F. S. Stych, University of Sheffield, «The Flow Chart Method and Heraldic Enquiries» RQ, volume 6, number 4, pages 169-174, published by American Library Association, Chicago, summer of 1967.
This article describes, using a flowchart, a method to identify the holder of a coat of arms. This method is applicable to the armories of the United Kingdom, as it follows their heraldic norms and most important sources. One of the target readers of the article are librarians who, finding coats of arms in books, plates, ex libris, etc., need to classify them.
The most notable aspect of the article is the 1967 flowchart, which is shown in the image above. This image has been extracted, cleaned, and enhanced from the original diagram contained at the end of the article. Note that some functions appear repeated within the scheme, such as, «Check families listed in Anson, etc. in Burke's General Armory. Arms found?» which, in turn, is represented with a task rectangle, when it really is a rectangle containing a question, a bifurcation, which should be a diamond «Arms found?», that is, it has been represented by a rectangle what should have been represented by a rectangle and a diamond. This same issue occurs in other processes and is probably due to not complicating the flowchart further.
Bibliographical reference of century XVIII.
The author is Stych, F. S..
The copyright of the images, drawings, compositions or accompanying texts displayed on this site Blason.es, or in its associated heraldry domains, and which are the product of the creation of new coats of arms or the interpretation of already existing coats of arms corresponds to its author Antonio Salmerón Cabañas who is, in turn, the proprietor Blason.es.
The copyright of each work is protected by its corresponding registration of intellectual property. Antonio Salmerón Cabañas is also the author of propiedad intelectual.
Antonio Salmerón Cabañas is also the author of:
all of which is protected and protected by the laws of intellectual and industrial property.
It is not allowed to copy, use or reproduce these images, drawings, compositions or texts without the express authorization of the author and, more importantly, always respecting the rights of the holders of the coats and blasons as specified in the article called ownership of blazons and coats of arms.
Kevin MacLeod (Incompetech.com) is the author of the musical compositions of some videos. He has the generosity to license it through «Creative Commons: By Attribution 3.0» (CreativeCommons.org/licenses/by/3.0/) and both here and in the credits of all these videos this generosity is attributed. Although this license permits modification of the work, these soundtracks are the originals of Kevin MacLeod.
The wonderful fonts shown in Blason.es and some of its documents in PDF format have the rights of Dr. Marianne Steinbauer (Pia-Frauss.de) who personally authorized me to use them, from here my most sincere gratitude.
They can also be found in Blason.es and in its associated heraldry domains images and compositions that contain parts or clippings of armorials, heraldic books, or heraldic pieces with centuries of antiquity and, therefore, already in public domain. p>
In addition to the copyrights mentioned in the previous sections, The following list shows the credits of the coats of arms, photographs or other heraldic objects that appear in some articles of Blason.es.
Although this list does not intend to be exhaustive, I try to maintain it the most updated and complete as possible and I will be happy to make the inclusions or appropriate modifications that are communicated to me.
Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by J. MackEuen, Edinburgh, 1722.
This is the very 1st edition of this book and I consult the edition [Nisbet, A.; 1816].
Bibliographical reference of century XVIII.
The author is Nisbet, Alexander.
The following articles cite this bibliographic reference:
External resource:
Alexander Nisbet, «System of Heraldry Speculative and Practical: With the True Art of Blazon», subtitle «according to the most approved heralds in Europe: illustrated with suitable examples of armoria figures, and achievements of the most considerable surnames and families in Scotland, together with historical and genealogical memorials relative thereto», printed by William Blackwood de Ediburgo and Rodwell and Martin of London, Edinburgh, 1816.
This is the edition I consult and the 1st edition of this book is [Nisbet, A.; 1722].
The illustration accompanying this bibliographic reference corresponds to page 43 of this edition of 1816.
Bibliographical reference of century XIX.
Author: Nisbet, Alexander.
Bibliographic reference mentioned in the following articles:
External links:
Internal resources: NisbetA1722.SystemHeraldry.pdf.
Bordure engrailed and bordure invected.
Painting inspired in [Nisbet, A.; 1816; page 21, pictures 1 and 2], but with the 3 boar's heads of Alexander Nisbet within the 2nd bordure invected.
Blazon writen by the College of Arms for the coat of arms of Michael John Huxley-Evans «Per fess nebuly Sable and Ermine in chief a Rose Argent barbed and seeded proper within a wreath of Thorns Or in base three Boar's Heads erased Sable armed Or.», but to differentiate from the «armed» of the claws, I prefer «tusked» to «armed» for the defenses/tusks of the boar's heads.
Blazon keywords: Bordure, Invected, Engrailed, Head and Boar.
Style keywords: Semi-circular.
Classification: Schema.
Bearer: Nisbet, Alexander.
William Shakespeare, «Coriolanus», Tragedy in 5 acts and 29 scenes, written in verse, dated to either 1608 or 1609, depending on the sources.
It is one of the last works written by William Shakespeare, a tragedy based on the life of Caius Marcius Coriolanus, a legendary Roman general from the 5th century B.C. Some authors consider General Coriolanus to be a historical figure, while others do not.
Initially known only as Caius Marcius, during the war against the Volsci he becomes a hero by entering the city of Corioli with a few soldiers, and from then on, he is called Caius Marcius Coriolanus.
I prithee now, my son,
Go to them, with this bonnet in thy hand;
And thus far having stretch'd it (here be with them)
Thy knee bussing the stones (for in such business
Action is eloquence, and the eyes of the ignorant
More learned than the ears) waving thy head,
Which often, thus, correcting thy stout heart,
Now humble as the ripest mulberry
That will not hold the handling: or say to them,
Thou art their soldier, and being bred in broils
Hast not the soft way which, thou dost confess,
Were fit for thee to use as they to claim,
In asking their good loves, but thou wilt frame
Thyself, forsooth, hereafter theirs, so far
As thou hast power and person.
Bibliographical reference of century XVII.
The author is Shakespeare, William.
External link:
Sigue por: St. George's Roll; 1285.
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Ermine spot, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Moon, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Tyger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Water-bouget, Comb, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Mermaid, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Invected, Disclaimer, Engrailed, Armorial roll, Erased, Bend, Bibliography, Bordure, Head, Charged, Criterion, Tusked, Schema, Gules, Boar, Langued, Spear, Legal notice, Manuscript, Semi-circular, Nisbet, Alexander, Or, Argent, Without divisions, Bendwise, Kingdom of England, Sable, Century XIII, Century XIX, Century XVII and Century XVIII.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.