In base

Azure, on waves of the sea in base Argent, a ship oars in action Or, pennant flying, and in full sail Argent; on a chief Argent, a closed book Gules, edges and clasps Or. Supporter behind the shield: A linden eradicated Sable, leaved Vert, fructed Or. Motto: «Ubi concordia ibi victoria» Sable over a scroll Or.

Escudo de azur, en punta un mar ondado de plata sumado de un barco con remos de oro, con vela y gallardete de plata; en un jefe de plata, un libro cerrado y brochado de oro, tapas de gules. Sostenido por un tilo arrancado de sable, hojado de sinople, frutado de oro acolado detrás del escudo. Lema: «Ubi concordia ibi victoria» de sable sobre una filacteria de oro.

Coat of arms devised by me, illuminated with lights and shadows, with a pointed outer contour and with a texturized finish.

The coat of arms of the Strategy Department of Consultoria.IO designed by Ignacio Perez de Bartolome and me and emblazoned by me. Consultoria.IO is a consulting firm specialized in scale-up e-commerce stores.

Design rationale

Teamwork navigating towards a common goal (lymphad with sail and oars), keeping trade secrets (book with clasps), and solidity in support and growth (linden). The motto «Ubi concordia ibi victoria» means «Where there is unity, there is victory». It conveys the idea that success arises from harmony and collaboration between the team and its clients, working together toward shared goals.

Blazon keywords: Azure, Argent, Or, Gules, Sable, Vert, One, Wavy, Sea, In base, On, Ship, Oar, Sail, Chief, Closed book, Book, Clasped, Supporter (thing), Supporter, Behind the shield, Linden, Eradicated, Leaved, Fructed, Motto and Scroll.

Style keywords: Illuminated, Pointed and Plain tincture.

Classification: Socioeconomic, Created, Boa, Coat of arms, Pennon and Flag.

Bearer: Strategy Department of Consultoria.IO.

Escutcheon Argent, in base a trimount, in chief a pair of open pliers bend sinisterwise proper.

Heraldic device emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.

G0076, Chief Herald of Arms of Malta's grant of Claes Zangenberg's badge, whose heraldic badge has been emblazoned by me.

Blazon keywords: Argent, One, Escutcheon, In base, Trimount, In chief, Open, Pair of pliers, Bend sinisterwise and Proper.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Zangenberg, Claes.

Tierced per pale: 1 Or, upon a fess Azure a lion passant Gules holding a sword point upwards Argent [for Spiteri]; 2 Azure, upon a base Vert a tree eradicated proper, supported at sinister by a man proper wearing a loincloth Argent and holding in his sinister a spear point upwards Or and in chief three mullets of six points in fess Or [for Debono], 3 Gules, two hands clasped throughout proper, vested Argent, holding a dagger point upwards Argent, hilted Or, in chief three mullets of six points in fess Or and in base a sprig of olive fesswise proper [for Zammit]. Crest: Upon a helm, befitting her degree as President of Malta, with a wreath Or and Gules, an escutcheon Bleu celeste, issuant from a base wavy Argent, charged with three bars wavy Azure, three arches interlaced in fess Or. Mantling: Gules doubled Argent. Supporters: Two lions rampant Or, langued Gules, terraced by a mound Vert. Motto: «Servire Cum Modestia». The shield is surrounded by the Xirka Gieh ir-Repubblika and the Grand Collar of Malta's National Order of Merit, as Head of both.

Personal coat of arms of Her Excellency Myriam Spiteri Debono, President of Malta, grant G0134 by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. These arms, which I emblazoned and painted for Grant G0134, are shown here together with four photographs: two of the grant’s cover and the page displaying the coat of arms, and two taken during the official ceremony held at San Anton Palace, where the personal coat of arms was presented to Her Excellency Myriam Spiteri Debono, President of Malta, by Dr. Charles A. Gauci, Chief Herald of Arms of Malta. Also present were Mr. Anthony Scicluna, Deputy Chairman of Heritage Malta, and Chev. Ray Cassar, Registrar at the Office of the Chief Herald.

Blazon keywords: Or, Azure, Gules, Argent, Vert, Bleu celeste, One, Two, Three, Tierced per pale, Fess, Lion, Passant, Sword, Point upwards, Base, Tree, Eradicated, Proper, Sinister, Male figure, Loincloth, Spear, In chief, Mullet, In fess, Two hands clasped, Dagger, Hilted, In base, Sprig, Olive tree, Fesswise, Crest, Upon (wreath), Helm, Wreath, Escutcheon, Ensigned by, Wavy, Bar, Arch, Interlaced, Mantling, Rampant, Compartment, Motto, Surrounded, Decoration and Grand collar.

Style keywords: Outlined in sable, Illuminated and Pointed.

Classification: Personal, Interpreted, Boa, Collage and Photographic.

Bearer: Spiteri Debono, Myriam.

City of Ceuta, Spain, Africa

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 2, 2, 2, and 1.

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, dos en jefe, una en cada flanco y tres en punta

Illuminated and a leather finishing.

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three and In base.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Spain.

Bearer: Ceuta.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a texturized finish.

Dr. Chad M. Krouse in his outstanding blog has graciously spotlighted my contributions to the heraldic arts. He beautifully captures the essence of my work and the methodology behind it. I invite you to read the full article at walsinghamwanderings.blogspot.com/2023/09/heraldic-artist-spotlight-dr-antonio.html and also in his blog walsinghamwanderings.blogspot.com you can see my heraldic artwork at the header of walsinghamwanderings.blogspot.com/2023/09/the-man-and-his-arms-origin-story.html. The image shown is a collage composed of elements from his website.

Blazon keywords: Gules, Argent, Azure, Two, One, Party per chevron, Barry, Wavy, In chief, Dogwood flower, Flower, Proper, In base, Cross of Saint Chad, Cross couped, Crest, Head, Erased, Grasping, Beak, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Krouse, Chad Michael.

Party per fess: 1 party per pale: 1 quarterly: 1 and 4 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]. 2 quarterly: 1 Or, four pallets Gules [for Aragon]; 2 quarterly per saltire: 1 and 4 Or, four pallets Gules; 2 and 3 Argent, an eagle displayed Sable [for Aragon-Sicily]. 3 Argent, a cross potent cantoned of four crosslets Or [for Jerusalem]. 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]. Enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]. 2 quarterly: 1 Gules, a fess Argent [for Austria]; 2 Azure semé of fleurs de lis Or within a bordure compony Argent and Gules [for Burgundy modern]; 3 bendy Or and Azure within a bordure Gules [for Burgundy ancient]; 4 Sable, a lion rampant Or, armed and langued Gules [for Brabant]; overall an inescutcheon party per pale: 1 Or, a lion rampant Sable, armed and langued Gules [for Flanders]; 2 Argent, an eagle displayed Gules, crowned, armed, beaked, langued and membered Or, charged on the wings with two trefoiled stems Or [for Tyrol]. Crest: An imperial crown with two fanons Argent, fringed Or. Behind the shield a double-headed eagle displayed Sable, nimbed, beaked and armed Or, langued and membered Gules, enfiled by an open royal crown above the shield. Supporters: two columns Argent between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Moto environing the columns: «Plus Ultra» Or over a scroll Gules.

Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a freehand finishing.

Arms of Charles, Holy Roman Emperor, emblazoned by me. The decision to depict both Pillars of Hercules in Argent arises from a strictly technical and artistic process. My objective was to paint the commander’s badge of the Imperial Hispanic Order of Charles V, a piece that is entirely made of Argent. Working directly on a fully Argent surface made the visual reading of the whole difficult, so I decided, as a preliminary step, to paint the coat of arms in its proper tinctures and, once the chromatic composition was resolved, to convert it into Argent. The commander’s badge of this order is based on its coat of arms and emblem as interpreted and painted by the heraldist and heraldic artist Fernando Martínez Larrañaga. In that interpretation, Fernando represented the Pillars of Hercules entirely in Argent. For the sake of coherence with this model, which is the direct reference for the badge, I followed the same solution and painted the pillars in Argent. I have also painted this same coat of arms with the pillars having Argent shafts and Or bases and capitals.

Blazon keywords: Gules, Azure, Sable, Argent, Purpure, Or, Vert, One, Two, Four, Party per fess, Party per pale, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Armed, Langued, Crowned, Pale, Quarterly per saltire, Eagle, Displayed, Cross potent, Cross couped, Cantoned, Crosslet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Seeded, Slipped, Leaved, Fess, Semé, Fleur de lis, Bordure, Compony, Bendy, Overall, Inescutcheon, Beaked, Membered, Wing, Trefoiled, Stem, Crest, Imperial crown, Crown, Fanon, Fringed, Behind the shield, Double-headed, Nimbed, Enfiled, Open royal crown, Above the shield, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Dexter, Closed royal crown, Sinister, Motto, Environed and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Charles V, Holy Roman Emperor.

Or, a roe deer springing Gules, in base a triple mount Vert.

Escudo de oro, un corzo brincante de gules, en punta un monte de tres peñas de sinople.

Tongues out

This is a reflection on tongues protruding in animals in heraldry. I will rely on the representations in [Fox-Davies, A. C.; 1909], which include numerous depictions of animals in a wide range of heraldic attitudes.

In heraldry, tigers [Fox-Davies, A. C.; 1909; figures 322–325], lions, wolves, bears, etc., are commonly shown with their tongues out. These are heraldic beasts and carnivores.

However, the fox [Fox-Davies, A. C.; 1909; figures 343–345] is not shown with its tongue out. It is classified as a heraldic beast and is also carnivorous.

The boar is an omnivore, a heraldic beast, and is depicted with its tongue out [Fox-Davies, A. C.; 1909; figures 353–358].

From this, it’s clear that having the tongue out is not uniformly associated with being a heraldic beast or being carnivorous.

On the other hand, [Fox-Davies, A. C.; 1909; figures 446–449] classifies eagles as birds, not beasts. They are carnivorous and shown with their tongues out.

Dolphins, which are carnivorous fish, are also depicted with tongues protruding [Fox-Davies, A. C.; 1909; figures 479–480].

Some heraldists claim that herbivores are never shown with their tongues out.

But donkeys, mules, and especially horses —all herbivores— can indeed be shown with tongues out. For example, [Fox-Davies, A. C.; 1909; figures 360 and 362] depict horses with tongues out, though figure 361, where the horse is running, does not. In no case are horses classified as heraldic beasts.

[Fox-Davies, A. C.; 1909; figures 368 and 370] show the talbot, the mythical heraldic dog, with its tongue out when rampant or passant, but not when standing or seated. This might suggest that a protruding tongue is related to dynamic postures. However, we saw in the previous paragraph that a running horse isn’t necessarily drawn that way.

The bull [Fox-Davies, A. C.; 1909; figures 375–376] is not depicted with its tongue out. Nevertheless, I do paint bulls with tongues protruding. And although bulls are herbivores, I defend the heraldic bull as one of the most beastly figures in heraldry.

Stags never appear with tongues out in any of their postures [Fox-Davies, A. C.; 1909; figures 379–386], nor do other cervids [Fox-Davies, A. C.; 1909; figures 387–390] as the roe deer of this coat of arms.

Rams, sheep, lambs, and goats also do not [Fox-Davies, A. C.; 1909; figures 395–403].

The badger, like the fox, is carnivorous [Fox-Davies, A. C.; 1909; figure 409], yet also lacks a protruding tongue.

In conclusion, a protruding tongue cannot be consistently associated with heraldic beasts or carnivores. Nor can the absence of a tongue be linked solely to herbivores or to peaceful postures. For instance, lions are always shown with tongues out, even in their calmest attitudes [Fox-Davies, A. C.; 1909; figures 304–309].

Ultimately, it is up to the heraldic artist to decide whether to depict the tongue, depending on what they want to express. Greater aggression, motion, or liveliness may justify a protruding tongue. As a symbol of liveliness and agility, in this case, but perhaps not in others, I paint this roe deer with its tongue hanging out.

Credits: Stephan Urs Breu is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Or, One, Roe deer, Springing, Gules, In base, Trimount and Vert.

Style keywords: Outlined in sable, Semi-circular and Plain tincture.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Rehberger, Alena.

Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. Supporters: two columns Argent, capital and base Or, between in base waves Azure, in chief an imperial crown the dexter and a closed royal crown the sinister. Motto environing the columns and behind the shield: «Plus Ultra» Or over a scroll Gules.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a iridescent finish.

Arms of the Kingdom of Spain emblazoned by me. On the arrangement of the crowns: a) Royal Decree 1511/1977, of 21 January, enacted during the so-called Transition and approving the Regulations on Flags and Standards, Guidons, Insignia and Distinctive Signs, states: «Rule No. 2. Coat of Arms of Spain… Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one…». b) The subsequent Law 33/1981, of 5 October, regulating the current coat of arms of Spain, likewise states: «…Accompanied by two columns Argent, with base and capital Or, set upon waves Azure or blue and Argent», «superado» «by an imperial crown on the dexter one and by a royal crown on the sinister one». c) The term «superado» in the heraldic dictionaries in which it appears refers, as a synonym, to «surmontado». d) The definitions of «surmontado» include: «a charge which, at its upper part, has another above it but without touching it», «also said of superado», and «a figure that bears another above it, but without touching it». In light of a), b), c) and d), the two crowns should therefore be painted not touching the columns. However, in the illustrative drawing contained in Royal Decree 1511/1977 the crowns do touch the columns, contradicting its own wording, although in heraldry, when in doubt, the written blazon always prevails; and in most official representations the crowns do indeed touch the columns. Nevertheless, this personal interpretation of both the coat of arms of Spain and of the proper way to write its blazon, where the lateral crowns do not touch the columns, and then I decide that, following the same criterion, the central crown should not touch the shield either, so the result differs from the official version. The expression «waves Azure or blue and Argent», which appears both in the 1977 official definition and in the 1981 one, presents a double peculiarity: it combines the heraldic term «Azure» with the everyday term «blue», and it is also offered as an optional blazon, giving two alternatives, that the waves be only Azure, as I have painted them, or Azure and Argent; optional blazons are extremely rare and, in my view, perhaps not very advisable.

Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Two, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Supporter (thing), Supporter, Column, Shafted, Between, In base, Wave, In chief, Imperial crown, Dexter, Sinister, Motto, Environed, Behind the shield and Scroll.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Iridescent.

Classification: Civic, Kingdom of Spain, Interpreted, Boa and Coat of arms.

Bearer: Spain, Kingdom of.

Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.

Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain emblazoned by me. These arms were designed by my lieutenant colonel and friend Miguel Angel Nuñez Amador. The image shows three steps of my artwork: a) ratio, b) outlined, and c) plain colors and metals. The Castilian «filiera» is a diminished bordure; its width is usually 1/2 or 1/3 of the width of the bordure. The bordure itself is usually 1/6 of the width of the coat of arms. Therefore, the «filiera» is typically 1/(2×6) = 1/12 or 1/(3×6) = 1/18 of the width of the coat of arms.

Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Semi-circular.

Classification: Military, Interpreted, Schema, Boa and Coat of arms.

Bearer: Crepsi.

Azure, two arrows points upwards in saltire between, in chief a crescent Or, in base an open book Argent, garnished Or, the pages inscribed «Domus Virtus Felicitas» Sable. Crest: Upon a helm with a wreath Or and Azure, a bald eagle rising, wings addorsed and inverted proper. Mantling: Azure doubled Or.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finish.

Blazon keywords: Azure, Or, Argent, Sable, One, Two, Arrow, Point upwards, In saltire, Between, In chief, Crescent, In base, Open book, Book, Page, Inscribed, Crest and mantling, Upon (wreath), Helm, Wreath, Bald eagle, Eagle, Rising, Wing, Addorsed, Proper and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Romero, Reynaldo.

Sable, on a chevron Argent three spears' heads Gules, in chief two unicorns' heads erased Argent, horned and crined Or, langued Gules, in base on a pile of the last issuant from the chevron a unicorn head erased Sable, langued Gules. Crest: Upon a helm with a wreath Argent and Sable, a unicorn's head Argent, erased Gules, horned and crined Or, langued gules, charged upon the neck with three spears' heads cheveronwise Gules. Mantling: Sable doubled Argent.

Illuminated and a watercolor finishing, and the mantling and the wreath diapered with Chinapieria.

«An unicorn's head Argent, erased Gules» means that the unicorn's head are metal Argent, but the jagged edge of its base are gules.

Blazon keywords: Sable, Chevron, Argent, Three, Spear's head, Gules, In chief, Two, Head, Unicorn, Erased, Crined, Horned, Or, Langued, In base, One, Pile, Crest and mantling, Helm, Mantling, Wreath, Charged and Neck.

Style keywords: Outlined in sable, Pointed, Illuminated, Watercolor and Chinapieria.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Wright, Charles F. M..

Argent, in base three bars wavy Azure, overall, an oak eradicated Vert, fructed Or, to its dexter a cauldron suspended from a branch, and in front of its trunk a boar passant Sable. Crest: Upon a helm in profile with visor bars Or, and a wreath Argent and Vert, five ostrich feathers alternately Vert and Argent. Mantling: Vert doubled Argent.

Arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finish.

Blazon keywords: Azure, Argent, Vert, Or, Sable, Three, One, In base, Bar, Wavy, Overall, Oak, Tree, Eradicated, Fructed, Dexter, Cauldron, Suspended, Branch, In front (tree), Trunk, Boar, Passant, Crest, Upon (wreath), Helm, Barred, Wreath, Ostrich feathers, Alternately and Mantling.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Idareta Goldaracena, Francisco.

Party per chevron Argent and Sable, two wings Gules, in base a compass rose Argent; on a chief Sable, three mullets Argent. Crest: Upon a wreath Argent and Sable, an eagle displayed Sable, armed and beaked Gules.

Coat of arms emblazoned by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a leather finish.

Blazon keywords: Argent, Gules, Sable, One, Two, Three, Party per chevron, Wing, In base, Compass rose, Chief, Mullet, Crest, Wreath, Eagle, Displayed, Armed and Beaked.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Reed Jr., family of Roy L..

Or, a tree eradicated proper, between in base a crescent reversed Argent and a mullet of six points Gules. Crest: Upon helm Argent, barred Or a barred helm Or, a crown of Count. Mantling: On the dexter Vert doubled Or and on the sinister Gules doubled Or. Motto: «Onida» in Sable letters over a scroll Argent doubled Or.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee outer contour and with a watercolor finish.

Canting arms of Gian Carlo Onida, Alessandria, emblazoned by me. «Crescent reversed» means that the points of the crescent are directed toward the base of the shield. The crescent of these arms is a historical charge Argent placed on a field Or; metal over metal, in Italian heraldic terminology this is described as «cucito» ~ in French and English «cousu» ~ in Spanish «cosido». In Castilian heraldry it is not necessary to specify the number of points of the mullet, since the default value is 6. In English heraldry it is mandatory to specify «mullet of six points», as the default number of points is 5. An «eradicated tree» implies visible roots.

Blazon keywords: Or, Argent, Gules, Vert, One, Tree, Eradicated, Proper, Between, In base, Crescent, Reversed, Mullet, Crest, Helm, Barred, Crown of Count, Crown, Mantling, Dexter, Doubled, Motto (identification) and Scroll.

Style keywords: Metal on metal, Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Onida, Gian Carlo.

Gules, a chevron, between in chief two fleurs de lis Or, and in base an escallop Argent. For crest a crown of Baron.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, and with a freehand finish.

Blazon keywords: Gules, Or, Argent, One, Two, Chevron, Between, In chief, Fleur de lis, In base, Escallop, Crown of Baron and Crown.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Merante Critelli, Luigi.

Gules, three bars wavy; in chief two mullets above a fess in base Or. Crest: A crown of Noble.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, and with a freehand finish.

Coat of arms of Marilena Marinanza, Italy, emblazoned by me. These arms have been requested by her husband Andrea Tamburelli Lanzara di Pietragavina.

Blazon keywords: Gules, Or, Three, Two, One, Bar, Wavy, In chief, Mullet, Above, Fess, In base, Crest, Crown of Noble and Crown.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Marinanza, Marilena.

Azure, flanched Argent: in chief, an open book Argent, garnished Or; in base, an oak eradicated Argent, fructed Or; in each flank, a torch Vert, enflamed proper.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of Del Fabbro Universidad, Tlaxcala, Mexico, designed and emblazoned by me.

Blazon keywords: Azure, Argent, Or, Vert, One, Two, Flanched, In chief, Open book, Book, Garnished, In base, Oak, Tree, Eradicated, Fructed, In each flank, Torch, Enflamed and Proper.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Socioeconomic, Created, Boa and Coat of arms.

Bearer: Del Fabbro Universidad.

Design ideas

The heraldic art often involves resolving design challenges while maintaining both aesthetic balance and adherence to tradition. The coat of arms illustrated here draws inspiration from the Dethick-Dethicke family arms of Derbyshire, though it features distinct differences. This design explores the placement of water-bougets, a medieval water vessel, in a 2+2 arrangement, with a fess vair.

One key consideration when arranging charges in heraldry is proportionality. In this case, the fess occupies 1/3 of the coat of arms's width and is positioned 1/3 of the height from the chief, rather than at the exact center, allowing the charges to balance harmoniously. The shape of the shield itself also plays a role: rounded shields can accommodate a 2+2 arrangement more comfortably than shields with a pointed base, which are better suited to 2+1 arrangements, this is de case of Dethick's arms.

Another challenge in heraldic design is asymmetry. To address the natural curves of the shield, the water-bougets may vary slightly in size or placement. This intentional asymmetry can help create a visually appealing composition that respects both tradition and the unique constraints of each design, because, heraldry is not only about rules but also about creativity.

Gules, a fess vair between four water-bougets Or, two in chief and two in base.

Escudo de gules, una faja de veros acompañada de cuatro pares de odres de oro, dos en jefe y dos en punta.

Water-bouget

In German, they are called «Wasserschlauch» in English «water-bougets» or «oges», and in French «bouses» or «chantepleures».

There is no specific heraldic term for them in Castilian. Based on «chantepleures», one could use «cantimploras», which are metallic or at least rigid. On the other hand, «oges» could translate as «odres», as they are typically made of leather as in this case. Additionally, since «water-bouget» are designed as a pair to be carried by a donkey or other animal, I have decided to use «par de odres» to convey the idea of one on each side of the animal.

In English, when there is a single charge, that is, a pair of water vessels, it is written in singular as «water-bouget», as can be seen in [Fox-Davies, A. C.; 1909; figure 551]. [Friar, S.; 1987; page 68] defines «bouget» as «...a stylized representation of a yoke supporting two leather waterbags».

Blazon keywords: Gules, One, Fess, Vair, Between, Four, Water-bouget, Or, Two, In chief and In base.

Style keywords: Ratio, Outlined, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Interpreted, Schema and Coat of arms.

My heraldic Discord wall is The Discord Roll of Arms # Antonio.

Categories: Technology, Social networks, Party per pale, Vert, One, Compass rose, Argent, Between, In chief, Ancient coronet, Crown, In base, Sun in splendour, Or, Sable, Overall (line of division), Spear, Shafted, Helm, Mantling, Doubled, Wreath, Lynx, Couchant, Proper, Langued, Azure, Motto and Giclée.

Party per pale Azure and Gules, overall in chief two lions rampant, double queued Argent, armed, langued and crowned Or, and in base upon three bars wavy Argent, a ship Or, in full sail Argent.

Escudo partido de azur y gules, sobre el todo en jefe dos leones rampantes, de cola horquillada de plata, armados, lampasados y coronados de oro, y en punta un barco de oro, con velas de plata, sostenido de tres burelas ondadas de plata.

Arms designed by me, highlighted with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.

Coat of arms of the family of Milos Dukat from Czechia and the Basque Country, designed by them and me, and emblazoned by me.

Blazon keywords: Azure, Gules, Argent, Or, One, Two, Three, Party per pale, Overall, In chief, Lion, Rampant, Double queued, Armed, Langued, Crowned, In base, Upon, Wavy, Bar, Ship and Full sail.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Dukat, family of Milos.

Quarterly: 1 Gules, a pale Or upon six waves Azure and Argent, a bordure Or charged with eight lions' heads erased Gules [for Durán]; 2 Azure, a crescent reversed Argent, in dexter chief a fleur de lis Or, a bordure Gules [for Alpoim]; 3 Argent, two goats in pale Purpure, horned Sable [for Cabral]; 4 Gules, a double cross throughout Or cantoned by six plates, a bordure Or [for Melo]; an inescutcheon quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias]. Crest: Upon a helm in profile Argent, with visor bars Or, and a wreath Or and Azure, an arm proper, vested Azure, lined Or, supporting a scroll Azure doubled Or, inscribed with the cry «Notre Dame du Puy» Or. Mantling: Azure doubled Or. Suspended from the shield, the cross of the Royal Equestrian and Military Order of Saint Michael of the Wing and the insignia of the Equestrian Order of the Maestranza of Castile.

Arms emblazoned by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a freehand finishing.

Blazon keywords: Gules, Or, Azure, Argent, One, Two, Five, Six, Seven, Eight, Eighteen, Quarterly, Pale, Upon, Wave, Bordure, Charged, Lion, Head, Erased, Crescent, Reversed, In the dexter chief, Fleur de lis, Goat, In pale, Horned, Double cross throughout, Cantoned, Plate, Inescutcheon, Escutcheon, In cross, In saltire, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony, Vair, Upon (wreath), Helm, Facing dexter, Barred, Wreath, Arm, Proper, Vested, Lined, Grasping, Scroll, Doubled, Inscribed, War cry, Mantling, Suspended from the shield and Decoration.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Durán Cabral de Melo e Alpoim, Fernando.

Gules, a rose between in chief a key wards to dexter facing downwards, in base a key wards to sinister facing downwards Argent.

Coat of arms emblazoned by me, in flat tinctures, outlined in Sable, with a semi-circular external shape and with a texturized finish.

The coat of arms for Francisco Domingo Larrosa Gil emblazoned by me.

Blazon keywords: Gules, Argent, One, Rose, Between, In chief, Key, Dexter, Point upwards, In base, Point downwards and Sinister.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Larrosa Gil, Francisco Domingo.

Argent, the letters «GVA» conjoined Sable, a trimount in base Vert; on a chief Azure, three mullets of eight points Or, 1 and 2. Crest: Upon a helm befitting his degree, with a wreath Or and Azure, a crown of Noble. Mantling: Azure doubled Or. Motto: «Guallini».

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a freehand finishing.

R0067, Chief Herald of Malta's register of the arms of Mario Antonio Guallini. These arms have been emblazoned by me for such register.

Blazon keywords: Argent, Vert, Sable, Azure, Or, One, Three, Eight, Letter, Conjoined, Trimount, In base, Chief, Mullet, Disordered, Upon (wreath), Helm, Wreath, Crown of Noble, Crown, Mantling, Doubled and Motto.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Guallini, Mario Antonio.

Azure, in chief a label Or, and in base a fleur de lis Argent.

Escudo de azur, en jefe un lambel de oro y en punta una flor de lis de plata.

Coat of arms painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a freehand finishing.

Coat of arms of the lineage Gangoiti emblazoned by me based on the description by [Cadenas y Vicent, V. de; 1987; page 770].

Blazon keywords: Azure, Or, Argent, One, In chief, Label, In base and Fleur de lis.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Gangoiti, lineage.

Party per pale: 1 Gules, a bend sinister debruised by an inescutcheon Or charged with a bend Azure charged with five fusils palewise Argent, in base on a triangle Argent the Sacred Heart of Jesus proper [for Adriaensen]; 2 Azure, a fleur de lis Argent above a doe sejeant proper surrounded by twelve mullets in orle Or [granted by Bourbon-Parma].

Coat of arms emblazoned by me with a lozenge shape, illuminated, and with a free hand finishing.

G0084, Chief Herald of Malta's grant of Heidi Garcia-Bosch-de Morales-de Sola née Adriaensen's arms, whose coat of arms has been emblazoned by me.

The image combines a photograph of a drawing of a doe sejeant along with her coat of arms, both painted by me.

Blazon keywords: Party per pale, Gules, One, Bend sinister, Or, In base, Triangle, Argent, Charged, Sacred Heart of Jesus, Heart enflamed, Heart, Enflamed, Proper, Overall, Inescutcheon, Bend, Azure, Five, Fusil, Palewise, Doe, Sejant, Above, Fleur de lis, Surrounded, Twelve, Mullet and In orle.

Style keywords: Outlined in sable, Illuminated, Freehand and Rhombus.

Classification: Personal, Interpreted, Coat of arms, Hand-drawn, Collage and Photographic.

Bearer: Garcia-Bosch-de Morales-de Sola née Adriaensen, Heidi.

It has been painted by me, illuminated with lights and shadows, contoured in Sable, and with a freehand finish.

The genealogical chart with the coats of arms of the House of Potts of Wentworth, all designed by Randy David Lee Xavier Potts and emblazoned by me. The House of Potts of Wentworth are Randy David Lee Xavier Potts, Kimberley Ann Potts, Britania Anastoshia Korÿn McCoy, Köryn Alexandria Konstånz Potts, Konstånz Chantal Leóné Potts, Tiana Rose Lee Potts, Makayla Danée Robidoux, Corey Scott Lasco, Sebastian Artemis Cole McCoy, Evander Graham Wylder McCoy, Bradlee Tatym LaRue Botkin, Rhettlee Cooper Jones, Easton Michael Jones, Hudson Hayes Lasco, and Ryker Scott Lasco. The composition of this entire family set of coats of arms follows an assumed American heraldic practice rather than a strictly British or Scottish legal model. Kimberly is a heraldic heiress, and her daughter Tiana quarters both parents' arms, Randy and Kimberly, accordingly. Randy's other son, Britania, and his two daughters, Korÿn and Konstänz, as well as his grandchildren, use Randy's arms, each with their own marks of difference. Kimberly's other daughter, Makayla, her son Corey, and their descendants are not presented as inheriting arms by right under British rules, but rather by family courtesy and internal consistency within the assumed system used by this family; that is, they bear Randy's arms quartered with Kimberly's arms, each again with their own marks of difference. In the United States of America, where arms are commonly assumed, as in Castilian heraldic tradition, rather than formally granted, such arrangements are a matter of family tradition, agreement, and personal decision, rather than enforceable heraldic law. The overall composition of the arms of this extended family is a clear and good example of this approach. It should be noted that the English expression «assumption of arms» does not translate well into Castilian as «asunción de armas», but rather as «adopción de armas», «adoption of arms» a much more accurate and meaningful term. The concept of adoption conveys incorporation into a family: we adopt fundamental bonds, such as a child; deeply personal relationships, such as a companion animal; and also highly symbolic and identity-defining elements, such as a coat of arms.

Credits: Randy Potts is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Six, Twenty-four, Thirty-six, Armed, Bald eagle, Eagle, Beaked, Bee, Between, Bordure, Charged, Chief, Crescent, Displayed, Doubled, Escallop, Fimbriated, Fleur de lis, Flowered, Gyronny, Head, Heart, In base, In chief, In fess, Inescutcheon, In pretence, Label, Langued, Leaved, Membered, Overall, Proper, Quarterly, Ribbon, Rose, Saltire, Seeded, Tail and Thistle.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Interpreted, Boa, Family tree and Genealogical.

Bearer: Potts of Wentworth, House of.

Party per pale: 1 Azure, on two swords in saltire Argent, hilted Or, an oil lamp (oleum lucerna) Or, its eyelet Argent, enflamed of three flames proper; 2 Gules, at the nombril, a barbel naiant Argent between in chief a fleur de lis Or, and in base a trimount Vert.

Escudo partido: 1^o de azur, dos espadas en sotuer de plata, guarnecidas de oro sumadas de una lámpara de aceite (oleum lucerna) de oro, con su orificio de plata, encendida de tres llamas al natural; 2^o de gules, en el ombligo, un barbo nadante de plata acompañado en jefe de una flor de lis de oro y en punta de un monte de tres peñas moviente de la punta de sinople.

Coat of arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.

G0093, Chief Herald of Arms of Malta's grant for the coat of arms of Alessandro Giannelli and Mariana von Atzingen Gorga. This coat of arms has been emblazoned by me.

Blazon keywords: Azure, Argent, Or, Gules, Vert, Two, One, Party per pale, Sword, In saltire, Hilted, Oil lamp, Enflamed, Flame, Proper, At the nombril, Barbel, Naiant, Between, In chief, Fleur de lis, In base and Trimount.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Giannelli and Mariana von Atzingen Gorga, Alessandro.

Party per pale: 1 Vert, a compass rose Argent between, in chief a coronet Or, in base a Taino sun Or; 2 Sable, a Taino sun Or between, in chief a coronet Or, in base a compass rose Argent; overall a spear Or, headed Argent. Crest: Upon a helm with a wreath Or and Vert, a lynx couchant proper, langued Azure. Mantling: Vert doubled Or. Motto: «Numquam reside».

Giclée artwork of the coat of arms of family of Lucas Cruz (UK, Puerto Rico, Belarus, US Army) designed by him and me and emblazoned by me. The Taino were an indigenous people of the Caribbean, the Taino sun is one of their symbolic representations of the sun, and the lynx came from Gomel~Homyel, Belarus.

Blazon keywords: Vert, Sable, Or, Argent, Azure, One, Party per pale, Compass rose, Between, In chief, Ancient coronet, Crown, In base, Sun, Overall, Spear, Shafted, Crest, Helm, Wreath, Lynx, Couchant, Proper, Langued, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Created, Boa, Giclée, Sealed arms and Heraldic document.

Bearer: Cruz, family of Lucas.

Gules, a fess between, in chief a Maltese cross between two mullets of eight points Argent, in base three bendlets Or. Crest: Upon a helm issuant from a crown of Noble above the shield a with a wreath Argent and Gules, a Cirneco dell’Etna hound passant proper, gorged of a collar of meanders motifs Azure and Argent. Mantling: Gules doubled Argent. Motto: «Pete ex Animo Sapientiam».

Coat of arms emblazoned by me with a pointed shape, illuminated, and with a watercolor finishing.

G0053, Chief Herald of Malta's grant of Giovanni de Bella's arms, whose full achievement has been emblazoned by me for such grant.

Blazon keywords: Gules, One, Fess, Between, In chief, Eight-pointed cross, Cross couped, Two, Mullet, Eight, Argent, In base, Three, Bendlet, Or, Crest and mantling, Helm, Issuant, Crown of Noble, Crown, On, Mantling, Doubled, Wreath, Crest, Dog, Proper, Collared, Azure, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Watercolor and Pointed.

Classification: Personal, Interpreted, Coat of arms and Latin language.

Bearer: Bella, Giovanni de.

Party per pale: 1 Azure, an eagle displayed Or, charged on the chest with a Royal drum of Bunyoro-Kitara Kingdom proper; 2 Or, on a fess Gules between two fleur de lis Azure, a rose Argent, seeded Or.

Escudo partido: 1^o de azur, un águila de oro, cargada en su pecho con un tambor real del Reino de Bunyoro-Kitara al natural; 2^o de oro, una faja de gules, cargada con una rosa de plata, botonada de oro, acompañada de dos flores de lis de azur, una en el jefe y otra en la punta.

Coat of arms emblazoned by me with a shape ended with an ogee arch, illuminated, and its finishing is that seems watercolor.

Blazon keywords: Party per pale, Azure, One, Eagle, Or, Charged, Chest, Drum, Royal, Proper, Fess, Gules, Rose, Argent, Seeded, Between, Two, Fleur de lis, In chief and In base.

Style keywords: Ogee, Outlined in sable, Illuminated and Watercolor.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Gummersbach, Peter Ferdinand.

Heraldic document for the arms of Dr. Jacques William Normand Delfin. His coat of arms has been created by him and me, and emblazoned by me, and this heraldic document has been edited, signed, sealed, and dated by me. The image shows 2 pages of this heraldic document.

Blazon keywords: Azure, Argent, Or, Gules, One, Two, Eight, In base, On, Wavy, Bar, Norman ship, Full sail, Chief, Leopard, Armed, Langued, Bordure, Acorn, Bendwise and Motto.

Style keywords: Outlined in sable, Illuminated and Ogee.

Classification: Personal, Created, Boa, Catalogue, Heraldic document, Frame and Flag.

Bearer: Normand Delfin, Jacques William.

Azure, a pall couped Argent, its three arms charged with «es» Azure, within a triangle reversed Argent, its three arms charged with «no es» Azure, all debruised by four plates, three on the vertex of the triangle, in dexter chief, charged with «el Padre», in sinister chief, charged with «el Hijo», in base, charged with «el Espítiru», and one on the fess point, charged with «Dios» Azure; in chief a label of three points Argent.

Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de azur, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de azur, todo resaltado de cuatro bezantes de plata, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre», en la siniestra del jefe, cargado con «el Hijo», en la punta, cargado con «el Espítiru» y uno sobre el corazón, cargado con «Dios» todo de azur; en jefe un lambel de tres pendientes de plata.

Imaginary coat of arms that I have interpreted with: a semicircular (round) base; its field illuminated in Azure; the rest illuminated in Argent and outlined in Sable; its letters in plain Azure ink; and the set with a rough finish.

Drawing a parallel between the coat of arms of Navarre that [[Menéndez Pidal de Navascués, F.; 1974]] transcribes for its original coat of arms as «Gules, a closed and pommetty carbuncle Or with an emerald...» I have characterized the pearl on the coat of arms as closed.

This is the imaginary coat of arms of the Holy Trinity with a label added for difference to the Son, to Jesus Christ.

Blazon keywords: Without divisions, Azure, One, Pall, Couped, Argent, Three, Charged, Letter, Within, Triangle, Reversed, Four, Plate, In the dexter chief, In the sinister chief, In base, In the fess point, Cadency and Label of three points.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Religious, Interpreted, Imaginary and Coat of arms.

Imaginary bearer: Jesus Christ.

The coat of arms of John Brady from Ireland, designed and emblazoned by me.

Party per chevron Sable and Argent, in the dexter of the chief a sun in splendour Or, pointed from the sinister by a dexter hand couped at the wrist, bendwise proper, in base three Brach hounds' heads couped Azure, 1 and 2.

Escudo de sable, mantelado en punta de plata, en la diestra del jefe un sol de oro, apuntado desde la siniestra por una mano diestra puesta en banda de carnación, en la punta tres cabezas de perro braco de azur, 1 y 2.

Blazon keywords: Sable, Or, Argent, Azure, One, Three, Party per chevron, Dexter, Chief, Sun in splendour, Sinister, Hand, Couped, Wrist, Bendwise, Proper, In base, Brach hound, Dog, Head and Disordered.

Style keywords: Outlined in sable, Illuminated and Freehand.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Brady, John.

Quarterly: 1 and 4 Gules, a three arch bridge issuant from base and throughout Or; 2 and 3 Azure, five fleurs de lis, in base two bars wavy Or. Crest: A crown of the Sovereign and Most Noble Order of the Pomegranate. The shield is surrounded by the Grand Collar of the Sovereign and Most Noble Order of the Pomegranate.

This is his coat of arms of emblazoned by me for the Roll of Arms of the Sovereign and Most Noble Order of the Pomegranate.

Blazon keywords: Quarterly, Gules, One, Bridge, Issuant from base, Throughout, Or, Azure, Five, Fleur de lis, In base, Two, Fess, Wavy, Crest and mantling, Crown, Pomegranate, Surrounded and Grand collar.

Style keywords: Pointed, Outlined in sable, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms, Armorial roll and Castilian language.

Bearer: Pons Paneque, Jonathan.

Argent, a stag springing, in base an acorn leaved and slipped proper, on a chief invected Gules, a sabre fesswise, point sinister proper, debruised by a rose Or, leaved Vert. Motto: «Iustitia per Ministerium» Sable, with initial letters Gules, over a scroll Argent.

Escudo de plata, un ciervo brincante, en punta una bellota frutada y hojada al natural; en un jefe acanalado de gules un sable puesto en faja, alterado al natural, resaltado de una rosa de oro, hojada de sinople. Lema: «Iustitia per Ministerium» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Arms designed by me, illuminated with lights and shadows, outlined in Sable, with a pointed external shape and with a rough finishing.

Blazon keywords: Argent, Gules, Or, Vert, One, Stag, Springing, In base, Acorn, Leaved, Slipped, Proper, Chief, Invected, Sabre, Sword, Fesswise, Facing sinister, Debruised, Rose, Motto and Scroll.

Style keywords: Outlined in sable, Illuminated, Pointed and Rough.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Knox, Kelly Kathleen.

Azure, a castle triple-towered per pale Argent and Or, masoned Sable, port and windows Azure, between in chief two bars wavy Argent, in base two bars wavy Argent. Motto: «Fortificado por el Sol».

Escudo de azur, un castillo partido de plata y oro, mazonado de sable, aclarado de azur, acompañado en jefe de dos fajas ondadas de plata, y en en punta de dos fajas ondadas de plata. Lema: «Fortificado por el Sol».

Coat of arms devised by me, highlighted with lights and shadows, contoured in Sable, with a semi-circular external shape and with a leather finishing.

The arms of Kevin Larkin from Ireland and Spain, designed and emblazoned by me. In heraldry, the rule of tinctures states «no color on color, no metal on metal». This means a castle metal Argent cannot bear a castel metal Or as a charge. However, in this design, the castle is divided party per pale, vertically, into Argent and Or. This division allows both metals to coexist, as each metal occupies one side of the charge without violating the tincture rule. Similarly, in a party field, both quarters can be of the same type, either color or metal, making this design heraldically correct.

Blazon keywords: Azure, Argent, Or, One, Two, Castle, Triple-towered, Party per pale, Masoned, Port and windows, Between, In chief, Bar, Wavy, In base and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Larkin, Kevin.

Publication of my interpretation of the arms of Her Royal Highness Princess Leonor, Princess of Asturias (heir to the Crown of Castile), Princess of Girona (heir to the Crown of Aragon), and Princess of Viana (heir to the Kingdom of Navarre), with the Collar of the Illustrious Order of the Golden Fleece, her coat of arms being that of her father the King, charged with a label Azure and surmounted by the princess's crown with four pearl diadems, of which three are visible. Publication made on the blog Twelve Lineages of Soria with the following text: The eminent heraldist Mr. Antonio Salmerón Cabañas interprets the arms of Her Royal Highness Princess Leonor, Princess of Asturias.

Categories: Link, Or, Four, Pale, Gules, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Vert, Crown of Prince, Crown, Inescutcheon, Fleur de lis, Bordure, Enté, In base, Pomegranate, Proper, Seeded (pomegranate), Slipped, Leaved and Label.

Root: Twelve Lineages of Soria.

The coat of arms of Luis Gerardo Oyervides Ochoa, Mexico, designed and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Sable, a kapok tree eradicated and fructed between in base two lozenges Argent.

Escudo de sable, una ceiba arrancada, frutada y acompañada en punta de dos losanjes todo de plata.

Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base and Lozenge.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Oyervides Ochoa, Luis Gerardo.

Tierced pallwise inverted Azure, Gules, and Sable; overall a chevron between, in the dexter of the chief, a mullet of six points, in the sinister of the chief a pair of scales, and in base an open book Or.

It has been painted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Coat of arms of Her Excellency Ratu Muda Malka Bas Reuven emblazoned by me with for the Roll of Arms of the Soberana y Muy Noble Orden de la Granada.

Blazon keywords: Azure, Gules, Sable, Or, One, Six, Tierced pallwise inverted, Overall, Chevron, Between, Dexter, Chief, Mullet, Sinister, Pair of scales, In base, Open book, Book, Crown of the Sovereign and Most Noble Order of the Pomegranate, Crown, Surrounded and Collar.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Personal, Interpreted, Boa, Armorial roll and Castilian language.

Bearer: Gittel Bas Reuven, Malka.

Party per chevron Azure semé of unicorns passant, and Argent, a rainbow throughout proper. Motto: «Live your Magic».

Credits: SkyL.designer and Antonio Salmerón y Cabañas is the author of the heraldic art.

Blazon keywords: Azure, Party per chevron, Argent, In chief, One, Semé, Unicorn, Passant, In base, Rainbow, Throughout, Proper and Motto.

Style keywords: Outlined in sable, Pointed, Illuminated and Leather.

Classification: Personal, Interpreted, Coat of arms and English language.

Bearer: Sparkles, Marie Unicorn.

MP: E, E :- C, then C.

Tierced per pale: 1 Vert, a mullet of eight points Or; 2 Gules, a potent Argent, in chief a mullet of eight points, in base a crescent Or; 3 Azure, a crescent Or. Motto: «Lógica» Gules charged on a scroll Argent.

Escudo terciado en palo: 1^o de sinople, una estrella de ocho puntas de oro; 2^o de gules, una potenza de plata, en jefe una estrella de ocho puntas, en punta un creciente ambos de oro; 3^o de azur, un creciente de oro. Divisa: «Lógica» de gules cargado sobre una filacteria de plata.

Imaginary coat of arms of Logic with: a semicircular (round) base; the field in plain tinctures Vert, Gules, and Azure; the figures outlined in Sable and illuminated in Or and Argent; and the whole with a marbled finish.

In the tierced coat of arms, each of the quarters can be of metal or colour.

Blazon keywords: Tierced per pale, Vert, Gules, Azure, Mullet, Crescent, Or, Potent, Argent, In chief, In base and Motto (identification).

Style keywords: Illuminated, Outlined in sable and Marmoreal.

Classification: Created, Imaginary and Coat of arms.

Imaginary bearer: Logic.

Azure, a chevron Or, between in chief a cross potent cantoned of crosslets, and a lion rampant, and in base a Celtic Trinity knot Argent. Crest: A galero Sable, with two cords, each with one tassel Gules and Sable. Motto: «Primi entis» Sable, with initial letters Gules, over a scroll Argent.

International Register of Arms, Volume 4, by The [Armorial Register, T.; 2025; page 10], ISBN 978-1-8381483-0-0. The coat of arms of Nilda Ernestina Lucca de Anaya, designed by her son Ernesto Juan Anaya and emblazoned by me appears in this volume, while her son’s badge can be seen next to it on page 11, also painted by me.

Credits: Ernesto Juan Anaya is the designer of the coat of arms and Antonio Salmerón y Cabañas is the author of the heraldic art.

Categories: Collage, Photographic, Art, Religious, Interpreted, Outlined in sable, Illuminated, Pointed, Coat of arms, Azure, One, Chevron, Or, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Four, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity, Freehand, Crest and mantling, Galero, Cord, Tassel, Latin language, Scroll, Charged and Motto.

Root: Lucca de Anaya, Nilda Ernestina.

Registered by The International Register of Arms, 6^th of June of 2020, Registration number 0559, Volume 4.

Categories: Armorial roll, Azure, Chevron, Between, In chief, Cross of Jerusalem, Cross couped, Cross potent, Cantoned, Crosslet, Lion, Rampant, In base, Celtic Trinity knot, Knot, Celtic, Trinity and Scroll.

External resource:

• Nilda Ernestina Lucca de Anaya at The Armorial Register.

Root: The Armorial Register.

Quarterly: 1 and 4 Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2 [for Portugal]; the whole debruised by a baston Sable; 2 and 3 party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo cuartelado: 1^o y 4^o de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, 3, 1 y 3; [de Portugal] brisado de un bastón de sable; 2^o y 3^o de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Arms depicted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a metal beaten finish.

Coat of arms of the House of Noronha in Portugal, a lineage of dual royal origin. The House of Noronha originated with Alfonso Enríquez of Castile, Count of Noreña and Gijón, the natural son of King Henry II of Castile, founder of the Trastámara dynasty, and of Elvira Íñiguez. The lineage became linked to the Portuguese Royal House through the marriage of Alfonso Enríquez to Isabel of Portugal, the natural daughter of King Ferdinand I of Portugal, an alliance arranged in the context of the Treaty of Santarém of 1373, which brought an end to the Fernandine Wars, during which Ferdinand I of Portugal confronted the kings of the House of Trastámara over the throne of Castile following the murder of Peter I at the hands of his half-brother Henry. The House of Noronha became established in Portugal, and its arms quarter those of the Kingdom of Portugal, differenced by a brisure consisting of a baston Sable, and those of the House of Trastámara. This coat of arms has been emblazoned for Fernando Durán Cabral de Mello d’Alpoim by me as a preparatory work for his armorial bearings, his coat of arms has a inescutcheon with the arms of the House of Noronha.

Blazon keywords: Argent, Azure, Gules, Or, Sable, Purpure, One, Two, Five, Seven, Eighteen, Quarterly, Escutcheon, In cross, Charged, Plate, In saltire, Bordure, Castle, Triple-towered, Cadency, Baston, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Port and windows, Masoned, Compony and Vair.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Civic, Interpreted, Boa and Coat of arms.

Bearer: Noronha, House of.

Tierce: 1 Argent, two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure; 2 Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise Argent.

Escudo adiestrado: 1^o de plata, dos llaves alzadas en sotuer, acompañadas en jefe de una venera, y en punta de una estrella de cinco puntas, circundada a la diestra de un creciente puesto en banda todo de azur; 2^o de azur, un brazo diestro vestido, moviente de la siniestra, teniendo un bordón de peregrino puesto en palo, moviente de la punta, y atada a él una calabaza puesta en banda todo de plata.

Coat of arms designed by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finish.

Canting arms of Dolores Peregrina Corona designed by Juan Lanzagorta Vallín and me and emblazoned by me. In Castilian heraldic tradition, the «adiestrado» ~ «tierce» used in this coat of arms and its symmetrical «siniestrado» ~ «tierce sinister» are «irregular divisions of the field by one line» ~ «particiones irregulares». That is why I use «tierce» and «tierce sinister» in English. There is another possibility, which is to call the «adiestrado» ~ «pale in dexter flank» and the «siniestrado» ~ «pale in sinister flank», thus ceasing to be a type of «divisions of the field» ~ «particiones» and becoming «ordinaries» ~ «piezas fundamentales». This has implications, as the rule of tinctures would apply if it were considered a «pale» ~ «palo». In any case, I will write the blazon in both ways. Alternative blazon: Azure, a dexter arm vested, issuant from sinister, grasping a pilgrim's staff palewise, issuant from base, tied to it a gourd bendwise; on a pale in dexter flank Argent two keys points upwards, in saltire, between in chief an escallop, and in base a mullet of five points environed at dexter by a crescent bendwise azure.

Design rationale

These are canting arms because her surname is «Peregrina» ~ «pilgrim», and her coat of arms depicts the arm of a pilgrim, as she is one herself, with her staff and her gourd for carrying water, advancing towards the dexter, in order to reach the destination of her three most important life pilgrimages: Santiago de Compostela, Rome, and Jerusalem. Following [Petra Sancta, S.; 1634; pages 417–418], in seventeenth-century academic emblematics the staff symbolizes the road understood as an intellectual journey, proper to a traveller who appears humble yet is rich in knowledge, while the gourd, which may seem empty, represents the wisdom preserved within it and from which learning ultimately emerges.

Blazon keywords: Azure, Argent, One, Two, Tierce, Key, Point upwards, In saltire, Between, In chief, Escallop, In base, Mullet, Environed, Dexter, Crescent, Bendwise, Arm, Vested, Issuant from the sinister flank, Grasping, Pilgrim's staff, Palewise, Issuant from base, Tied and Gourd.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Peregrina Corona, Dolores.

Argent, five escutcheons in cross Azure, each charged with five plates in saltire; a bordure Gules, charged with seven castles triple-towered Or, 3, 2, and 2

Escudo de plata, cinco escudetes en cruz de azur, cada uno cargado de cinco bezantes en sotuer de plata; una bordura de gules, cargada de siete castillos de oro, tres en jefe, uno en cada flanco y dos en punta

Illuminated and a leather finishing.

This coat of arms can be seen in [Avilés, T. de; XVI; página 16], [Bergshammars; 1440; page 4], [Lutzelbourg, N. de; 1530; page 37], and in [Gourdon de Genouillac, H.; 1889; page 247].

Blazon keywords: Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Three, In chief, One, In each flank and In base.

Style keywords: Leather, Outlined in sable, Illuminated and Semi-circular.

Classification: Civic, Interpreted and Kingdom of Portugal.

Bearer: Portugal.

Azure, a chevron in base ensigned by a pelican in her piety Argent, vulned Gules, in base a mullet of eight points Argent. Notice the nest must touch the chevron abased.

Escudo de azur, un cabrio en punta sosteniendo un pelícano en su piedad, desplegado de plata, ensangrentado de gules, en punta una estrella de ocho puntas de plata.

Coat of arms emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a pointed outer contour and with a leather finish.

Coat of arms of Yaroslav Pototsky emblazoned by me under his directions. [Académie internationale d'héraldique; 1952; figure 79] defines, in the case of a charge placed lower in the shield than its default position, the terms «abatido», «in base», «abaissé» and «abbassato» in Spanish, English, French and Italian respectively, and when it is specifically a chevron, [Académie internationale d'héraldique; 1952; figure 147], «cabria bajado», «chevron in base», «chevron failli (abaissé)» and «abassato». But [Real Academia Española; 2001; abatido] provides meanings more associated with mood and other negative connotations rather than with a geometric position; in geometry, for instance, «abatir» a plane means to rotate it through an imaginary hinge rather than to lower it, which creates confusion. Likewise, the English term «abased» also carries negative connotations. Therefore, I prefer to use the terms «en punta» ~ «chevron in base», which I believe are more illustrative.

Blazon keywords: Azure, Argent, Gules, One, Chevron, In base, Pelican in her piety, Pelican, Vulned and Mullet.

Style keywords: Outlined in sable, Illuminated, Pointed and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pototsky, Yaroslav.

Gules, six fleurs de lis, in chief one Argent between two Or, in fess two Argent, in base one Or; within a bordure Or.

Escudo de gules, seis flores de lis, en jefe una de plata entre dos de oro, en faja dos de plata, en punta una de oro; una bordura de oro.

Arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with an invected octagon outer contour and with a leather finishing.

The coat of arms of Kimberley Ann Potts of Stountenburg, a heraldic heiress, emblazoned by me.

Blazon keywords: Gules, Argent, Or, Six, One, Fleur de lis, In chief, Between, In fess, In base and Bordure.

Style keywords: Outlined in sable, Illuminated, Invected octagon and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Potts, Kimberley Ann.

Party per chevron Azure and Or, in chief a fleur de lis Argent, in base four pallets Gules.

Escudo de azur, en jefe una flor de lis de plata, mantelado en punta de oro cargado de cuatro palos de gules.

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with a triangular curved external shape and with a metal and iridescent finishing.

The coat of arms of Ignasi Pujol was designed by him based on the ancient arms of the Pujol lineage and refined and emblazoned by me. In the English blazon, I used the term «pallet», which is the diminished pale, and in the Castilian blazon, I used the term «palo». However, in Castilian, the term «vara», which is a diminished pale, could have been used, writing «cuatro varas de gules» in the same style as it was written in English «four pallet Gules».

Blazon keywords: Azure, Argent, Or, Gules, One, Party per chevron, In chief, Fleur de lis, In base, Pallet and Pale.

Style keywords: Outlined in sable, Illuminated, Triangular curved and Metal and iridescent.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pujol, Ignasi.

Gules, a saltire Or charged with a fillet saltire Sable between in chief three escallops reversed Or; in dexter, a dexter arm embowed, vambraced Argent, holding an anchor Or; in sinister a two masted warship, with cannons ports and sails hoisted Or, two flags Gules, Argent and Azure flying to dexter, one in the main mast and one in the stern, on the hull the inscription «La Liberta» Sable; in base a crowned double-headed eagle displayed Or, holding two tassels, one in each beak, and two mullets of six points pierced, one in each talon Argent.

Escudo de gules, un sotuer de oro cargado de un flanquis de sable, acompañado en jefe de tres veneras ranversadas de oro; en la diestra, un brazo diestro doblado, armado de oro, teniendo un ancla de plata; en la siniestra, un navío de guerra de dos mástiles, con troneras, las velas izadas de oro, con dos banderas de gules, plata y azur ondeando hacia la diestra, una en el palo mayor y otra en la popa, en el casco la inscripción «La Liberta» de sable; en punta, un águila bicéfala coronada de oro, teniendo dos borlas, una en cada pico, y dos espuelas, una en cada garra, todas de plata.

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.

Blazon keywords: Gules, Or, Argent, Azure, One, Three, Two, Saltire, Fillet saltire, Between, In chief, Escallop, Reversed, In dexter, Dexter, Arm, Embowed, Vambraced, Grasping, Anchor, Ship, Cannon port, Sail, Inscribed, In base, Crowned, Double-headed, Eagle, Tassel, Beak, Mullet of six points pierced and Talon.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa, Coat of arms and Flag.

Bearer: Quast, Johann Anton Freiherr von.

Vert, on a fess Argent, between in chief a castle triple-towered Or, port and windows Gules, masoned Sable, between four mullets Argent, 2 and 2, and in base a Merino ram's head caboshed Or, between three mullets Argent, 2 and 1, two wolves passant Sable. Motto: «Amor Non Timet» Sable, with initial letters Gules, over a scroll Argent.

Escudo de sinople, una faja de plata, cargada de dos lobos pasantes de sable, acompañada en jefe de un castillo de oro, aclarado de gules, mazonado de sable, acompañado de cuatro estrellas de plata, 2 y 2, y en punta de un rencuentro de carnero merino de oro, acompañado de tres estrellas de plata, 2 y 1. Lema: «Amor Non Timet» de sable, con letras iniciales de gules, sobre una filacteria de plata.

Coat of arms devised by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a leather finishing.

Design rationale

The matrimonial and family arms of Darryn Carlo of the Commonwealth of Australia and longtime resident of the Kingdom of Spain, and Roberto Luchoro of the Kingdom of Spain, who were married in Madrid represents their lives together over nearly two decades cumulating in their union in marriage. The elements from their arms of the most significant places associated with their lives to date are as follows: The field of Vert from the arms of Darryn's hometown of Wagga Wagga in New South Wales, Australia, also represents Roberto's service in the Spanish armed forces and the Guardia Civil. The castle, taken from the arms of Alicante and Talavera de la Reina, represents Roberto’s birthplace and the city where both of them lived for a time. The Merino ram’s head also comes from Wagga Wagga. The Gules of the port and windows in the castle is a reference to the field of Gules in the arms of Talavera de la Reina. The two wolves are taken from the arms of the city of Bilbao in the Basque Country where the couple met and lived for many years and the seven stars are taken from the flag and arms of the region and city of Madrid where they currently live and work. The tinctures of Vert, Argent and Gules, shown in the port and windows of the castle, are also a hint to where they spent their honeymoon. The language of the motto, Latin, was chosen to represent the shared Latin heritage of the couple. The meaning of the motto «Amor Non Timet» is a powerful statement in itself and represents the strength of the commitment, the love and bond shared between them.

Blazon keywords: Vert, Argent, Or, Gules, Sable, One, Two, Seven, Fess, Between, In chief, Castle, Triple-towered, Port and windows, Masoned, Mullet, In base, Merino ram, Head, Caboshed, Wolf, Passant and Motto.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Design rationale, Boa and Coat of arms.

Bearer: Luchoro and Darryn Carlo, Roberto.

My heraldic channel on Satellite was https://satellite.earth/@as, but sadly, this social network didn't evolve properly.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Per pale Vert and Azure, overall a sword fesswise Argent, hilted Or, between in chief a Galician granary Or, and in base an escallop Argent between two oak leaves in pile Or. Crest: Upon a helm, with a wreath Or, Vert, and Azure a falcon rising Or, langued Gules. Mantling: dexter Azure doubled Or, sinister Vert doubled Or.

Signet ring engraved in mirror and red wax seal impression, based on the design of the coat of arms of Jesús Angueira Duro from Galicia, created by him and me, and painted by me.

Blazon keywords: Vert, Azure, Or, Argent, One, Two, Party per pale, Overall, Sword, Fesswise, Hilted, Between, In chief, Galician granary, In base, Escallop, Oak, Tree, Leaf, In pile, Crest and mantling, Crest, Upon (wreath), Helm, Wreath, Falcon, Rising, Langued, Mantling, Dexter, Doubled and Sinister.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Sealed.

Classification: Personal, Created, Boa, Seal, Collage and Photographic.

Bearer: Angueira Duro, Jesus.

Party per chevron Vert and Or, in chief a sackbut fesswise Or, in base a thistle slipped and leaved proper.

Escudo de sinople, mantelado en punta de oro, en jefe un sacabuche de oro puesto en faja, en punta un cardo de sinople, florido de púrpura.

Illuminated, freehand finishing, and the inner of the thistle is outlined in the metal Or of its field.

Note the different way of writing the blazon in English and Castilian, «...a thistle slipped and leaved proper» ~ «...un cardo de sinople, florido de púrpura».

Blazon keywords: Vert, Party per chevron, Or, In chief, Sackbut, Fesswise, In base, Thistle, Leaved, Slipped and Proper.

Style keywords: Freehand, Outlined in sable, Outlined in the field tincture, Illuminated and Pointed.

Classification: Personal, Interpreted and Coat of arms.

Bearer: Sky, Laird.

Or, a fess chequey Argent, charged with an ermine spot, and Azure, between in chief two cross patty Gules, in base a thistle proper; a diminished bordure Azure.

Escudo de oro, una faja ajedrezada de plata, cargada de una cola de armiño, y azur, acompañada en jefe de dos cruces patadas de gules, en base de un cardo al natural; una filiera de azur.

Coat of arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.

Coat of arms of Reverend John Stuart, XVIII century, emblazoned by me.

Blazon keywords: Or, Argent, Azure, One, Three, Nine, Two, Fess, Chequey, Charged, Ermine spot, Between, In chief, Cross, Patty, In base, Thistle, Proper and Diminished bordure.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Stuart, John.

Azure, a saltire between, in chief and in base, two thistle couped Argent; an inescutcheon Gules.

Escudo de azur, un sotuer acompanado, en jefe y en punta, de dos cardos de nuridos todo de plata; un escusón de gules.

Coat of arms interpreted with the following characteristics: the shape of its shield is semicircular; the field is a flat tint of Azure; the two thistles and the saltire are illuminated of the metal Argent and outlined in Sable; the inescutcheon is illuminated of the colour Gules and, also, outlined in Sable; and the whole with a mother-of-pearl finish with a raised stroke.

Inescutcheon ~ escusón

The English term «inescutcheon» corresponds to our Spanish term «escusón». It is called an inescutcheon when there is only one and it is placed in the abyss of the shield.

Escutcheon ~ escudete

The English term «escutcheon» corresponds to our Spanish term «escudete». It is used when there are several, for example, 3. Although in this case there is only one, this is the term used in the official blazon of this coat of arms, as will be seen below.

Thistle ~ cardo

This coat of arms of The Heraldry Society of Scotland was registered and granted ~ «granted» on 7^th September 1977, by «The Court of the Lord Lyon», which is the official college of arms for Scotland, lyon-court.com, with the following blazon: «Azure, on a saltire argent between two thistles slipped argent, one in chief and one in base, an escutcheon gules» and it contains 2 thistles, which is the national flower of Scotland, and a saltire Argent on an Azure field, like the flag of Scotland.

Slipped ~ nurido

The usual way of representing the thistle ~ «thistle» in Castile is with its roots visible, it is called «arrancado». In this case the stem is cut and its roots are not visible, it is called «slipped» ~ «nurido».

Blazon keywords: Without divisions, Azure, Saltire, Argent, Thistle, Couped (tree), In chief, In base, Inescutcheon and Gules.

Style keywords: Illuminated, Outlined in sable, Iridescent (nacar), Freehand and Semi-circular.

Classification: Interpreted, Socioeconomic and Coat of arms.

Bearer: The Heraldry Society of Scotland.

Argent, in chief an ecclesiastical cap Sable, in base a heart enflamed gules.

Blazon keywords: Argent, In chief, One, Ecclesiastical cap, Sable, In base, Heart enflamed, Heart, Enflamed and Gules.

Style keywords: Outlined in sable, Semi-circular, Plain tincture, Illuminated and Freehand.

Classification: Religious, Created, Coat of arms and Schema.

Bearer: Congregación del Oratorio de San Felipe Neri de Alcalá de Henares.

Heraldry videos

• Heraldic panther on the arms of the residential neighborhood of Centro, Val'Quirico, Tlaxcala, Mexico.
• Giclee for the arms of Carmela Mazzacuva, Marquise of Montebello, emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle designed by him emblazoned by me.
• The legal wafer of KZA Music Services of Laird Sky emblazoned by me in the certificate of his music academy.
• Heraldic document for the coat of arms of Lucas Cruz's family.
• The pennon of the residential village of Centro, Val’Quirico, Tlaxcala, Mexico, designed and emblazoned by me.
• ANPC - Egmont Overture This video shows how I emblazon the coat of arms of the ANPC of Spain.
• This video shows the coat of arms of Juan Lanzagorta Vallín designed by him and emblazoned by me.
• The coat of arms of Jean-Christophe Loubet del Bayle emblazoned by me step by step.
• This video shows how I emblazon the coat of arms of Richard Arthur Brinnhard.
• Heraldic standard of Rudolf Juchter van Bergen Quast emblazoned by me.

Heraldic channel

My heraldic channel @antoniosheraldry at TikTok is tiktok.com/@antoniosheraldry.

Categories: Technology, Social networks, Without divisions, Argent, Five, Escutcheon, In cross, Azure, Charged, Bezant and plate, Plate, In saltire, Bordure, Gules, Seven, Castle, Or, Two, In chief, One, In each flank, Three, In base, Crown of Marquis and Crown.

Illuminated and a rough finishing.

Blazon keywords: Gules, Cross, Or, Lily, Slipped, Seeded, Argent, Azure, Vert, In chief, Charged, Trimount, Counterchanged, Torch, In base, Two hands clasped, Motto and Motto (identification).

Style keywords: Rough, Outlined in sable, Illuminated and Pointed.

Classification: Socioeconomic, Created and Coat of arms.

Bearer: Trading Pro School.

Party per chevron Argent and Gules, in chief two lions combatant Purpure, armed and langued Gules [for Leon], in base a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; a bordure compony of eighteen sections Or and vair [for Álvarez de las Asturias].

Escudo de plata, mantelado en punta de gules, en jefe, dos leones afrontados de púrpura, armados y lampasados de gules [de León], en punta un castillo de oro, aclarado de azur, mazonado de sable [de Castilla]; una bordura componada de dieciocho compones de oro y veros [de Álvarez de las Asturias].

Coat of arms emblazoned by me, illuminated with lights and shadows, outlined in Sable, with an ogee outer contour and with a metal beaten finish.

Coat of arms of the House of Trastámara, founded by Enrique of Trastámara, later King Henry II of Castile, son of Alfonso XI and his mistress Leonor de Guzmán. Adopted at birth by Rodrigo Álvarez de las Asturias, he inherited the lordship of the County of Noreña the following year upon his adoptive father’s death. Later, his father the king granted him the County of Trastámara, among other lordships, giving rise to the House and the Trastámara dynasty, which began when Henry II ascended the throne after killing his half-brother Peter I in 1369. The Trastámara dynasty ruled in Castile, Aragon, Navarre, and Naples, and came to an end with our Queen Joanna of Castile, daughter of Isabella I of Castile and Ferdinand II of Aragon, both members of the House of Trastámara. This coat of arms has been created for Fernando Durán Cabral de Mello d’Alpoim as a preparatory work for his armorial bearings. In that coat of arms, the House of Noronha inescutcheon bears the arms of Trastámara in the 2^nd and 3^rd quarters.

Blazon keywords: Argent, Gules, Purpure, Or, Azure, Sable, One, Two, Eighteen, Party per chevron, In chief, Lion, Combatant, Armed, Langued, In base, Castle, Triple-towered, Port and windows, Masoned, Bordure and Compony.

Style keywords: Outlined in sable, Illuminated, Ogee and Metal beaten.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Trastámara, House of.