Escudo de Castilla y León

Qasqante of Navarre

Or, an Eagle displayed Sable.

Of the twelve lineages of Noblemen, the tenth is that of Qasqante; they bear as arms a shield Or and, on the shield, an eagle Sable, which is black, as it is now painted.

Or, an Eagle displayed Sable.

Escudo de oro, un águila de sable.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the eagle outlined in the colour of the field and illuminated in Sable; and finished in highly-hammered metal.

Based on the tenth coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and the text is from the transcription made by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Cascante» it can also be consulted in [Vega, P. J. de; 1702; folio 10 of the manuscript].


Blazon keywords: Without divisions, Or, Eagle and Sable.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Qasqante of Navarre.

Separador heráldico
Escudo de Castilla y León

Monteagudo of Navarra

Or, a fess Gules.

Of the twelve lineages of Noblemen, the eleventh is the house of Monteagudo; they bear as arms a shield Or, and in the middle a fess Gules, in the manner in which this shield is painted.

Or, a fess Gules.

Escudo de oro, una faja de gules.

Coat of arms interpreted as follows: a semicircular (round) base; the field enamelled in flat Or; the fess outlined in Sable and illuminated in Gules; and the whole finished in highly-hammered metal.

Interpreted from the eleventh coat of arms of the Navarrese «ricoshombres» from [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the preceding text taken from the transcription appearing in [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

Under the title «Surname of Monteagudo» this blazon can be consulted in [Vega, P. J. de; 1702; folio 11 of the manuscript].


Blazon keywords: Without divisions, Or, Fess and Azure.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal and Kingdom of Navarre.

Bearer: Monteagudo of Navarra.

Separador heráldico
Escudo de Castilla y León

Mauleón of Navarre

Or, a Lion Gules, rampant.

Of the twelve lineages of Noblemen, the twelfth bears as insignia and arms, on a shield Or, a rampant lion Gules, as painted in this shield.

Or, a Lion Gules, rampant.

Escudo de oro, un león de gules, rampante.

Coat of arms interpreted with: a semicircular (round) base; the field in flat Or; the lion illuminated in Gules and outlined in the colour of the field, that is, in Or metal; and the whole finished in highly-hammered metal.

Coat of arms interpreted from the last of the shields of the Navarrese «ricoshombres» illustrated in [Bosque, J. del; 1540; folio 1 of the numbering of 1613] and with the text preceding the blazon taken from the transcription by [Martinena Ruiz, J. J.; 1982; pages 122 and 123].

I consider these to be canting arms, and that this «lion» Gules refers to its bearers «Mauleón».

Under the title «Surname of Mauleon», without an accent on the letter «o», it can be consulted in [Vega, P. J. de; 1702; folio 12 of the manuscript].


Blazon keywords: Without divisions, Or, Lion, Gules and Rampant.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Hard metal.

Classification: Interpreted, Personal, Kingdom of Navarre and Canting.

Bearer: Mauleón of Navarre.

Separador heráldico
Escudo de Castilla y León Libro abierto, hojas de plata, filo de oro, guardas de gules, tapas de sable.

Bosque, J. del; 1540

Main coat of arms of the Armory Book of the Kingdom of Navarre

Juan del Bosque, «Libro de Armería del Reino de Navarra», which is currently missing and whose subsequent copy, commissioned in 1572, is kept in the Royal and General Archive of Navarre, estimated year of creation 1540.


The origin of this armorial dates back to 1527, when the Navarrese Courts requested that the Royal Council and the Chamber of Comptos ~ Chamber of Accounts and Fiscal Control, record in a book the coats of arms of the kingdom of Navarre starting with that of the king of Navarre and the houses and lineages of the so-called «ricoshombres», Almorrabides, Guebara, Aybar, Baztanes, Urroz, Lete, Subiça, Rada, Vidaurre, Qasqante, Monteagudo, and Mauleón, also including the coats of arms of other manors, houses, valleys, towns, and nobles [Valverde Ogallar, P. B.; 2001; page 326].

According to [Martinena Ruiz, J. J.; 1982; page 35] the book was compiled around the year 1540, and this is the date I use for referencing this armorial.

This first manuscript created by Juan del Bosque was taken by the royal visitor Hernán Suárez de Toledo, under the pretext of taking it to Emperor Charles V, despite being requested back by the Navarrese Courts, it was never returned and was definitively lost. The armorial that has come down to us is a recreation commissioned in 1572 [Valverde Ogallar, P. B.; 2001; page 327].

According to [Menéndez Pidal de Navascués, F.; 1974; page 19] the recreation of this armorial was carried out based on certifications, such as those from the herald Azcárraga, and notes and partial copies of the stolen book, like the copy kept in the monastery of Leyre.

Another noteworthy bibliographic reference about this armorial, in addition to those previously mentioned, is [Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001].

The image illustrating this bibliographic reference is the coat of arms of the king of Navarre, which I recreated based on the illustration in this armorial, on its first folio according to the numbering given to it in 1613.


Bibliographical reference of century XVI.

The author is Bosque, Juan del.

Here are the articles quoting this reference:

Separador heráldico
Escudo de Castilla y León Fortaleza de oro y mazonada de sable.

Society of Heraldic Arts

Azure, an inescutcheon Argent, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Or.

Founded in the year 1987, it is the first organisation of its kind in the world

Azure, an inescutcheon Argent, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Or.

Escudo de azur, un escusón de plata, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todas de oro.


First versions


The Society of Heraldic Arts is an international organization founded in 1987, committed to the promotion and preservation of heraldic art. The society brings together artists, craftsmen, and enthusiasts who work in various forms of heraldic expression, from painting and sculpture to calligraphy and jewelry. With members worldwide, the SHA encourages the exchange of knowledge and skill development through exhibitions, publications, and events.


Categories: Institution, Interpreted, Socioeconomic, Illuminated, Semi-circular, Coat of arms, Azure, Inescutcheon, Argent, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line, Throughout (all sides) and Or.

Separador heráldico
Escudo de Castilla y León Fortaleza de oro y mazonada de sable.

Emblem of the Society of Heraldic Arts

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblema, un escusón, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.

Its focus on heraldic art, along with its foundation in 1987, makes it a pioneering institution in this field on a global scale.

The Society of Heraldic Arts enjoys significant international recognition among heraldic artists, designers, and craftsmen, and its website is heraldic-arts.com.

Its members cover the full range of activities within heraldry for individuals, personal heraldry, public and private entities, socioeconomic heraldry, as well as municipalities, regions, etc., governance heraldry.

The Society of Heraldic Arts used to publish a quarterly magazine called «The Heraldic Craftsman», which was sent to all its members, but it is no longer in publication. The Society also provides advice on the correct use of heraldry to enhance corporate and personal identity.


Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Throughout (all sides).

Root: Society of Heraldic Arts.

Separador heráldico
Escudo de Castilla y León

Dr. Antonio Salmeron SHA

Society of Heraldic Arts, heraldic artist

I am a member as a heraldic artist of the Society of Heraldic Arts having passed their artistic selection tests.

Probably, I have had the honor of being the first Spanish artist accepted within it and, perhaps, the first of all in the Spanish-speaking world.

Society of Heraldic Arts, appointment letter as heraldic artist

Within the Society of Heraldic Arts, there are two different classes of members:

  • those who are professionals in the various expressive forms of heraldic art, such as:
    • heraldic painting and drawing and, as a heraldic artist, I am a member within this category,
    • calligraphy,
    • ex libris engraved or delineated,
    • illustration and illumination of documents,
    • heraldic craftsmen of stone, wood, glass, or plaster.
    • heraldic jewelry and seal making, etc.
  • and those who:
    • aspire to become professionals in heraldic art, or
    • are passionate about heraldry without necessarily practicing heraldic art.
SHA, heraldic artists, April 1, 2019
Separador heráldico
Escudo de Castilla y León Libro abierto, hojas de plata, filo de oro, guardas de gules, tapas de sable.

Martinena Ruiz, J. J.; 1982

Almorrabides, Bosque, J. del; 1540, folio 1o of the 1613 numbering

Juan José Martinena Ruiz, «Book of Armory of the Kingdom of Navarra: Introduction, Study, and Notes», published by the Institución Príncipe de Viana, 350 pages, ISBN 84-235-0557-X, Pamplona, 1982.


Introduction, study, and notes on the armorial [Bosque, J. del; 1540]. On pages 122 and 123, the coats of arms of the «ricoshombres» of Navarra, or «twelve barons of the major houses» as they are also called, surrounding the king's coat of arms in this armorial are compiled and transcribed.

The coat of arms accompanying this bibliographic reference is that of Almorrabides de Navarra following Juan del Bosque.


Bibliographical reference of century XX.

Author: Martinena Ruiz, Juan José.

The following articles cite this bibliographic reference:

External resources:

Separador heráldico

Continue with: Martínez de Aguirre, J.; 2007.

 

Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135, 7th floor,
28046 Madrid, Spain.