Nisbet, A.; 1722
Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by J. MackEuen, Edinburgh, 1722.
This is the very 1st edition of this book and I consult the edition [Nisbet, A.; 1816].
Bibliographical reference of century XVIII.
Author: Nisbet, Alexander.
Here are the articles quoting this reference:
External link:
Nisbet, A.; 1816
Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by William Blackwood de Ediburgo and Rodwell and Martin of London, Edinburgh, 1816.
This is the edition I consult and the 1st edition of this book is [Nisbet, A.; 1722].
The illustration accompanying this bibliographic reference corresponds to page 43 of this edition of 1816.
Bibliographical reference of century XIX.
The author is Nisbet, Alexander.
Bibliographic reference mentioned in the following articles:
External resources:
Internal resources: NisbetA1722.SystemHeraldry.pdf.
Alexander Nisbet, schema
Bordure invected and bordure engrailed.
Painting inspired in [Nisbet, A.; 1816; page 21, pictures 1 and 2], but with the 3 boar's heads of Alexander Nisbet within the 2nd bordure invected.
Blazon writen by the College of Arms for the coat of arms of Michael John Huxley-Evans «Per fess nebuly Sable and Ermine in chief a Rose Argent barbed and seeded proper within a wreath of Thorns Or in base three Boar's Heads erased Sable armed Or.», but to differentiate from the «armed» of the claws, I prefer «tusked» to «armed» for the defenses/tusks of the boar's heads.
Blazon keywords: Bordure, Invected, Engrailed, Head and Boar.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Nisbet, Alexander.
St. George's Roll; 1285
St. George's Roll, in English usually written as «MS Vincent, 164 ff.1-21b», also called [Vincent, MS; 1285], it is in the College of Arms, London, containing 677 painted coats of arms, it is an English roll or arms dating from c. 1285.
The bibliographical reference that I mainly use for this armorial is [Vincent, MS; 1285].
Bibliographical reference of century XIII.
Classification: Armorial roll and Manuscript.
The author is unknown.
The following articles cite this bibliographic reference:
- Adam de Cretingges
- Bartholomew de Yattendon
- Edmund de Bassingburnn
- Howel ap Res
- James de Sottone, le Fitz
- Joan de Okinton
- John de Beauchamp
- John de Ladbrooke
- John le Sturmy
- Nicholas Malmains
- Norman Darcy
- Ricardo de Mandeville
- Robert de Malet
- Simon de Crombe
- Simon de Ver
- Simon le FizSimon
- Thomas Roscelyn
- Thomas de Werblintone
- Thomas le FizThomas
- Vincent, MS; 1285
- William Bardolf
- William de Ferrers, Earl of Derby
- William de Hondeshacre
Heralds International
Internet addresses:
I was honored with their announce of my incorporation to Heralds International, the announce was the following:
- «Dr. Antonio Salmeron has recently joined Heralds International as a Member Artist and so we thought we would feature some of his work. A longer article will follow later but Dr. Salmeron has described his work thus»:
- «My style as a heraldic artist is clear, symbolic and methodical. Clear because my work searches pieces which transmit energy and vital force to the owner, I think that a coat of arms should be a source of light and joy and an expression of freedom. Symbolic because coats of arms must be a representation of its bearer, his/her ideals, motivations, history and anything he/she might want to display. Methodical because heraldic art is founded on a science, the so called science of heraldry».
- «We look forward to featuring more of his work very soon».
Categories: Link and Heraldry and heralds.
Vincent, MS; 1285
Vincent Manuscript, in English, usually written as «MS Vincent, 164 ff.1-21b», also called [St. George's Roll; 1285], it is in the College of Arms, London, containing 677 painted coats of arms, it is an English roll of arms dating from c. 1285.
Bibliographical reference of century XIII.
Classification: Armorial roll, Manuscript and In color.
Author: unknown.
Here are the articles quoting this reference:
- Adam de Cretingges
- Bartholomew de Yattendon
- Edmund de Bassingburnn
- Howel ap Res
- James de Sottone, le Fitz
- Joan de Okinton
- John de Beauchamp
- John de Ladbrooke
- John le Sturmy
- Nicholas Malmains
- Norman Darcy
- Ricardo de Mandeville
- Robert de Malet
- Simon de Crombe
- Simon de Ver
- Simon le FizSimon
- St. George's Roll; 1285
- Thomas Roscelyn
- Thomas de Werblintone
- Thomas le FizThomas
- William Bardolf
- William de Ferrers, Earl of Derby
- William de Hondeshacre
Sigue por: Martos García, Juan Carlos.
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Language
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Categories of heraldry
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Divisions of the field
- Without divisions
- Party per pale
- Party per fess
- Party per bend sinister
- Tierce
- Tierce sinister
- Tierced per bend
- Quarterly
- Quarterly per saltire
- Gyronny
- Party per fess, the chief per pale
- Party per pale, the sinister per fess
- Party per fess, the base per pale
- Party per pale, the dexter per fess
- Party per chevron
- Indented
- Enté en point
- Flanched
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Metals
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Colours
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Furs
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Other tinctures
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Ordinaries and sub-ordinaries
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Diminutives of the ordinaries
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Other charges
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Charges from Nature
Eagle, Two hands clasped, Tree, Rainbow, Trunk of a tree, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Stag, Crescent, Increscent, Tail, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Tooth, Elephant, Starling, Mullet, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Paw, Seagull, Pomegranate, Falcon, Flame, Boar, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Wolf, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Orbital, Bear, Palm tree, Poplar leaf, Paw, Peacock, Chest, Fish, Hoof, Quill, Cinquefoil, Oak, Rose, Double rose, Serpent, Sun in splendour, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
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Artificial charges
Halberd, Plough share, Ace of spades, Cyclamor, Torch, Harp, Non-classic artifact, Ship, Beret, Ecclesiastical cap, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Buckle, Spear, Spear's head, Letter, Book, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Piano, Millstone, Millrind, Millwheel, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Double vajra and Anvil.
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Immaterial charges
Angel, Heart enflamed, Dragon, Phoenix, Griffin, Winged hand, Saint George, Trinity, Triton, Golden fleece and Unicorn.
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External elements
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Heraldic creations
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References
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Formats
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Keywords on this page
Invected, Watercolor, Erect, Engrailed, Pointed, Armorial roll, Eradicated, Bibliography, Bordure, Head, Heraldry and heralds, Five, Party per fess, Created, Criterion, Tusked, Outlined in sable, In color, In fess, Link, Coat of arms, Sword, Schema, Personal, Gules, Heralds International, Illuminated, Boar, Langued, Manuscript, Martos García, Juan Carlos, Semi-circular, Nisbet, Alexander, Or, Argent, Without divisions, Kingdom of England, Sable, Century XIII, Century XIX, Century XVIII and Vairy.