling twice as far as the fillet is wide, two placed at the ends and one in the middle, its usual position being in the centre of the chief’s length, without reaching the edges of the shield» [Avilés, J.; 1725a; page 248].

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued, In pale, Surmounted, Overall (deprecated), Label, Suspended, Charged and Fleur de lis.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edmund Plantagenet.

Apodado el Zanquilargo ~ Longshanks.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Escudo de armas que he interpretado con: la boca de medio punto; el campo esmaltado de tinta plana de color gules; los 3 leopardos iluminados de metal oro, color azur y delineados de sable y el que está en punta es algo menor para adaptarse a la forma del escudo; y el conjunto tiene un acabado rugoso.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edward I of England.

First Prince of Wales from 1301 to 1307, King of England and Lord of Ireland from 1307 to 1327.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted as follows: the mouth rounded; the field illuminated Gules; the figures illuminated in Or and Azure, outlined in Sable, and the third leopard slightly smaller; and the whole finished with a plastered effect.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Rounded, Illuminated, Outlined in sable and Gesso.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Edward II of England.

Edward IV King of England and Lord of Ireland, «The Armorial of Edward IV», «The Edward IV Roll», armorial in the form of a roll about 6 meters long, created to celebrate the coronation of Edward IV as the first King of England from the House of York and illustrated, probably, by different artists, 1461.

The image illustrating this reference corresponds to the banner, which is number 27 in the 2^nd column, the final one of this armorial. This banner is held by a white deer, which was a personal badge of King Richard II of England, and also, two white deer were the supporters of his shield. The reason for the inclusion of this white deer might be to contribute to the legitimization of Edward IV as king.

It is notable that in row 25 of the 2^nd column of this armorial there is a banner with the arms of the shield of Castilla y León, probably because Edward IV, like his predecessors, claimed their throne. In this version of the shield of Castilla y León:

• The two gold castles, in the 1^st and 4^th quarters of gules, have three towers with the central one taller like the Castilian, but the twin side towers seem to be connected by the wall as in the English castle, [Valero de Bernabé, L.; 2009a; page 2] and [Valero de Bernabé, L.; 2009b; page 33], the wall has a door that is enameled in azure as in the Castilian.
• The two lions, in the 2^nd and 3^rd quarters of silver, seem to be gold, therefore, of «metal on metal» and, furthermore, very different from the purple lion of Castilla y León, it could well be an error by the artist or a degradation of an original purple enamel to ochre, as explained in the pendón de Castilla y León.

This shield of Castilla y León also appears:

• On the banner in row 27 of the 1^st column of this armorial. In this banner, they are combined with the arms of England represented in this article, in a new quartered, under an escutcheon with the imaginary arms of «Brutus of Troy», the also imaginary founder and king of Britain.
• On the caparison of the horse that Edward IV rides in the portrait at the beginning of his armorial. This caparison is a reproduction of the previous banner in row 27 of the 1^st column that combined the arms of England with those of Castilla y León. The presence of these arms in this initial portrait of the armorial of Edward IV denotes the importance he gave to his aspirations to the crown of Castilla y León.

Bibliographical reference of century XV.

Author: Edward IV of England.

The following articles cite this bibliographic reference:

• Banner of Castile and León
• Brutus of Britain
• Brutus of Britain, banner
• Charles V of France
• Edward IV of England
• Edward IV, armorial for His coronation
• Edward IV, quartered con Castile and León
• Heraldica Nova
• King Arthur, 3 crowns in pale
• King Arthur, banner with 3 crowns in pale
• King Arthur, banner with cross flory
• King Arthur, cross flory
• Leonor de Aquitania
• Pendón con inescutcheon de Edward IV

External resources:

• Free Library: Edward.
• Free Library: Banners.
• The Edward IV Roll.
• Brutus of Troy.

Banner quarterly of sixteen: 1, 6, 11, and 16 Azure, three fleurs de lis Or; 2, 5, 12, and 15 Gules, three lions, passant, guardant, in pale Or, armed and langued Azure; 3, 8, 9, and 14 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 4, 7, 10, and 13 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Pendón cuartelado de dieciseis: 1^o, 6^o, 11^o y 16^o de azur, tres flores de lis de oro; 2^o, 5^o, 12^o y 15^o de gules, tres leopardos en palo de oro, armados y lampasados de azur; 3^o, 8^o, 9^o y 14^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 4^o, 7^o, 10^o y 13^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Banner interpreted by me as follows: its shape preserves the 5x6 proportions of a shield; the field is enamelled with flat tinctures Gules and Azure; the castles, fleurs-de-lis, and leopards are outlined in Sable; but the lions are outlined in their field; and the finish of the banner is watercoloured.

I have interpreted it from a simplification of the banner appearing in [Edward IV of England; 1461; row 27, 1^st column, final banner], which reflects Edward IV’s aspirations to the throne of Castile and León. In that armorial, this banner is held by a «White Lion of March», which was the personal badge of Edward IV.

Blazon keywords: Quarterly, Azure, Or, Three, Fleur de lis, Ordered, Gules, Leopard, Armed, Langued, In pale, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant and Crowned.

Style keywords: Rectangular, Illuminated, Outlined in sable, Outlined in the field tincture and Watercolor.

Classification: Interpreted, Personal, Flag, Banner of arms, Kingdom of England and House of York.

Bearer: Edward IV of England.

Gules, three lions passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

These are arms of the Kingdom of England emblazoned by me.

Blazon keywords: Gules, Or, Azure, Three, Leopard, Pale, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: England, Kingdom of.

In blue, the ex libris of Dr. Jacques William Normand Delfin designed by him and me, and emblazoned by me.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn and Bendwise.

Style keywords: Outlined in sable, Illuminated, Ogee and Sealed.

Classification: Personal, Created, Boa, Ex libris, Collage and Photographic.

Bearer: Normand Delfin, Jacques William.

King of England, Lord of Ireland and Duke of Aquitaine from the year 1216 to the year 1272

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Coat of arms interpreted as follows: the mouth of the shield is semicircular (round); its field has been enamelled in a flat tint of Gules; its leopards are illuminated in Or and Azure and outlined in Sable; and the whole has a finish of aged parchment.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Old parchment.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: Henry III of England.

Cecil Humphery-Smith, FHS - Fellow of The Heraldry Society, «Why three Leopards?», Coat of Arms, COA, An Heraldic Quarterly Magazine, issue 126, The Heraldry Society, Baldock, Hertfordshire, summer of 1983.

The coat of arms illustrating this bibliographic reference is that of the Kingdom of England, which was also that of the queen of Castile Leonor Plantagenet.

Bibliographical reference of century XX.

Author: Humphery-Smith, Cecil.

Here are the articles quoting this reference:

• Geoffrey Plantagenet
• John I of England
• Leonor Plantagenet
• Richard I of England
• The Heraldry Society

External link:

• The Heraldry Society.

Internal resources: HumpherySmithC1983.3Leopards.docx.

King of England and Lord of Ireland from 1199 to 1216.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Arms of King John interpreted with: a rounded (semicircular) base; the field enamelled with a flat tint of Gules; the leopards illuminated in Or and Azure, outlined in Sable, all three of the same size; and the whole finished with a crystalline effect.

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Rounded, Illuminated, Outlined in sable and Crystalline.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet and Kingdom of England.

Bearer: John I of England.

[ Gules, a lion rampant Or, ] accolé with [ Gules, a lion passant, guardant Or ].

[ Escudo de gules, un león rampante de oro, ] acolado de un [ escudo de gules, un leopardo de oro].

Existing arms interpreted by me as follows: both coat of arms are rotated ±30^o; their shapes are pointed; the field of each coat of arms has been enamelled in flat Gules; the lion and the leopard in Or are outlined in Sable; and the whole composition of both arms has a rough texture finish.

Examples of accolated coat of arms (written as «accolé» in the 18^th century) can be seen in [Avilés, J.; 1780a; pages 24 and 25 and plate 1: figures 1 and 2].

Blazon keywords: Without divisions, Gules, One, Lion, Or, Rampant and Leopard.

Style keywords: Pointed, Plain tincture, Outlined in sable, Tilted shield and Metal beaten.

Classification: Interpreted, Personal, Accolé arms, Duchy of Aquitaine, Kingdom of France and Kingdom of England.

Bearer: Leonor de Aquitania.

Gules, three lions, passant, guardant, in pale Or, armed and langued Azure.

Escudo de gules, tres leopardos en palo de oro, armados y lampasados de azur.

Existing armorial bearings interpreted as follows: the shape of the shield is pointed and rounded; the field has been enamelled in flat Gules; the three leopards are outlined in Sable and illuminated in metal Or with details in Azure; and the whole composition has a watercolor finish..

In [Humphery-Smith, C.; 1983; paragraph 2] the coat of arms of Eleanor Plantagenet, Queen Consort of Castile, is described, as part of an analysis on the origin of the three leopards in the coat of arms of England. However, in this description, an error is made by replacing the V with an X in the numeral of her husband and king, thus naming Alfonso VIII of Castile as if he were King Alfonso XIII: «Eleanor who married Alfonso XIII, King of Castile and Leon, has depicted on her tomb in the Huelgas monastery of the Cistercian nuns at Burgos, a thirteenth-century shield depicting three crowned leopards (lions passant guardant) gold on red».

Blazon keywords: Without divisions, Gules, Or, Azure, Three, Leopard, Armed, Langued and In pale.

Style keywords: Ogee, Illuminated, Outlined in sable and Watercolor.

Classification: Interpreted, Personal, Coat of arms, House of Plantagenet, Kingdom of England and Kingdom of Castile.

Bearer: Leonor Plantagenet.

Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages. Motto: «Evangelium Annutiata».

Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas. Lema: «Evangelium Annutiata».

Coat of arms designed by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Religious, Created, Boa and Coat of arms.

Bearer: Eschenlauer, Marc.

Or, two lions passant, guardant in pale Azure, armed Sable, langued Gules; in a base dovetailed Azure, two oak branches, leaved, fructed in pile Or. Motto: «Quality & Integrity · Est. 1989» Sable, over a scroll Or doubled Azure.

Escudo de oro, dos leopardos en palo de azur, armados de sable, lampasados de gules; en una punta encajada de colas de milano dos ramas de roble, hojadas y frutadas en pila de oro. Lema: «Quality & Integrity · Est. 1989» de sable, sobre una filacteria de oro doblada de azur.

Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.

Coat of arms of Promet Restoration, Seattle, Washington, USA. It is a company founded and owned by the Promet family. This coat of arms has been designed by Dakota Promet and me, and emblazoned by me.

Design rationale

Promet Restoration is company devoted to the preservation and restoration of fine pianos, antique furniture, and historic wooden artefacts, prometrestoration.com. Founded in San Francisco in 1989 by Tynis Promet, and later established in Seattle, the company continues a family tradition that began in 1983 at the National Maritime Museum in Tallinn, Estonia, under the mentorship of Ülo Ots, son of the renowned opera singer Georg Ots. Over the decades, Promet Restoration has restored more than four hundred Steinway pianos and countless heirloom pieces, upholding the mission «To preserve the heirlooms for generations to come». The arms of the company derive from those of the Promet family, simplified and adapted for corporate use. They retain the Estonian heraldic inspiration and the distinctive dovetailed base, a reference to the woodworking joint symbolising precision, craftsmanship, and enduring quality, the very principles upon which the company was founded. The family motto «Per Aspera ad Astra» gives way here to the corporate motto «Quality & Integrity · Est. 1989», expressing the firm’s professional ethos and artistic dedication.

Blazon keywords: Or, Azure, Gules, Two, Leopard, In pale, Langued, Armed, Base, Dovetailed, Oak, Tree, Branch, Leaved, Fructed, In pile, Motto, Scroll and Doubled.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Promet, family.

Arnold Rabbow, «The Origin of the Royal Arms of England - a European Connection», Coat of Arms, COA, An Heraldic Quarterly Magazine, número 186, The Heraldry Society, Baldock, Hertfordshire, verano de 1999.

This bibliographical reference is illustrated wit the coat of arms of the Kingdom of England interpreted by me with the with a semi-circle shape.

Bibliographical reference of century XX.

Author: Rabbow, Arnold.

Bibliographic reference mentioned in the following articles:

• Henry II of England
• The Heraldry Society

External link:

• The Heraldry Society.

Internal resources: RabbowA1999.OriginRoyalArmsEnglandEuropeanConnection.docx.

Vert, a pall raguly Or between three leopards' faces Or. Crest: Upon a wreath Or and Vert, on a coronet Or a leopard's face Or between two wings Sable.

Escudo de sinople, una perla ecotada de oro entre tres cabezas de leopardo de oro. Timbrado de un burelete de oro y sinople surmontado de una corona de oro surmontada de una cabeza de leopardo de oro acompañada de dos medios vuelos de sable.

Watercolor finishing.

Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard, Crest and mantling, Wreath, Above, Crown, Between, Two, Wing and Sable.

Style keywords: Illuminated, Freehand, Pointed and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Stowe, Richard Allen.

Gules, three Leopards faces Or, the whole within a Border Or with two Bars Gules.

Watercolor finishing

Blazon keywords: Gules, Three, Head, Leopard, Or, Ordered, Bordure, Two and Bar.

Style keywords: Watercolor, Pointed, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.

Heraldic device designed by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.

This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.

Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Created, Boa, Standard and Flag.

Bearer: Liu-Lecomble, Laurent.

The coat of arms of The Heraldry Society emblazoned by me in 4 steps: 1) ratios, 2) delineation, 3) plain tincture, and 4) lights and shadows. Blazon: Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.

Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.

Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Freehand.

Classification: Interpreted, Socioeconomic, Coat of arms and Schema.

Bearer: The Heraldry Society.

The Heraldry Society, «Education Pack, A brief explanation of Heraldry for teachers together with explanatory sheets and templates for students», Baldock, Hertfordshire, 2013.

This bibliographical reference is illustrated with the quartered coat of arms of The Heraldry Society.

Bibliographical reference of century XXI.

Author: The Heraldry Society.

Here are the articles quoting this reference:

• Balaguer, municipality of
• Chequey, chequy or checky
• Drawing the arcs of a pointed coat of arms
• Geoffrey Plantagenet
• Savoy, Duchy of
• The American College of Heraldry, coat of arms
• The Heraldry Society
• The Heraldry Society, shield

External resource:

• The Heraldry Society.

Internal resources: TheHeraldrySociety2013.EducationPack.pdf.

Quarterly: 1 and 4 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 2 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 3 Azure, a harp Or, stringed Argent.

It has been depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a iridescent finishing.

Coat of arms of His Majesty King Charles III in Scotland emblazoned by me, displayed over the known «King Charles III Tartan», registration 14030 at the Scottish Register of Tartans. It was created by the Scottish Tartans Authority for His Majesty on the occasion of his coronation, drawing from the sett of the Balmoral Tartan circa 1850, and features a central triple-stripe motif (one broad and two narrow) found in previous royal tartans worn by the King. Its palette, including green, blue and a soft red, has been matched to eighteenth-century natural-dye examples from the Scottish Tartans Authority collection.

Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.

Style keywords: Outlined in sable, Illuminated, Ogee and Iridescent.

Classification: Personal, Interpreted, Boa and Tartan.

Bearer: Charles III of the United Kingdom.