The Heraldry Society

Quarterly Azure and Gules; overall a leopard face, crowned Or, langued Gules, within a tressure flory Or.

TheHeraldrySociety.com was founded by John P. Brooke-Little, MA, FHS in 1947.

Its objetives are to increase and extend interest in and knowledge of heraldry, armory, chivalry, genealogy and allied subjects.

I am member of The Heraldry Society since 2014. As member, my coat of arms appears in their web site in the following address TheHeraldrySociety.com/membersarms/antoniosalmeron.htm.

Plain tincture and lights and shadows

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Categories: Institution, Interpreted, Socioeconomic, Pointed, Illuminated, Outlined in sable, Freehand, Coat of arms, Quarterly, Azure, Gules, Overall, Head, Leopard, Crowned, Or, Langued, Within, Tressure and Flory.

Juan del Bosque, «Libro de Armería del Reino de Navarra», which is currently missing and whose subsequent copy, commissioned in 1572, is kept in the Royal and General Archive of Navarre, estimated year of creation 1540.

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The origin of this armorial dates back to 1527, when the Navarrese Courts requested that the Royal Council and the Chamber of Comptos ~ Chamber of Accounts and Fiscal Control, record in a book the coats of arms of the kingdom of Navarre starting with that of the king of Navarre and the houses and lineages of the so-called «ricoshombres», Almorrabides, Guebara, Aybar, Baztanes, Urroz, Lete, Subiça, Rada, Vidaurre, Qasqante, Monteagudo, and Mauleón, also including the coats of arms of other manors, houses, valleys, towns, and nobles [Valverde Ogallar, P. B.; 2001; page 326].

According to [Martinena Ruiz, J. J.; 1982; page 35] the book was compiled around the year 1540, and this is the date I use for referencing this armorial.

This first manuscript created by Juan del Bosque was taken by the royal visitor Hernán Suárez de Toledo, under the pretext of taking it to Emperor Charles V, despite being requested back by the Navarrese Courts, it was never returned and was definitively lost. The armorial that has come down to us is a recreation commissioned in 1572 [Valverde Ogallar, P. B.; 2001; page 327].

According to [Menéndez Pidal de Navascués, F.; 1974; page 19] the recreation of this armorial was carried out based on certifications, such as those from the herald Azcárraga, and notes and partial copies of the stolen book, like the copy kept in the monastery of Leyre.

Another noteworthy bibliographic reference about this armorial, in addition to those previously mentioned, is [Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001].

The image illustrating this bibliographic reference is the coat of arms of the king of Navarre, which I recreated based on the illustration in this armorial, on its first folio according to the numbering given to it in 1613.

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Bibliographical reference of century XVI.

Author: Bosque, Juan del.

The following articles cite this bibliographic reference:

• Martinena Ruiz, J. J.; 1982
• Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001
• Menéndez Pidal de Navascués, F.; 1974
• Menéndez Pidal de Navascués, F.; 1985
• Menéndez Pidal de Navascués, F.; Martínez de Aguirre, J.; 2000

Founded in the year 1987, it is the first organisation of its kind in the world

Azure, an inescutcheon Argent, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Or.

Escudo de azur, un escusón de plata, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todas de oro.

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First versions

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The Society of Heraldic Arts is an international organization founded in 1987, committed to the promotion and preservation of heraldic art. The society brings together artists, craftsmen, and enthusiasts who work in various forms of heraldic expression, from painting and sculpture to calligraphy and jewelry. With members worldwide, the SHA encourages the exchange of knowledge and skill development through exhibitions, publications, and events.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Semi-circular, Coat of arms, Azure, Inescutcheon, Argent, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line, Throughout (all sides) and Or.

Emblem, an inescutcheon, enflamed in orle of sixteen points and irradiated throughout of sixty-four lines Gules.

Emblema, un escusón, llameante en orla de Dieciséis llamas y radiante de sesenta y cuatro líneas movientes todo de gules.

Its focus on heraldic art, along with its foundation in 1987, makes it a pioneering institution in this field on a global scale.

The Society of Heraldic Arts enjoys significant international recognition among heraldic artists, designers, and craftsmen, and its website is heraldic-arts.com.

Its members cover the full range of activities within heraldry for individuals, personal heraldry, public and private entities, socioeconomic heraldry, as well as municipalities, regions, etc., governance heraldry.

The Society of Heraldic Arts used to publish a quarterly magazine called «The Heraldic Craftsman», which was sent to all its members, but it is no longer in publication. The Society also provides advice on the correct use of heraldry to enhance corporate and personal identity.

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Categories: Institution, Interpreted, Socioeconomic, Illuminated, Freehand, Semi-circular, Emblem, Gules, Inescutcheon, Enflamed, In orle, Sixteen, Flame, Irradiated, Sixty-four, Line and Throughout (all sides).

Root: Society of Heraldic Arts.

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I am a member as a heraldic artist of the Society of Heraldic Arts having passed their artistic selection tests.

Probably, I have had the honor of being the first Spanish artist accepted within it and, perhaps, the first of all in the Spanish-speaking world.

Within the Society of Heraldic Arts, there are two different classes of members:

• those who are professionals in the various expressive forms of heraldic art, such as:
  • heraldic painting and drawing and, as a heraldic artist, I am a member within this category,
  • calligraphy,
  • ex libris engraved or delineated,
  • illustration and illumination of documents,
  • heraldic craftsmen of stone, wood, glass, or plaster.
  • heraldic jewelry and seal making, etc.
• and those who:
  • aspire to become professionals in heraldic art, or
  • are passionate about heraldry without necessarily practicing heraldic art.

Juan José Martinena Ruiz, «Book of Armory of the Kingdom of Navarra: Introduction, Study, and Notes», published by the Institución Príncipe de Viana, 350 pages, ISBN 84-235-0557-X, Pamplona, 1982.

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Introduction, study, and notes on the armorial [Bosque, J. del; 1540]. On pages 122 and 123, the coats of arms of the «ricoshombres» of Navarra, or «twelve barons of the major houses» as they are also called, surrounding the king's coat of arms in this armorial are compiled and transcribed.

The coat of arms accompanying this bibliographic reference is that of Almorrabides de Navarra following Juan del Bosque.

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Bibliographical reference of century XX.

The author is Martinena Ruiz, Juan José.

Bibliographic reference mentioned in the following articles:

• Bosque, J. del; 1540
• Martinena Ruiz, J. J.; Menéndez Pidal de Navascués, F.; 2001

External resources:

• Record in Sancho el Sabio.
• Pages 122 and 123.

Javier Martínez de Aguirre Aldaz, «Faustino Menéndez Pidal de Navascués: Researcher of Navarrese Heraldry», Revista Príncipe de Viana, ISSN 0032-8472, year number 68, issue number 241, dedicated to the tribute to Faustino Menéndez Pidal de Navascués, pages 343-358, Government of Navarra, Institución Príncipe de Viana, Pamplona, 2007.

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This article highlights the analysis of the importance of the publication of [Menéndez Pidal de Navascués, F.; 1963] to understand what is possibly the true origin of the shield of Navarra, surpassing the legends about the chains (the most widespread being the Battle of Las Navas de Tolosa and the less widespread of Archangel Michael and the devil turned dragon), and basing its origin on the evolution of the shield's block to the radiated block, as elements of defensive reinforcement, giving rise to the carbuncle as a heraldic element.

It also describes well how, over time, this theory of the radiated block and the carbuncle, permeated Navarrese society, in parallel with political changes, and the historical and heraldic academic opinion.

Javier Martínez de Aguirre Aldaz had already published together with Faustino Menéndez Pidal de Navascués, 7 years earlier about the shield of Navarra, [Menéndez Pidal de Navascués, F.; Martínez de Aguirre, J.; 2000].

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Bibliographical reference of century XXI.

Author: Martínez de Aguirre Aldaz, Javier.

The following articles cite this bibliographic reference:

• Menéndez Pidal de Navascués, F.; 1963
• Menéndez Pidal de Navascués, F.; 1974
• Menéndez Pidal de Navascués, F.; Martínez de Aguirre, J.; 2000

External link:

• Navarra, PDF format.

Internal resources: MartínezAguirreJ2007.MenendezPidalNavarra.pdf.

Sigue por: Menéndez Pidal de Navascués, F.; 1963.