Military heraldry

Kingdom of Sweden.

Gules, a grenade Or.

Escudo de gules, una bomba de oro.

Illuminated with lights and shadows and with a iridescent and metallic finish.

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Blazon keywords: Without divisions, Gules, One, Grenade and Or.

Style keywords: Metal beaten, Iridescent (nacar), Outlined in sable, Illuminated and Pointed.

Classification: Interpreted, Military and Kingdom of Sweden.

Bearer: Artillery Combat School of the Swedish Army.

Or, a chief Gules.

Escudo de oro, un jefe de gules.

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Blazon keywords: Or, Chief and Gules.

Style keywords: Outlined in sable, Semi-circular and Tricking.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Tremelay, Bernard de.

Barry of four per pale counterchanged Or and Gules.

Escudo contrafajado de cuatro piezas de oro y gules.

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Blazon keywords: Barry per pale counterchanged, Four, Or and Gules.

Style keywords: Outlined in sable, Semi-circular and Tricking.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Blanchefort, Bertrand de.

My approach to the method of drawing the bends used by the Spanish Army for the BPAC II coat of arms

Bendy sinister of seven.

Escudo, tres barras.

Note that if the classic width were used for the bends, which is 1/3 of the shield's width, then the bends would cover almost the entire field.

The vertical axis of symmetry has been extended above the chief and below the base, and has been divided into segments of 1/4 of the shield's height, «h» in the diagram that illustrates this article. At the ends of these segments, parallel lines have been drawn to the bend sinister diagonal of the shield. Since the shield has a 5x6 proportion, the angle of inclination of these diagonals is 50.2^o..

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Blazon keywords: Without divisions and Bend sinister.

Style keywords: Semi-circular and Freehand.

Classification: Schema and Military.

Bearer: BPAC II.

Light Parachute Infantry Unit.

Argent, a Fleur de lis Gules. Motto: «BPAC. Roger de Flor II».

Escudo de plata, una flor de lis de gules. Divisa: «BPAC. Roger de Flor II».

Coat of arms interpreted with: a shield with a pointed (ogival) base; a fleur de lis outlined in Sable and illuminated in Gules; and an overall rough finish.

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Blazon keywords: Without divisions, Argent, Gules, Fleur de lis and Motto (identification).

Style keywords: Semi-circular, Illuminated, Outlined in sable and Rough.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: BPAC I.

Disperse like the sun clears the clouds in your path.

Argent, a cross of Alcantara. Crest: A closed royal crown Or, with eight arches, visible five. Motto: «Hoec nubila tollunt obstantia sicut sol».

Escudo de plata, una cruz de Alcántara. Timbrado de una corona real cerrada. Lema: «Hoec nubila tollunt obstantia sicut sol».

Coat of arms interpreted in the following manner: the shape of the shield is of a semicircular arch; the field is illuminated in metal Argent; the cross of Alcantara is outlined in Sable and illuminated in Vert; the royal crown is closed, outlined in Sable and illuminated with the metal Or, Argent for the pearls, Azure and Or for the orb, Gules and Vert for the gems, Gules for the inner cloth, and Sable for the visible hollow at its base; and the whole has a slightly hammered metal finish.

Regiment's Motto

The Latin motto «Hoec nubila tollunt obstantia sicut sol» is often translated as «Ride like the sun, disperses the clouds in its path». I would like to offer the following observations on this translation:

• Instead of «disperse», I prefer the verb «scatter» which is more aligned with a cavalry regiment, [Royal Spanish Academy; 2001] «scatter, 3^rd meaning, transitive verb, military term: To break up, rout the enemy, causing them to flee and scatter in complete disorder».
• On the other hand, even though it is about cavalry, I do not find that the Latin motto makes reference to riding, a verb that is also not needed to understand the motto's meaning, and adding an extra word lengthens the motto, reducing its impact.
• Finally, I use «your», instead of «its», so that the motto is a direct and personal rallying cry and not a phrase directed at a third person.

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Blazon keywords: Without divisions, Argent, Cross of Alcantara, Cross couped, Cross, Crest, Closed royal crown, Crown and Motto.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Alcantara, Cavalry Regiment.

Party per pale: 1 Gules, a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, a lion rampant Gules, crowned Or. Motto: «Región Militar Centro» over a scroll Or.

Coat of arms (1984-1997 and 1997-2002) of the former Central Military Region, also called 1^st Military Region, where I serve. I interpreted and emblazoned now this coat of arms with a semi-circular ended shape.

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Blazon keywords: Party per pale, Gules, One, Castle, Or, Port and windows, Azure, Masoned, Sable, Argent, Lion, Rampant, Crowned, Motto (identification) and Scroll.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Military, Army and Navy, Coat of arms and Kingdom of Castile and Leon.

Bearer: Central Military Region.

Party per pale: 1 Gules, in base a castle triple-towered Or, port and windows Azure, and masoned Sable; 2 Argent, in base a lion rampant Gules, crowned Or; overall a psi letter sable; a diminished bordure Or.

Coat of arms of Crepsi, military psychology, former Central Military Region, Kingdom of Spain, emblazoned by me, where I was stationed during my military service. In the image: 1988, the original mold (1) with which the first 6 coats of arms were made; one of them is now in my office (2); the design of the badge for the 1^st meeting of veterans (3), all of which were designed and made by my lieutenant colonel and friend Miguel Angel Nuñez Amador; and finally, the coat of arms of Crepsi emblazoned by me (4).

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Blazon keywords: Gules, Argent, Or, Azure, Sable, Party per pale, In base, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Overall, Letter and Diminished bordure.

Style keywords: Outlined in sable, Illuminated and Semi-circular.

Classification: Military, Interpreted, Compare, Boa and Coat of arms.

Bearer: Crepsi.

Lozengy Or and Gules. Behind the shield a cross patty Gules.

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Classification: Religious, Military, Knights Templar, Interpreted, Doctor, Article, Castilian language and Black and white and color illustrations.

Bearer: Craon, Robert de.

Azure, two barbels addorsed Argent. Behind the shield an eight-pointed cross patty Gules.

I have had the honour of writing this article about André de Montbard and its coat of arms within a series of 23 articles about the heraldry of the Grand Masters of the Temple.

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Classification: Religious, Military, Knights Templar, Interpreted, Doctor, Article, Castilian language and Black and white and color illustrations.

Bearer: Montbard, André de.

Argent, a cross Azure. Behind the shield a cross patty Gules.

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Classification: Religious, Military, Knights Templar, Interpreted, Doctor, Article, Castilian language and Black and white and color illustrations.

Bearer: Hérail, Gilbert.

Vair. Behind the shield an eight-pointed cross patty Gules.

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Classification: Religious, Military, Knights Templar, Interpreted, Doctor, Article, Castilian language and Black and white and color illustrations.

Bearer: Vichiers, Renaud de.

Within military heraldry, I classify the arms of individuals, institutions, orders, military corps, and entities.

Although the military is an institution of the state, I dedicate a separate category to it in recognition of its special characteristics and history, as well as its particular functions of cohesion and identification, which are rooted in heraldry for the battlefield. The coat of arms of the Central Military Region and the Artillery Combat School of the Swedish Army are examples of military heraldry.

[Cadenas y Vicent, V. de; 1975; page 88] includes military heraldry within his «institutional heraldry».

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Categories: Criterion and Military.

Coat of arms of the Armored Cavalry Regiment Montesa No. 3, RCAC-3, in 2016.

Or, a cross of Montesa.

Escudo de oro, una cruz de Montesa.

Coat of arms interpreted as follows: the shape of the shield is a semi-circular arch; the field has been illuminated in metal Or; the cross of Montesa is outlined in Sable and illuminated in Gules and Sable; and the whole has a raised line finish.

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Blazon keywords: Without divisions, Or, Cross of Montesa, Cross couped and Cross.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Freehand.

Classification: Interpreted, Military, Army and Navy and Coat of arms.

Bearer: Montesa, Cavalry Regiment.

The Order of Saint Mary of Montesa and Saint George of Alfama, known as the Order of Montesa, was founded in the 14^th century by the King of Aragon, James, as a military and religious order, to which he donated a castle in Valencia from which they took their name.

To endow the new Order of Montesa, the assets of the Order of the Templars, dissolved by Pope Clement V, were used. This is recounted by [Avilés, J.; 1780b; page 342] writing that Montesa was created «from the incomes and ruin of the Templars; as their Order was being extinguished, at the request of the Kings, so that said incomes would not leave the Kingdom.».

The order established within the Castle of Montesa, which previously belonged to the Templars, their convent and church of the Order, the palace of their Master, their barracks for fighting men, being able to form up to a couple of thousand of them in their parade ground. Their first Master, for 70 days since he died just over two months after his appointment, was Guillermo de Eril.

The origin and antiquity of the Military Order of Montesa, and the form of its Encomienda.

[Avilés, J.; 1780b; treatise IV, chapter VI, page 341] describes it as follows «The Military Order of Montesa was instituted in the year 1317 by the King of Aragon, Don Jaime II, and confirmed in the same year by Pope John XXII.».

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Categories: Institution, Interpreted, Religious, Military, Illuminated, Outlined in sable, Freehand, Emblem, Cross of Montesa, Cross couped and Cross.

Order of Cavalry of Alcantara

A cross of Alcantara.

Una cruz de Alcántara.

Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Vert; and a heavily beaten metal finish.

The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical account of the foundation of the Order of Alcantara, states that, according to Alonso de Torres y Tapia, Prior of Alcantara and a 17^th-century chronicler, it was founded in 1156, by Don Suero Fernández Barrientos along with other knights from Salamanca, in Pereiro near the River Coa, under the name of the Order of Saint Julian of Pereiro and during the reign of Ferdinand II of León.

Emblem

Regarding the emblem of the Order of Cavalry of Alcantara, [Avilés, J.; 1780b; treatise IV, chapter V, page 340, figure 102], reusing the same figure 102 as for the Order of Calatrava, says «In the past, the Order of Alcantara displayed on its Standard the Gules Straps of Calatrava», remember that due to the commandery of the city of Alcantara, they had to assume some dependency on that of Calatrava, «next to a Pear tree in Vert on a field of Or, which was the insignia of the Order of Pereiro, due to the conformity with which these two Orders lived; but upon changing their Habit, the Pope» Eugene IV «granted them the green Cross», Vert, «in the manner they wear it today, differing from that of Calatrava only in color».

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Blazon keywords: Cross of Alcantara, Cross couped and Cross.

Style keywords: Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Religious, Military and Emblem.

Bearer: Alcantara, Order of.

Order of Chivalry of Calatrava

A cross of Calatrava.

Una cruz de Calatrava.

Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a heavily beaten metal finish.

The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical review of the foundation of the Order of Calatrava, states that it was founded during the reign of Sancho III of Castile in the 12th century.

After the Templars withdrew from the defense of the town, King Sancho III proposed in Toledo and later confirmed in Almazán, in January 1158, the perpetual donation of the town of Calatrava to Raymond, then Abbot of the Cistercian monastery of Fitero, who, together with the former soldier Diego Velázquez, committed to defending it from attacks by the Almohads. For this mission, they received financial support from the Archbishop of Toledo, Juan, and from Toledo itself, thus managing to form an army of more than 20,000 men.

Emblem

Regarding the emblem of the Order of Chivalry of Calatrava [Avilés, J.; 1780b; treatise IV, chapter IV, page 338, figure 102] it states «the Seal was always a red cross with blue straps, and the Banner originally bore a black Cross; but today they use the red cross florety, bordered with eight circles, placed side by side, and joined at the center, formed by a cord that emerges from the leaves of the flower, which Benedict XIII gave (while recognized in Spain) and which is the Commandery that the Knights of this Order wear on their chest today, or hanging from a red ribbon on a gold medal; that is, on a field of Or a cross of Gules».

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Blazon keywords: Cross of Calatrava, Cross couped and Cross.

Style keywords: Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Religious, Military and Emblem.

Bearer: Calatrava, Order of.

Order of Chivalry of Santiago

A cross of Saint James.

Una cruz de Santiago.

Interpretation of the emblem of the order with: its cross outlined in Sable, illuminated in Gules; and a heavily hammered metal finish.

The Royal Council of the Orders of Chivalry of Santiago, Calatrava, Alcantara, and Montesa, in its historical account of the foundation of the Order of Santiago, describes three different points of view:

• The one presented by tradition, which establishes it in 844, after the battle of Clavijo, when fourteen knights led by the Field Master Don Sancho Martínez de Tejada requested permission from Don Ramiro I, king of Asturias between the years 842 and 850, to found it. This traditional view is the one recorded in [Avilés, J.; 1780b; treatise IV, chapter II, page 325] when discussing the origin of the «Military Order of Santiago of the Sword».
• The perspective of historians like Claudio Sánchez Albornoz or Américo Castro, who question the earlier date. Furthermore, [Sánchez Albornoz, C.; 1965; pages 94-136], as cited in [Domínguez García, J.; 2008; pages 69-70], proposes that the actual battle of Clavijo occurred later, in the year 859, and that Ramiro I did not participate, but rather it was a conflict between King Ordoño I and the Moor Muza.
• The view of historians who, based on the statutes of the order found in the Monastery of Uclés, which was the residence of the Master of the Order of Santiago, and the Latin in which they are written, believe that the foundation could indeed date back to the reign of Don Ramiro I.

Emblem

Regarding the emblem of the Order of Chivalry of Santiago, [Avilés, J.; 1780b; treatise IV, chapter II, page 328, plate 25, figure 100] states «the Commandery of this Order was always a red Sword» (gules ~ red), «in the form of a Cross, just as the guards of the ancient Swords that its Knights and Commanders carried on their white Mantles, and today also on the chest in the same manner, hanging from a red ribbon on a gold medal; that is, in a field of Or, a Cross of Gules».

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Blazon keywords: Cross of Saint James, Cross couped and Cross.

Style keywords: Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Religious, Military and Emblem.

Bearer: Santiago, Order of.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Azure, a bend Or

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de azur, una banda de oro.

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Blazon keywords: Azure, One, Bend, Or, Quarterly, Argent, Cross patty, Cross couped and Gules.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Molay, Jacques de.

Quarterly: 1 and 4 Argent, a cross patty Gules; 2 and 3 Or, six annulets Gules, 3, 2, and 1.

Escudo cuartelado: 1^o y 4^o de plata, una cruz patada de gules; 2^o y 3^o de de oro, seis anilletes de gules, ordenados 3, 2 y 1.

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Blazon keywords: Or, Six, Annulet, Gules, Ordered, Three, Two, One, Quarterly, Argent, Cross patty and Cross couped.

Style keywords: Outlined in sable, Semi-circular, Illuminated and Freehand.

Classification: Religious, Military, Knights Templar, Interpreted and Coat of arms.

Bearer: Richard, Richard.

Azure, a cross of Burgundy Or; an inescutcheon Or, six fleurs de lis in orle Azure.

Escudo de azur, una cruz de Borgoña de oro; un escusón de oro, seis flores de lis en orla de azur.

Coat of arms interpreted by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular external shape and with a freehand finishing.

Coat of arms of the Tercio Alessandro Farnese, 4^th of the Spanish Legion, emblazoned by me. In honor of Alessandro Farnese, the central inescutcheon bears in orle the 6 fleurs de lis of the Farnese family.

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Blazon keywords: Azure, Or, One, Six, Cross of Burgundy, Cross couped, Inescutcheon, Fleur de lis and In orle.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Military, Interpreted, Boa and Coat of arms.

Bearer: Tercio Alessandro Farnese.

Gules, a cross of Burgundy Or; an inescutcheon Or, three bars Gules.

Escudo de gules, una cruz de Borgoña de oro; un escusón de oro, tres fajas de gules.

Arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a metal beaten finish.

Coat of arms of the Tercio Great Captain, 1^st of the Spanish Legion, emblazoned by me. The inescutcheon represents the coat of arms of Gonzalo Fernandez de Cordoba, 1453-1515, known as «The Great Captain». During the Italian campaigns in the late 15^th and early 16^th centuries, especially during the wars of Naples, Gonzalo Fernandez de Cordoba reformed the Spanish army, adapting it to the new conditions of Renaissance warfare. He created a flexible tactical system based on the combination of pikemen, inspired by the Swiss; «espingarderos», forerunners of the arquebusiers; and «espadas» or shock troops, this combination would form the foundation of the future «Tercios».

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Blazon keywords: Gules, Or, One, Three, Cross of Burgundy, Cross couped, Inescutcheon, Bar and Fess.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Metal beaten.

Classification: Military, Interpreted, Boa and Coat of arms.

Bearer: Tercio Great Captain.