Salmerón Cabañas, A.; 2015a

Antonio Salmerón Cabañas, «Coat of arms and heraldic creation between April 2014 and March 2015», paintings registered in the Registry of Intellectual Property of Madrid, with 126 illustrations, 16 black and white and 110 color, of coats of arms and other heraldic objects, including my pseudonym without anonymity «a Unicorn per saltire Or and Sable, salient and the motto ASC Sable», 30 pages with 126 illustrations, 16 black and white and 110 color, request code M-001674-2015, and registration number 16/2015/2546, Madrid, 9^th of March of 2015.

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Bibliographical reference of century XXI.

Author: Salmerón Cabañas, Antonio.

Bibliographic reference mentioned in the following articles:

• B. Quesada, coat of arms with motto and support
• Pseudonym without anonymity
• Quesada Valles, Bartolomé

Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess.

Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja.

The original design of this coat of arms, along with many others heraldic devices, is registered in [Salmerón Cabañas, A.; 2015a; page 11].

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Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé and Tulip.

Style keywords: Watercolor, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Coat of arms, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess.

Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja.

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Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé and Tulip.

Style keywords: Soft metal, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Coat of arms, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess. Motto «Amat victoria curam».

Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja. Lema «Amat victoria curam» de oro, sobre una filacteria de azur.

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Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Motto (motivation) and Scroll.

Style keywords: Soft metal, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Coat of arms, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

Sable, semé of Tulips Or; on a chief cousu Azure, two Crowns Or, in fess. Supporter A Tree Vert, eradicated. Motto «Amat victoria curam».

Escudo de sable, sembrado de tulipanes de oro; el jefe cosido de azur, dos coronas de oro, en faja. Por sostén un árbol de sinople, arrancado. Lema «Amat victoria curam» de oro, sobre una filacteria de azur.

The original design of this coat of arms, along with many others heraldic devices, is registered in [Salmerón Cabañas, A.; 2015a; page 11].

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Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Crest, Vert, Tree, Eradicated, Supporter (thing), Motto (motivation) and Scroll.

Style keywords: Watercolor, Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Coat of arms, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

This video shows the ideation of this coat of arms step by step, its field, chief cousu, figures, motto and it supporter. The music is «Sonata No. 8 in G major – 1. Allegro» of Ludwig van Beethoven interpreted by Paul Rosenthal, violin, and Edward Auer, piano, available under an «Open Audio License».

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Credits: Paul Rosenthal violin performance and Edward Auer piano performance.

Blazon keywords: Without divisions, Sable, Or, Azure, Chief, Two, Crown, In fess, Semé, Tulip, Vert, Tree, Eradicated, Supporter (thing), Motto (motivation) and Scroll.

Style keywords: Semi-circular, Illuminated, Outlined in the field tincture, Outlined in sable and Cousu.

Classification: Video, Created and Personal.

Bearer: Quesada Valles, Bartolomé.

My artistic evolution can be classified into three 3 major phases, each of them marked by the influence of a particular school. These three stages, in turn, made their own contributions to my current heraldic production:

• Pop Art: At the beginning of the 1980s, most of my initial work was tuned to the Pop Art. From there comes my interest in the representation of objects, the use of spot and basic colors, the production oriented to its graphic reproduction, the use of mixed techniques and the principles of clarity and cleanliness, so present in my current production. At the end of this stage I start to work on thick, but delicate, coated paper of the base color of the table on which I apply colors and textures by adding elements of color or by the destruction of the base itself.
• Geometric abstraction and abstract expressionism: During the 2^nd half of the 80's, my art evolves towards geometric abstraction in the line and to abstract expressionism in the color. Since then I base my painting in the two-dimensionality of the plane, the use of simple shapes, in harmonies with or without symmetries or with apparent symmetries, reinforcing the use of basic colors: yellow, red, blue, sometimes with white as a neutral background and black as a delimiter, which is the purest tradition of Heraldry.
• Surrealism and symbolism: Both two previous stages converged at the beginning of the 90s with my surreal and symbolic background to produce, during the following two decades, hundreds of automatic painting works in ink and watercolor characterized by a series of personal characteristics. Undoubtedly this evolution marks my current heraldic production. For example, the patterns inside the mantling of my shields are made with the mind of automatic state or the overall assembly of the heraldic work where symbolism is a constant. At this stage I usually use Fabriano paper of 300 grams, usually 100% cotton, liquid ink pens to favor speed, Vallejo (brand) liquid watercolors and, sometimes, as a complement, paste watercolors Winsor & Newton.

Sigue por: Valero de Bernabé, L.; 2012b.