o-XI, heraldic document

Heraldic document, 2 pages.

The pages have a heraldic frame with the elements of his coat of arms.

The motto, which is the beginning of the Gospel of Saint John, can be seen in [Cnut Gospels; 1020; folio 111].

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Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale, Number, Gules, Argent, Azure, Crest and mantling, Helm, Mantling, Wreath, Crest, On, Charged, Disordered, Cross, Cross of Burgundy, Cross couped, Book, Open, Motto, Scroll and Fimbriated.

Classification: Created, Personal, Catalogue, Heraldic document and Frame.

Bearer: Salmerón Cabañas, Antonio.

A unicorn salient, quarterly per saltire Or and Sable. Motto: «ASC» bendwise Sable, between the hoofs.

Badge created with: the unicorn and the motto painted with flat color sable and metal or; and the whole set with an old parchment finish.

The original design of this badge, along with other coats of arms and heraldic pieces, is registered as intellectual property in [Salmerón Cabañas, A.; 2015a; page 9]. Additionally this badge with a Unicorn per saltire Or and Sable, is used as what the Intellectual Property Registry calls a «pseudonym without anonymity» to sign documents.

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Blazon keywords: Quarterly per saltire, Sable, Or, Unicorn, Salient, Motto (identification), Bendwise and Hoof.

Style keywords: Old parchment.

Classification: Badge, Created and Personal.

Bearer: Salmerón Cabañas, Antonio.

The starship of this video is based on the «Narcissus», the lifeboat of the «Nostromo», designed by Ron Cobb for the film «Alien». The music is «Also sprach Zarathustra», Opus 30, from Richard Strauss, interpreted by Kevin MacLeod.

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Credits: Kevin MacLeod is the author of the music and Ron Cobb is the designer of the original starship.

Blazon keywords: Quarterly, Sable, Or, One, Letter, Two, Wolf, Passant, In pale, Number, Unicorn, Mullet and Compass rose.

Style keywords: Semi-circular and Freehand.

Classification: Video, Map, Created and Personal.

Bearer: Salmerón Cabañas, Antonio.

The aim of this 2 and a half minute video is to show some of the concepts that have been used during the process of creating this coat of arms and, also, to show the final graphic result.

The texts in the video are in Castilian, but the video can be easily understood without the need for these supporting texts.

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Credits:

• Kevin MacLeod is the author of the music.
• Dr. Marianne Steinbauer has the copyright of the font.

Classification: Created, Personal and Video.

Bearer: Salmerón Cabañas, Antonio.

I hold a PhD cum laude, a Masters degree, a Specialization and an Academic Grade from four different universities:

• Doctor and Graduate by the Technical University of Madrid (UPM),
• Master by the IESE at the University of Navarra (UNAV),
• University Specialist by the Department of Private Law of the University of Burgos (UBU), and
• University Graduated by the Catholic University San Antonio.

Martino Antoine del Rio, Societis Jesu, «Disquisitionum Magicarum Libri Sex: Quibus continetur accurata curiosarum artium et vanarum superstitionum confutatio, utilis Theologis, Jurisconsultis, Medicis, Philologis», Lugduni: apud Horatium Cardon, 1608.

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There are other editions of this book, for example, the edition by Henning with 1,070 pages, from the year 1617.

The collage of images that accompanies this article corresponds to the inner cover of the 1608 edition of this book, that has been photographed by me, you can see my ex libris on the bottom of the of photography.

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Bibliographical reference of century XVII.

The author is Rio, Martino del.

External resource:

• Cervantes Virtual.

While writing and illustrating «The book of the coat of arms of the Wolves Sable and the Unicorns Argent», I established the foundation for a work process that has now become my signature methodology in heraldic creation. Recognizing the importance of a methodological approach to consistently produce quality artwork, I continue to refine it with the experience I accumulate.

My methodology can be summarized as a 3-phase process, each containing 3 distinct activities, with the flexibility to revisit any phase for continual improvement.

The diligent execution of these nine activities ensures that the final product meets the expectations of the future bearer of the heraldic coat of arms.

The three phases are as follows:

• Conception, which encompasses: elicitation and ideation, heraldic research and critique, creation of a preliminary coat of arms sketch.
• Plastic execution, which includes: layout and tincture application, ornamentation and detailing, lighting effects and final artwork production.
• Completion and fulfillment, which involves: heraldic editing, final review and artwork delivery, documentation and archival closure.

Sigue por: Emblemata; 1998.