Robertson of Struan, lineage

Gules, three wolves' heads erased Argent.

Escudo de gules, tres cabezas de lobo arrancadas de plata.

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with a rounded trapezoidal outer contour and with a metal and iridescent finish.

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Blazon keywords: Gules, Argent, Three, Wolf, Head and Erased.

Style keywords: Outlined in sable, Illuminated, Rounded trapezoid and Metal and iridescent.

Classification: Personal, Kingdom of Scotland, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Robertson of Struan, lineage.

Gules, a chevron Or.

Arms of Gilbert des Essarts, France, emblazoned by me. This scheme (outlined and then in plain tincture) depicts a chevron with a wider, more obtuse angle than usual. This design shows that the chevron is constructed with the side lines forming an angle where the tangent of half the angle is 56.3^o, arctan(3/2), its width is made one-fourth of the shield's overall width, and the position of the chevron's lower point (the apex) is governed by the shield's geometric center, resulting in a visually more open shape than the standard.

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Blazon keywords: Gules, Or, One and Chevron.

Style keywords: Ratio, Outlined in sable, Plain tincture and Pointed.

Classification: Personal, Kingdom of France, Interpreted, Schema, Boa and Coat of arms.

Bearer: Gilbert des Essarts.

Gules, a chevron Or.

Arms of Gilbert des Essarts, France, emblazoned by me. This scheme illustrates the drawing of a chevron, highlighting that the lower point of this wide chevron is positioned at the geometric center of the coat of arms.

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Blazon keywords: Gules, Or, One and Chevron.

Style keywords: Outlined in sable, Plain tincture, Illuminated and Pointed.

Classification: Personal, Kingdom of France, Interpreted, Schema, Boa and Coat of arms.

Bearer: Gilbert des Essarts.

Gules, a chevron Or.

Arms interpreted by me, in flat tinctures, contoured in Sable, with a pointed external shape and with a texturized finish.

Arms of Gilbert des Essarts, France, emblazoned by me. In 1279, Gilbert des Essarts married Marguerite Damartin, whose coat of arms was «Or, a chief Azure».

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Blazon keywords: Gules, Or, One and Chevron.

Style keywords: Outlined in sable, Plain tincture and Pointed.

Classification: Personal, Kingdom of France, Interpreted, Boa and Coat of arms.

Bearer: Gilbert des Essarts.

Gules, a chevron Or.

Escudo de gules, un cabrio de oro.

Arms painted by me, highlighted with lights and shadows, contoured in Sable, with a pointed outer contour and with a freehand finishing.

Arms of Gilbert des Essarts, France, emblazoned by me. Gilbert des Essarts was married to Marguerite Damartin, their alliance, marriage, took place in 1279, the tomb of Gilbert des Essarts and Marguerite Damartin is located in the chapel of la Poutiere, where the burial place of the house of Essarts is situated.

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Blazon keywords: Gules, Or, One and Chevron.

Style keywords: Outlined in sable, Illuminated, Pointed and Freehand.

Classification: Personal, Kingdom of France, Interpreted, Boa and Coat of arms.

Bearer: Gilbert des Essarts.

Gules, on a trimount issuant from the base Or, a port Gules, with canopy roof, jambs, enarched lintel, and two open leaves, upon a three-step stairway Oro.

Escudo de gules, un monte de tres peñas moviente de la punta sumado de una puerta con tejadillo, jambas, dintel arqueado, dos hojas abiertas sostenida de una escalinata de tres peldaños todo de oro, aclarada de gules.

Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finish.

Coat of arms of Albrecht Dürer, 1471-1528, emblazoned by me based on the woodcut titled «Coat of Arms of Albrecht Dürer» made by Albrecht Dürer himself in 1523 on a sheet measuring 35.1 × 26.1 cm belonging to The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952, held at the Metropolitan Museum of New York, and on the work titled «Marriage Coat of Arms of the Families Duerer and Holper. Verso of the Albrecht Dürer the Elder portrait», dated 1490; Albrecht Dürer the Elder, 1427–1502, was his father.

Design rationale

The Dürer family coat of arms is an example of canting arms. Their family origin traces back to Ajtós, Hungary, a name which means «door» or «doorman» in Hungarian. Upon settling in Nuremberg, the family Germanized their surname to «Türer», derived from «Tür», meaning «door», and later to Dürer. This is the reason of the main charge of these arms.

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Blazon keywords: Gules, One, Two, Three, On, Trimount, Issuant from base, Port, Canopy roof, Arched, Enarched, Upon, Step, Stairway and Port and windows.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Lineage, Interpreted, Boa and Coat of arms.

Bearer: Albrecht Dürer.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent.

Escudo cuartelado: 1^o y 4^o de gules, tres leopardos en palo de oro, lampasados y armados de azur; 2^o de oro, un león de gules, armado y lampasado de azur, encerrado en un trechor doble flordelisado y contraflordelisado de gules; 3^o de azur, un arpa de oro cordada de plata.

Arms painted by me, highlighted with lights and shadows, outlined in Sable, with an ogee outer contour and with a watercolor finishing.

Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me.

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Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp and Stringed.

Style keywords: Outlined in sable, Illuminated, Ogee and Watercolor.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Elizabeth II of the United Kingdom.

Quarterly: 1 and 4 Gules, three lions passant, guardant, in pale Or, armed and langued Azure; 2 Or, a lion rampant Gules, armed and langued Azure, within a double tressure flory counterflory Gules; 3 Azure, a harp Or, stringed Argent. Crest: A crown proper.

Arms interpreted by me, illuminated with lights and shadows, outlined in Sable, with an ogee external shape and with a freehand finishing.

Coat of arms of Her Majesty Queen Elizabeth II emblazoned by me. Saint Edward Crown, the fundamental piece used in the anointing ceremony of British monarchs, was reconstructed in 1661 after the Restoration. This crown is distinguished by its four depressed or downward-curving arches, three visible, which rise from a circular base decorated with four cross patty, three visible, alternating with four fleurs de lis, two visible. Like the Tudor, its arches, adorned with pearls, converge at the center to support an orb, a cross on a world. The crown's base is lined with ermine, and the cap or inner lining is traditionally represented in Purple. It is the heaviest piece among the Crown Jewels and its use is reserved exclusively for the culminating moment of the coronation. The main visual difference between Saint Edward Crown and the Tudor Crown lies in their arches: Saint Edward Crown features depressed arches or downward curves, and its inner cap is typically represented in Purple. Conversely, the Tudor Crown features ascending or semi-circular arches, and its inner cap is colored Gules.

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Blazon keywords: Gules, Or, Azure, One, Three, Quarterly, Leopard, Pale, Armed, Langued, Lion, Rampant, Double tressure, Flory, Counterflory, Harp, Stringed, Saint Eduard crown, Closed royal crown and Crown.

Style keywords: Outlined in sable, Illuminated, Ogee and Freehand.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Elizabeth II of the United Kingdom.

Continue with: Elizabeth II of the United Kingdom and the Most Noble Order of the Garter.