Lozenge

Escudo de gules, un carbunclo cerrado, pomelado de oro; cargado en el centro de una esmeralda en forma de losange de sinople.

Original coat of arms of Navarre interpreted with: a semicircular (round) base; the field in flat Gules; the pommetty carbuncle illuminated in Or and outlined in Sable; the emerald illuminated in Vert and also outlined in Sable; and the whole finished with a raised-stroke effect.

In the armorial [Urfé; Siglo XV; indexed on folio 151, but actually written on 142] the arms of Navarre are blazoned in French as «de gueles à l'escarboucle d'or pommelée alumée de sinoble en la moyenne en guise d'esmeraude», it only gives the blazon, since this armorial is not illustrated.

An image of the original French blazon text can be seen in the article Blazon of Navarre in the Urfé armorial.

The interpretation of the arms of Navarre shown here is based on the one illustrated in the armorial [Bosque, J. del; 1540; folio 1 of the 1613 numbering], which is its main plate, with the arms of the king of Navarre surrounded by the coats of arms of the lineages and manors of his «ricoshombres», twelve lineages in total.

In [Menéndez Pidal de Navascués, F.; 1963] one can consult his view on what is, probably, the real origin of the arms of Navarre, which he bases on:

• The existence of a defensive element of the shield called the boss, placed at its center. This element already existed in classical Rome, on the shields of the legionaries and, in addition, it could serve to keep small valuables inside.
• The later reinforcement of this boss with 8 spokes, that is, 4 diameters set vertically, horizontally, bendwise and bendwise sinister, giving rise to a radiated boss to strengthen the shield.
• This radiated boss on rich shields could be very elaborate and even be adorned with gems, thus becoming an ornamental element.
• The evolution of the radiated boss from a defensive and ornamental element to the so-called carbuncle, but now as a heraldic element with a radial structure. Originally the carbuncle was a mystical stone, comparable to the ruby, that emitted an intense light capable of illuminating the knight in the darkness of night. Heraldically the name carbuncle is used to denote a scheme of radial rays and not the marvellous stone that emitted them and from which it borrows its name.
• This eight-rayed carbuncle, joined at the ends forming a closure, like an orle, and decorated with pommels, on a field Gules, and with an emerald overall at its center is what constitutes the arms of Navarre.

Regarding the importance of the radiated boss and the carbuncle, not only in the arms of Navarre but in heraldry in general, [Menéndez Pidal de Navascués, F.; 1963] goes a step further when he writes «although it has never been pointed out, it seems evident to us the influence of this piece on the classic partitions of the shield, contained in the four diametral lines that compose it». He makes us see that «cortado, partido, tronchado y tajado» and, therefore also, «cuartelado, en sotuer y jironado», do not have their origin in the different ways of striking a shield with a sword, as illustrated, for example, in [Avilés, J.; 1725a; plate 18, illustrations 23, 24, 25 and 25], but in different ways of selecting, as delimiters, the four diameters of the carbuncle.

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Blazon keywords: Without divisions, Gules, One, Carbuncle, Pommelled, Or, Charged, In the fess point, Emerald, Vert and Lozenge.

Style keywords: Freehand, Illuminated and Outlined in sable.

Classification: Interpreted, Civic and Coat of arms.

Bearer: Navarre.

Dimidiation~dimidiated vs impalement~impaled.

Blazons

• Azure, a lozenge Argent.
• Argent, a fleur de lis Azure.
• Dimidiated: 1 Azure, a lozenge Argent; 2 Argent, a fleur de lis Azure.
• Party per pale: 1 Azure, a lozenge Argent; 2 Argent, a fleur de lis Azure.

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Blazon keywords: Dimidiated, Party per pale, Azure, One, Lozenge, Argent and Fleur de lis.

Style keywords: Outlined in sable.

Classification: Schema and Coat of arms.

Gules, three lozenges Or; a bordure lozengy Gules and Or.

Schema for the design of the coat of arms of Javier Lasuncion Patus. There are only 2 different blazons, one in each row, because the difference between the columns is only in the lights and shadows. Blazon of the first row: Gules, three lozenges Or; a bordure lozengy Or and Gules.

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Blazon keywords: Gules, Or, One, Three, Lozenge and Lozengy.

Style keywords: Ratio, Outlined in sable, Illuminated, Semi-circular and Freehand.

Classification: Personal, Created, Schema, Boa and Coat of arms.

Bearer: Lasuncion Patus, Francisco Javier.

Gules, three lozenges Or.

Escudo de gules, tres losanjes de oro.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a leather finish.

Coat of arms of the lineages Asuncion and de la Asuncion emblazoned by me.

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Blazon keywords: Gules, Or, Three and Lozenge.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Asuncion and de la Asuncion, lineages.

The coat of arms of Luis Gerardo Oyervides Ochoa, Mexico, designed and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.

Sable, a kapok tree eradicated and fructed between in base two lozenges Argent.

Escudo de sable, una ceiba arrancada, frutada y acompañada en punta de dos losanjes todo de plata.

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Blazon keywords: Sable, Argent, One, Two, Kapok tree, Tree, Eradicated, Fructed, Between, In base and Lozenge.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Leather.

Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.

Bearer: Oyervides Ochoa, Luis Gerardo.

Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable.

Arms designed by me, in flat tinctures, contoured in Sable, with a semi-circular external shape and with a texturized finish.

This is the coat of arms of Jose Manuel Gutierrez Benitez designed by him and me and emblazoned by me.

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Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Three, Four, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head and Caboshed.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Created, Boa and Coat of arms.

Bearer: Gutiérrez Benítez, Jose Manuel.

Argent, three lozenges Sable; on a chief wavy Azure, three snowflakes Argent.

Heraldic device emblazoned by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular external shape and with a watercolor finishing.

The coat of arms of Jon Sneddon emblazoned by me over his personal tartan registered in the Scottish Register of Tartans. John Sneddon designed his tartan with the help of Elliot Nesterman.

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Blazon keywords: Argent, Sable, Azure, Three, Lozenge, Chief, Charged, Wavy, Snowflake and Ordered.

Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.

Classification: Personal, Interpreted, Boa and Tartan.

Bearer: Sneddon, Jon.

A lozenge Or, charged with a fox rampant, guardant, holding in its dexter paw a federschwert bend sinisterwise proper, within a bordure Vert.

Heraldic device depicted by me, illuminated with lights and shadows, contoured in Sable, and with a rough finish.

Heraldic badge of Jason Landers Northam from Illinois, emblazoned by me. The federschwert, feder sword, or «feather sword» translated from German, is a training sword developed in the late 15^th century and used during the 16^th century in Renaissance fencing schools. Its design allowed safe and realistic practice, reducing the risk of serious injuries while preserving the handling of a real sword. Today it remains in use within Historical European Martial Arts, combining historical fidelity with safety.

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Blazon keywords: Or, Vert, One, Lozenge, Fox, Rampant, Guardant, Federschwert, Sword, Proper, Within and Bordure.

Style keywords: Outlined in sable, Illuminated and Rough.

Classification: Personal, Interpreted, Boa and Badge.

Bearer: Northam, Jason Landers.

Juan del Bosque, «Libro de Armería del Reino de Navarra», which is currently missing and whose subsequent copy, commissioned in 1572, is kept in the Royal and General Archive of Navarre, estimated year of creation 1540.

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The origin of this armorial dates back to 1527, when the Navarrese Courts requested that the Royal Council and the Chamber of Comptos ~ Chamber of Accounts and Fiscal Control, record in a book the coats of arms of the kingdom of Navarre starting with that of the king of Navarre and the houses and lineages of the so-called «ricoshombres», Almorrabides, Guebara, Aybar, Baztanes, Urroz, Lete, Subiça, Rada, Vidaurre, Qasqante, Monteagudo, and Mauleón, also including the coats of arms of other manors, houses, valleys, towns, and nobles [Valverde Ogallar, P. B.; 2001; page 326].

According to [Martinena Ruiz, J. J.; 1982; page 35] the book was compiled around the year 1540, and this is the date I use for referencing this armorial.

This first manuscript created by Juan del Bosque was taken by the royal visitor Hernán Suárez de Toledo, under the pretext of taking it to Emperor Charles V, despite being requested back by the Navarrese Courts, it was never returned and was definitively lost. The armorial that has come down to us is a recreation commissioned in 1572 [Valverde Ogallar, P. B.; 2001; page 327].

According to [Menéndez Pidal de Navascués, F.; 1974; page 19] the recreation of this armorial was carried out based on certifications, such as those from the herald Azcárraga, and notes and partial copies of the stolen book, like the copy kept in the monastery of Leyre.

Another noteworthy bibliographic reference about this armorial, in addition to those previously mentioned, is [Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001].

The image illustrating this bibliographic reference is the coat of arms of the king of Navarre, which I recreated based on the illustration in this armorial, on its first folio according to the numbering given to it in 1613.

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Bibliographical reference of century XVI.

The author is Bosque, Juan del.

The following articles cite this bibliographic reference:

• Almorrabides of Navarre
• Aybar of Navarre
• Baztanes of Navarre
• Guebara of Navarre
• Lete of Navarre
• Martinena Ruiz, J. J.; 1982
• Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001
• Mauleón of Navarre
• Menéndez Pidal de Navascués, F.; 1974
• Menéndez Pidal de Navascués, F.; 1985
• Menéndez Pidal de Navascués, F.; Martínez de Aguirre, J.; 2000
• Monteagudo of Navarra
• Navarra, closed carbuncle
• Navarre
• Noblemen of Navarre
• Qasqante of Navarre
• Rada of Navarre
• Subiça of Navarre
• Urroz of Navarre
• Vidaurre of Navarre