Inscribed

Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper.

Escudo cortado angrelado y partido: 1^o de plata, un pergamino al natural inscrito con los nombres del linaje en letras de sable; 2^o de gules, una palmera sostenida por dos alfanjes alzados, en sotuer todo de oro; 3^o de sinople, un creciente sumado de una estrella de diez puntas ambos de oro; 4^o de plata, un minarete naciente de la punta al natural.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.

This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. In an ordinary, I distinguish between engrailed and invected from the ordinary's point of view; for instance, I define a bordure as invected if, from the interior of the bordure, the edge appears invected (meaning the arcs appear concave); conversely, I say a bordure is engrailed if the arcs appear convex from its interior point of view; in this specific case, regarding a line of division, I describe it as engrailed because, from the perspective of the base of the coat of arms, the arcs of the partition line appear convex [Nisbet, A.; 1816; page 21, pictures 1 and 2].

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Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret and Issuant from base.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Alyahya, Abdulelah.

Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent. The shield is surrounded by an annulet Argent inscribed in chief with the motto «Linaje Lanzagorta Otxoa» and in base with «Bizkaia · PGD · México» Sable.

Arms depicted by me, in flat tinctures, contoured in Sable, with an oval outer contour and with a texturized finish.

The coat of arms of Itziar Lanzagorta Ochoa designed by her and her father Juan Lanzagorta Vallín, and emblazoned by me with an oval shape.

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Blazon keywords: Argent, Azure, One, Semé, Mullet, Voided, Interlaced, Conjoined, Surrounded, Annulet, Fimbriated, Inscribed, In chief and Motto (identification).

Style keywords: Outlined in sable, Plain tincture and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Itziar Lanzagorta Ochoa.

Azure, a sun in splendour, irradiated of sixteen ears of wheat Or. The shield is surrounded by an annulet Argent inscribed in chief with the motto «Linaje Lanzagorta Otxoa» and in base with «España · México» Sable.

Arms painted by me, in plain tinctures, outlined in Sable, with an oval external shape and with a texturized finish.

Coat of arms of María de los Ángeles Carrillo Padilla designed by her and her her father-in-law Juan Lanzagorta Vallín, and emblazoned by me with an oval shape.

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Blazon keywords: Azure, Or, One, Sixteen, Sun in splendour, Irradiated, Ear of wheat, Wheat, Surrounded, Annulet, Fimbriated, Inscribed, In chief and Motto (identification).

Style keywords: Outlined in sable, Plain tincture and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Carrillo Padilla, María de los Ángeles.

Upon a wreath Argent and Azure a quetzal perched in a tree branch proper, leaved Or, surrounded by an annulet Azure, fimbriated and inscribed in chief with the motto «Luctor et Emergo» Argent.

Heraldic device interpreted by me, illuminated with lights and shadows, contoured in Sable, and with a watercolor finish.

This is the heraldic badge of Antonio Ruiz Porras designed by him and emblazoned by me.

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Blazon keywords: Argent, Azure, Or, One, Wreath, Quetzal, Perched, Tree, Branch, Proper, Leaved, Surrounded, Annulet, Fimbriated, Inscribed, In chief and Motto.

Style keywords: Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Ruiz Porras, Antonio.

Upon a wreath Argent and Sable, a demi-man proper wearing a beret Vert and grasping in his dexter hand a commando dagger point upwards Or, hilted and pommelled Sable, surrounded by an annulet Argent, fimbriated and inscribed in chief with the motto «Follow me» Sable.

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Blazon keywords: One, Annulet, Argent, Fimbriated, Sable, Inscribed, Motto, Male figure, Demi, Proper, Beret, Vert, Grasping, Hand, Dexter, Dagger, Point upwards, Or, Hilted, Pommelled and Wreath.

Classification: Personal, Interpreted, Badge and English language.

Bearer: Power, Guy Harold.

Upon a wreath Argent and Gules a bald eagle displayed proper, surrounded by an annulet Gules, fimbriated and inscribed in chief with the motto «Iustitia per Ministerium» Argent.

Heraldic device devised by me, illuminated with lights and shadows, outlined in Sable, and with a rough finishing.

This is the heraldic badge of Kelly Kathleen Knox, PhD, a retired military officer of the US Army and Air Force, primarily serving in medical and humanitarian roles, who served in two wars, was honored with the Meritorious Service Medal with one Oak Leaf Cluster, among other distinctions, and was inducted into the Ohio Veterans Hall of Fame. Her arms were designed by her and me and emblazoned by me.

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Blazon keywords: Argent, Gules, Or, One, Wreath, Bald eagle, Eagle, Surrounded, Annulet, Fimbriated, Inscribed, Displayed and Motto.

Style keywords: Outlined in sable, Illuminated and Rough.

Classification: Personal, Created, Boa and Badge.

Bearer: Knox, Kelly Kathleen.

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

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Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed and Proper.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages.

Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Deacon Mark Eschenlauer designed by him, Fr. Yannick Beuvelet and me, and emblazoned by me.

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Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Religious, Created, Boa and Coat of arms.

Bearer: Eschenlauer, Marc.

Azure, five fleurs de lis Or. Crest: Upon a wreath Or and Azure, an arm Carnation, vested Azure, supporting a scroll Azure doubled Or, inscribed with the war cry «Notre Dame du Puy» Or.

Arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, and with a iridescent finish.

«Armas antigas» ~ ancient arms of family d’Alpoim, originally from France, emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me according to his instructions and based on descriptions from armorials such as «Nobiliário da Ilha Terceira» by Eduardo de Campos de Castro de Azevedo Soares, «Pedatura Lusitana», on the noble families of Portugal, by Cristóvão Alão de Morais, the chapter «O Solar dos Alpoins» by A. Nogueira Gonçalves, or «Armaria Portuguesa» that describes it in Portuguese «De azul, cinco flores de lis de oiro. T.: braço vestido de azul, a mão de encarnação segurando um listão tambem de azul, e nelle, em letras de oiro, o grito Nostre Dame de Puy» and also in French «D'azur à cinq fleurs-de-lis d'or. C.: un bras paré d'azur, la main de camation tenant un listel d'azur avec le cri, Nostre Dame de Puy, en lettres d'or». In the Velay region, France, the cathedral is dedicated to Our Lady under the title «Notre Dame du Puy», a Marian devotion traditionally associated with the sanctuary of Le Puy-en-Velay.

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Blazon keywords: Azure, Or, Five, Fleur de lis, Crest, Upon (wreath), Wreath, Arm, Vested, Supporting, Scroll, Doubled, Inscribed and War cry.

Style keywords: Outlined in sable, Illuminated and Iridescent.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: d’Alpoim, family.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias]. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or. Suspended from the shield, the cross of the Royal Equestrian and Military Order of Saint Michael of the Wing and the insignia of the Equestrian Order of the Maestranza of Castile.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

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Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony, Vair, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry, Mantling, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, Fernando.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or.

Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finish.

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Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry and Mantling.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.

This is the coat of arms of Johann Anton Freiherr von Quast that was painted in the Freiherren diploma that was issued in 1790. I have written the text of the blazon for this coat of arms in English and in Castilian in a structured way, to highlight the parallelism between both forms.

Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent.

Escudo de gules, un sotuer de oro cargado de un flanquis de sable, acompañado en jefe de tres veneras ranversadas de oro; en la diestra, un brazo diestro doblado, armado de oro, teniendo un ancla de plata; en la siniestra, un navío de guerra de dos mástiles, con troneras, las velas izadas de oro, con dos banderas de gules, plata y azur ondeando hacia la diestra, una en el palo mayor y otra en la popa, en el casco la inscripción «La Liberta» de sable; en punta, un águila bicéfala coronada de oro, teniendo dos borlas, una en cada pico, y dos espuelas, una en cada garra, todas de oro.

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Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa, Coat of arms and Flag.

Bearer: Quast, Johann Anton Freiherr von.

Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or. Supporters: Two lions rampant guardant Or, langued Gules, the one at dexter grasping in his sinister forepaw a quill Argent, the one at sinister grasping in his dexter forepaw a rolled scroll Argent, bearing a wax seal Gules, inscribed with the letters «MB» Sable.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.

The coat of arms of Fernando Marán Bié designed by Ignacio Koblischek and emblazoned by me. In Castilian, the lion and the leopard are the same heraldic animal, which is referred to by one name or the other depending on its attitude: a) The lion is shown in profile and rampant, as in the coat of arms of the Kingdom of Spain. b) The leopard is passant and guardant, faces the observer, as in the coat of arms of the Kingdom of England. c) The «león leopardado» is shown in profile like the lion, but is passant like the leopard, as in the arms of the family of Claus Schenk von Stauffenberg. d) The «león leopardado» is guardant like the leopard, but is rampant like the lion; this is the case with the supporters of this coat of arms. The conclusion drawn from the four points above is that the direction of the gaze takes precedence over the posture of the body: when is guardant it is termed a leopard, and when it is shown in profile it is termed a lion.

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Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure, Embattled, Supporter, Dexter, Sinister, Lion rampant guardant, Langued, Grasping, Forepaw, Quill, Rolled scroll, Inscribed and Letter.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa, Coat of arms and Seal.

Bearer: Fernando Marán Bié.