Emblemata; 1995

Baron of Valdeolivos Emblematic Chair, of the Fernando el Catolico Institution, of the Centre of Scientific Research (C. S. I. C.) and of the Government of Zaragoza, «Emblemata», Volume 1^st, Emblemata Aragonese Magazine about Emblems (E. R. A. E.), 419 pages, 44 pictures, ISSN 1137-1056, Legal deposit Z.3.937 1996, printed by the Cooperativa de Artes Gráficas Librería General, Zaragoza, 1995.

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Bibliographical reference of century XX.

Classification: Magazine and Castilian language.

The author is Cátedra de Emblemática Barón de Valdeolivos.

External link:

• Abstract in the Fernando el Catolico Institution.

Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-08-2, ISBN number immediately preceding its digital edition, Legal Deposit M. 192-2014, deposit number immediately preceding its digital edition, Madrid, 2014.

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Also published in digital PDF format on CD-ROM as [Fernández-Xesta y Vázquez, E.; 2014b] with a print run of 1000 copies.

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Bibliographical reference of century XXI.

Classification: Castilian language.

Author: Fernández-Xesta y Vázquez, Ernesto.

Bibliographic reference mentioned in the following articles:

• Fernández-Xesta y Vázquez, E.; 2014b
• García-Mercadal y García-Loygorri, F.; 2015

External resource:

• Digital record in the National Library of Spain.

Ernesto Fernández-Xesta y Vázquez, «Emblemática en Aragón. La colección de piezas emblemáticas del archivo biblioteca del Barón de Valdeolivos», edited by the Royal Academy of Heraldry and Genealogy of Madrid in collaboration with El Justicia de Aragón and the Spanish Confederation of Local Studies Centers (CECEL-CSIC), 899 pages, with color and black-and-white illustrations, ISBN 978-84-88833-09-9, ISBN number immediately following its print edition, Legal Deposit M. 193-2014, deposit number immediately following its print edition, Madrid, 2014.

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Also published in physical print format as [Fernández-Xesta y Vázquez, E.; 2014a] with a print run of 100 numbered and signed copies by the author.

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Bibliographical reference of century XXI.

The author is Fernández-Xesta y Vázquez, Ernesto.

The following articles cite this bibliographic reference:

• Fernández-Xesta y Vázquez, E.; 2014a
• García-Mercadal y García-Loygorri, F.; 2015

External resource:

• Digital record in the National Library of Spain.

Fernando García-Mercadal y García-Loygorri, «Penas, Distinciones y Recompensas: Nuevas Reflexiones en torno al Derecho Premial», [Emblemata; 2010; pages 205-235], Volume 16^th, Aragonesa de Emblemática Magazine, ERAE, Fernando El Católico Institution, ISSN 1137-1056, Zaragoza, 2010.

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Bibliographical reference of century XXI.

Classification: Article.

Author: García-Mercadal y García-Loygorri, Fernando.

External resource:

• Paper at Emblemata.

Azure, a terraze in base Or, overall a gazelle salient Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family.

Coat of arms of Julia Íñiguez Cruz designed by Juan Lanzagorta Vallín and refined and emblazoned by me. This image shows a composition consisting of the hand-drawn salient gazelle, subsequently digitally processed, together with its final representation within the coat of arms, all entirely created by me.

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Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Salient, Collared, Chain, Sinister, Conjoined and Cross couped.

Style keywords: Outlined, Outlined in sable and Semi-circular.

Classification: Personal, Interpreted, Boa, Hand-drawn, Collage and Photographic.

Bearer: Íñiguez Cruz, Julia.

Azure, a terraze in base Or, overall a gazelle salient Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family.

De azur terrazado de oro, brochante sobre el todo una gacela saltante de plata, acollarada de una cadena extendida hacia la siniestra de oro unida a la cruz de la familia Cruz.

Coat of arms of Julia Íñiguez Cruz designed by Juan Lanzagorta Vallín and refined and emblazoned by me. In heraldry, a gazelle «salient» ~ «saltante» represents a more restrained and less dynamic leap than a gazelle «springing» ~ «brincante», since in the salient attitude the hind legs, usually held close together, remain grounded while propelling the body upward, whereas in the springing attitude all four legs are depicted clear of the ground in mid-leap. The gazelle, like that of her mother Rosalía Cruz Carballo, bears around its neck the cross designed by Jon Lanzagorta for his co-father-in-law, Mr. Cruz, her grandfather. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or.

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Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Salient, Collared, Chain, Sinister, Conjoined and Cross couped.

Style keywords: Outlined, Outlined in sable and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Íñiguez Cruz, Julia.

Azure, a terraze in base Or, overall a gazelle statant Argent accompanied in honour point by the cross of the Cruz family.

De azur terrazado de oro, brochante sobre el todo una gacela parada de plata acompañada en el punto de honor por la cruz de la familia Cruz.

Coat of arms of Juan Pablo Íñiguez Cruz designed by Juan Lanzagorta Vallín and refined and emblazoned by me. Whereas the gazelles in the arms of his mother Rosalía Cruz Carballo and sister Julia Íñiguez Cruz were depicted as female, in this case the intention was to represent a male gazelle. For this reason longer horns have been painted and the male sex has been explicitly depicted. In heraldry, the representation of the male sex is common and almost generalized in certain heraldic beasts, especially in animals of strong or combative character such as lions, wolves, or bulls. In more stylized and elegant animals, such as stags or gazelles, such representation is more variable and depends largely on artistic, symbolic, and compositional criteria. In this particular case, I chose to depict it. The gazelle is accompanied by the cross that Jon Lanzagorta designed for his co-father-in-law, Mr. Cruz, the grandfather of Juan Pablo. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or. Note that the cross is itself a canting symbol, since it is the «cross» ~ «cruz» of the Cruz family. The honour point is a position within the coat of arms located on its central vertical axis, above the center of the shield and below the middle of the chief.

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Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Salient, At the honour point and Cross couped.

Style keywords: Outlined, Outlined in sable and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Íñiguez Cruz, Juan Pablo.

Azure, a terraze in base Or, overall a gazelle springing Argent, collared with a chain streaming to sinister Or conjoined to the cross of the Cruz family bendwise.

De azur terrazado de oro, brochante sobre el todo una gacela brincante de plata, acollarada de una cadena extendida hacia la siniestra de oro unida a la cruz de la familia Cruz puesta en banda.

Coat of arms of Rosalía Cruz Carballo designed by Juan Lanzagorta Vallín and refined and emblazoned by me. In heraldry, a gazelle springing represents a broader and more dynamic leap than a gazelle salient, since in the springing attitude none of the hooves touch the ground, whereas in the salient attitude the hind legs, usually held close together, remain grounded while propelling the body upward. The English heraldic term «springing» is commonly used to describe a quadruped depicted in mid-leap, with all four legs clear of the ground, since there is no fully established Castilian translation for this heraldic attitude, I translate it as «brincante». The broad and energetic leap of the gazelle reflects Rosalía’s sporting spirit, vitality, and fondness for running and overcoming obstacles. The gazelle bears around its neck the cross designed by Jon Lanzagorta for his co-father-in-law, Mr. Cruz, her father. For this reason the cross is referred to in the blazon as the cross of the Cruz family and is not specifically blazoned in this case, although it could be described as a cross patty whose arms are each formed by three compony pallets Argent, Purpure and Or.

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Blazon keywords: Azure, Or, Argent, One, Terrace in base, Gazelle, Springing, Collared, Chain, Sinister, Conjoined, Cross couped and Bendwise.

Style keywords: Outlined, Outlined in sable and Semi-circular.

Classification: Personal, Interpreted, Boa and Coat of arms.

Bearer: Cruz Carballo, Rosalia.

Continue with: Edwards, Christopher.