Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper. Motto: «Alyahya» in letters Gules upon a scroll Argent.
Escudo cortado angrelado y partido: 1o de plata, un pergamino al natural inscrito con los nombres del linaje en letras de sable; 2o de gules, una palmera sostenida por dos alfanjes alzados, en sotuer todo de oro; 3o de sinople, un creciente sumado de una estrella de diez puntas ambos de oro; 4o de plata, un minarete naciente de la punta al natural. Divisa: «Alyahya» en letras de gules sobre una filacteria de plata.
Coat of arms depicted by me, highlighted with lights and shadows, outlined in Sable, with an ogee external shape and with a watercolor finishing.
This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. These arms exemplify how modern heraldry operates on a global scale, the process involved several countries: a design originating in Italy following the instructions of the armiger in Saudi Arabia, revised by experts in the Netherlands and the United Kingdom, and rendered by me in Spain, it serves as an example of international collaboration within the field. In English I use the word «motto», but in Spanish I usually use the word «lema»; however, when the text identifies the armiger, as in this case, I use the word «divisa».
Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret, Issuant from base and Motto (identification).
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alyahya, Abdulelah.
Bordure engrailed and bordure invected.
Painting inspired in [Nisbet, A.; 1816; page 21, pictures 1 and 2], but with the 3 boar's heads of Alexander Nisbet within the 2nd bordure invected.
Blazon writen by the College of Arms for the coat of arms of Michael John Huxley-Evans «Per fess nebuly Sable and Ermine in chief a Rose Argent barbed and seeded proper within a wreath of Thorns Or in base three Boar's Heads erased Sable armed Or.», but to differentiate from the «armed» of the claws, I prefer «tusked» to «armed» for the defenses/tusks of the boar's heads.
Blazon keywords: Bordure, Invected, Engrailed, Head and Boar.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Nisbet, Alexander.
Azure, a chevron engrailed Or between three lozenges Argent, each charged with a fleur de lis Gules; a bordure compony of eight sections, four Vert each charged with a castle triple-towered Or, port and windows Azure, masoned Sable, and four Argent each charged with a bull's head caboshed Sable. Crest: Upon a helm lined Gules, with a wreath Or and Azure, five ostrich feathers, alternately three Azure and two Or. Mantling: Azure doubled Or.
Arms designed by me, illuminated with lights and shadows, contoured in Sable, with a semi-circular outer contour and with a watercolor finishing.
Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Two, Three, Four, Five, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head, Caboshed, Crest and mantling, Crest, Upon (wreath), Helm, Lined, Wreath, Ostrich feathers, Alternately and Mantling.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Boa and Coat of arms.
Bearer: Gutiérrez Benítez, Jose Manuel.
Party per fess engrailed and per pale: 1 Argent, a scroll proper inscribed with the names of the lineage in letters Sable; 2 Gules, a palm tree upon two cutlasses, points upwards, in saltire Or; 3 Vert, a mullet of ten points above a crescent Or; 4 Argent, a minaret issuant from the base proper. Crest: Upon a helm in profile, barred Or, lined Gules, with a wreath Or and Vert, a palm tree Or. Mantling: Gules doubled Or and Vert doubled Argent. Motto: «Alyahya» in letters Gules upon a scroll Argent.
Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an ogee external shape and with a watercolor finishing.
This is the coat of arms of Abdulelah Alyahya (Riyadh, Saudi Arabia), designed by Vittorio Gifra (Italy) under his instructions, revised by Bob Juchter van Bergen Quast (Netherlands) and Kevin D. Couling (United Kingdom), and emblazoned by me (Spain). The arms reflect the heritage of the Alyahya family, descendants of the ancient tribe of Beno Tamim (Altamimi) and linked to the modern origins of Saudi Arabia. These arms exemplify how modern heraldry operates on a global scale, the process involved several countries: a design originating in Italy following the instructions of the armiger in Saudi Arabia, revised by experts in the Netherlands and the United Kingdom, and rendered by me in Spain, it serves as an example of international collaboration within the field. In an ordinary, I distinguish between engrailed and invected from the ordinary's point of view; for instance, I define a bordure as invected if, from the interior of the bordure, the edge appears invected (meaning the arcs appear concave); conversely, I say a bordure is engrailed if the arcs appear convex from its interior point of view; in this specific case, regarding a line of division, I describe it as engrailed because, from the perspective of the base of the coat of arms, the arcs of the partition line appear convex [Nisbet, A.; 1816; page 21, pictures 1 and 2].
Blazon keywords: Argent, Sable, Gules, Or, Vert, One, Two, Party per fess, Engrailed, Party per pale, Scroll, Proper, Inscribed, Palm tree, Tree, Upon, Cutlass, Point upwards, In saltire, Mullet, Above, Crescent, Minaret, Issuant from base, Crest, Upon (wreath), Helm, Wreath and Motto (identification).
Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Alyahya, Abdulelah.
This is the coat of arms of Jose Manuel Gutierrez Benitez designed by him and me and emblazoned by me, with the blazon written in English and Castilian in a structured way to observe the parallelism between both forms.
Blazon keywords: Azure, Or, Argent, Gules, Vert, Sable, One, Three, Four, Eight, Chevron, Engrailed, Lozenge, Fleur de lis, Bordure, Compony, Castle, Triple-towered, Port and windows, Masoned, Bull, Head and Caboshed.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Created, Structured and parallel blazons, Boa and Coat of arms.
Bearer: Gutiérrez Benítez, Jose Manuel.
Blazon of the Talbot lineage of England.
Escudo de gules, un león rampante dentro de una bordura angrelada todo oro.
Gules, a lion rampant within a bordure engrailed Or.
Illuminated with lights and shadows and with a freehand finish.
[Rietstap, J. B.; 1861] writes it in French as «de gueules, au lion d'or, à la bordure engrelée du même». y [Burke, J.; 1836; volume 3, pages 359-360] writes it in English as «Gu. a lion rampant, within a bordure engr. or».
Blazon keywords: Without divisions, Gules, One, Lion, Rampant, Within, Bordure, Engrailed and Or.
Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.
Classification: Interpreted, Lineage and Kingdom of England.
Atom, Crescent, Diamond, Emerald, Estoile, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Terrestrial globe, Trimount, Water and Wave.
Acorn, Apple, Apple tree, Ash, Bluebonnet, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Eguzki-lore, Elm, Fleur de lis, Flower, Gourd, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Blackbird, Boar, Brach hound, Bull, Cow, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Monkey, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Swan, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deers' attires, Shoulder, Sprig, Stags' attires, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
Ace of spades, Anchor, Anvil, Arch, Arm vambraced, Armillary sphere, Arrow, Axe, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Carbuncle, Castle, Celtic Trinity knot, Chain, Chess rooks, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Compass rose, Conductor's baton, Cord, Covered cup, Crozier, Crucible, Cuffed, Cup, Cutlass, Cyclamor, Dagger, Displayed scroll, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Maunch, Menorah, Millrind, Millstone, Millwheel, Minaret, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Pair of pliers, Pair of scales, Parchment, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Trident, Trumpet, Turret, Two-handed sword, Wagon-wheel, Water-bouget, Wheel, Winnowing fan and With a turret.
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Sea-lion, Trinity, Triton, Unicorn, Winged hand and Wyvern.
Invected, Port and windows, Watercolor, Proper, Cutlass, Alyahya, Abdulelah, Point upwards, Engrailed, Azure, Boa, Bordure, Wreath, Head, Chevron, Castle, Upon (wreath), Crest, Compony, Ogee, Party per fess, Created, Crescent, Four, Triple-towered, Outlined in sable, Motto (identification), Two, In saltire, Coat of arms, Schema, Mullet, Scroll, Fleur de lis, Personal, Gules, Gutiérrez Benítez, Jose Manuel, Illuminated, Inscribed, Interpreted, Lozenge, Masoned, Semi-circular, Minaret, Issuant from base, Or, Argent, Sable, Vert and One.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.