Emblem of the Society of Heraldic Arts

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblema, un escusón, llameante en orla de dieciseis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Issuant.

Root: Society of Heraldic Arts.

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I am a member as a heraldic artist of the Society of Heraldic Arts having passed their artistic selection tests.

Probably, I have had the honor of being the first Spanish artist accepted within it and, perhaps, the first of all in the Spanish-speaking world.

Urfé, unknown authors, «Armorial Urfe», is currently in National Library of France (BnF, Bibliothèque nationale de France), in Paris, «Cabinet des titres» 927 as indicated on page I, cataloged with the code ms. fr. 32753, it is estimated from the XV century.

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Bibliographical reference of century XV.

Classification: Armorial roll, Manuscript, In black and white and French language.

The author is anonymous.

External links:

• Urfe in Gallica BnF.
• Bouneville indexed in the page 16.
• although it is really on the page 7 (16-9=7).
• Navarra indexed in the page 151.
• although it is really on the page 142 (151-9=142).
• Castilla indexed in the page 140.
• is effectively, in this case, on the same page 140.

RIAG

Argent, a cross patty Gules, cantoned of four mullets of eight points Azure; on a chief Sable, an elephant passant Or.

The Registro Internacional de Armas Gentilicias, is also known as RIAG, and riag.com.es is it domain.

It is a private register of coat of arms founded in 2006 in Seville, Spain by the herald Ignacio Koblischek Zaragoza.

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Categories: Institution, Socioeconomic, Semi-circular, Illuminated, Outlined in sable, Outlined in the field tincture, Freehand, Argent, Diminished cross, Patty, Gules, Cantoned, Mullet, Eight, Azure, Chief, Sable, Elephant, Passant and Or.

Heraldic edition:

• Its objective is the definitive edition of the blazon and its explanatory texts illustrated with images of the coat of arms, accompanied by the heraldic objects that complement it and adorned with a specific framework tailored to each registrant.
• Its outcome is a catalog of delivery of the heraldic work stamped, signed, dated and numbered.

Final review and delivery:

• Its goal is a last review of the complete work and to perform the latest appropriate corrections.
• The result is the delivery of the work to its holder, point where the heraldic process end.

Documentation and closure of records:

• Its goal is to finish the internal documentation of the work and the final archival of both the intermediate material and the final result.
• The result is a new record, keyed on the numbering of the heraldic catalog, in a documentary and graphic content management file.

Antonio Salmerón Cabañas, «Design of the coats of arms o-XI, o-IX, o-XX with their crest, supporters, flags, seals and blazons», paintings registered in the Intellectual Property Registry of Madrid, 28 pages with 47 illustrations, of coats of arms and other heraldic objects, request code M-1394-14, and registration number 16/2014/2330, Madrid, 25^th of February of 2014.

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Bibliographical reference of century XXI.

Author: Salmerón Cabañas, Antonio.

John Paul Rylands, «The Visitation of Cheshire in the Year 1580, Made by Robert Glover, Somerset Herald, for William Flower, Norroy King of Arms, with Numerous Additions and Continuations, Including those from The Visitation of Cheshire in the Year 1566, by the same Herald, with an Appendix Containing The Visitation of a Part of Cheshire in the Year 1533, William Fellows, Lancaster Herald, for Thomas Benolte, Clarenceux King Of Arms, And a Fragment of The Visitation of the City of Chester in the Year 1591, Made by Thomas Chaloner, Deputy to the Office Of Arms», edited by John Paul Rylands, F. S. A., published by The Harleian Society, London, 1882.

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[Goldstraw, M. S. J.; 2013a] es una recreación a color de los escudos registrados en este libro.

El escudo que ilustra esta referencia bibliográfica es uno de los que se registran en este libro y corresponde al escudo de Tatton de Wythenshawe, con la diferencia que aquí no se ha incluido su timbre.

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Bibliographical reference of century XIX.

The author is Rylands, John Paul.

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