Oval

Azure, a sun in splendour, irradiated of sixteen ears of wheat Or. The shield is surrounded by an annulet Argent inscribed in chief with the motto «Linaje Lanzagorta Otxoa» and in base with «4Ð5H · Ángeles · 1984» Sable.

Arms emblazoned by me, in flat tinctures, outlined in Sable, with an oval outer contour and with a texturized finishing.

Coat of arms of María de los Ángeles Carrillo Padilla designed by her and her her father-in-law Juan Lanzagorta Vallín, and emblazoned by me with an oval shape.

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Blazon keywords: Azure, Or, One, Sixteen, Sun in splendour, Irradiated, Ear of wheat, Wheat, Surrounded, Annulet, Fimbriated, Inscribed, In chief, In base and Motto (identification).

Style keywords: Outlined in sable, Plain tincture and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Carrillo Padilla, María de los Ángeles.

Registry of the Ministry of the Interior number 606.877.

Anpc.seal

Sello ovalado que contiene un [ escudo con una Justicia, en su diestra una espada, alzada y en su siniestra una balanza. Timbrado de una corona real abierta ]. Las divisas y los lemas rodean el sello.

I have created the seal of the National Association of Criminology Experts and Experts in Forensic Sciences for the Courts of Justice, based on its previous seal and derived from its emblem.

The shield of the seal and the emblem has the female figure of Justice. In Spanish heraldry, as demonstrated in [Valero de Bernabé, L.; 2012a; page 3] and in [Valero de Bernabé, L.; 2012b; page 25 and 26], it has a 13 times lower occurrence, 93% versus 7%, than the male figure.

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Blazon keywords: Without divisions, Female figure, Vested, Dexter, Sword, Point upwards, Hilted, Sinister, Pair of scales, Motto (identification) and Motto.

Style keywords: Oval and Semi-circular.

Classification: Seal, Created and Socioeconomic.

Bearer: ANPC.

[Vert, two two-man cross-cut saws in saltire, the one bendwise Argent, handled Or, the one bend sinisterwise Or, handled Argent, in chief an adze Or, handled Argent]; [Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules]; [Argent, a chevron Sable and an ouroboros Azure, armed and langued Sable, interlaced]; [Azure, a sun in splendour, irradiated of sixteen ears of wheat Or]; [Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent]; [Or, four bell towers issuant from base Gules, windows Or]; [Or, a sun in splendour party per pale Azure and Argent, its rays Azure; a bordure Azure]; [Argent masoned Sable, a chevron Azure, in chief a wolf and a she-wolf combatant Sable]; [Argent, a multi-rose, which is a rose charged with ten roses conjoined in orle Rose, barbed Vert, seeded Or; a bordure Azure]; and [Or, an eagle displayed Azure].

Poster with the coats of arms of the members of the Lanzagorta Otxoa family, from Jalisco, Mexico, all designed by their bearers and by Juan Lanzagorta Vallín and emblazoned and signed by me, exhibited at the 5^th International Congress of Genealogy and Heraldry (5^th ICGHV), Vilnius. The 5^th ICGHV was held at the historic National Museum - Palace of the Grand Dukes of Lithuania and was organized by the Genealogijos, Heraldikos ir Veksilologijos Institutas. This family armorial composition presents ten personal coats of arms, each one created for a specific member of the family, while preserving a shared visual and heraldic language. The arms are those of Iker Lanzagorta Ochoa, Teresa Otxoa Magaña, Ixai Lanzagorta Ochoa, María de los Ángeles Carrillo Padilla, Itziar Lanzagorta Ochoa, Alejandra Espeja Amieva, the youngest granddaughter of Jon Lanzagorta Vallín, Juan Lanzagorta Vallín himself, the eldest granddaughter of Jon Lanzagorta Vallín, and Andrés Cruz Carballo.

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Blazon keywords: Vert, Argent, Or, One, Two, Azure, Sable, Gules, Sixteen, Four, Rose, Ten, Two-man cross-cut saw, In saltire, Bendwise, Handled, Bend sinisterwise, In chief, Adze, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed, Udder, Chevron, Ouroboros, Langued, Interlaced, Sun in splendour, Irradiated, Ear of wheat, Wheat, Semé, Mullet, Voided, Conjoined, Bell tower, Issuant from base, Port and windows, Party per pale, Ray of the sun, Bordure, Masoned, Wolf, Combatant, Charged, In orle, Barbed, Seeded, Eagle and Displayed.

Style keywords: Outlined in sable, Plain tincture, Semi-circular, Oval, Ogee, Rhombus and Rounded trapezoid.

Classification: Personal, Interpreted, Boa and Photographic.

Bearer: Lanzagorta Vallín, Juan.

Quarterly: 1 Gules, a castle triple-towered Or, port and windows Azure, masoned Sable [for Castile]; 2 Argent, a lion rampant Purpure, armed and langued Gules, crowned Or [for Leon]; 3 Or, four pallets Gules [for Aragon]; 4 Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert [for Navarre]; enté en point Argent, a pomegranate proper, seeded Gules, slipped and leaved Vert [for Granada]; an inescutcheon Azure, three fleurs de lis Or, 2 and 1, a bordure Gules [for Bourbon]. Crest: A closed royal crown. The shield is surrounded by the Golden Fleece. Behind the shield, a crimson oval fimbriated Or.

Heraldic device painted by me, illuminated with lights and shadows, outlined in Sable, with an oval outer contour and with a metal and iridescent finishing.

Badge of the Household of His Majesty the King Felipe VI of Spain emblazoned by me. According to the official description, it consists of a brass oval whose major axis, in vertical position, measures 35 millimetres in length and whose minor axis measures 30 millimetres. The obverse is enamelled in crimson and surrounded by a gilded border one millimetre wide along its entire perimeter. In this case, crimson is not treated as a heraldic tincture, but merely as a chromatic description.

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Blazon keywords: Gules, Azure, Purpure, Vert, Or, Argent, One, Three, Four, Quarterly, Castle, Triple-towered, Port and windows, Masoned, Lion, Rampant, Crowned, Pallet, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Enté en point, Pomegranate, Proper, Slipped, Leaved, Inescutcheon, Fleur de lis, Ordered, Bordure, Closed royal crown, Crown, Surrounded, Collar, Behind the shield and Fimbriated.

Style keywords: Outlined in sable, Illuminated, Semi-circular, Oval and Metal and iridescent.

Classification: Personal, Kingdom of Spain, Interpreted, Boa and Badge.

Bearer: Felipe VI of Spain.

Publication of my heraldic artwork on the blog Twelve Lineages of Soria under the following headline: Coat of arms of the Corps of the Nobility of the Principality of Asturias, work by Dr. Antonio Salmerón Cabañas.

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Categories: Link, Freehand, Closed royal crown, Crown, Gules, Azure, Vert, Sable, Purpure, Or, Argent, Oval, Bordure, Motto, Motto (identification), Horse, Rampant, Flag, Helm and Fleur de lis.

Root: Twelve Lineages of Soria.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised by a mullet Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».

Arms interpreted by me, highlighted with lights and shadows, contoured in Sable, with an oval outer contour and with a freehand finishing.

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Blazon keywords: Azure, Argent, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Debruised, Cadency, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.

Style keywords: Outlined in sable, Illuminated, Oval and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Pompili, Alessandra.

Ermine, three pomegranates inverted Or, seeded Gules, slipped and leaved Vert, ensigned with an open crown, alternating four rosettes of acanthus leaves, visible three, and four pomegranates Or, visible two, lined Gules.

Escudo de armiños, tres granadas ranversadas de oro, rajada de gules, talladas y hojadas de sinople, sumadas de una corona abierta, alternando cuatro rosetas de hojas de acanto, visibles tres, y cuatro granadas, visibles dos, todas de oro, forrada de gules.

Coat of arms emblazoned by me with an oval shape, illuminated, and with a leather finishing that seems watercolor.

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Blazon keywords: Without divisions, Ermine, Three, Pomegranate, Reversed, Or, Seeded (pomegranate), Gules, Slipped, Leaved, Vert, On, One, Crown, Alternately, Four, Rosette of acanthus leaves, Visible, Two and Lined.

Style keywords: Outlined in sable, Oval, Illuminated and Leather.

Classification: Socioeconomic, Interpreted and Coat of arms.

Bearer: Granada, Soberana y Muy Noble Orden de la.

Azure semé of mullets of seven points voided, interlaced, and conjoined Argent; a bordure Argent.

The coat of arms of Itziar Lanzagorta Ochoa designed by her and her father Juan Lanzagorta Vallín, and outlined by me with an oval shape.

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Blazon keywords: Argent, Azure, One, Semé, Mullet, Voided, Interlaced and Conjoined.

Style keywords: Outlined, Outlined in sable and Oval.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Lanzagorta Ochoa, Itziar.

Emblem of the Royal Spanish Academy

Emblemb Argent, a crucible Argent, enflamed and on a bonfire hoguera Gules and Or.

Emblema de plata, un crisol de plata, llameante y sumado a una hoguera de gules y oro.

Painted by me with a raised-stroke finish, with an oval shape and with a thin golden edge around it which is purely ornamental.

The Royal Spanish Academy, also known by its acronym RAE, is made up of 46 full members, all elected for life to occupy seats designated by letters of the Spanish alphabet.

In addition to the full members, the Royal Spanish Academy also has corresponding members and other associated members, which completes its structure as the main regulatory institution of the Spanish language.

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Categories: Institution, Interpreted, Socioeconomic, Oval, Illuminated, Outlined in sable, Freehand, Emblem, Without divisions, Argent, One, Crucible, Enflamed, Bonfire, Gules and Or.

Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 22^nd edition, Espasa Calpe, Madrid, 2001.

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The DRAE's latest edition, the 23^rd, is from October 2014, but the current online version corresponds to the 22^nd edition with amendments incorporated until 2012.

This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española, with its crucible over a bonfire and its motto around it.

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Bibliographical reference of century XXI.

Classification: Dictionary and Castilian language.

The author is Royal Spanish Academy.

The following article cites this bibliographic reference:

• Cavalry Regiment Alcantara, royal crown

External resource:

• Real Academia Española: Diccionario.

Real Academia Española, «Diccionario de la lengua española», known as DRAE, acronym for Diccionario de la Real Academia Española, 23^rd edition, Espasa Calpe, Madrid, 2014.

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This bibliographic reference of the DRAE is illustrated with one of my interpretations of the emblem of the Real Academia Española. Oval emblem with its crucible over a bonfire, surmounted by a closed Royal crown and its motto «Limpia, fija y da esplendor», around the emblem in letters of Or on Azure.

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Bibliographical reference of century XXI.

Classification: Dictionary and Castilian language.

The author is Royal Spanish Academy.

Bibliographic reference mentioned in the following articles:

• Loubet del Bayle, Jean-Christophe
• Lozengy 5x6 and 6x7

External resource:

• Real Academia Española: Diccionario.

Upon an oval, pean an Indian elephant statant Or, armed Argent, strapped over the belly, hump and rump Sable, cottised Or, charged on his left flank with a rose Gules, barbed Vert, seeded Or; seated on his neck a mahout, in his sinister hand a stick in bend sinister Argent.

Watercolor finishing

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Blazon keywords: Pean, Elephant, Statant, Or, Tusked, Sable, Cotised, Rose, Gules, Barbed, Vert, Seeded, Male figure, Sinister, Hand and In bend sinister.

Style keywords: Watercolor and Oval.

Classification: Badge and Personal.

Bearer: Juchter van Bergen Quast, Rudolph Andries Ulrich.

Azure, in base an open book Argent, in chief a sun in splendour Or. Crest: An open royal crown. Motto: «Technica impendi nationi». Motto around the shield: «Universidad de Politécnica de Madrid» fimbriated and inscribed Or.

Escudo de azur, un libro abierto de plata surmontado de un sol de oro. Timbrado de una corona real abierta. Lema: «Technica impendi nationi». Divisa alrededor del escudo: «Universidad de Politécnica de Madrid» perfilada y en letras de oro.

Coat of arms interpreted as follows: a semicircular (round) base; the field in flat Azure; the field and charges are illuminated in the tinctures Azure and the metals Argent and Or, all outlined in Sable; my rendition of this coat of arms differs from others in that the sun’s rays, although outlined in Sable, are Or; in the legibility of the text written on the book; and in separating with a dot the words that form the motto; and the whole finished with a beaten-metal effect.

Hammered metal and mother-of-pearl finished

In [Huidobro Moya, J. M.; 2024; page 231] this version of the coat of arms of the Technical University of Madrid, created by me, is illustrated. Both José Manuel Huidobro Moya and I are «alumni» of this university.

UPM coat of arms and doctoral ring

This image shows my interpretation of the coat of arms of the Technical University of Madrid, together with the doctoral signet ring that the University presented to me on the occasion of my PhD in Artificial Intelligence in 1992, a field in which I have worked since 1985.

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Blazon keywords: Without divisions, Azure, Argent, Or, Book, Sun in splendour, Crest and mantling, Crown, Open royal crown, Motto and Motto (identification).

Style keywords: Semi-circular, Oval, Illuminated, Outlined in sable and Metal beaten.

Classification: Interpreted, Socioeconomic, Collage and Education.

Bearer: Technical University of Madrid.

Azure, in chief a moon with human face Argent, in base a crescent chequey Sable and Argent; overall a she-wolf ululant, sejant on the crescent proper, armed and the udders Gules.

The coat of arms of Teresa Otxoa Magaña designed by her and her husband Juan Lanzagorta Vallín, and emblazoned by me with an oval shape in 3 steps: ratios, outlined, and tinctures.

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Blazon keywords: Azure, Argent, Sable, Gules, One, Chief, Moon, With human face, Base, Crescent, Chequey, Overall, She-wolf, Ululant, Sejant, Proper, Armed and Udder.

Style keywords: Ratio, Outlined, Outlined in sable, Plain tincture and Oval.

Classification: Personal, Interpreted, Schema, Boa and Coat of arms.

Bearer: Otxoa Magaña, Teresa.

Emblem Azure, Saint Michael Argent, vested and nimbed Or, grasping in his dexter hand a spear Or, point downward, and in his sinister hand bearing [ Gules, a chain orlewise, crosswise, and saltirewise Or, charged in the fess point with an emerald Vert, of Navarre ], upon a dragon Vert, armed, langued, fanged, and the eyes Gules.

Emblema de azur, un San Miguel de plata, vestido y nimbado de oro, teniendo en su diestra una lanza de oro, con la punta hacia abajo y en su siniestra trae [ escudo gules, una cadena puesta en orla, en cruz y en sotuer de oro, cargada en el centro de una esmeralda de sinople, de Navarra ], sostenido por un dragón de sinople, armado, lampasado, fierezado y encendido de gules.

Emblem interpreted by me as follows: an oval shape with proportions 5x6, wider than the original; the field illuminated in Azure; its charges outlined in Sable and illuminated in the colours Gules and Vert and the metals Argent and Or; the Archangel Saint Michael vested in Or, unlike others who appear in Argent; his emerald simplified into an area enameled Vert; and the whole emblem has a lightly beaten metal finish.

Due to its special characteristics, the difficulty in complying with the first rule of heraldry concerning metals and colours, and out of prudence, I categorize it as an emblem rather than a shield.

In a relief of the Church of Saint Michael the Archangel in Estella, Saint Michael can be seen fighting a dragon that represents the devil, in a similar but mirrored arrangement to that of this emblem. In that relief, the Archangel Saint Michael bears a pre-heraldic shield with its umbo. According to [Menéndez Pidal de Navascués, F.; 1963], the umbo of the shield is a reinforcing element that is the predecessor of what would later become the pommelly carbuncle of the shield of the Kingdom of Navarre.

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Blazon keywords: Without divisions, Azure, Male figure, Angel, Archangel, Argent, Vested, Nimbed, Or, Grasping, Dexter, Spear, Point downwards, Sinister, Gules, One, Chain, Orlewise, Crosswise, Saltirewise, Charged, In the fess point, Emerald, Vert, Upon, Dragon, Armed, Langued, The fangs and The eyes.

Style keywords: Oval, Illuminated, Outlined in sable and Soft metal.

Classification: Interpreted, Socioeconomic, Education, Emblem and Kingdom of Navarre.

Bearer: University of Navarra.

Azure, two chevronels Argent between in chief two mullets of six points Or, and in base a Scots pine eradicated proper [Grant G0066]; the whole debruised respectively by a crescent Argent and a mullet Argent for difference. Crest: A crown of Noble surmounted by a crown of Baron. Supporters: Two branches of roses proper held together by a bow Azure. Motto: «Per audacia ad astra».

It has been emblazoned by me, highlighted with lights and shadows, outlined in Sable, with an oval external shape and with a texturized finish.

The arms of Vittoria Pompili and Alessandra Pompili were presented in my lecture Women and Arms: Contemporary Coats of Arms for Women Worldwide (lecture). The presentation included their coats of arms shown together with their blazons unified. They are from Italy. Their arms were registered by Dr Charles A. Gauci, Chief Herald of Arms of Malta (registers R0038 and R0039), and painted by me. The standard displayed below is that of their father, Grant G0066, from which both coats of arms derive through the appropriate marks of cadency.

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Blazon keywords: Azure, Argent, Or, Two, One, Chevronel, Between, In chief, Mullet, In base, Scots pine, Tree, Eradicated, Proper, Debruised, Cadency, Crescent, Crest, Crown of Noble, Crown, Crown of Baron, Supporter, Branch, Rose, Bow and Motto.

Style keywords: Outlined in sable, Illuminated and Oval.

Classification: Personal, Interpreted, Boa and Slide.

Bearer: Pompili, Vittoria.

Alonso Zamora Vicente, «Historia de la Real Academia Española», Real Academia Española, Espasa Calpe, Madrid, 1999.

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This bibliographic reference is illustrated with one of my interpretations of the emblem of the Real Academia Española. It is an oval emblem in Argent, with its crucible, also in Argent, over a bonfire of Gules and Or and surrounded by its flames, surmounted by a closed Royal crown with 8 arches, 5 of which are visible, and its motto, as originally written «Limpia, fixa, y da esplendor», around it.

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Bibliographical reference of century XX.

Classification: Castilian language.

The author is Zamora Vicente, Alonso.

The following article cites this bibliographic reference:

• Royal Spanish Academy, emblem

External resource:

• Real Academia Española.