Pedro Calvo, notary and alderman of the city of Calatayud, «Libro de cuentas de la ciudad de Calatayud» ~ «Account book of the city of Calatayud», literal title, «Libro dela data fecha por pedro calvo notao Regidor dela ciutat de Calatayut enel anyo de mil Quinientos y uno», manuscript restored with cover, back cover and Mudejar style binding, 2 blank pages behind the cover and the back cover, 76 inner pages of 300 x 230 mm, of which 7 could be in white and in even position, 3 in white among the first 20 pages, 1 blank towards the middle of the book and another 3 blank between the last 20 pages, final annotation with the term «cabreo», Calatayud, 1501.
Bibliographical reference of century XVI.
Classification: Manuscript, In black and white and Castilian language.
Author: Calvo, Pedro.
External links:
Internal resources: CalvoP1501.CalatayudDataOriginal.pdf book as a sequence of available pages and CalvoP1501.CalatayudDataPaginado.pdf book recomposed in sequence of odd and even pages, with blank pages inserted to recover lost sequences.
Nicolas de Lutzelbourg, lord of Fléville and captain of Nancy, «Roll of arms», sixteenth century (the author lived between 1485? and 1547), manuscript in French on parchment, with 230 pages numbered later with pencil the odd pages from 1 to 115, 29 x 21 cm, Bibliothèque-Médiathèque of Nancy digitized, source of the images with open license.
Video of 120 seconds composed for the Biblioteca Genealógica, Heráldica y Nobiliaria. Music by Georg Philipp Telemann (1681, 1767), Concerto for 4 Violins No. 2, TWV 40: 202, II. Grave, interpreted by Viola Viva, with Creative Commons license of Attribution and ShareAlike.
Content examples: Scotland on pages 28, 29 and 30 with 61 coat of arms; Aragon on page 33 with 11 coat of arms; Castile and Leon on page 35 with 8 coat of arms; Navarre on page 36 with 1 coat of arms; and Portugal on pages 37 and 38 with 27 coat of arms.
Bibliographical reference of century XVI.
Classification: Manuscript, Armorial roll, French language and In color.
Author: Lutzelbourg, Nicolas de.
Here are the articles quoting this reference:
External links:
The rule of tincture, «metal should not be put on metal, nor color on color», is the most famous rule of the heraldry. In the divisions of the field, for example, party per fess, party per pale, quartered, etc., the tinctures are beside each other, not one on top of the other, because the divisions are not charges, so the rule of tincture does not apply. Although as a rule of aesthetics may be useful in the case of divisions.
Blazon keywords: Quarterly, Argent, Gules and Or.
Style keywords: Freehand, Outlined in sable, Plain tincture and Illuminated.
Classification: Schema.
A Gules and Or comparison between cross potent, cross moline, and cross of Jerusalem
Blazon keywords: Gules, Or, Cross potent, Cross couped, Cross moline, Cross of Jerusalem and Cross.
Style keywords: Freehand, Outlined in sable and Illuminated.
Classification: Schema.
Elliot Stock, «The Antiquary, A Magazine Devoted to the Study of the Past», Volume XXXI, Published by Elliot Stock, London, 1895.
«The late Mr. John Henry Parker's name is so closely associated with quite a small library of admirable manuals on architecture, and with a number of other works on archaeology, all of which are well known, that it will be something of a surprise to many persons to learn that about fifty years ago», 1895 - 1847 = 48 years, «he published» [Parker, J. H.; 1847; Glossary of Terms used in British Heraldry].
«The book, too, has been out of print so long that it has become almost forgotten».
«The new edition now published by his son, Mr. James Parker», [Parker, J.; 1894; Glossary of Terms used in Heraldry], «is practically, as he himself tells us, a new book, and the elaboration and care which have been bestowed upon it are as characteristic of this as they are of the other archaeological works, for which both father and son have been so honourably distinguished for more than half a century».
«Another well-known characteristic of the Messrs. Parker's books is the copious manner in which they are illustrated».
«The present volume fully maintains that reputation, and the neat little woodcuts, which occur in great profusion on nearly every other page, are often a great help in explaining in a practical manner the significance of a heraldic term».
«To anyone who is beginning the study of heraldry this will render the book of great value and usefulness; while others who know more or less of the science will not be disposed to regret the lavish manner in which explanatory illustrations are provided».
«So far as it is possible to judge there are very few, if any, inaccuracies in the book, although we are bound to express surprise in finding in such a work as this, the old fiction repeated, that the figure of our Saviour, in relation to the dedication of the cathedral to the Holy Trinity, on the arms of the See of Chichester is that of the mysterious being known as Prester John».
«We thought this absurd theory had been fully exploded long ago, and to find it perpetuated in a work like this is a little startling, to say the least».
The 3 main references in James Parker's book to Prester John the See of Chichester are the following:
«It would be an interesting fact to ascertain exactly when and by whom», Elliot Stock asks himself, «the very wild idea of Prester John on the Chichester shield was first started».
Nowadays, the Diocese of Chichester, in its on-line explanation about its coat of arms, writes «The most common misconception, which was still being repeated in 1894», the Diocese does not cite directly James Parker's book, but cites its publishing year 1894, «was that the arms show Presbyter John sitting on a tombstone». «A letter circulated in Europe in about 1165 referred to the annual visit of Prester John and his army, complete with chariots and elephants, to the tomb of the prophet Daniel in Babylonia Deserta». «It was the imagery of this letter», about the Prester John and the tomb, «that seems to have become attached to» the coat of arms of the Diocese of Chichester with its human figure, nimbed, sitting in a tomb or an altar.
«As showing the thoroughness with which Mr. James Parker has done his work, we may mention that»:
«In every instance the subject dealt with is thoroughly worked out».
«Indeed, thoroughness may be said to be one of the special characteristics of this useful and welcome volume».
He was an English publisher and bibliophile, he born in 1838 and died in 1911. The publishing company that bore his name was in business from 1859 to 1939. The Antiquary magazine was published by his publishing company from December 1879 to 1915.
Bibliographical reference of century XIX.
Classification: Magazine and English language.
The author is Stock, Elliot.
The following articles cite this bibliographic reference:
External links:
Arma: palato d’azzurro e d’oro di sei pezzi, alla banda del primo [azzurro] attraversante sul tutto.
Paly of six Azure and Or; over all a bend Azure.
Blazon keywords: Paly, Six, Azure, Or, Surmounted, Overall (deprecated) and Bend.
Style keywords: Semi-circular, Parchment, Plain tincture and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Gifra, Vittorio.
Paly of six Azure and Or; over all a bend Azure.
Escudo palado de seis piezas de azur y oro; brochante sobre el todo una banda de azur.
Blazon keywords: Paly, Six, Azure, Or, Surmounted, Overall (deprecated) and Bend.
Style keywords: Semi-circular, Freehand, Illuminated and Outlined in sable.
Classification: Coat of arms, Interpreted and Personal.
Bearer: Gifra, Vittorio.
Sigue por: Vittorio Gifra, pointed shield and metal beaten finish.
Eagle, Bald eagle, Eagle claw, Dorsal fin, Tail fin, Two hands clasped, Lark, Tree, Trunk, Rainbow, Atom, Barbel, Acorn, Arm, Owl, Horse, Head, Thistle, Kapok tree, Stag, Doe, Crescent, Increscent, Tail, Heart, Roe deer, Neck, Roe deers' attires, Raven, Dolphin, Diamond, Tooth, Elephant, Emerald, Starling, Mullet, Mullet of four points, Star of David, Estoile, Male figure, Fleur de lis, Hop cone, Puffin, Ash, Claw, Talons, Goose, Heron, Seagull, Pomegranate, Sunflower, Falcon, Leaf, Boar, Goldfinch, Laurel, Barn owl, Lion, Lioness, Lion passant, Leopard, Lion rampant guardant, Lynx, Lily, Flame, Wolf, She-wolf, Hand, Apple, Martlet, Wing, Two wings in vol, Covert, Mount, Trimount, Fly, Wrist, Olive tree, Orbital, Bear, Palm frond, Palm tree, Dove, Poplar leaf, Paw, Forepaw, Peacock, Chest, Pelican, Pelican in her piety, Dog, Brach hound, Fish, Hoof, Beak, Quill, Cinquefoil, Quetzal, Branch, Caboshed, Oak, Holm oak, Rose, Double rose, Serpent, Sun in splendour, Ray of the sun, Stem, Badger, Wheat, Wheat spike, Bull, Tulip, Udder, Escallop and Fox.
Halberd, Plough share, Ace of spades, Anchor, Cyclamor, Torch, Arch, Harp, Non-classic artifact, Crozier, Ship, Beret, Grenade, Ecclesiastical cap, Chain, Covered cup, Bell tower, Cannon dismounted, Carbuncle, Castle, Clarion, Nail, Cord, Dagger, Key ward, Turret, With a turret, Sword, Sabre, Scroll, Arrow, Garb, Gauntlet, Axe, Buckle, Spear, Spear's head, Letter, Book, Closed book, Open book, Page, Line, Key, Four crescents joined millsailwise, Hammer, Menorah, Number, Knot, Celtic Trinity knot, Parchment, Piano, Millstone, Millrind, Millwheel, Clay pot, Bridge, Hourglass, Chess rooks, Compass rose, Rosette of acanthus leaves, Mullet of six points pierced, Broken, Portcullis, Wheel, Wagon-wheel, Symbol, Sackbut, Drum, Tower, Trident, Trumpet, Double vajra and Anvil.
Angel, Heart enflamed, Sacred Heart of Jesus, Paschal lamb, Dragon, Wyvern, Phoenix, Garuda, Griffin, Sea-griffin, Winged hand, Our Lady of Mercy, Pegasus, Saint George, Trinity, Triton, Golden fleece, Unicorn and Ouroboros.
Parchment, Pointed, Armorial roll, Azure, Bend, Bibliography, Surmounted, Cross, Cross moline, Cross of Jerusalem, Cross potent, Cross couped, Quarterly, Outlined in sable, In black and white, In color, Coat of arms, Schema, Personal, Gifra, Vittorio, Gules, Illuminated, Interpreted, Castilian language, French language, English language, Manuscript, Semi-circular, Metal beaten, Or, Paly, Argent, Magazine, Six, Century XIX, Century XVI, Overall (deprecated), Plain tincture, Freehand and Video.
Dr. Antonio Salmerón y Cabañas,
,
Paseo de la Castellana 135,
7th floor,
28046 Madrid, Spain.