Canting arms

Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Escudo cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

This coat of arms can be seen in [Bergshammars; 1440; page 2], in [Lutzelbourg, N. de; 1530; page 35], and in [Tewkesbury; Century XVII; folio 25v].

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Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Crown and Open royal crown.

Style keywords: Semi-circular and Plain tincture.

Classification: Interpreted, Civic, Coat of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castile and Leon.

Banner Quarterly: 1 and 4 Gules, a castle triple towered Or, port and windows Azure, masoned Sable; 2 and 3 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or.

Pendón cuartelado: 1^o y 4^o de gules, un castillo de oro, aclarado de azur, mazonado de sable; 2^o y 3^o de plata, un león rampante de púrpura, armado y lampasado de gules, coronado de oro.

Pendón interpretado por mí como: un rectángulo de proporción entre su ancho y su alto de 5x6; el campo está esmaltado de tintas planas gules y plata; los 2 castillos y los 2 leones están iluminados; el león y su corona están delineados del campo; el castillo está mazonado de sable; y el conjunto tiene un acabado apergaminado.

Puede consultarse en el armorial para la coronación de [Eduardo IV de Inglaterra; 1461; columna 2, fila 25] un pendón de estas características, la razón de ello era la aspiración de Eduardo IV a este reino, aspiración procedente de sus predecesores.

Este armorial fue realizado por diferentes artistas y al que le correspondió hacer el pendón de Castilla y León parece que pintó los leones de oro, si bien este oro no es tan amarillo como el que esmalta los castillos, castillo que tienen 2 ventanas mínimas y una puerta aclarada de azur. Por esta diferencia de tonos entre leones y castillos cabría plantearse la hipótesis de una degradación de un esmalte púrpura original en un ocre.

Al comienzo del armorial también aparecen estos leones en una representación ecuestre de Eduardo IV donde un tono rosa podría recordar a un púrpura original y, por tanto, apoyar la hipótesis de la degradación.

Finalmente, hay una tercera aparición de estos leones en otro pendón que combina las armas de Castilla y León con las de Inglaterra. Donde el color de los leones es más parecido al del pendón que al de la representación ecuestre.

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Blazon keywords: Quarterly, Gules, Or, Azure, Sable, One, Castle, Port and windows, Masoned, Argent, Purpure, Lion, Rampant, Armed, Langued, Crowned, Crown and Open royal crown.

Style keywords: Illuminated, Rectangular and Old parchment.

Classification: Interpreted, Civic, Flag, Banner of arms, Kingdom of Castile and Leon and Canting.

Bearer: Castilla y León.

Gules, six wagon-wheels Or, 2, 2, and 2.

A wagon-wheel is an outer circle of iron, with an inner circle of wood and spokes also of wood, then the wagon-wheel proper has the color of the wood.

The number of spokes could be specified in the blazon, but most of the time it is left to the license of the artist, 6, 8, I like to paint more, for example, 12.

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Blazon keywords: Gules, Six, Wagon-wheel and Or.

Style keywords: Outlined in sable, Outlined and Pointed.

Classification: Lineage, Interpreted, Canting and Coat of arms.

Bearer: Rodelo lineage from Galicia.

Gules, six wagon-wheels Or, 2, 2, and 2.

Escudo de gules, seis ruedas de carro de oro, 3 y 3.

Coat of arms emblazoned by me with a pointed ended shape, illuminated, and with a freehand finishing.

Another alternative way of writing this same blazon is the following: «Gules, six wagon-wheels Or, arranged in two pallets».

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Blazon keywords: Gules, Six, Wagon-wheel and Or.

Style keywords: Outlined in sable, Illuminated, Freehand and Pointed.

Classification: Lineage, Interpreted, Canting and Coat of arms.

Bearer: Rodelo lineage from Galicia.

Blazon of the Poumola lineage of Catalonia.

Gules, a millstone Argent.

Escudo de gules, una piedra de molino de plata.

Illuminated and a watercolor finishing with shadow in the hole.

It blazon is describe in [Cadenas y Vicent, V. de; 1987; page 1429], [García Carraffa, A.; García Carraffa, A.; 1968; volume 3, page 358], and [Ferrer i Vives, F.; 1995; volume 2, page 362].

In this case, my theory is that this coat of arms is an example of «canting arms». «Canting arms» use a word or words of the surname or inside the surname to make the coat of arms. The surname Poumola is from Catalonia, we can split the surname into 2 parts «pou-mola», in Catalonian language a) «pou» means «well» and b) «mola» means «millstone» ~ «cadascuna de les dues pedres de forma circular que componen el molí», [GDLC; 1998], and this could be the reason of the symbolism of this coat of arms. «Canting» in heraldry means «talking» or «chatting», in Spanish «canting arms» is translated as «armas parlantes». Some heralds call «canting» to this creative technic.

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Blazon keywords: Without divisions, Gules, One, Millstone and Argent.

Style keywords: Watercolor, Outlined in sable, Illuminated and Ogee.

Classification: Interpreted, Lineage and Canting.

Appleton Studios

David B. Appleton studies, researches, teaches, and writes about heraldry, and through his blog, he shares his heraldic knowledge with us, as well as through publications and presentations.

David B. Appleton is open to questions from his readers and provides advice on heraldic topics in which he specializes.

His blog is Blog.AppletonStudios.com and his website is AppletonStudios.com, from which he offers his services related to the world of heraldry, its dissemination, and knowledge.

Since 2009, David B. Appleton's heraldic blog has been an endless source of knowledge, images, ideas, curiosities, original reflections, and links to heraldic sites selected by him.

Heraldry: Musing on an esoteric topic

David B. Appleton stands out for his continuous analysis of all types of heraldic manifestations, which he finds everywhere, in the world we live in: from those we have inherited from ancient times to the fiercely current, from books to cinema, from fashionable clothing to urban furniture, from east to west and north to south, including those that appear in logos and emblems, those using traditional techniques and those created or disseminated through new technologies, on ships, sports cars, and airplanes, on porcelain, facades, and stained glass, on television, on t-shirts and coins, in auctions and universities, in comics and sports, etc. with a systematic publication rhythm, more than 2 posts per week, nothing heraldic escapes the record and genuine analysis of David B. Appleton on Blog.AppletonStudios.com, which I highly recommend.

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Categories: Link, Interpreted, Personal, Coat of arms, Without divisions, Freehand, Soft metal, Illuminated, Outlined in sable, Canting, Heraldry and heralds, Argent, Azure, Gules, Vert, Chevronel, Between, Apple, Slipped and Leaved.

External resources:

• Interpretation of his coat of arms.
• Interpretation by Xavier García at Appleton Studios.
• Interpretation by Xavier García at Dibujo Heráldico with his blazon in English and Spanish.

Root: Appleton, David B..

Canting arms, apple ~ appleton.

Argent, two Chevronels Azure between three Apples Gules, slipped and leaved Vert.

Escudo de plata, dos tenazas de azur acompañadas de tres manzanas de gules, talladas y hojadas de sinople.

Coat of arms interpreted by me with: a round-bottomed shield shape; the field in flat tincture metal Argent; the figures outlined in Sable and illuminated in Azure, Gules, and Vert; and all with a rough finish.

A summary of the heraldic blog of David B. Appleton can be found among my recommended links on the heraldic universe.

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Blazon keywords: Without divisions, Argent, Azure, Gules, Vert, Chevronel, Between, Apple, Slipped and Leaved.

Style keywords: Rough, Illuminated and Outlined in sable.

Classification: Interpreted, Personal, Coat of arms, Canting and Heraldry and heralds.

Bearer: Appleton, David B..

Pedro José de Vega, «Compendio de la Maior Parte Ð los Blassones, Armas, e Ynsignias Ð las Ylustres Casas, Familias, y Apellidos del Reyno Ð Navarra i Parte Ð la Provincia de Gvipvzcoa, Segvn las Vsan y Traen los Svccesores Ðellas» ~ «Compendium of the Greater Part of the Blazons, Arms, and Insignias of the Illustrious Houses, Families, and Surnames of the Kingdom of Navarre and Part of the Province of Guipuzcoa, As Used and Carried by Their Successors», manuscript in 2 volumes, Volume I, catalog number MSS/7835 V.1, and Volume II, catalog number MSS/7836 V.2, in the National Library of Spain, 1702.

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As stated on the title page, the Field Master «Pedro Ioseph Ð Vega» was a native of the Kingdom of Navarre, deputy of the Kingdom of Navarre from 1688 to 1691, governor of the provinces of Cotabamba and Parinacochas in Peru, written as «governador», and gentleman of the «Voca de su Majestad» (His Majesty's Voice).

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Bibliographical reference of century XVIII.

Author: Vega, Pedro José de.

External resource:

• National Library of Spain.