Emblemata; 1995
Baron of Valdeolivos Emblematic Chair, of the Fernando el Catolico Institution, of the Centre of Scientific Research (C. S. I. C.) and of the Government of Zaragoza, «Emblemata», Volume 1st, Emblemata Aragonese Magazine about Emblems (E. R. A. E.), 419 pages, 44 pictures, ISSN 1137-1056, Legal deposit Z.3.937 1996, printed by the Cooperativa de Artes Gráficas Librería General, Zaragoza, 1995.
Bibliographical reference of century XX.
Classification: Magazine and Castilian language.
The author is Cátedra de Emblemática Barón de Valdeolivos.
External resource:
Fernández-Xesta y Vázquez, E.; 2014a
Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-08-2, ISBN number immediately preceding its digital edition, Legal Deposit M. 192-2014, deposit number immediately preceding its digital edition, Madrid, 2014.
Also published in digital PDF format on CD-ROM as [Fernández-Xesta y Vázquez, E.; 2014b] with a print run of 1000 copies.
Bibliographical reference of century XXI.
Classification: Castilian language.
Author: Fernández-Xesta y Vázquez, Ernesto.
Bibliographic reference mentioned in the following articles:
External resource:
Fernández-Xesta y Vázquez, E.; 2014b
Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-09-9, ISBN number immediately following its print edition, Legal Deposit M. 193-2014, deposit number immediately following its print edition, Madrid, 2014.
Also published in physical print format as [Fernández-Xesta y Vázquez, E.; 2014a] with a print run of 100 numbered and signed copies by the author.
Bibliographical reference of century XXI.
The author is Fernández-Xesta y Vázquez, Ernesto.
The following articles cite this bibliographic reference:
External link:
García-Mercadal y García-Loygorri, F.; 2010
Fernando García-Mercadal y García-Loygorri, «Penas, Distinciones y Recompensas: Nuevas Reflexiones en torno al Derecho Premial», [Emblemata; 2010; pages 205-235], Volume 16th, Aragonesa de Emblemática Magazine, ERAE, Fernando El Católico Institution, ISSN 1137-1056, Zaragoza, 2010.
Bibliographical reference of century XXI.
Classification: Article.
Author: García-Mercadal y García-Loygorri, Fernando.
External link:
Ernesto Juan Anaya, plain tincture
Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules.
Coat of arms interpreted by me, in plain tinctures, contoured in Sable, with a semi-circular outer contour and with a texturized finishing.
This is the coat of arms of Ernesto Juan Anaya designed by him and emblazoned by me. The battlemented fess symbolises military leadership.
Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged and Crossbow.
Style keywords: Outlined in sable, Plain tincture and Semi-circular.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Anaya, Ernesto Juan.
Anaya, Ernesto Juan
Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules.
Escudo de azur, una faja bretesada de oro, acompañada en jefe de dos pares de tubos de cañones desmontados puestos en dos sotueres, en punta de una estrella de seis puntas todo de plata; una bordura de oro, cargada de ocho ballestas de gules.
Coat of arms painted by me, illuminated with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finishing.
This is the coat of arms of Ernesto Juan Anaya, from Atlanta, US, designed by him and emblazoned by me. The two cannons in saltire denote his service as a Field Artillery Officer, and the fact that the armiger is one of two twin brothers.
Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged and Crossbow.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Anaya, Ernesto Juan.
Ernesto Juan Anaya, arms on tartan
Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules.
It has been depicted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
The coat of arms of Ernesto Juan Anaya designed by him and emblazoned by me over his personal tartan registered in the Scottish Register of Tartans. What makes this tartan special is its asymmetric design, unusual and, to my eye, particularly appealing.
Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged and Crossbow.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Tartan.
Bearer: Anaya, Ernesto Juan.
Ernesto Juan Anaya, Ballesteros Hijosdalgo
Azure, a fess bretessed Or between in chief two pairs of cannons dismounted in two saltires, in base a mullet of six points Argent; a bordure Or, charged with eight crossbows Gules. Behind the shield a crossbow proper of the Noble Compañía de Ballesteros Hijosdalgo de San Felipe y Santiago.
Arms painted by me, highlighted with lights and shadows, outlined in Sable, with a semi-circular outer contour and with a watercolor finish.
This is the coat of arms of Ernesto Juan Anaya designed by him and emblazoned by me. The mullet of six points represents the armiger's university degree in astrophysics, reflecting a longstanding fascination with the discipline.
Blazon keywords: Azure, Or, Argent, Gules, One, Two, Pair, Eight, Fess, Bretessed, Between, In chief, Cannon dismounted, In saltire, In base, Mullet, Bordure, Charged, Crossbow, Behind the shield and Proper.
Style keywords: Outlined in sable, Illuminated, Semi-circular and Watercolor.
Classification: Personal, Interpreted, Boa and Coat of arms.
Bearer: Anaya, Ernesto Juan.
Continue with: Ernesto Juan Anaya, Order of Charles V.
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Language
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Categories of heraldry
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Divisions of the field
- Without divisions
- Party per pale
- Party per fess
- Party per bend
- Party per bend sinister
- Tierce
- Tierce sinister
- Tierced per pale
- Tierced per fess
- Tierced per bend
- Tierced pallwise inverted
- Quarterly
- Quarterly per saltire
- Gyronny
- Party per fess, the chief per pale
- Party per pale, the sinister per fess
- Party per fess, the base per pale
- Party per pale, the dexter per fess
- Chapé
- Chaussé
- Embrassé
- Contre-embrassé
- Party per chevron
- Enté
- Enté en point
- Flanched
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Metals
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Colours
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Furs
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Other tinctures
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Ordinaries and sub-ordinaries
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Diminutives of the ordinaries
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Geometric charges
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Composite ordinaries
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Inanimate charges from Nature
Atom, Crescent, Diamond, Emerald, Estoile, Goutte, Increscent, Lightning flash, Moon, Mount, Mullet, Mullet of four points, Orbital, Plough of Ursa Major, Rainbow, Ray of the sun, River, Sea, Snowflake, Sun, Sun in splendour, Sun of May, Terrestrial globe, Trimount, Water and Wave.
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Vegetal charges from Nature
Acorn, Apple, Apple tree, Ash, Bluebonnet, Bunch, Camellia, Chrysanthemum, Cinquefoil, Cornflower, Dogwood flower, Double rose, Eguzki-lore, Elm, Fleur de lis, Flower, Gourd, Grape, Holm oak, Hop cone, Indian paintbrush, Kapok tree, Laurel, Lily, Linden, Lotus flower, Madonna lily, Mexican cedar tree, Oak, Olive tree, Palm tree, Plantain plant, Pomegranate, Poplar leaf, Rose, Shamrock, Sunflower, Thistle, Tree, Tulip, Vine and Wheat.
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Animal charges from Nature
Badger, Bald eagle, Barbel, Barn owl, Bear, Beaver, Bee, Beetle, Bighorn sheep, Binson, Black grouse, Blackbird, Boar, Brach hound, Bull, Cat, Cow, Doe, Dog, Dolphin, Dove, Eagle, Elephant, Falcon, Female figure, Fish, Flame, Fly, Fox, Frog, Gazelle, Goat, Goldfinch, Goose, Heron, Horse, Hummingbird, Jaguar, Lark, Leopard, Lion, Lion passant, Lion rampant guardant, Lioness, Lynx, Male figure, Martlet, Merino ram, Monkey, Owl, Panther, Parrot, Peacock, Pelican, Pelican in her piety, Pronghorn, Puffin, Quetzal, Raven, Roe deer, Rooster, Savage, Seagull, Serpent, She-wolf, Stag, Starling, Swan, Talbot, Turtle, Tyger, Vulture, Warren hound and Wolf.
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Parts of natural charges
Arm, Beak, Branch, Caboshed, Chest, Claw, Covert, Dorsal fin, Eagle claw, Ear of wheat, Ermine spot, Escallop, Feather, Foot (palmiped), Foreleg, Forepaw, Hand, Head, Heart, Hoof, Leaf, Neck, Ostrich feather, Palm frond, Paw, Roe deers' attires, Shoulder, Sprig, Stag's massacre, Stags' attires, Stem, Swallow-tail, Tail, Tail addorsed, Tail fin, Talon, Tibia, Tooth, Trunk, Trunk (elephant), Two hands clasped, Two wings in vol, Udder, Wing and Wrist.
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Artificial charges
Ace of spades, Anchor, Anvil, Arch, Arm vambraced, Armillary sphere, Arrow, Axe, Bell, Bell tower, Beret, Bonfire, Book, Bookmark, Bow, Branding iron, Bridge, Broken, Buckle, Cannon, Cannon dismounted, Cannon port, Canopy roof, Carbuncle, Castle, Cauldron, Celtic Trinity knot, Chain, Chess rooks, Church, Clarion, Clay pot, Closed book, Club, Column, Comb, Comedy mask, Compass rose, Conductor's baton, Cord, Covered cup, Crossbow, Crossed staff, Crozier, Crucible, Cuffed, Cup, Cutlass, Cyclamor, Dagger, Displayed scroll, Double vajra, Drum, Ecclesiastical cap, Fanon, Federschwert, Fleam, Four crescents joined millsailwise, Galician granary, Garb, Gauntlet, Geometric solid, Grenade, Halberd, Hammer, Harp, Host, Hourglass, Key, Key ward, Knight, Knot, Lantern, Letter, Line, Loincloth, Maunch, Menorah, Millrind, Millstone, Millwheel, Minaret, Monstrance, Mortar, Mullet of six points pierced, Nail, Non-classic artifact, Norman ship, Number, Oar, Oil lamp, Open book, Page, Pair of pliers, Pair of scales, Parchment, Pestle, Piano, Pilgrim's staff, Plough share, Polish winged hussar, Port, Portcullis, Potent, Quill, Ribbon, Rosette of acanthus leaves, Sabre, Sackbut, Sail, Scroll, Scythe, Sheaf of tobacco, Ship, Skirt, Spear, Spear's head, Stairway, Star of David, Step, Sword, Symbol, Tetrahedron, Torch, Tower, Tragedy mask, Trident, Trumpet, Turret, Two-handed sword, Wagon-wheel, Water-bouget, Wheel, Winnowing fan and With a turret.
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Immaterial charges
Angel, Archangel, Basilisk, Dragon, Dragon's head, Garuda, Golden fleece, Griffin, Heart enflamed, Justice, Mermaid, Our Lady of Mercy, Ouroboros, Paschal lamb, Pegasus, Phoenix, Sacred Heart of Jesus, Saint George, Sea-griffin, Sea-lion, Trinity, Triton, Unicorn, Winged hand and Wyvern.
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External elements
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Heraldic creations
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References
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Formats
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Keywords on this page
Behind the shield, Between, Watercolor, Proper, Anaya, Ernesto Juan, Article, Azure, Crossbow, Bibliography, Boa, Bordure, Bretessed, Charged, Decoration, Outlined in sable, Two, In chief, In base, In saltire, Coat of arms, Mullet, Fess, Personal, Gules, Illuminated, Interpreted, Castilian language, Semi-circular, Eight, Or, Pair, Argent, Magazine, Surrounded, Century XX, Century XXI, Tartan, Plain tincture, Cannon dismounted and One.
