Two

There is a series of nine coats of arms in the ballroom of the castle:

• Or, three Fleurs de lis Azure.
• Azure, a Bendsinister Or.
• Or, a Fleur de lis Azure.
• Azure, a Cross Or.
• Or, five Fleur de lis Azure in saltire.
• Azure, a Fess Or.
• Or, two Fleur de lis Azure in bend.
• Azure, a Saltire Or.
• Or, four Fleur de lis Azure.

There are so many Fleurs de lis that everyone, except the joker, calls it the «fleurdelisée» room. Nobody knows the reason why the joker says there is none, do you?

Think before you move the cursor or click on the following link and see the solution.

Categories: Riddle, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.

Categories: Riddle solution, Ogee, Outlined in sable, Freehand, Or, Azure, Fleur de lis, One, Two, Three, Four, Five, Bend sinister, Cross, Fess and Saltire.

Gules, on a trimount issuant from the base Or, a port Gules, with canopy roof, jambs, enarched lintel, and two open leaves, upon a three-step stairway Oro.

Escudo de gules, un monte de tres peñas moviente de la punta sumado de una puerta con tejadillo, jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de oro, aclarada de gules.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of Albrecht Dürer, 1471-1528, emblazoned by me based on the woodcut titled «Coat of Arms of Albrecht Dürer» made by Albrecht Dürer himself in 1523 on a sheet measuring 35.1 × 26.1 cm belonging to The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952, held at the Metropolitan Museum of New York, and on the work titled «Marriage Coat of Arms of the Families Duerer and Holper. Verso of the Albrecht Dürer the Elder portrait», dated 1490; Albrecht Dürer the Elder, 1427–1502, was his father.

Design rationale

The Dürer family coat of arms is an example of canting arms. Their family origin traces back to Ajtós, Hungary, a name which means «door» or «doorman» in Hungarian. Upon settling in Nuremberg, the family Germanized their surname to «Türer», derived from «Tür», meaning «door», and later to Dürer. This is the reason of the main charge of these arms.

Blazon keywords: Gules, One, Two, Three, On, Trimount, Issuant from base, Port, Canopy roof, Arched, Enarched, Upon, Step, Stairway and Port and windows.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Albrecht Dürer.

Party per pale Sable and Or, two griffins' heads eraticted, and addorsed counterchanged.

Escudo partido de sable y oro, dos cabezas de grifo arrancadas y adosadas del uno en el otro.

Coat of arms emblazoned by me with a semi-circular shape, illuminated, and with a freehand finishing.

Blazon keywords: Party per pale, Sable, Or, Two, Head, Griffin, Erased, Addorsed and Counterchanged (side-by-side).

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Alea Capital.

Azure, two barbels addorsed Argent. Behind the shield an eight-pointed cross patty Gules.

Blazon keywords: Azure, Two, Barbel, Addorsed, Argent, Behind the shield, One, Eight-pointed cross, Cross couped and Gules.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Montbard, André de.

Registered by The International Register of Arms, 1^st of April of 2020, Registration number 0542, Volume 3.

[Armorial Register, T.; 2020; page 194].

Categories: Armorial roll, Quarterly, Or, Sable, Two, Wolf and Passant.

External resource:

• Antonio Salmeron at The Armorial Register.

Root: The Armorial Register.

Blazon keywords: One, Cyclamor, Vert, Motto, Argent, Two, Cross-crosslet, Cross couped, Wreath, Gules, Griffin, Head, Party per fess, Beaked and Or.

Classification: Personal, Interpreted and Badge.

Bearer: Berry, Austin Charles.

Heraldic device painted by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.

The heraldic badge of Brady Brim-DeForest emblazoned by me.

Blazon keywords: Or, Two, One, Fleur de lis, Oak, Tree and Branch.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Brim-DeForest, Brady.

Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess.

Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja.

Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé and Tulip.

Style keywords: Soft metal, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Coat of arms, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

Or semé of millrinds Azure, a chief dancetty of two full points upwards Purpure pierced twice of the field billetwise throughout.

Arms emblazoned by me, in flat tinctures, outlined in Sable, with a pointed external shape and with a texturized finishing.

The coat of arms of Baz Manning, John Basil Edward, emblazoned by me. When it is «voided»~«hueco» the hole matches the shape of the piece or figure, and when it is «pierced»~«perforado» the hole has a different shape, usually circular, but in this case, it is rectangular, like a billet. In both cases, the field, in this case, semé, is visible through the hole, so it would not be necessary to specify this unless the hole is of another tincture, in which case it must be specified. When it is also «throughout»~«moviente» that means that the hole touches the borders, generally all, in this case only the upper and lower border.

Blazon keywords: Or, Azure, Purpure, One, Two, Three, Semé, Millrind, Chief, Dancetty, Pierced, Billet and Throughout (chief base).

Style keywords: Outlined in sable, Plain tincture and Pointed.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Manning, Baz.

Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or.

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.

G0053, Chief Herald of Malta's grant of Giovanni de Bella's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Gules, One, Fess, Between, In chief, Eight-pointed cross, Cross couped, Two, Mullet, Eight, Argent, In base, Three, Bendlet and Or.

Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bella, Giovanni de.

Argent, two goats in pale Purpure, horned Sable.

Escudo de plata, dos cabras en palo de púrpura, acornadas de sable.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Coat of arms of the lineage Cabral. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings where the arms of Cabral are in the 3^rd quarter.

Blazon keywords: Argent, Purpure, Sable, Two, Goat, In pale and Horned.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Cabral, lineage.

Blazon keywords: Party per pale, Argent, Cross, Sable, Bordure, Motto, Or, Thirteen, Hurt, Hurt, torteau, pellet, pomme and golpe, Azure, Three, In pale, Four, Five, Chief, Fleur de lis, Crest and mantling, Helm, Mantling, Dexter, Doubled, Sinister, Wreath, One, Arm, Armed, Nascent, Grasping, Sword, Between, Two and Wing.

Style keywords: Freehand, Semi-circular, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Vidriales García y Bustamante, Carlos.

Grand Laureate Cross of Saint Ferdinand.

Argent, a cross of Alcantara. Crest: A closed royal crown Or, with eight arches, visible five. Behind the shield the Laureate Grand Cross of Saint Ferdinand. Motto: «Hoec nubila tollunt obstantia sicut sol».

Escudo de plata, una cruz de Alcántara. Timbrado de una corona real cerrada. Acolada detrás del escudo la gran cruz laureada de San Fernando. Lema: «Hoec nubila tollunt obstantia sicut sol».

Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in metal Argent; the cross of Alcantara, the 4 swords and the 2 laurel branches are outlined in Sable and illuminated in Vert and Gules; the royal crown is closed, outlined in Sable and illuminated with the metal Or, Argent for the pearls, Azure and Or for the orb, Gules and Vert for the gems, Gules for the inner cloth, and Sable for the visible hollow at its base; and the whole has a iridescent finish.

Rif War, July 23, 1921, banks of the Igan River, North Africa

The Alcantara Regiment executed nine successive cavalry charges to protect the infantry's retreat, nine charges until they broke the enemy lines, outnumbering them. The last charge was on foot because all their horses were dead or exhausted. These heroic riders of Alcantara had fulfilled their duty of protecting the wounded infantry in their retreat to El Batel, but the price was appalling: of 691 riders, only 67 survived, and three months were necessary to recover hundreds of corpses.

For this reason, in 2012, the Alcántara Regiment was collectively awarded the Grand Laureate Cross of Saint Ferdinand.

Two lances behind the shield

Since 1987, the coat of arms of the cavalry regiments of the Spanish Army must carry two crossed lances accolade behind the shield. And indeed, this coat of arms of the Alcántara Cavalry Regiment has two lances behind the shield, but in my artistic heraldic interpretation, I did not paint them to avoid detracting from the prominence of the Laureate Cross.

Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped, Cross, Crest, Closed royal crown, Crown, Behind the shield, Four, Sword, Crosswise, Gules, Two, Branch, Laurel, Vert and Motto.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Iridescent.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Alcantara, Cavalry Regiment.

Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.

Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms, which I emblazoned and painted for Grant G0134, are shown here together with four photographs: two of the grant’s cover and the page displaying the coat of arms, and two taken during the official ceremony held at San Anton Palace, where the personal coat of arms was presented to Her Excellency Myriam Spiteri Debono, President of Malta, by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. Also present were Mr. Anthony Scicluna, Deputy Chairman of Heritage Malta, and Chev. Ray Cassar, Registrar at the Office of the Chief Herald.

Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Spiteri Debono, Myriam.

Party per chevron Gules and barry wavy Argent and Azure, in chief two Dogwood flowers (Cornus Florida) proper, in base a Cross of Saint Chad Gules. Motto: «Ich Mache Rechte».

Escudo de gules, mantelado en punta fajado ondado de plata y azur, en jefe dos flores de cornejo florido (Cornus Florida) al natural y en punta una cruz de san Chad de Mercia de gules. Lema: «Ich Mache Rechte».

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with an ogee external shape and with a leather finish.

Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Krouse, Chad Michael.

Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finishing.

Arms of Charles, Holy Roman Emperor, emblazoned by me. The decision to depict both Pillars of Hercules in Argent arises from a strictly technical and artistic process. My objective was to paint the commander’s badge of the Imperial Hispanic Order of Charles V, a piece that is entirely made of Argent. Working directly on a fully Argent surface made the visual reading of the whole difficult, so I decided, as a preliminary step, to paint the coat of arms in its proper tinctures and, once the chromatic composition was resolved, to convert it into Argent. The commander’s badge of this order is based on its coat of arms and emblem as interpreted and painted by the heraldist and heraldic artist Fernando Martínez Larrañaga. In that interpretation, Fernando represented the Pillars of Hercules entirely in Argent. For the sake of coherence with this model, which is the direct reference for the badge, I followed the same solution and painted the pillars in Argent. I have also painted this same coat of arms with the pillars having Argent shafts and Or bases and capitals.

Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Two, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Charles V, Holy Roman Emperor.

City of Ceuta, Spain, Africa, with a crown of Marquis

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1. Crest: A crown of Marquis.

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta. Timbrado de una corona de marqués

Illuminated and a leather finishing.

Coat of arms of Ceuta from the coat of arms of Portugal

The Portuguese conquered Ceuta in the year 1415. This event represents an important step in the development of the Portuguese Empire in Africa. Then Ceuta received its arms from those of Portugal but with the castles in another order. In the image, the 1^st coat of arms of Portugal, and the 2^nd coat of arms of Ceuta.

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Spain.

Bearer: Ceuta.

Or, on a pile issuant from base Vert between two maunches Gules a displayed scroll Argent with seal pendant proper.

It has been interpreted by me, highlighted with lights and shadows, contoured in Sable, with a pointed external shape and with a texturized finish.

The coat of arms of Claes Zangenberg emblazoned by me over his personal tartan registered in the Scottish Register of Tartans.

Blazon keywords: Or, Vert, Gules, Argent, One, Two, Pile issuant from base, Between, Maunch, Displayed scroll, Suspended and Proper.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Tartan and Seal.

Bearer: Zangenberg, Claes.

Gules, two castles triple-towered Or, port and windows Azure, masoned Sable, in chief, seven mullets Argent, 4 and 3. Crest: A closed royal crown.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a iridescent finishing.

Coat of arms of the Comunidad de Madrid emblazoned by me. Law 2/1983 of 23 December on the flag, the coat of arms, and the anthem of the Community of Madrid, published in the Official State Gazette, number 33 of 8 February 1984, defines this coat of arms in its Article 2 as follows: «...it consists of a single quarter Gules, charged Or with two castles in pair, embattled, donjoned, masoned Sable and ajouré Azure, surmounted in chief by seven mullets Argent, arranged four and three. For a timbre, a closed Royal Crown, which is a circle Or set with precious stones, composed of eight acanthus-leaf fleurons, of which five are visible, interspersed with pearls, from whose leaves rise diadems topped with pearls, converging in a globe Azure, with the demi-meridian and equator Or, surmounted by a cross Or. The crown is lined Gules».

Design rationale

The castles came from Castile and the 7 mullet from the bordure of the city of Madrid, they are the stars of the Plough, the 7 brightest stars of the Ursa Major. This coat of arms was adopted by the Comunidad de Madrid the 23th of December 23 of 1983.

Blazon keywords: Gules, Or, Azure, Argent, Two, Seven, Castle, Triple-towered, Port and windows, Masoned, In chief, Mullet, Closed royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Madrid, Comunidad de.

Or, two mullets of six points pierced in fess Gules; in chief a sabre fesswise Sable.

Escudo de oro, dos rosetas de espuela en faja de gules; en jefe, un sable puesto en faja de sable.

Blazon keywords: Or, Two, Mullet of six points pierced, In fess, Gules, In chief, One, Sabre, Sword, Fesswise and Sable.

Style keywords: Outlined in sable, Semi-circular and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Coulot, Fabian.

Publication of my interpretation of the arms of Ugnius Mikucionis, on the blog Twelve Lineages of Soria with the article titled: The eminent heraldist Mr. Antonio Salmerón Cabañas interprets the coat of arms of Ugnius Mikucionis (Lithuania and Norway).

Blazon in Spanish by Alfonso de Ceballos-Escalera y Gila, Chronicler of Arms of Castile and León, from his certification of arms: «Vert, a Latin cross made of a wooden staff, raguly, from whose sinister flank issues a leafy branch that encircles the cross from above and entwines over its base, all Or. Crested with a steel helmet affronty, torse Or and Vert, with mantling Vert doubled Or. For crest, the same raguly Latin cross, branched and leafed, Or, placed before two wings Vert».

Blazon in English by The South African Bureau of Heraldry, from its certification of arms: «Vert, a wooden staff, its upper end terminating in a Latin cross, raguly, couped at random, issuant from its sinister nombril point a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or. Crest: In front of a pair of wings displayed Vert, a wooden staff issuant, its upper end terminating in a Latin cross, raguly, couped at random, issuant from its sinister nombril point a leaved offshoot encircling the cross, its end terminating and debruising the lower limb Or. Wreath and mantling: Vert and Or». I do not agree with the specification of the exact place of origin of the branch, the «nombril point» ~ «navel», because that point of origin does not distinguish this coat of arms from another where the branch could emerge at a different height, either closer or further from the point of the shield, and because it forces the artistic interpretation to either break the rule of fullness or to draw a curved branch in a panache shape to allow it to open before gaining height.

Note how in the Spanish certification of arms, by the Chronicler of Arms of Castile and León, this unnecessary nombril specification as the origin point of the branch is omitted.

The nombril is the exact crossing point of the vertical axis of symmetry of the shield with the lower edge of the bend.

Categories: Link, Vert, One, Cross, Raguly, Sinister, Or, Helm, Wreath, Mantling, Crest, Two, Wing and At the nombril.

Root: Twelve Lineages of Soria.

Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Motto environing the columns and behind the shield: «Plus Ultra» Or over a scroll Gules.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.

Arms of the Kingdom of Spain emblazoned by me. On the arrangement of the crowns: a) Royal Decree 1511/1977, of 21 January, enacted during the so-called Transition and approving the Regulations on Flags and Standards, Guidons, Insignia and Distinctive Signs, states: «Rule No. 2. Coat of Arms of Spain… Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one…». b) The subsequent Law 33/1981, of 5 October, regulating the current coat of arms of Spain, likewise states: «…Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one». c) The term «superado» in the heraldic dictionaries in which it appears refers, as a synonym, to «surmontado». d) The definitions of «surmontado» include: «a charge which, at its upper part, has another above it but without touching it», «also said of superado», and «a figure that bears another above it, but without touching it». In light of a), b), c) and d), the two crowns should therefore be painted not touching the columns. However, in the illustrative drawing contained in Royal Decree 1511/1977 the crowns do touch the columns, contradicting its own wording, although in heraldry, when in doubt, the written blazon always prevails; and in most official representations the crowns do indeed touch the columns. Nevertheless, this personal interpretation of both the coat of arms of Spain and of the proper way to write its blazon, where the lateral crowns do not touch the columns, and then I decide that, following the same criterion, the central crown should not touch the shield either, so the result differs from the official version. The expression «waves Azure or blue and Argent», which appears both in the 1977 official definition and in the 1981 one, presents a double peculiarity: it combines the heraldic term «Azure» with the everyday term «blue», and it is also offered as an optional blazon, giving two alternatives, that the waves be only Azure, as I have painted them, or Azure and Argent; optional blazons are extremely rare and, in my view, perhaps not very advisable.

Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Two, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Imperial crown, Dexter, Sinister, Motto, Environed, Behind the shield and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Civic, Kingdom of Spain, Interpreted, Boa and Coat of arms.

Bearer: Spain, Kingdom of.

Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent; overall a heart Gules, fimbriated Or. Crest: A ribbon Azure doubled Argent.

The Commoners' Certification of Arms for Bradlee Tatym LaRue Botkin with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart, Fimbriated, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Botkin, Bradlee Tatym LaRue.

Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet».

The Commoners' Certification of Arms for Darryn Carlo and Roberto Luchoro with their coat of arms emblazoned by me.

Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Boa, Certification and Heraldic document.

Bearer: Luchoro and Darryn Carlo, Roberto.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a crescent Gules.

The Commoners' Certification of Arms for Hudson Hayes Lasco with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Lasco, Hudson Hayes.

Azure, a saltire Argent between in chief an escallop Or, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure Or. Crest: A ribbon Azure doubled Argent.

The Commoners' Certification of Arms for Konstånz Chantal Leóné Potts with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Escallop, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Potts, Konstånz Chantal Leóné.

Azure, a saltire Argent between in chief a thistle Or, flowered Argent, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; within a bordure gyronny of thirty-six Azure and Argent. Crest: A ribbon Azure doubled Argent.

The Commoners' Certification of Arms for Köryn Alexandria Konstånz Potts with his arms designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Thirty-six, Saltire, Between, In chief, Thistle, Flowered, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Ribbon and Doubled.

Style keywords: Outlined in sable, Illuminated and Invected octagon.

Classification: Personal, Interpreted, Boa, Certification and Heraldic document.

Bearer: Potts, Köryn Alexandria Konstånz.

Argent, a rose Gules, barbed Vert; a bordure Azure. Crest: Dexter, upon a helm, issuant from an ancient coronet Or, a dove Argent, holding in its beak an olive branch Vert; and sinister, upon a helm, issuant from an ancient coronet Or, an arm proper, vambraced Argent, grasping a sabre Argent, between a pair of wings per fess alternately Azure and Argent. Mantling: Dexter Gules doubled Argent, sinister Azure doubled Argent.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finish.

Blazon keywords: Argent, Gules, Vert, Azure, Sable, One, Two, Rose, Barbed, Bordure, Crest, Dexter, Helm, Issuant, Ancient coronet, Crown, Dove, Grasping, Beak, Olive tree, Tree, Branch, Sinister, Arm, Vambraced, Sabre, Sword, Between, Wing, Party per fess, Alternately, Mantling and Doubled.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: von Haimb, Isadora.

Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Crest: Upon a helm, with a wreath Or, Vert, and Azure a falcon rising Or, langued Gules. Mantling: dexter Azure doubled Or, sinister Vert doubled Or.

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Falcon, Rising, Langued, Mantling, Dexter, Doubled and Sinister.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Angueira Duro, Jesus.

Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable. Crest: Upon a helm lined Gules, with a wreath Or and Azure, five ostrich feathers, alternately three Azure and two Or. Mantling: Azure doubled Or.

Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.

Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Two, Three, Four, Five, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head, Caboshed, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Wreath, Ostrich feathers, Alternately and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Gutiérrez Benítez, Jose Manuel.

Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Crest: Upon a helm with a wreath Argent and Sable, a unicorn's head Argent, erased Gules, horned and crined Or, langued gules, charged upon the neck with three spears' heads cheveronwise Gules. Mantling: Sable doubled Argent. Motto: «Ad rem».

Illuminated and a watercolor finishing, and the mantling and the wreath diapered with Chinapieria.

Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile, Crest and mantling, Helm, Mantling, Wreath, Charged, Neck and Motto.

Style keywords: Outlined in sable, Pointed, Illuminated, Watercolor and Chinapieria.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Wright, Charles F. M..

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper. Motto: «Liberty Thru Industry».

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest, Upon (wreath), Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed, Proper and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Or, a roe deer springing Gules, in base a triple mount Vert. Crest: Upon a helm affronty, with a wreath Or and Vert, two roe deers' attires barry of four Gules and Or. Mantling: Vert doubled Or..

Credits:

• Stephan Urs Breu is the designer of the coat of arms.
• Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount, Vert, Crest and mantling, Helm, Mantling, Wreath, Crest, Two, Roe deers' attires, Barry and Four.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Rehberger, Alena.

Argent, two arrows points upwards in saltire Sable, barbed and feathered Gules, surmounted of a commando dagger point upwards in pale Gules, hilted and pommelled Sable; on a chief indented Sable, a label of three points Or. Crest: Upon a helm with a wreath Argent and Sable, a demi-man proper, wearing a beret Vert, grasping in his dexter hand a commando dagger point upwards Or, hilted and pommelled Sable. Mantling: Sable doubled Argent.

Blazon keywords: Argent, Two, Arrow, Point upwards, In saltire, Sable, Barbed, Feathered, Gules, Surmounted, One, Dagger, In pale, Hilted, Pommelled, Chief, Indented, Label of three points, Or, Crest and mantling, Helm, Mantling, Wreath, Crest, Male figure, Demi, Proper, Beret, Vert, Grasping, Hand and Dexter.

Style keywords: Pointed, Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Power, Guy Harold.

Azure, a carbuncle of twelve rays Argent; on a chief Or, a hop cone Vert between two apples Gules, slipped and leaved Vert. Crest: Upon a helm, with a wreath Argent and Azure, an eagle displayed Or, langued Gules, holding in his dexter talon an hourglass bendwise proper. Mantling: Azure doubled Argent.

Blazon keywords: Azure, Carbuncle, Twelve, Argent, Chief, Or, Hop cone, Flower, Vert, Between, Two, Apple, Gules, Slipped, Leaved, Crest and mantling, Helm, Mantling, Wreath, Crest, Eagle, Langued, Grasping, Hourglass, Bendwise and Proper.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Created and Coat of arms.

Bearer: Sales, Robert Edward.

Tierced per bend: 1 vairy Or and Azure; 2 Azure, two ships in full sail, in bend Argent; 3 Or, four bars wavy Azure. Crest: Upon a helm, with a wreath Argent and Azure, a demi-red fox proper, grasping dexter four ears of wheat Or. Mantling: Azure doubled Argent. Motto: «Ignis Aurum Probat».

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a rough finishing.

Blazon keywords: Or, Azure, Argent, One, Two, Four, Crest, Tierced per bend, Vairy, Ship, Full sail, Bend, Bar, Wavy, Crest and mantling, Upon (wreath), Helm, Wreath, Demi, Fox, Rampant, Proper, Grasping, Dexter, Ear of wheat, Wheat, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Milian, family.

Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.

Coat of arms of Marilena Marinanza, Italy, emblazoned by me.

Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Marinanza, Marilena.

Party per fess Or and Gules dancetty of three full points and two half upwards.

Escudo cortado, encajado de tres piezas enteras y dos medias.

[Avilés, J.; 1780a; page 79], on the appropriate dimensions for outlining an indented shield, he explains that «encaxadas» or «emanchadas» refers to «the partitions of the shield, whose pieces fit into each other in the shape of thick and long triangles, which are regularly one-third of the length», that is, of the width of the shield for parted shields, «or of the height of the shield», that is, the height for fess shields, as in this example, «depending on the direction in which these figures are placed in the parted, fess, bend, and cut shields, etc. but being a Chief, they have half the base and the rest as point; and if it were a Fess, it is formed of alternating triangles, which fill it completely».

[Avilés, J.; 1780a; page 80], on which of the two components of an indented shield acts as the field and which as the piece, he clarifies that «the field of the partition is understood as the one occupying the upper part of the shield, with the lower part at the base considered the piece».

[Avilés, J.; 1780a; page 80], on how the blazon of an indented shield should be drafted, he establishes that «the number of whole and half triangles must be specified when there is more than one, and likewise, the direction in which the partitions are in the parted, fess, etc.», illustrating it with 2 examples that can also be seen in [Avilés, J.; 1725a; plate 8, illustrations 157 and 158].

Blazon keywords: Party per fess, Dancetty, Three and Two.

Style keywords: Semi-circular.

Classification: Schema.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of Del Fabbro Universidad, Tlaxcala, Mexico, designed and emblazoned by me.

Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed and Proper.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Design ideas

The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.

One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.

Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.

Gules, a fess vair between four water-bougets Or, two in chief and two in base.

Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.

Water-bouget

In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».

There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.

In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».

Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Interpreted, Schema and Coat of arms.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon Azure, five fleurs de lis Or.

Escudo cuartelado: 1^o de gules, un palo de oro sostenido de seis ondas de azur y plata, una bordura de oro cargada de ocho cabezas de león arrancadas de gules [de Durán]; 2^o de azur, un creciente ranversado de plata, en la diestra del jefe una flor de lis de oro, una bordura de gules [de Alpoim]; 3^o de plata, dos cabras en palo de púrpura, acornadas de sable [de Cabral]; 4^o de gules, una cruz doble y plena de oro cantonada de seis bezantes de plata, una bordura de oro [de Melo]; un escusón de azur, cinco flores de lis de oro.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, and with a freehand finish.

Arms of the cadet branches of Fernando Durán Cabral de Melo e Alpoim, certified by Dr. Alfonso Ceballos-Escalera Gila, Chronicler of Arms of Castile and León, and emblazoned by me.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate and Inescutcheon.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, cadet branches of Fernando.

Azure, two lions passant, guardant, winged, each holding in its paws an open book Argent, with the inscription «Pax Tibi Marce Evangelista Meus» Sable distributed on their four pages.

Escudo de azur, dos leopardos alados, teniendo cada uno en sus garras un libro abierto todo de plata, con la inscripción «Pax Tibi Marce Evangelista Meus» de sable distribuida en sus cuatro páginas.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finish.

Coat of arms of Deacon Mark Eschenlauer designed by him, Fr. Yannick Beuvelet and me, and emblazoned by me.

Blazon keywords: Azure, Argent, Sable, Two, One, Four, Leopard, Winged, Grasping, Paw, Closed book, Book, Inscribed, Page and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Religious, Created, Boa and Coat of arms.

Bearer: Eschenlauer, Marc.

Party per pale Gules and Vert, overall a chevron wavy Or between two plates in pale.

Escudo partido de gules y sinople, brochante sobre el todo un cabrio ondado de oro acompañado de dos bezantes en palo de plata.

Coat of arms designed by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finishing.

Coat of arms of Angel España Herranz designed by him and me, and emblazoned by me.

Design rationale

The first quarter of Gules with the dexter of the chevron Or are España, his surname. In the second quarter, the Vert is the green, the wavy chevron Or a bunker, and the two plates represent a ball and a hole of golf, his passion.

Blazon keywords: Gules, Vert, Or, Argent, One, Two, Party per pale, Overall, Chevron, Wavy, Between, Plate and In pale.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: España Herranz, Angel.

Azure, two trunks of a tree raguly, couped at random, in saltire Argent; a bordure compony of sixteen sections, eight sable charged with a castle triple-towered Or, port, windows, and masoned Sable, and eight Argent

Escudo de azur, dos troncos ecotados, nudosos, en sotuer de plata; una bordura componada de dieciseis compones: ocho de sable cargados de un castillo de oro, aclarado y mazonado de sable, y ocho de plata

Illuminated and a leather finishing.

Blazon keywords: Without divisions, Azure, Two, Trunk, Raguly, In saltire, Argent, One, Bordure, Compony, Sixteen, Section, Eight, Sable, Charged, Castle, Or, Port and windows and Masoned.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Personal and Interpreted.

Bearer: Espinosa, Diego.

Coat of arms of the family of Milos Dukat from Czechia and the Basque Country, designed by them and me, and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent.

Escudo partido de azur y gules, sobre el todo en jefe dos leones rampantes, de cola horquillada de plata, armados, lampasados y coronados de oro, y en punta un barco de oro, con velas de plata, sostenido por tres burelas ondadas de plata.

Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship and Full sail.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Dukat, family of Milos.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias]. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or. Suspended from the shield, the cross of the Royal Equestrian and Military Order of Saint Michael of the Wing.

Coat of arms depicted by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a freehand finishing.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony, Vair, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry, Mantling, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, Fernando.

Coat of arms of Fernando Marán Bié designed by Ignacio Koblischek and emblazoned by me. I have written the text of the blazon for this coat of arms in English and in Castilian in a structured way, to highlight the parallelism between both forms.

Party per fess: 1 Azure, an open book Argent, garnished Or, charged with a mullet Azure; 2 Gules, a tree eradicated between two apples Or; within a bordure embattled Or.

Escudo cortado: 1o de azur, un libro abierto de oro, hojado de plata, cargado de una estrella de cinco puntas de azur; 2o de gules, un árbol arrancado, acompañado de dos manzanas todo de oro; una filiera almenada de oro.

Blazon keywords: Azure, Gules, Argent, Or, Six, One, Two, Party per fess, Open, Book, Garnished, Charged, Mullet, Tree, Eradicated, Between, Apple, Bordure and Embattled.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Fernando Marán Bié.

Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert. Crest: Upon a helm, befitting the husband’s degree, with a wreath Or and Gules, an arm vambraced proper grasping a cross tau of olive wood in pale proper. Mantling: Gules doubled Or. Motto: «Fac maiora ne ulla facies».

Arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.

G0093, Chief Herald of Arms of Malta's grant for the arms of Alessandro Giannelli and Mariana von Atzingen Gorga. These arms have been emblazoned by me for such grant.

Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base, Trimount, Upon (wreath), Helm, Wreath, Arm vambraced, Grasping, Cross tau, In pale, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.

Party per fess dancetty of three points Gules and Argent, in chief a winnowing fan reversed Or between two fleams addorsed Argent. Crest: Upon a helm befitting his degree issuant from a crown of Baron above the shield, with a wreath Argent and Gules, two arms embowed proper, vested Sable, cuffed Or, holding aloft a winnowing fan reversed Or. Mantling: Gules doubled Argent. Motto: «Ora et Labora». Supporters: Two lions passant, tails addorsed Sable, armed and langued Gules.

Coat of arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a freehand finish.

G0129, Chief Herald of Arms of Malta's grant for the arms of Markus Hermann Frank, USA. These arms have been emblazoned by me for such grant.

Blazon keywords: Gules, Argent, Or, Sable, One, Two, Three, Party per fess, Dancetty, In chief, Winnowing fan, Reversed, Between, Fleam, Addorsed, Crest, Upon (wreath), Helm, Issuant, Crown of Baron, Crown, Above the shield, Wreath, Arm, Embowed, Proper, Vested, Cuffed, Grasping, Mantling, Doubled, Motto, Supporter (animal), Supporter, Lion, Passant, Tail addorsed, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Frank, Markus Hermann.

Argent, a tree eradicated proper, in chief an escallop reversed Gules, between two flies pilewise proper. Crest: A galero Sable with two cords, one on each side, each with six tassels Gules. Motto: «No Fear In Love». Behind the shield, the cross of the Holy Sepulchre of Jerusalem. The shield is surrounded by the cross of a Knight Commander of the Holy Sepulchre of Jerusalem.

Arms interpreted by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a freehand finish.

G0117, Chief Herald of Arms of Malta's grant for the arms of the Reverend John Muscat, Honorary Monsignor of the Canon Chapter, Roman Catholic Cathedral of the Assumption, Gozo. These arms have been emblazoned by me for such grant.

Blazon keywords: Argent, Gules, One, Two, Six, Tree, Eradicated, Proper, In chief, Escallop, Between, Fly, Pilewise, Crest, Galero, Cord, Tassel, Motto, Behind the shield, Cross, Surrounded and Decoration.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Muscat, John.

Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.

Escudo de armiños, tres granadas ranversadas de oro, rajada de gules, talladas y hojadas de sinople, sumadas de una corona abierta, alternando cuatro rosetas de hojas de acanto, visibles tres, y cuatro granadas, visibles dos, todas de oro, forrada de gules.

Coat of arms emblazoned by me with an oval shape, illuminated, and with a leather finishing that seems watercolor.

Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.

Style keywords: Outlined in sable, Oval, Illuminated and Leather.

Classification: Socioeconomic, Interpreted and Coat of arms.

Bearer: Granada, Soberana y Muy Noble Orden de la.

Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed proper. Crest: Upon a helm befitting his degree with a wreath Argent and Azure, a dragon passant Azure, armed and langued Gules; in front of a sun rising Or. Mantling: Azure doubled Argent. Motto: «In Honorem Victoria» Sable, with initial letters Gules, over a scroll Argent.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

G0113, Chief Herald of Arms of Malta's grant of Randy David Lee Xavier Potts's arms, whose coat of arms has been emblazoned by me. The difference between the coat of arms assumed by Randy Potts and the coat of arms granted by the Chief Herald of Arms of Malta is that the bald eagle in the chief is blazoned proper. Likewise, the difference in the crest is that the dragon is now blazoned armed and langued Gules. The purpose of these two changes, both in the shield and in the crest, is to allow these elements to stand out a bit more. This coat of arms has been included in the book [Gauci, C. A.; Cassar, R. M.; 2025; page 175].

Blazon keywords: Azure, Argent, Or, Gules, Sable, One, Two, Saltire, Between, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Proper, Crest, Upon (wreath), Helm, Wreath, Sun, Nascent, Debruised, Dragon, Passant, Armed, Langued, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts, Randy David Lee Xavier.

Heraldic document for the arms of Dr. Jacques William Normand Delfin. His coat of arms has been created by him and me, and emblazoned by me, and this heraldic document has been edited, signed, sealed, and dated by me. The image shows 2 pages of this heraldic document.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise and Motto.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Created, Boa, Catalogue, Heraldic document, Frame and Flag.

Bearer: Normand Delfin, Jacques William.

Gules, on a trimount issuant from the base Vert, a talbot rampant Argent, collared Or, between two mullets in bend sinister Or.

Escudo de gules, un monte de tres peñas moviente de la punta de sinople sumado de un talbot rampante de plata, acollarado de oro, acompañado de dos estrellas en barra de oro.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finishing.

This is the coat of arms of Moritz Hunzinger emblazoned by me.

Blazon keywords: Gules, Vert, Argent, Or, One, Three, Two, On, Trimount, Talbot, Rampant, Collared, Between, Mullet and In bend sinister.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Hunzinger, Moritz.

The Commoners' Certification of Arms for Tomasz Arkadiusz Grzeszkowiak, arms designed by Tomasz Steifer and emblazoned by me.

Gules, a base enarched Vert, overall a cross patty fitchy Or, piercing in base the head of a serpent nowed and facing sinister Sable, langued Gules. Crest: Upon a helm affronty, with a wreath Sable and Gules, in a front of three ostrich feathers alternately Sable and Gules a paschal lamb Argent, haloed Or and Gules, supporting a staff Or, flying a banner Argent charged with a cross Gules. Mantling: Gules doubled Sable. Motto: «Amor vincit omnia»

In the blazon of this certification, I wrote the expression «a Base enarched Vert», it is correct. But the expression «a Mount Vert» it is also possible. In the original expression in the Polish blazon is «na zielonym wzgórkuon» ~ «the green hill».

Blazon keywords: Without divisions, Gules, One, Mount, Vert, Issuant from base, Overall, Cross patty fitchy, Cross couped, Piercing, Head, Serpent, Nowed, Facing sinister, Sable, Langued, Helm, Affronty, Two, Mantling, Doubled, Wreath, Three, Quill, Alternately, Debruised, Paschal lamb, Argent, Nimbed, Or, Grasping, Shafted, Charged, Cross and Motto.

Classification: Interpreted, Personal, Certification, Heraldic document and Flag.

Bearer: Grzeszkowiak, Tomasz Arkadiusz.

Israel~ישראל.

Azure, a Menorah between two olive branches Argent; in base the legend
«ישראל» Argent.

Interpreted coat of arms: with a rounded and pointed shape; illuminated with metal argent and color azur; outlined with sable; and a Watercolor finish.

Blazon keywords: Without divisions, Azure, One, Menorah, Argent, Accosted, Two, Branch, Olive tree, Tree and Motto (identification).

Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.

Classification: Coat of arms, Interpreted, Civic and State of Israel.

Bearer: Israel.

Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.

The coat of arms of Reverend John Stuart, XVIII century, emblazoned by me in 3 approaches: 1) Classic bordure: Using a bordure with a width equal to 1/6 of the coat of arms' base. In the image, this is marked with texts and lines in Vert. Notice that the squares in columns 2 and 8 are split by the inner border of the bordure, which is unfortunate as it disrupts the design. 2) Diminished bordure: Using a narrower bordure with a width equal to 2/3 of the classic bordure, corresponding to 1 square of the fess chequey. In the image, this is marked with texts and lines in Gules. This approach avoids splitting any squares, allows for larger figures, and is my preferred solution. In England, diminished bordures, often simply blazoned as bordure, are more common than in Castile. 3) Without squares splitted: Retaining the classic bordure but shifting the fess chequey 1/2 square to either dexter or sinister to prevent splitting squares. However, this sacrifices the symmetry of the design. This last adjustment was used in the hatchment of Reverend John Stuart in St. George's Cathedral, Kingston, Ontario, 1785.

Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.

Style keywords: Ratio, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Stuart, John.

187^th Pope of the Church, from 1276 to 1277. «Johannes XXI», born Pedro Julião, also known as Pedro Hispano, born in Lisbon, Portugal.

Quarterly: 1 and 4 Argent, three crescents Gules; 2 and 3 Sable, two pallets Or.

Escudo cuartelado: 1^o y 4^o de plata, tres crecientes de gules; 2^o y 3^o de sable, dos palos de oro.

Coat of arms with: a shield with a pointed and rounded top; the field in plain Argent and Sable; the figures outlined in Sable and illuminated in Gules and Or; and the whole in an elevated line style.

John XXI should have actually been John XX, but Cardinal Pedro Julião, upon being elected pope, decided to skip the number XX and called himself John XXI, with the aim of correcting what was believed to be a historical error, which in the end was not so.

This historical error consisted of the belief in the existence of 2 popes named John XIV, as seemed to be deduced from the records of the «Liber Pontificalis». They were therefore referred to as: the 1^st John XIV and the 2^nd John XIV bis.

By skipping the number XX, John XXI believed he was correcting this historical error. But the reality is that there was only one Pope John XIV, the same pope with 2 entries in the «Liber Pontificalis», the 1^st entry during the time of his pontificate in freedom and the 2^nd entry for the time he exercised his pontificate in prison, imprisoned by his enemy, the so-called «antipope» Boniface VII, who, in turn, managed to occupy the papal throne twice, separated by a decade, in 974 and in 984, somewhat like a double «antipope».

Therefore, John XXI, instead of correcting a historical error, made one, and for this reason, there is no Pope John XX in all of history, nor can there ever be one.

Blazon keywords: Quarterly, Argent, Three, Crescent, Gules, Ordered, Sable, Two, Pale and Or.

Style keywords: Ogee, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Religious and Papal States.

Bearer: John XXI.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a label Gules.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un lambel de gules.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

The coat of arms of Easton Michael Jones designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Label.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Jones, Easton Michael.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent charged with a crescent Gules.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata cargado de un creciente de gules.

Coat of arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finishing.

The coat of arms of Rhettlee Cooper Jones designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Heart and Crescent.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Jones, Rhettlee Cooper.

Azure, a trumpet bend sinisterwise Or, debruised by a fish haurient Argent, debruised by a sword bendwise point downwards Or, all between two fleurs de lis in fess Argent. Motto: «Quis ut Deus».

Escudo de azur, una trompeta puesta en barra de oro, resaltada de una pez hauriante de plata, resaltado de un espada puesta en banda bajada de oro, todos acompañados de dos flores de lis en faja de plata. Lema: «Quis ut Deus».

Arms devised by me, highlighted with lights and shadows, outlined in Sable, with an ogee triple-pointed external shape and with a watercolor finish.

Blazon keywords: Azure, Argent, Or, Sable, One, Two, Trumpet, Bend sinisterwise, Debruised, Fish, Haurient, Sword, Point downwards, Between, Fleur de lis, In fess and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee Triple-Pointed and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Aspe, Julio Hector.

Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable.

Escudo de plata mazonado de sable, un cabrio de azur, en jefe un lobo y una loba afrontados de sable.

Coat of arms emblazoned by me, outlined in Sable, with details that emulate low and hollow relief, with an ogee external shape and with a freehand finish.

Coat of arms of Juan Lanzagorta Vallin designed by him and emblazoned by me. The chevron Azure symbolizes the firmament seen through an open hole in the masoned wall, like a window open to the sky.

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf and Combatant.

Style keywords: Outlined in sable, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lanzagorta Vallín, Juan.

Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent.

Escudo de azur, un castillo partido de plata y oro, mazonado de sable, aclarado de azur, acompañado en jefe de dos fajas ondadas de plata, y en en punta de dos fajas ondadas de plata.

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finishing.

The arms of Kevin Larkin from Ireland and Spain, designed and emblazoned by me. Blazon in French: «D'azur à la tour partie d'argent et d'or, donjonnée de trois tourelles, maçonnée de sable, ouverte et ajourée du champ, accompagnée en chef et en pointe de deux jumelles ondées d'argent».

Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy and In base.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Larkin, Kevin.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an invected octagon external shape and with a leather finish.

The coat of arms of Corey Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Crescent.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lasco, Corey Scott.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure gyronny of twenty-four Argent and Azure; overall a crescent Argent charged with a label Gules.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un creciente de plata cargado de un lambel de gules.

Arms depicted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a leather finish.

The coat of arms of Ryker Scott Lasco designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall, Crescent and Label.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lasco, Ryker Scott.

Azure, a holm oak proper, fructed and eradicated Or, between two goats Argent supporting it. Motto: «In Deo Spes Mea».

Escudo de azur, una encina al natural, frutada y arrancada de oro, con dos cabras de plata empinadas al tronco. Lema: «In Deo Spes Mea».

Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finish.

Coat of arms of the lineage Argüello of Extremadura emblazoned by me. This motto was found by Eleonora on a pair of Chinese porcelain plates made for the Spanish market, Qianlong period, circa 1770, which bear the arms of the Argüello lineage.

Blazon keywords: Azure, Or, Argent, One, Two, Holm oak, Proper, Fructed, Eradicated, Goat, Supporting and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Argüello of Extremadura, lineage.

Gules, two chevronels, in chief three mullets Argent. Motto: «Semper Supra».

Escudo de gules, dos tenazas de plata, en jefe tres estrellas todo de plata. Lema: «Semper Supra».

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finish.

Blazon keywords: Gules, Argent, Two, Three, Chevronel, In chief, Mullet and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Rothstein, lineage.

Sable, a kapok tree eradicated and fructed between in base two lozenges Argent.

Coat of arms designed by me, in plain tinctures, outlined in Sable, with a semi-circular external shape and with a texturized finish.

The coat of arms of Luis Gerardo Oyervides Ochoa, Mexico, designed and emblazoned by me.

Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base and Lozenge.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Oyervides Ochoa, Luis Gerardo.

Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules.

Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules.

Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finishing.

The coat of arms of Britania Anastoshia Korÿn McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered and Langued.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: McCoy, Britania Anastoshia Korÿn.

Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a crescent Gules.

Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un creciente de gules.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.

The coat of arms of Evander Graham Wylder McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Crescent.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: McCoy, Evander Graham Wylder.

Azure, a saltire Argent between in chief a bee proper, in fess two fleurs de lis Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; overall a label Gules.

Escudo de azur, un sotuer de plata acompañado en jefe de una abeja al natural, en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; brochante sobre el todo un lambel de gules.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

The coat of arms of Sebastian Artemis Cole McCoy designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Saltire, Between, In chief, Bee, Proper, Fleur de lis, In fess, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Overall and Label.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: McCoy, Sebastian Artemis Cole.

Gules, a chevron, between in chief two fleurs de lis Or, and in base an escallop Argent.

Escudo de gules, un cabrio de oro, acompañado en jefe de dos flores de lis de oro, y en punta de una venera de plata.

Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, and with a freehand finish.

The coat of arms of Luigi Merante Critelli emblazoned by me following the directions of Salvatore Olivari de la Moneda.

Blazon keywords: Gules, Or, Argent, One, Two, Chevron, Between, In chief, Fleur de lis, In base and Escallop.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Merante Critelli, Luigi.

Party per pale: 1 Vert, a Castle triple-towered Argent; 2 Gules, two bezants in pale Or. Motto: «In Fide et Devotione»

Blazon keywords: Party per pale, Vert, One, Castle, Argent, Gules, Two, Bezant and plate, Bezant, In pale and Motto.

Style keywords: Semi-circular, Leather and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Giaimo di Prizzi, Carmen.

Party per pale Azure and Or, a tree eradicated and blasted between two starlings respectant all counterchanged.

Escudo partido de azur y oro, un árbol arrancado y deshojado del uno al otro acompañado de dos estorninos afrontados del uno en el otro.

The Spanish blazon:

• uses «del uno al otro» when the heraldic charge is over both quarters, this expression means that the charge goes from one quarter to the other quarter and in each quarter it has the tincture of the field of the other quarter, in this case, the tree, and
• uses «del uno en el otro» when there are two equal charges, one in each quarter and with the tincture of the field of the other quarter, in this case, the starlings.

In English, the heraldic term «counterchanged» is used in both cases and this coat of arms is a good example of both.

Blazon keywords: Party per pale, Azure, Or, One, Tree, Erased, Blasted, Counterchanged, Between, Two, Starling, Respectant and Counterchanged (side-by-side).

Style keywords: Ogee, Outlined in sable and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Bendel, Nathaniel.

Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo cuartelado: 1^o y 4^o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2^o y 3^o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.

Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.

Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Noronha, House of.

Quarterly: 1 Sable, an «o» Or; 2 and 3 Or, two Wolves passant, in pale Sable; 4 Sable, an «XI» Or.

The image was produced using an alternative method for painting tartans. One of the key considerations has been the orientation of the twill: I have seen it represented both as bend sinisterwise and bendwise. In symmetric tartans, this difference may simply depend on how the cloth is positioned or, in photographs, on the direction from which the picture is taken. Photographing a piece of fabric from the south rather than from the east is enough to switch the diagonal from bend sinisterwise to bendwise, or vice versa. In symmetric tartans nothing essential changes except the visual direction of the twill.

However, in asymmetric tartans, such as the one shown here, these rotations do affect the order in which the design must be read and painted. I have also found books that consistently use one orientation, others that use the opposite one, and some that mix orientations depending on the specific tartan. I have seen a photograph of «The King Charles III tartan», (as can be seen in King Charles III Tartan, collage), worn by His Majesty himself, clearly shows the twill running in a bend sinisterwise direction, which gave me definitive confirmation that this orientation is perfectly valid for illustrating a tartan. Nevertheless, I do not rule out rendering it in the bendwise direction as well, since that is the style most commonly used in Tartan Register publications.

Additionally, the thread counts listed in the Tartan Register are typically double what the eye perceives in a woven cloth. This is because real weaving uses a double-pass system to achieve the density and colour blending characteristic of Scottish twill; consequently, the Register records the full structural count, while an accurate illustrated representation may require halving those numbers to match the visual appearance.

Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale and Number.

Style keywords: Pointed, Illuminated, Outlined in the field tincture, Freehand and Chinapieria.

Classification: Tartan, Created and Personal.

Bearer: Salmerón Cabañas, Antonio.

Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.

Escudo adiestrado: 1^o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2^o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.

Arms designed by me, in flat tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.

Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.

Design rationale

These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem.

Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Peregrina Corona, Dolores.

Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or.

Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems leather.

This coat of arms was augmented with the Royal drum of the kingdom of Bunyoro-Kitara.

Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief and In base.

Style keywords: Ogee, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Gummersbach, Peter Ferdinand.

Argent, a suspended oil lamp of three lions' heads erased and winged Vert, two heads visible, enflamed proper; a bordure Gules, charged with eight crosses botonny Argent. Crest: A galero with two cords, one on each side, each with a tassel Sable. Motto «Lux Orbis».

Escudo de plata, pendiente del jefe una lampara de aceite de tres cabezas de león arrancadas y aladas de sinóple; una bordura de gules cargada de ocho cruces botonadas de plata. Timbrado de un galero con cordones y una borla a cada lado de sable. Lema «Lux Orbis»

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a iridescent finishing.

Blazon keywords: Argent, Vert, Gules, Sable, One, Three, Two, Eight, Suspended, Oil lamp, Lion, Head, Erased, Winged, Visible, Enflamed, Proper, Bordure, Charged, Cross botonny, Crest, Galero, Cord, Tassel and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Iridescent.

Classification: Religious, Interpreted, Boa and Coat of arms.

Bearer: Iacobucci, Peter.

My heraldic Pixiv wall is Dr.A.Salmeron @antoniosheraldry and pixiv.me/antoniosheraldry.

Pixiv is a Japanese online community for artists. I post in Pixiv 2 or 3 coats of arms per week. They use a strict form to post with many mandatory input fields. This week, they have added a new mandatory field «AI-generated work: Yes / No», AI ~ Artificial Intelligence. In the image, I have highlighted this new field in red.

My animation of the coat of arms of Juan Lanzagorta reached position 33 in Pixiv’s daily Ugoira animation ranking. I am very happy about this, as it is not easy to achieve.

Categories: Technology, Social networks, Quarterly, Gules, One, Chevron, Argent, Between, Three, Fleur de lis, Or, Five, Mullet, In saltire, Four, Escutcheon, In cross, Azure, Charged, Nine, Bezant and plate, Two, Flank, Fesswise, Center, Overall, Carbuncle, Cord, In orle, Knotted, Purpure, Overall (all), Sable, Mount, Issuant from base, Vert, On, Tower, Port and windows, Masoned, Wolf, Supporting, Enté en point, Fess, Wavy, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown and Motto.

Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or.

Escudo cuartelado: 1^o y 4^o de gules, un puente de tres ojos moviente de la punta y los flancos de oro; 2^o y 3^o de azur, cinco flores de lis, en punta dos fajas ondadas, todo de oro.

Coat of arms emblazoned by me with a shape ended with an rounded arch, illuminated, and its finishing is that seems watercolor.

Credits: Felipe Trujillo Jiménez is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess and Wavy.

Style keywords: Pointed, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Pons Paneque, Jonathan.

Azure, two quills in saltire Argent, in chief an ancient coronet Or.

Escudo de azur, dos plumas en sotuer de plata surmontadas por una corona antigua de oro.

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a leather finishing.

The coat of arms of Dario Postolovski, Macedonia, emblazoned by me.

Blazon keywords: Azure, Argent, Or, Two, One, Quill, In saltire, In chief, Ancient coronet and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Postolovski, Dario.

Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; an inescutcheon in pretence Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or.

Escudo de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; un escusón en pretensión de gules con seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro.

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finish.

The coat of arms of the House of Potts of Wentworth designed by Randy David Lee Xavier Potts and emblazoned by me. These are not quartered arms, but arms bearing an inescutcheon in pretence, representing the arms of a heraldic heiress, Kimberley Ann Potts of Stountenburg, and anticipating their transmission.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Inescutcheon, In pretence, In chief and In base.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts of Wentworth, House of.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or; overall a rose Gules, leaved and seeded Or.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro; una bordura de oro; brochante sobre el todo una rosa de gules, hojada y botonada de oro.

Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finishing.

The coat of arms of Tiana Rose Lee Robidoux Potts designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Overall, Rose, Leaved and Seeded.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts, Tiana Rose Lee.

Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent.

Escudo de gules, un sotuer de oro cargado de un flanquis de sable, acompañado en jefe de tres veneras ranversadas de oro; en la diestra, un brazo diestro doblado, armado de oro, teniendo un ancla de plata; en la siniestra, un navío de guerra de dos mástiles, con troneras, las velas izadas de oro, con dos banderas de gules, plata y azur ondeando hacia la diestra, una en el palo mayor y otra en la popa, en el casco la inscripción «La Liberta» de sable; en punta, un águila bicéfala coronada de oro, teniendo dos borlas, una en cada pico, y dos espuelas, una en cada garra, todas de plata.

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.

Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa, Coat of arms and Flag.

Bearer: Quast, Johann Anton Freiherr von.

Azure, two arrows in saltire points upward, the arrow bendwise Or, the arrow bend sinisterwise Argent, overall a double vajra per saltire Or and Argent charged with a bezant per saltire curved Or and Argent.

Escudo de azur, dos flechas alzadas en sotuer, la flecha puesta en banda de oro, la flecha puesta en barra de plata, brochante sobre el todo una vajra doble cuartelada en sotuer de oro y plata cargada de un bezante cuartelado en sotuer curvilíneo de oro y plata.

Coat of arms interpreted and emblazoned by me with different shapes and a freehand finishing.

Blazon keywords: Azure, Two, Arrow, Point upwards, In saltire, Bendwise, Or, Bend sinisterwise, Argent, Overall, One, Double vajra, Quarterly per saltire, Charged, Bezant and plate and Curved.

Style keywords: Outlined in sable, Illuminated, Freehand, Rounded, Ogee and Pointed.

Classification: Interpreted and Coat of arms.

Bearer: Rage from Discord.

Vert, a pall raguly Or between three leopards' faces Or. Crest: Upon a wreath Or and Vert, on a coronet Or a leopard's face Or between two wings Sable.

Escudo de sinople, una perla ecotada de oro entre tres cabezas de leopardo de oro. Timbrado de un burelete de oro y sinople surmontado de una corona de oro surmontada de una cabeza de leopardo de oro acompañada de dos medios vuelos de sable.

Watercolor finishing.

Blazon keywords: Vert, One, Pall, Raguly, Or, Three, Head, Leopard, Crest and mantling, Wreath, Above, Crown, Between, Two, Wing and Sable.

Style keywords: Illuminated, Freehand, Pointed and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Stowe, Richard Allen.

Or, six annulets Gules, 3, 2, and 1.

Escudo de oro, seis anilletes de gules, ordenados 3, 2 y 1.

Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two and One.

Style keywords: Outlined in sable, Semi-circular and Tricking.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Richard, Richard.

Quarterly: 1 and 4 Azure, a saltire Argent between two fleurs de lis in fess Or; on a chief Argent, a bald eagle displayed Azure, head and tail Argent, beaked, armed and membered Or, langued Gules; 2 and 3 Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or ; within a bordure gyronny of twenty-four Argent and Azure; overall a heart Argent.

Escudo cuartelado: 1^o y 4^o de azur, un sotuer de plata acompañado en faja de dos flores de lis de oro; en un jefe de plata, un águila calva de azur, cabeza y cola de plata, picada, armada y membrada de oro, lampasada de gules; 2^o y 3^o de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata y en punta una de oro ; una bordura jironada de veinticuatro piezas de plata y azur; brochante sobre el todo un corazón de plata.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an invected octagon outer contour and with a leather finish.

The coat of arms of Makayla Danée Robidoux designed by Randy David Lee Xavier Potts and emblazoned by me.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Quarterly, Saltire, Between, In fess, Fleur de lis, Chief, Charged, Bald eagle, Eagle, Displayed, Head, Tail, Beaked, Armed, Membered, Langued, Bordure, Gyronny, Overall and Heart.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Robidoux, Makayla Danée.

Azure, on a pale Argent, between two lions combatant Or, armed and langued Gules, three chevronels Sable.

Escudo de azur, un palo de plata, cargado de tres tenazas de sable, acostado de dos leones afrontados de oro, armados y lampasados de gules.

Arms depicted by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a leather finishing.

The coat of arms of Catherine de Romanet emblazoned by me. Blazon in French: «D'azur, au pal d'argent chargé de trois chevrons de sable et accosté de deux lions affrontés d'or, armés et lampassés de gueules». Alternative blazon: «Azure, a pale Argent, charged with three chevronels Sable, between two lions combatant Or, armed and langued Gules».

Blazon keywords: Azure, Argent, Sable, Or, Gules, One, Three, Two, Pale, Charged, Chevronel, Between, Lion, Combatant, Armed and Langued.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romanet, Catherine de.

Gules, three Leopards faces Or, the whole within a Border Or with two Bars Gules. Crest: A crest coronet proper. Mantle: Gules doubled Erminois.

Freehand finishing

Blazon keywords: Gules, Three, Head, Leopard, Or, Ordered, Bordure, Two, Bar, Crest and mantling, Crown of Prince, Crown, Open, Mantle, Erminois and Sable.

Style keywords: Freehand, Pointed, Illuminated and Outlined in sable.

Classification: Coat of arms, Interpreted and Personal.

Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.

Sable, three Towers Or, two and one

The classic heraldic layout for three charges on a coat of arms is two in chief and on in base. The layout one in chief and two at base are considered disordered in many heraldic traditions.

The blazon of this coat of arms, «Sable, three Towers Or, two and one», is disordered, and the entropy refers to disorder, and more entropy means more disorder. Then this imaginary coat of arms is full of entropy, and it could belong to the entropy.

Categories: Riddle solution, Imaginary, Sable, Three, Tower, Or, Two, One and Disordered.

My heraldic channel on Satellite was https://satellite.earth/@as, but sadly, this social network didn't evolve properly.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Azure, between two palm fronds in pile reversed a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules.

This is the coat of arms of Sister Esperanza Vega Lanzagorta, designed by Juan Lanzagorta Vallin and painted by me in 2 steps. In the 1^st row is the selected version of her coat of arms, and in the 2^nd row is an alternative version; both are based on the same structure and concepts. The blazon for the alternative version is as follows, note that the only change is the arrangement of the two palm fronds, from pile reversed to pile: «Azure, between two palm fronds in pile a Lady of Mercy grasping in her sinister hand a broken chain Argent, and charged on the chest with an escutcheon per fess, 1 Gules, a cross patty Argent, and 2 Or, four pallets Gules».

Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Gules, Or, One, Two, Our Lady of Mercy, Grasping, Sinister, Hand, Broken, Chain, Charged, Chest, Escutcheon, Party per fess, Cross patty, Cross couped, Between, Palm frond, In pile reversed and In pile.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture, Illuminated and Semi-circular.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Vega Lanzagorta, Sister Esperanza.

Heraldic device designed by me, illuminated with lights and shadows, outlined in Sable, and with a leather finish.

This is the heraldic standard of Laurent Liu-Lecomble, designed by him and me, and emblazoned by me. Structure: coat of arms; from his badge, the two arms bendwise proper, grasping a sword bend sinisterwise; motto «Semper renascitur»; a leopard Or, armed and langued Azure; warcry «Mon dû»; from his badge, the two arms bendwise grasping a sword bend sinisterwise.

Blazon keywords: Azure, Argent, Gules, Or, One, Two, Three, Quarterly, Dexter, Hand, Appaumée, Sword, Point upwards, Between, Cross patty, Cross couped, Sinister, Eight-pointed cross, Plough share, Affronty, Disordered, Eagle claw, Inescutcheon, Charged, Fleur de lis, Arm, Bendwise, Proper, Grasping, Bend sinisterwise, Motto, Leopard, Passant, Armed, Langued and War cry.

Style keywords: Outlined in sable, Illuminated and Leather.

Classification: Personal, Created, Boa, Standard and Flag.

Bearer: Liu-Lecomble, Laurent.

Argent, a fess Gules between two Lions passant Azure, langued Gules.

I have interpreted this coat of arms with a semi-circular shape; tintures argent, gules, and azure; outlined with sable; and a iridiscent finishing.

Blazon keywords: Argent, One, Fess, Gules, Between, Two, Lion passant, Azure and Langued.

Style keywords: Semi-circular, Iridescent (nacar) and Outlined in sable.

Classification: Interpreted, Personal and Coat of arms.

Bearer: Stauffenberg, Claus von.

Party per fess: 1 Argent, a rose Gules, barbed and seeded proper; 2 Gules, two swords in saltire Argent, hilted Or. Supporters: Two bears Sable, the eyes, pizzled, langued, armed and gorged Gules, terraced Vert.

Blazon keywords: Party per fess, Argent, One, Rose, Gules, Leaved, Seeded, Two, Sword, In saltire, Hilted, Or, Proper, Terrace in base, Supporter (animal), Supporter, Bear, Sable, The eyes, Pizzled, Langued, Armed and Collared.

Style keywords: Semi-circular, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Breu, Stephan Urs.

Or, on a chevron, between three crosses flory Gules, three crescents Argent. Supporters: Two Lions rampant Or, langued and armed Gules.

Blazon keywords: Or, One, Chevron, Gules, Charged, Three, Crescent, Argent, Between, Cross, Flory, Supporter (animal), Supporter, Two, Lion, Rampant, Langued and Armed.

Style keywords: Outlined in sable, Pointed, Illuminated and Rough.

Classification: Personal, Created and Coat of arms.

Bearer: Rica II, Nick Allen.

Azure, two oak trees eradicated proper, leaved Vert, fructed Or, in chief three mullets Or; enté en point Argent, a heart Gules semé of fleurs de lis Or. Motto: «Allahumma inni as'saluka al Afiyah» Sable over a scroll Argent doubled Or.

Escudo de azur, dos robles arrancados al natural, hojados de sinople, frutados de oro, en jefe, tres estrellas de cinco puntas de oro; entado en punta de plata, un corazón de gules sembrado de flores de lis de oro. Lema: «Allahumma inni as'saluka al Afiyah» de sable sobre una filacteria de plata doblada de oro.

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finish.

The coat of arms and motto of Dr. Tariq Abbasi MBE FRSA designed by Vittorio Gifra and emblazoned by me.

Blazon keywords: Azure, Vert, Or, Argent, Gules, One, Two, Three, Oak, Tree, Eradicated, Proper, Leaved, Fructed, In chief, Mullet, Enté en point, Heart, Semé, Fleur de lis, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Abbasi, Tariq.

Azure, a plough share points downward Argent between, on a base enarched Vert, two bell towers Argent, port and window Sable.

This schema shows in 4 steps how I emblazon its coat of arms following the rule of 1/3 of the width of the coat of arms.

Blazon keywords: Azure, One, Plough share, Point downwards, Argent, Between, Two, Bell tower, Port and windows, Sable, Terrace in base and Vert.

Style keywords: Ogee, Outlined in sable, Freehand, Outlined, Plain tincture and Illuminated.

Classification: Civic, Interpreted, Coat of arms and Schema.

Bearer: Csernely.

Party per pale Vert and Azure, overall two cannons dismounted in saltire, between two seagulls volant in pale, and two fish naiant in fess Argent.

Blazon keywords: Party per pale, Vert, Azure, Overall, Two, Cannon dismounted, Cannon, In saltire, Between, Seagull, Volant, In pale, Fish, Naiant, In fess and Argent.

Style keywords: Semi-circular, Outlined in sable, Plain tincture, Illuminated and Freehand.

Classification: Personal, Interpreted, Coat of arms and Schema.

Bearer: Lanzagorta Escutia, Miguel Francisco.

Heraldry videos

• Heraldic panther on the arms of the residential neighborhood of Centro, Val'Quirico, Tlaxcala, Mexico.
• Giclee for the arms of Carmela Mazzacuva, Marquise of Montebello, emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle designed by him emblazoned by me.
• The legal wafer of KZA Music Services of Laird Sky emblazoned by me in the certificate of his music academy.
• Heraldic document for the coat of arms of Lucas Cruz's family.
• The pennon of the residential village of Centro, Val’Quirico, Tlaxcala, Mexico, designed and emblazoned by me.
• ANPC - Egmont Overture This video shows how I emblazon the coat of arms of the ANPC of Spain.
• This video shows the coat of arms of Juan Lanzagorta Vallín designed by him and emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle emblazoned by me step by step.
• This video shows how I emblazon the coat of arms of Richard Arthur Brinnhard.
• Heraldic standard of Rudolf Juchter van Bergen Quast emblazoned by me.

Heraldic channel

My heraldic channel @antoniosheraldry at TikTok is tiktok.com/@antoniosheraldry.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.

Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2^nd and 3^rd quarters.

Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Trastámara, House of.

Party per pale: 1 Argent, a tree issuant from base Murrey; 2 Murrey; two annulets interlaced, in pale Or; in a chief Sable, three arches Argent.

Escudo partido: 1^o de plata, un árbol moviente de la punta de morado; 2^o de morado, dos anilletes entrelazos, en palo de oro; en un jefe de sable, tres arcos de plata.

Coat of arms depicted by me, highlighted with lights and shadows, with a chasuble outer contour and with a watercolor finish.

The coat of arms of the Hacienda de Triana, Val’Quirico, Tlaxcala, Mexico, designed by Joaquin Haces Perdomo and me and emblazoned by me.

Blazon keywords: Sable, Argent, Murrey, Or, One, Two, Three, Party per pale, Tree, Issuant, Base, Annulet, Interlaced, In pale, Chief and Arch.

Style keywords: Illuminated, Chasuble and Watercolor.

Classification: Socioeconomic, Interpreted, Boa and Coat of arms.

Bearer: Triana, Hacienda de.

This portrait, attributed by the seller to Frans Pourbus the Younger, was described on the market as that of a Venetian lady holding a «Venetian Lace Fan» and was said to come from a private collection in Florence, Italy. More precisely, its sales title was «Portrait of a Lady with a Venetian Lace Fan c.1595, Remarkable condition 1597».

From a heraldic point of view, the work presents, as a significant element, a coat of arms of oval shape painted on the column accompanying the figure. Oval forms are often associated with the shields of married women; if this late-sixteenth-century shield originated, for example, in England, one could be more confident that there is a relationship between the oval shape of the shield and the lady depicted. Originating in Italy, and more specifically in Venice, this oval shape may have been chosen either because the sitter was a woman or simply as a matter of fashion, since in that period and region oval shields can also be found in ecclesiastical contexts and used by men, the oval then being regarded as a form more architectural and artistic than combative.

I became aware of this painting because I was asked by a university whether I could identify the coat of arms on the column. The identification of coats of arms in historical painting is a slow, uncertain task and, in most cases, an unproductive one. It may require hours, days, weeks or even years, and often does not lead to definitive results. For this reason, I generally try to avoid this type of research.

In this particular case, I was unable to identify it. However, coats of arms, once seen, remain in visual memory; that is precisely what they are designed to do. Twenty months later, while casually reviewing a series of heraldic records published by the Italian heraldist, «Vittorio|Gifra», one of them caught my attention at an unconscious level. I continued moving through the series, but an unmistakable sense arose that something relevant had been overlooked, which led me to go back and examine the entry again with care. At that moment, the lady with the Venetian fan and the coat of arms painted on the column of the portrait immediately came to mind.

The consulted entry stated verbatim: «Stemma famiglia #VOGANZI. @voganzi Arma: d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro. A.S.Mi. Reg. 0002: stemmario Marco Cremosano - 1673; [...] et anco di diverse Famiglie d’Italia, Vol. II°, p. n°333, posizione, 3^ fila e 3° stemma da sx a dx. [Cfr.: Archinto: «de #VOGANZA de Venetia» (I 13 V a)]. Vittorio Gifra. Lun01-12-2025».

Indeed, it had been found: the coat of arms on the column belongs to the Voganzi family of Venice, whose arms are, in Italian «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro» ~ in English «Azure, two tibiae proper in saltire, between four fleurs de lis Or» ~ in Castilian «escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro».

I then proceeded to document the finding and inform the interested parties.

In the Archinto, the form «Voganza» appears, referring to a specific individual or to the nominal origin of the lineage, in the singular; for example, «una dama de la casa Voganza». By contrast, in the stemmario by Marco Cremosano the form «Voganzi» is recorded, which corresponds to the plural commonly used to designate the collective body of members of the Voganza family. Taking into account that only about 70 years elapsed between the portrait (1597) and the stemmario (1673), it is plausible that at the time the painting was made the surname could already appear as «Voganzi» or in a very similar form. Although surnames do evolve over time, the interval considered is not one of centuries, but of 7 decades.

My most important doubt in this identification concerns the colour of the field; when I first saw it, I hesitated between sable and azure. It seemed too light to be sable, I thought; it could be azure, but it is not very azure, so in my notes I left it as: «either sable or azure».

When I depict elements in saltire, I usually give precedence to the bend over the bend sinister, so my natural inclination would be to place the tibia bendwise above the tibia in bend sinisterwise. In this case, however, I have placed the tibia bend sinisterwise above, in order to remain consistent with the coat of arms on the column. In any event, this is merely an artistic detail, with no relevance from the standpoint of heraldic description, which is the same in both cases.

Categories: Identification, Interpreted, Watercolor, Outlined in sable, Illuminated, Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.

200th Pope of the Church, from 1362 to 1370. «Urbanus V», born Guillaume de Grimoard, was born in Le Pont-de-Montvert, in the Languedoc.

Gules, a chief dancetty of four full points Or.

Escudo de gules, un jefe encajado de cuatro piezas enteras de oro.

Papal coat of arms interpreted with: a round-topped shield; the field in plain Gules; the chief indented, illuminated in metal Or, and outlined in Sable; and the whole design in hammered metal.

[Rietstap, J. B.; 1861] blazons it as Grimoard «de gueules, au chef émanché de quatre pièces d'or».

Blazon keywords: Gules, Chief, Dancetty, Or, Three and Two.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Religious and Papal States.

Bearer: Urban V.

Or, a port Or, with jambs, enarched lintel, and two open leaves, upon a three-step stairway Azure.

Escudo de oro, una puerta con jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de azur, aclarada de oro.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of the lineages Uschiolo and Ustiolo, emblazoned by me following the blazon published by Vittorio Gifra in Italian: «Arma: d’oro, alla porta di due ante a timpano arcuato d’azzurro, scalinata di tre pezzi del medesimo e aperta del campo».

Blazon keywords: Or, Azure, One, Two, Three, Port, Arched, Enarched, Upon, Step, Stairway and Port and windows.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Uschiolo and Ustiolo, lineages.

Blazon of the lineage Voganzi in Venice

Azure, two tibiae proper in saltire, between four fleurs de lis Or

Escudo de azur, dos tibias al natural en sotuer, cantonadas de cuatro flores de lis de oro.

Illuminated and watercolor.

The blazon in Italian is «d’azzurro, a due tibie in decusse al naturale, accantonate da quattro gigli d’oro».

Blazon keywords: Without divisions, Azure, Two, Tibia, Proper, In saltire, Cantoned, Four, Fleur de lis and Or.

Style keywords: Watercolor, Outlined in sable and Illuminated.

Classification: Personal, Lineage, Interpreted and Coat of arms.

Argent, a lion rampant guardant Vert, armed and langued Gules; on a chief Gules, a mullet of six points voided, interlaced Argent between two hearts Or.

The coat of arms of Yishay Ifrah outlined by me. The internal structure of this design is that the lion's forepaws fall below the center of the dexter heart, the central vertical axis passing through the center of the Star of David runs between the lion's eyes, and the tip of the tail falls below the center of the sinister heart.

Blazon keywords: Argent, Vert, Gules, Or, One, Two, Lion rampant guardant, Armed, Langued, Chief, Charged, Star of David, Mullet, Voided, Interlaced, Between and Heart.

Style keywords: Outlined and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Ifrah, Yishay.

Or, on a pile issuant from base Vert between two maunches Gules a displayed scroll Argent with seal pendant proper, the whole debruised by a label of three points Sable

Escudo de oro, en una pira de sinople acompañada de dos mangas de gules, un pergamino abierto de plata, con un sello de lacre pendiente al natural; brisado de un lambel de tres pendientes de sable.

Coat of arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a freehand finishing.

R0047, Chief Herald of Arms of Malta's register of Olivia Zangenberg's arms, whose coat of arms has been emblazoned by me.

Blazon keywords: Or, Vert, Gules, Argent, Sable, One, Two, Pile issuant from base, Between, Maunch, Displayed scroll, Suspended, Cadency, Proper and Label of three points.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa, Coat of arms and Seal.

Bearer: Zangenberg, Olivia.