Within

Or, a fess wavy Azure between, in chief three torteaus, and a trimount issuant from the base Vert; within a bordure Gules charged with nine mullets of four points Or. Crest: Upon a helm with wreath Or and Gules, a falcon rising Or, belled Gules. Mantling: Gules doubled Or. Motto: «Honestidad y Respeto».

Arms painted by me, illuminated with lights and shadows, contoured in Sable, with a pointed external shape and with a iridescent finishing.

Design rationale

The arms of Geremías Reyes Zelaya express the history of his Honduran family: emigration, work, settlement, prosperity, and inherited values. The fess wavy Azure represents the river and the crossing of the frontier, recalling the family's emigration in search of a better life. The three roundels Gules in chief evoke the family's new settlement, prosperity, and involvement in trade. The mount Vert in base represents the family's rural origins, the mountains, the land, and the cultivation of maize and beans. The bordure Gules charged with mullets of four points Or recalls the members of the family group. The falcon Or, belled Gules, chosen as the crest, derives from the armiger's first idea for a personal emblem and provides a distinctive and personal symbol. The motto, «Honesty and Respect», declares the ethical foundation of the family.

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Blazon keywords: Or, Azure, Gules, Vert, Sable, One, Three, Nine, Fess, Wavy, Between, In chief, Torteau, Trimount, Issuant from base, Within, Bordure, Charged, Mullet of four points, Crest, Upon (wreath), Helm, Wreath, Falcon, Rising, Belled, Mantling and Motto.

Style keywords: Outlined in sable, Illuminated, Pointed and Iridescent.

Classification: Personal, Interpreted, Design rationale, Boa and Coat of arms.

Bearer: Reyes Zelaya, Geremias.

Azure, a pall couped Argent, its three arms charged with «es» Sable, within a triangle reversed Argent, its three arms charged with «no es» Sable, all debruised by four bezants, three on the vertex of the triangle, in dexter chief, charged with «el Padre», in sinister chief, charged with «el Hijo», in base, charged with «el Espítiru», and one on the fess point, charged with «Dios» Gules; in chief a label of three points Argent.

Escudo de azur, una perla recortada de plata, sus tres brazos cargados con «es» de sable, dentro de un triángulo ranversado de plata, sus tres brazos cargados con «no es» de sable, todo resaltado de cuatro bezantes de oro, tres sobre los vértices del triángulo, en la diestra del jefe, cargado de «el Padre», en la siniestra del jefe, cargado con «el Hijo», en la punta, cargado con «el Espítiru» y uno sobre el corazón, cargado con «Dios» todo de gules; en jefe un lambel de tres pendientes de plata.

Imaginary coat of arms that I have interpreted as follows: its base is semicircular (round); its field is illuminated in Azure; the rest is illuminated in Argent and outlined in Sable, except for the bezants which are Or and also outlined in Sable; its letters in plain tinctures, some Gules and others Sable; and the set with a glazed finish.

Pall

The pall (perla) as defined by [Avilés, J.; 1780a; page 239] is «a figure composed of three moving cotises, or that emerge from the two angles of the Chief and the Base, which meet in the center or heart of the Shield in the form of a Greek Y, as if this figure were formed from a half Saltire, and a half Pale».

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Blazon keywords: Without divisions, Azure, One, Pall, Couped, Argent, Three, Charged, Letter, Sable, Within, Triangle, Reversed, Four, Bezant, In the dexter chief, In the sinister chief, In base, In the fess point, Gules, Cadency and Label of three points.

Style keywords: Semi-circular, Illuminated, Outlined in sable and Glass.

Classification: Religious, Interpreted, Imaginary and Coat of arms.

Imaginary bearer: Jesus Christ.

Or, four bell towers issuant from base Gules, windows Or. Motto around the shield: «Linaje Lanzagorta Otxoa · Catalunya · Barcelona» Sable over a scroll Argent.

Coat of arms depicted by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.

Coat of arms of Alejandra Espeja Amieva, familiarly known as Sandra. This shield, surrounded by an annular scroll Argent inscribed in sable, has been designed byhas been designed by Juan Lanzagorta Vallín and emblazoned by me.

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Blazon keywords: Or, Gules, Sable, Argent, Four, One, Bell tower, Issuant from base, Port and windows, Within, Motto (identification) and Scroll.

Style keywords: Outlined in sable, Plain tincture and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Espeja Amieva, Alejandra.

Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable. Motto around the shield: «Linaje Lanzagorta Otxoa · Bizkaia · México» Sable over a scroll Argent.

Coat of arms depicted by me, in flat tinctures, contoured in Sable, with an ogee outer contour and with a texturized finish.

Coat of arms of Juan Lanzagorta Vallin designed by him and emblazoned by me. I have never painted a field masoned sable.

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Credits: Juan Lanzagorta Vallin is the designer of the coat of arms.

Blazon keywords: Azure, Argent, Sable, One, Two, Masoned, Chevron, In chief, Wolf, She-wolf, Combatant, Within, Motto (identification) and Scroll.

Style keywords: Outlined in sable, Plain tincture and Ogee.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lanzagorta Vallín, Juan.

Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules. Motto around the shield: «Linaje Lanzagorta Otxoa · Bizkaia · México» Sable over a scroll Argent.

Coat of arms painted by me, in flat tinctures, contoured in Sable, with an oval external shape and with a texturized finishing.

The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and emblazoned by me.

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Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed, Udder, Within, Motto (identification) and Scroll.

Style keywords: Outlined in sable, Plain tincture and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Otxoa Magaña, Teresa.

Emblemb Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or. Crest: A closed royal crown Or, with eight arches, visible five. Motto around the shield: «Limpia, fixa, y da esplendor» Or over a scroll Azure, fimbriated Or.

Emblema de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro. Timbrado de una corona real cerrada. Lema alrededor del escudo: «Limpia, fixa, y da esplendor» de oro sobre una filacteria de azur, perfilada de oro.

Painted by me with a metalwork finish, with an oval shape.

The Royal Spanish Academy was founded in 1713 on the initiative of Juan Manuel Fernández Pacheco, eighth Marquess of Villena and Duke of Escalona, with the aim of «fixing the words and vocabulary of the Castilian language in its greatest propriety, elegance, and purity». A year later, in 1714, its creation was approved by a Royal Decree of Philip V.

To symbolize its purpose, its emblem with a crucible to the fire and its motto «Limpia, fija y da esplendor» [Zamora Vicente, A.; 1999] were chosen by secret ballot. In some old versions of this emblem the motto can be read with the term «fixa» and a comma before the conjunction, that is, «Limpia, fixa, y da esplendor».

This article is illustrated with my personal interpretation of this emblem of the Royal Spanish Academy, crested with a closed royal crown of 8 arches, of which the 5 frontal ones are completely visible.

In this, as in any of my works, I always consult its dictionaries, almost as much, as the most interesting and specific works on the subject of study.

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Blazon keywords: Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules, Or, Closed royal crown, Crown, Motto, Within, Scroll, Azure and Fimbriated.

Style keywords: Oval, Illuminated and Outlined in sable.

Classification: Interpreted, Socioeconomic, Metalwork and Emblem.

Bearer: Royal Spanish Academy.

Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 22^nd edition, Espasa Calpe, Madrid, 2001.

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The DRAE's latest edition, the 23^rd, is from October 2014, but the current online version corresponds to the 22^nd edition with amendments incorporated until 2012.

This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española, with its crucible over a bonfire and its motto around it.

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Bibliographical reference of century XXI.

Classification: Dictionary and Castilian language.

The author is Royal Spanish Academy.

Bibliographical reference mentioned in the following article:

• Cavalry Regiment Alcantara, royal crown

External link:

• Real Academia Española: Diccionario.

Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 23^rd edition, Espasa Calpe, Madrid, 2014.

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This bibliographic reference of the DRAE is illustrated with one of my interpretations of the emblem of the Real Academia Española. Oval emblem with its crucible over a bonfire, surmounted by a closed Royal crown and its motto «Limpia, fija y da esplendor», around the emblem in letters of Or on Azure.

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Bibliographical reference of century XXI.

Classification: Dictionary and Castilian language.

The author is Royal Spanish Academy.

The following articles cite this bibliographic reference:

• Loubet del Bayle, Jean-Christophe
• Lozengy 5x6 and 6x7

External link:

• Real Academia Española: Diccionario.

Heraldic device depicted by me, illuminated with lights and shadows, outlined in Sable, and with a rough finishing.

Heraldic standard of Jason Landers Northam from Illinois, emblazoned by me. Structure: his coat of arms; his heraldic badge; the 1^st line of his motto «Callidus, Curae»; his crest; the 2^nd line of his motto «Plenus, Facetus»; and his badge.

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Blazon keywords: Vert, Or, Three, Nine, One, Chevron, Oak, Tree, Leaf, Wreath, Demi, Fox, Guardant, Federschwert, Sword, Proper, Motto, Lozenge, Within and Bordure.

Style keywords: Outlined in sable, Illuminated and Rough.

Classification: Personal, Interpreted, Boa, Standard and Flag.

Bearer: Northam, Jason Landers.

Blazon of the Talbot lineage of England.

Escudo de gules, un león rampante dentro de una bordura angrelada todo oro.

Gules, a lion rampant within a bordure engrailed Or.

Illuminated with lights and shadows and with a freehand finish.

[Rietstap, J. B.; 1861] writes it in French as «de gueules, au lion d'or, à la bordure engrelée du même». y [Burke, J.; 1836; volume 3, pages 359-360] writes it in English as «Gu. a lion rampant, within a bordure engr. or».

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Blazon keywords: Without divisions, Gules, One, Lion, Rampant, Within, Bordure, Engrailed and Or.

Style keywords: Freehand, Outlined in sable, Illuminated and Semi-circular.

Classification: Interpreted, Lineage and Kingdom of England.

Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or. Motto: «Entalente a parler d'armes».

Escudo cuartelado de azur y gules; brochante sobre el todo, una cabeza de leopardo coronada de oro, lampasada de gules, dentro de un trechor flordelisado de oro. Lema: «Entalente a parler d'armes».

Coat of arms interpreted with: a pointed base; its quarters enamelled in plain Azure and Gules; its tressure flory and the leopard face illuminated in Or and Gules; the motto is illuminated in Gules on an Argent scroll lined Azure; and all outlined in Sable and with a parchment finish.

Tressure and orle

The tressure, according to [Avilés, J.; 1780a; pages 242 and 243], «es una especie de Orla estrecha, ó un filete puesto en la misma situación de la Orla», regarding its dimensions in relation to those of the orle it states that «es de la mitad de su anchura, correspondiente á la quarta parte de la latitud de la Bordura, y la vigésimaquarta del Escudo», further clarifying that of these pieces called tressures there are «simples, y dobles, algunas veces floronadas, otras contrafloronadas, y también flordelisadas.», the last of which is the case of the present coat of arms.

Since the tressure is a piece of half the width of the orle it can be considered a diminutive piece, and that is how it is read in many texts; however, the «piezas fundamentales de la heráldica son», according to [Cadenas y Vicent, V. de; 1975; page 144], «aspa, banda, barra, bordura, cabrio, campaña, cantón, cruz, escusón, faja, franco cuartel, jefe, jirón, lambel, orla, palo, perla, pila, pira y trechor» and, accordingly, in his synoptic table [Cadenas y Vicent, V. de; 1975; pages 150-151] includes the tressure within the category of fundamental pieces.

Leopard face and lion face

One of the fundamental differences in heraldry between leopards and lions is that the former «tienen siempre la cabeza de frente, mostrando los dos ojos» and the latter «son siempre de perfil, y no descubren sino uno solo», [Avilés, J.; 1780a; page 330]. It is for this reason that, as against the English blazon which reads «a Lion face» ~ «una cara de león», in Castilian I write «una cabeza de leopardo».

Motto

The motto «Entalente a parler d'armes» bearing in mind that in French «entalente», in the context of battle, means «hábil y valiente», could be translated as «Valientes y con talento para hablar de armas», my shorter and freer translation would be «¡Hablemos de armas!» with exclamation marks to show that the one who says it is eager to do so. Regarding the translation of «entalente» the following article by Auguste Vachon, Outaouais Herald Emeritus, is of interest: Entalenté à parler d'armes. Additionally, it should be noted that today it would be written as «Entalente à parler d'armes» with a grave accent.

«The official blazon»

The official blazon of this coat of arms is «Quarterly Azure and Gules a lion’s face crowned with an Ancient Crown Or within a tressure flory on the outer edge of the same». The following are my comments to the official blazon:

• With «crowned» can be assumed the common default «crowned with an ancient crown».
• With «tressure flory» can be assumed the common default «tressure flory on the outer edge».
• I use to specify the «langued», for example Gules or Azure, because I think there is not a common default tincture for «langued» in all heraldic traditions.
• The use of «overall» can help to understand the blazon, then I add it.

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Blazon keywords: Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure, Flory and Motto.

Style keywords: Pointed, Illuminated, Outlined in sable, Shaded and Freehand.

Classification: Interpreted, Socioeconomic and Coat of arms.

Bearer: The Heraldry Society.

Alonso Zamora Vicente, «Historia de la Real Academia Española», Real Academia Española, Espasa Calpe, Madrid, 1999.

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This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española. It is an oval emblem in Argent, with its crucible, also in Argent, over a bonfire of Gules and Or and surrounded by its flames, surmounted by a closed Royal crown with 8 arches, 5 of which are visible, and its motto, as originally written «Limpia, fixa, y da esplendor», around it.

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Bibliographical reference of century XX.

Classification: Castilian language.

Author: Zamora Vicente, Alonso.

The following article cites this bibliographic reference:

• Royal Spanish Academy, emblem

External resource:

• Real Academia Española.